Something Clean, directed by Lauren Shouse, gives us a compelling story, very well acted, and with that touch of magic that comes from a great chemistry in the performers.
The script (by Selina Fillinger) is notable for the way it depicts real human beings who develop and change in the course of the action. Fillinger is an actor, and it shows in the dynamic, truly living characters she places onstage.
It is a story for our times, and tells of three people whose lives have been impacted by a sexual assault. One, whom we meet later in the action, is Joey (Patrick Agada), a tall, strapping, charming, perpetually upbeat counselor at a downtown assault crisis center.
But first we meet Charlotte (Mary Cross) and Doug (Guy Massey) whose 19-year-old son Kai was involved in an assault. Gradually we learn that he was not a victim (we never meet him), but was the perpetrator. Until Kai was convicted and imprisoned, his parents lived humdrum lives, pretty much on autopilot socially and domestically. Now, they visit their son in jail each week, and their angst festers and threatens their relationship. They are unsuccessful finding couples counseling, with Doug rejecting therapists weekly after a single visit.
As we get to know these two, we sense they are estranged from each other, physically aloof, and alienated from their social circle by the shame of their son’s crime. Charlotte cleans compulsively, and Doug buries himself in his work.
Eventually, Charlotte volunteers at the sexual assault crisis center – and her process of healing commences when she meets Joey. Agada’s performance is deft, and striking. His effusive personality (he is Joey with a "Y" because "I like to end my name with a smile!") makes these two seem an unlikely pair, but they develop a completely convincing bond that seems to draw energy from their work together as actors – informing their portrayals as emotionally connected workers at the center. This relationship and performances are what sustains Something Clean. It is hard to imagine it working without this level of excellence in the roles of Charlotte and Joey.
Under Joey's nurturance, Charlotte emerges from her protective shell to become a sweet, charming and vulnerable woman. Charlotte’s emotional recovery contributes to Doug’s healing as well – something we see in real life when one person’s therapy ends up addressing their partner’s problems, too. The neutral gray set (Arnel Sanciano) is noteworthy, as is one of the props (which are byJonathan Berg-Einhorn): a book by Jennifer Weiner, I think it was Who Do You Love, a tale that mirrors the emotional dynamics of this show.
I have to admit I sometimes approach Rivendell Theatre Ensemble’s productions with trepidation that I will end up being more edified than entertained. Something Clean does both, and in no small part because of Mary Cross ‘s great performance – she has her craft nailed, and watching her crawl out of her shell is a delight. Produced in partnership with Sideshow Theatre, (it received funding from The Eliabeth Cheney Foundation) which commissioned the work, Something Clean played to acclaim after premiering at New York’s Roundabout Theatre last month. It runs through July 21 at Victory Gardens Theater (the old Biograph Theater building).
Does not supporting Israel make you an anti-semite? This is the central theme of playwright Steven Levenson’s work ‘If I Forget’ now running at Victory Gardens under the direction of Devon De Mayo. Levenson is best known for providing the book to Broadway’s smash hit ‘Dear Evan Hansen’. “If I Forget” made its Broadway premiere in 2017 at the Roundabout Theatre Company.
“If I Forget” is a classic family drama that echoes of Arthur Miller. The set up is very simple, a DC-based family reunites for their father’s 75th birthday. Their father, Lou (David Darlow) is still mourning the recent death of his wife when his three adult kids come to visit. The action mainly concerns itself with a controversial book his son Michael (Daniel Cantor) is writing titled ‘Forgetting the Holocaust’. In two acts deep familial revelations are made as the family hotly debates what Jewish heritage means in our modern world.
While Michael is the main character, this is largely an ensemble piece. His older sister Holly (Gail Shapiro) is a socialite with few ethical cares, while his younger sister Sharon (Elizabeth Ledo) is the caretaker-type to whom Judaism is quite sacred. Michael’s wife Ellen (Heather Townshend) has no religious affiliation but serves to represent the respect for tradition some non-believers have. When it’s discussed what is to be done with their father’s valuable real estate, each character confronts their connection to their lineage.
The female ensemble gives very compelling performances. Elizabeth Ledo provides the moral backbone of the play even if her character has selfish intentions. She’s the voice of traditional values lost along the way to progress. Ledo’s performance is touching and complicated and even tragic by the play’s end. Gail Shapiro is a Karen Walker-flavored character that gives the play its levity. She saunters about naturally with the cool authority of the upper classes, seemingly untouchable by political tides.
“If I Forget” is an uncomfortable play to watch. As we move further from the recent memories of the Holocaust, we see generations become destigmatized by the horrors found at Dachau and Auschwitz. The scary part is that without the memory of it, there’s a chance it could happen again. This play also picks apart the nuances of the politics around Israel. Talking about this play will be difficult as some of the dialogue could be triggering for some audiences. This is exactly what good theatre should do. There are bits of dialogue so divisive your jaw might hang open. Levenson’s play hinges on a single hypothesis and rarely strays from that essential question. De Mayo gives this play an impressive Chicago premiere with a strong cast and a commitment to the intensity of the words.
Through July 7th at Victory Gardens Theater. 2433 N Lincoln Ave. 773-871-3000
Growing up our radio dial was tuned to one channel, K-Earth 101. In Southern California that station was the oldies,…
Crowds will flock to see “Judgment Day,” having its world premiere at Chicago Shakespeare Theater on Navy Pier. While many…
In "Panther in the Sky," playwright Lani T. Montreal masterfully weaves a tapestry of grief, resilience, and redemption through the…
A collaboration of Chicago dance and Germany lighting sculpture live on stage About the Program: This program, set within an…
Broadway In Chicago is excited to announce the pre-Broadway World Premiere of DEATH BECOMES HER is now playing at the Cadillac Palace Theatre…
Blue in the Right Way audaciously chose for their inaugural production a 400-year-old play, WOMEN BEWARE WOMEN, written in 1621…
I think my favorite thing – well, one of my favorite things – about Wyatt Kent’s take on HAMLET is…
Frolicking season is upon us once again and Joffrey Ballet welcomes summer with the return of Alexander Ekman’s “Midsummer Night’s…
As the audience takes its seats we are greeted by an atmosphere of foreboding, a trestle bridge girder to the…
Director Chuck Smith returns to Goodman with another major August Wilson revival–“Joe Turner’s Come and Gone”. This is the second…
The Gift Theatre is pleased to announce its 2024-25 season featuring Suzan-Lori Parks' masterpiece Topdog/Underdog directed by Shanésia Davis and the world premiere of Cygnus by Susan Soon He…
Broadway In Chicago is excited to announce that individual tickets for the world premiere of the first ever touring production…
Full cast and crew have been announced for BrightSide Theatre's upcoming production of JESUS CHRIST SUPERSTAR, the rock opera that…
Chicago Opera Theater (COT), Chicago’s foremost producer of new and reimagined opera, closes its 50th Anniversary season presenting the final performances of…
Tim Rhoze, Artistic Director of Fleetwood-Jourdain Theatre, has announced the company's 2024 season of four productions. The season will open with…
David Williamson, regarded as one of the top magicians in the world today, makes his Rhapsody Theater debut with Ridiculous! Known for his tours…
Curious Theatre Branch is pleased to announce the 35th annual Rhinoceros Theater Festival, May 25 - June 30 at six venues across Chicago. The…
It’s often said that in the workplace you should refrain from talking about politics and religion; too personal, too easy…
BALLET 5:8 is a female - and minority-led ballet company resident at Harris Theatre in Millenium Park. Under the leadership…
When life’s chaos is full of impossible choices, how are we possibly meant to move forward? Brooklyn Laundry is about…
I would absolutely bomb out of jury selection cos I have a very definite bias: I’ve been a fan(atic) of…
You got trouble, my friends, if you’re going to put on Meredith Willson’s The Music Man. If you’re going to…
This year's Alvin Ailey American Dance Theater 65th-anniversary engagement at Chicago's historic Auditorium Theatre held particular importance as it marked…
For the final show of its 30th anniversary season, Trap Door Theatre—the little company that could—has selected a sure-fire hit…
Chicago’s National Landmark Auditorium Theatre (50 E. Ida B. Wells Drive) proudly announces its 2024-25 performance season presenting a vibrant mix of…
Chicago Writers' Bloc has announced the lineup of plays and musicals for its biennial festival of new plays, to be…
If you appreciate classical music and captivating stories about brilliant artists from the past, Hershey Felder’s one-man show, Monsieur Chopin:…
Jackalope Theatre Company continues its 16th season at Edgewater’s Berger Park, 6205 N. Sheridan Rd., with the announcement of the cast…
Born and raised in Mexico City, Dr. Ricardo Rosenkranz, MD, Chicago’s own Physician Magician, will celebrate the festive Cinco de Mayo holiday weekend by…
The Player (Lorenze Rush Jr) has just run into Rosencrantz and Guildenstern with his troupe of players. As he explains…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.