Displaying items by tag: Vanessa Claire Stewart
Louis and Keely, Live at the Sahara- Brings Two Jazz Prodigies Back to Life!
From the moment actor Anthony Crivello as Jazz great, Louis Prima, is wheeled onto the stage on a hospital bed speaking to us from a coma, and snaps his fingers to begin the story of his life, the audience is absolutely enthralled by his manic yet superbly commanding presence until the last moment of the show 90 minutes later.
“Live at the Sahara” looks like another hit for very talented producer, Hershey Felder. Academy Award Winning director and writer Taylor Hackford and writers Jake Broder, and Vanessa Stewart have written a fast moving, compelling 90 minute version of Prima’s life beginning when his big band goes out of style and Prima reinvents his act by taking on a seventeen-year-old songbird he renames Keely Smith.
Vanessa Claire Stewart not only helped write this dynamite and very entertaining and touching true love story, she also stars beautifully and believably as the modernly talented Keely Smith.
The show is packed with Prima and Keely hit songs from their once very successful Vegas cabaret act performed with his over the top enthusiasm and her cool cat like deadpan nonchalance like, “What is This Thing Called Love”, “I Can’t Believe Your In Love With Me”, “Hey Boy, Hey Girl”, “Night Train”, “Ai,Ai,Ai” and of course their most famous “That Ol’ Black Magic”.
Prima helped Keely become a star then deeply resented and even hated her for it. Keely gave him two daughters and helped him completely revive his sagging career with her wonderful voice and youthful, ahead of her time hipster energy, but in the final analysis Prima cheated on her and drove her into the arms of friend and producer Frank Sinatra (played with swagger by Paul Perroni). Erin Mathews was a delight in her many ensemble roles as Keely’s mom and later as the many women who came between Keely and Prima.
I loved the seven-piece band that played the entire show onstage and became part of the play many times. The staging and costumes were true to period but I got the feeling this is just a build up for what should be a very nice, large Broadway show in the future. I wanted to see more of the duo in their complete stage act, about ten minutes more and more of the supporting characters. Also, I felt the show and script were so interesting, detailed and well written that there could have been a nice twenty-minute intermission without disturbing the flow at all. It actually makes Crivello’s performance even more impressive that he maintained his energy at such a high level almost nonstop.
Anthony Crivellos’ performance really has Tony Award written all over it (he previously won a Tony Award for best featured actor as Valentin in Kiss of the Spider Woman). Crivello is so full of Prima’s hard to copy musical manic energy and rhythms it was mind blowing to watch. In the final scene where Prima has lost Keely, and his second family of daughters and suffered a heart attack leaving him comatose for three years before his death, Crivello sings another version of “Just a Gigolo” with a heart breaking and teeth grinding pathos that just shakes the audience to its core, making you realize his own tragic fatal flaw was written by him in this song years earlier.
“Just a gigolo, everywhere I go
People know the part I'm playing
Paid for every dance
Selling each romance
Every night some heart betraying
There will come a day
Youth will pass away
Then what will they say about me
When the end comes I know
They'll say just a gigolo
As life goes on without me”
Throughout Prima’s life, his friends and the women who loved him tried to convince him to settle down into the gift of family life but his ego and desire to be the sole STAR, even at the expense of his own wife’s devoted love and friendship, ruin every opportunity for healthy continuity.
Prima tried and failed to be a Svengali to one more young songstress after driving Keely way for good but never realized that Keely was his once in a lifetime, irreplaceable, creative soul mate.
I highly recommend seeing “Louis and Keely, Live at the Sahara”, it is a solidly written, dynamically played production that is filled with great classic music and a true life story of genius and showbiz both victorious and tragic.
“Louis and Keely, Live at the Sahara is playing at Royal George Theatre on an open ended run. For tickets and show info visit http://www.theroyalgeorgetheatre.com/.
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