Displaying items by tag: Rachel Payne

“The Waiting Room” is an insightful arrangement of relationships in tension with themselves and the outside world, pressed together in the arena of a government agency. Social outsiders, each carrying the weight of a broken soul mismatched with their partner or their environment, struggle to find themselves. This story exemplifies the “slice of life” genre, opening the door into private rooms and shining a light on social prejudices and inequalities.

This short film is the work of up and coming filmmaker Prabir R. Chowdhury, whose poetic style comes to fruition with the touch of a master in this refreshing story. Recognized by film festivals on three continents as a poignant, unique, and eye opening creation, the film reflects a multicultural outlook set in modern day Chicago. It follows a day in the life of foreigners - an African couple fielding the language barrier in a quest for legal status, an Indian man studying nervously for his driver’s license, and an Eastern European woman too busy to find the love she craves – as well as homegrown Chicagoans – a mismatched couple expecting a baby, a single mother juggling time and emotional turmoil, and a reclusive baby boomer whose paintings provide a wall to the outside world.

Chowdhury demonstrates a singular gift of crafting commonplace personal exchanges into life-altering moments of tensely heartfelt drama in this short film. Each person’s tale revolves and interchanges with the others to reveal the soul of the piece. Little truths culminate into an imprint on the film’s audience which may inspire a little more tolerance, and perhaps a little more interest in the human lives we touch. From the mundane to the magnificent, Chowdhury’s work inspires a confidence that leaves the audience wanting more from this talented writer, editor and director.

“The Waiting Room” is currently running the film festival circuit and will be released this fall. More information can be found on the film’s Facebook page at https://www.facebook.com/shortstorycollection.thewaitingroom, or on the production company’s website at http://www.mindframesets.com/movies/the-waiting-room/.

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“His Way – Sinatra’s Centennial Celebration” is really more of a tour de force of the unbelievably talented Ron Hawking. This recipient of the 2014 Chicago Music Award’s Lifetime Achievement Award has spent over a decade building and honing a repertoire of spot-on impressions of over a dozen of America’s most beloved singing stars of the 1950’s- 60’s.

The show was a one night only performance presented as part of the “Made in Chicago” music series hosted by the historic Auditorium Theatre. A masterpiece of architecture, the Auditorium Theatre has been a favorite of Chicago theatre goers since its opening in 1889. Beautifully gilded in gold and sparkling with hundreds of lights, the Auditorium has showcased nearly every major figure in entertainment in the last century. The theatre’s landmark status was celebrated on Chicago’s “Auditorium Theatre Day” on December 9, 2014, on the occasion of its 125^thanniversary.

Hawking does an admirable job of delivering remarkable and humorous impersonations of entertainers. He gave homage to Sinatra’s 100^th birthday by singing the birthday song to him while wearing the famous Sinatra black fedora. His swinging renditions of such favorites as “You Make Me Feel So Young” had the audience literally dancing in their seats!

Mixed in with the Sinatra hits were signature songs and jokes of beloved singers and actors such as Louis Armstrong, Tony Bennett, Dean Martin, and an especially good Jack Nicholson. These characters originated in other shows developed by Hawking such as “The Men and their Music” and “Home for the Holidays”, which, along with “His Way - A Musical Tribute to Frank Sinatra” are some of Chicago’s longest running and most beloved musical tribute shows. They have appeared over a thousand times at The His Way Theatre in Chicago’s NBC Tower.

While Hawking’s feel-good show brings to mind such family centered entertainment as is popular in Branson, Missouri, the show seemed more suited to a dinner theatre or bar than to the large space of the Auditorium. Given the benefit of multiple performances however, veteran performance crafter Ron Hawking could surely thrive in such an arena.

“His Way – Sinatra’s Centennial Celebration” starring Chicago’s own Ron Hawking may have come to the Auditorium for a one night special performance, but the “Made in Chicago” music series continues. Tickets to upcoming events in this series are available at AuditoriumTheatre.org by calling (800) 982-ARTS (2787) or in-person at the Auditorium’s Box Office (50 E. Congress Pkwy). Check out upcoming shows in this series here.

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A legend in her own right, Frederica von Stade graces the stage with poise and perfection in Chicago Opera Theater's "A Coffin in Egypt". A veteran mezzo-soprano, her performances, recordings and television specials have garnered her six Grammy nominations, a cascade of European awards and recognition, and even an award from President Reagan in 1983 in recognition of her significant contribution to the arts.

The story presented in the opera comes from a tale by revered American dramatist Horton Foote, who's often seen play "The Trip to Bountiful" exemplifies his recurring themes of family, community and the triumph of the human spirit.

Ricky Ian Gordon, award winning composer, crafted this opera specifically to showcase Ms. von Stade's virtuosity. The opera was commissioned by Houston Grand Opera, The Wallis Annenberg Center, and Opera Philadelphia.

Bringing together a wealth of skill and experience, unfortunately this show lacks a riveting climax. Essentially it is a monologue of a dying woman, ruminating on the memories and men that shaped her life. Sprinkled with a few strong songs, the majority of the music is asynchronous and wandering. The music stays mostly at the lower end of Ms von Stade's range, disappointing since her most beautiful moments are in the higher, longer notes where her voice is free and stunning. This is ironic and disappointing considering that this is supposed to be a piece to showcase her talent.

Although her emotions revolve constantly as she fixates on each memory, the lighting is too static and realistic to reflect, enhance or build her moods. The lighting did however enhance the boredom that grew until the curtain fell.

The set was charming however, reflecting the place and the lady's emotional turmoil with a simple and elegant design. Veteran scenic and costume designer Riccardo Hernandez met the challenge of being both scenic and costume designer for this production with success! Mr. Hernandez has also collaborated with the Goodman Theatre here in Chicago as well as in Paris, Norway, and the Moscow Art Theatre.

Chicago Opera Theater presents Ricky Ian Gordon's "A Coffin in Egypt" April 25 through May 3 at the Harris Theater (205 E. Randolph). Tickets are now on sale at chicagooperatheater.org.

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