The critically acclaimed Trinity Irish Dance Company (TIDC), a Chicago-based company whose internationally-celebrated versatility and percussive power have been hailed as “impossibly complex” (The New York Times) and “sophisticated and commanding” (Los Angeles Times), will launch its 35th Anniversary season at the Museum of Contemporary Art (MCA) in May. Led by the consistent pioneering vision of Founding Artistic Director Mark Howard, the 35- year evolution of this company is leading to a flurry of major milestone moments - including the world premiere of groundbreaking work at the MCA, the company’s Jacob’s Pillow debut, and administrative and artistic expansion.
The highly anticipated main event will be the world premiere of The Sash, and its companion dance, Taking the Mick, which celebrated its premiere last spring at TIDC’s annual Auditorium Theatre performance.
Two years in the making, these companion works are inspired by the Irish on both sides of the pond: Taking the Mick, “whimsy meets percussive ferocity” (Chicago Reader) choreographed by Howard and Associate Artistic Director and dancer Chelsea Hoy, is set against a vaudevillian era narrative that dances amongst the madness between Irish immigrant insecurities, social mobility, one-upmanship and assimilation into America.
The Sash, choreographed by Founding Artistic Director Mark Howard, Associate Artistic Director and dancer Chelsea Hoy and guest contemporary choreographer Stephanie Martinez, founder and Artistic Director of Chicago’s PARA.MAR Dance Theatre, presents an unprecedented movement vocabulary that brings the virtuosity and versatility of TIDC’s artists to a new level. Fusing Irish precision, traditions, and history with contemporary flair, The Sash brings to life Northern Irish composer Kevin Sharkey’s dream inspired by his childhood during the “Northern Ireland Troubles,” and reminding audiences that unity is stronger than conflict.
Set to a rousing score by Sharkey, the world premiere also features dialogue from the hit television series Derry Girls as well as spoken text provided by acclaimed Irish actress Eva Birthistle of the famed television series Bad Sisters.
“These companion works and their range represent a sort of ‘Sergeant Pepper’ moment for us,” says Howard. “Ours is a company that continuously and seamlessly re-grows to meet its expanding potential. Our artists’ movement vocabulary and prowess are developing at breakneck speed, and as choreographers, we love nothing more than to create new landscapes and open up new portals for our company members to soar through.”
The program will be rounded out with audience favorites that showcase the range of TIDC’s genre-defying repertoire, including Howard’s Push, an explosion of hard-driving percussive power demonstrates the company’s consistent message of female empowerment; and Michelle Dorrance and Melinda Sullivan's American Traffic, a hybrid of Irish step and American tap that plays at the intersection of rhythmic sensibilities and rebellious histories, amongst others. The program will feature original live music performed by TIDC’s band, fronted by Killarney-raised, New York City-based Brenoshea; company member Francisco Lemus who was named in Dance Magazine’s 2025 “Top 25 to Watch,” and a prelude that will introduce audiences to ten international dancers that make up TIDC’s brand-new Training Company, showcasing the high- powered athleticism of these new artists hailing from the US, Mexico, and Canada.
The four-performance series at the Museum of Contemporary Art, 220 E. Chicago Ave., May 16-18 will include:
The opening night performance and gala celebration will honor Trinity Warrior Award recipient Mark Kelly, former commissioner of Chicago’s Department of Cultural Affairs and Special Events, and Agnes Howard Award recipient Rie McGarry, who served as TIDC’s devoted costume manager and traveled with the company for more than a decade. The post- performance celebration will also feature drinks, light fare and celebrating with the artists.
Tickets for TIDC’s MCA engagement are on sale now and range from $40 to $80. Tickets for the opening night gala performance are priced at $275.
Following their MCA engagement, TIDC will celebrate their debut at Jacob’s Pillow, America’s longest running international dance festival, which celebrates its 93rd season in Summer 2025. Their engagement will feature six performances from July 10-13.
"Trinity Irish Dance Company embodies the spirit of tradition and innovation that we look for," said Jacob’s Pillow’s Executive and Artistic Director Pamela Tatge. “The company's commitment to blending the bold energy of Irish dance with contemporary sensibilities is unmatched. Their performances will mark the first time Jacob’s Pillow has presented a full program of Irish dance on the Ted Shawn Theatre stage. We can’t wait to celebrate their 35th Anniversary with their Jacob’s Pillow debut.”
For tickets and more information about their 35th Anniversary Season, please visit trinityirishdancecompany.com/performances.
Leading into its 35th Anniversary Season, TIDC is celebrating artistic and administrative expansion. The company recently welcomed a longtime leader in the Chicago dance community, former executive director of Hubbard Street Dance Chicago and River North Dance Chicago, Gail Kalver, to their team as Development Manager and Board Liaison. In response to growing interest from elite dancers around the globe to join TIDC’s mission and study Howard’s unique movement genre, known as progressive Irish dance, TIDC launched a new Training Company this fall.
If our day-to-day lives were a collective color, it would probably be the color blue. Whether you are feeling blue,…
The National Hellenic Museum is thrilled to host an exclusive in-person event on Greek mythology with cast members from the national tour…
Stories that explore the emotional lives of men—especially Black men—are still far too rare on the American stage. Outside the…
Chicago Opera Theater (COT), Chicago’s foremost producer of new and rarely staged operas, proudly presents the world premiere of She Who Dared by…
Something extraordinary happens on a street in Huntsville, Alabama. Mr. Woods (Keith Randolph Smith), a hard-working Black man in the…
The Den Theatre today announced upcoming June 2025 shows at the theatre's Wicker Park stages at 1331 N. Milwaukee Ave., including "Anatomy…
I reviewed TITUS ANDRONICUS in mid-February, so I was eager to see the sequel! In TITUS, Shakespeare tells the story…
BrightSide Theatre, Naperville’s professional theatre company, has announced the cast for the final show of its 13th season – the…
Eight Chicago artists from diverse backgrounds and disciplines have spent the last eight months in residence at the Chicago Puppet…
“Spring Awakenings,” now playing at Chicago’s Greenhouse Theater Center, is not the Tony-winning 2006 Broadway musical “Spring Awakening,” but an…
Rosemont's Parkway Bank Park entertainment district (5501 Park Place, Rosemont) will turn up the volume this summer with the return of its…
Lisa Sanaye Dring’s play “Kairos,” which just opened at The Edge Off Broadway theater, is one of the most thought-provoking…
It was a night of celebration, reflection, and breathtaking talent at the Civic Opera House. Fifty years of song echoed…
Court Theatre’s world premiere of Berlin, adapted by Mickle Maher from Jason Lutes’ monumental graphic novel, is a breathtaking achievement.…
Chicago's Rivendell Theatre Ensemble continues to celebrate its 30th Anniversary season with the World Premiere co-production of Keiko Green's GORGEOUS, directed by Kirsten Fitzgerald. The co-production…
Broadway In Chicago is thrilled to announce that its free SUMMER CONCERT will return to Millennium Park on August 11,…
The Joffrey Ballet concludes its 69th season with two-time Tony Award®-winning choreographer Christopher Wheeldon's enchanting and family-friendly Alice's Adventures in Wonderland. Set to…
“Henry Johnson,” David Mamet’s new play running at the vintage Biograph Theatre, is like many of his works, enigmatic and…
American Blues Theater, under the continued leadership of Executive Artistic Director Gwendolyn Whiteside, presents the Chicago premiere of Artistic Affiliate Charles Smith's Golden Leaf…
The critically acclaimed Trinity Irish Dance Company (TIDC), a Chicago-based company whose internationally-celebrated versatility and percussive power have been hailed…
Hell in a Handbag Productions is pleased to conclude its 2024/25 Season with the world premiere of QUEEN FOR A DAY written by…
Early in the first act I whispered to my companion and said “I love this!” Extremely well written by Joshua…
The repertoire for this fabulous program - A WONDROUS SOUND, showcasing the full force of Lyric’s amazing orchestra and chorus,…
Citadel’s latest production, A Jukebox for the Algonquin, truly captured my heart. It’s a refreshing reminder that as we age,…
As a lifelong aficionado of the ill-fated ocean liner RMS Titanic, I’ve always gravitated toward any experience that would leave…
The Artistic Home Studio will present the 2025 edition of its annual CUT TO THE CHASE festival of new one…
In an era that often defies reason, Chopin Theatre and Gwydion Theatre launch the first annual Theatre of the Absurd…
Pegasus Theatre Chicago and Director ILesa Duncan proudly announce the casting for the revival of playwright Shay Youngblood's Shakin' the Mess Outta Misery, which follows…
The Opera Festival of Chicago announces the cast and creative team for The Love of Three Kings (L’Amore dei tre Re), with…
See Chicago Dance, the dance industry's nonprofit service organization celebrating its 20th anniversary in 2025, is proud to announce that its popular…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.