Displaying items by tag: Pippin

Fun fact. I went into Music Theater Works’ production of Pippin knowing the songs, knowing the show, and knowing I’d have a good time. But afterwards, I learned from my daughter, herself a current member of Scotch’n’Soda Theatre, Carnegie Mellon University’s student theater troupe, that the beloved musical didn’t just appear out of thin air, manufactured by the Broadway gods and bestowed upon us earthly theatergoers.

But Pippin didn’t just appear magically like all the good shows seem to have done. It was originally written by Stephen Schwartz as a student show for Scotch’n’Soda Theatre before its first Broadway run, directed by the great Bob Fosse. Knowing that now, the show’s youthful exuberance and dated innocence makes sense. Of course it was written by a kid, albeit a very talented kid.

Knowing that, the show means that much more—the story of a talented kid figuring out life and yearning for something, written by a kid like that. And knowing that, it’s fitting that my favorite part of this fine production of Pippin, directed by Kyle A. Dougan at the North Shore Center for the Performing Arts, was its young and talented and eager and enthusiastic ensemble. Seriously, the ensemble works (and sings and dances and acts) their tails off.

Choreographed by Mollyanne Nunn and Kaitlyn Pasquinelli, both ensemble members as well, there is always something fascinating going on across the stage; I never knew quite where to look because there was always someone stunning me with a dance move or making me laugh with a random bit of incidental tomfoolery. The scenic design by Shane Cinal and the costumes by Jazmin Aurora Medina only furthered the youthful feel, for me especially, as the themes and color palette and props all screamed 80s and 90s. And said costumes and props were put to good use by the cast, with Ciara Hickey and Jordan Ordonez two standouts, the latter joining Lacey Jack and Sonia Goldberg’s Leading Player for the dance scene in “Glory.”

Goldberg starred last year in Theo Ubique’s Once Upon a Mattress, and again takes center stage in the role of Leading Player, originated by Ben Vereen, leading the production throughout. Goldberg also leads youthful and yearning Pippin through the show’s story, for this production played by Connor Ripperger. Both Ripperger and Goldberg have phenomenal vocal skills, and show them off throughout. Their talents are matched by the rest of the main cast, including a hilarious (and hilariously costumed) Thomas M. Shea as Pippin’s royal father, King Charlemagne, Andrew Freeland as Lewis, Desiree Gonzalez as Catherine, and Di’Aire Wilson as Theo. The two women competing in the king’s life are wonderful; Kathleen Puls Andrade’s Berthe kills “No Time at All” (helped out, of course, by the audience on the choruses) and Savannah Sinclair flashes her dancing skills as Fastrada.

But again, this production is most enjoyable as a whole—because of all the talent onstage, because of all the enthusiasm shown by every single member of the cast, and because of all the hard work that has obviously been put into the show by everyone involved with Music Theater Works. I’d be remiss if I didn’t mention the orchestra, conducted by Justin Akira Kono. Kono leads the strings, horns, and trumpets through the show’s beloved soundtrack, and gives it a real Broadway feel. Because yes, this might be a show about youthful angst, written by a college kid for a college theater, but it’s also a beloved Broadway classic, jam-packed with beloved standards. And from now through June 25, you can see the cast and crew of Music Theater Works give it their all in Pippin at the North Shore Center for the Performing Arts in Skokie.

Over 40 years ago, Pippin made its debut on Broadway and now it is back and in Chicago for the next few weeks. Pippin is the story of a young prince on his somewhat Faustian journey to find purpose in life, as told through the mysterious performance troupe lead by the Lead Player as our narrator.  In this touring revival, the performance troupe is set in a circus which brings the magic of the big top to the show.  

Overall, I found the show truly a spectacular, spectacular with the chaotic excitement on stage befitting a Baz Luhrmann film (of which I am also a fan!).  The combination of acrobatics by Gypsy Snider, Fosse style choreography by Chet Walker and stunning costumes designed by Dominque Lemieux all in the circus tent set by Scott Pask creates a production that will be sure to wow everyone in the audience.

The original production was directed and choreographed by Bob Fosse and it was wonderful to still see his stylistic influences throughout this show. Appreciating the difficulty of Fosse choreography, I was impressed with the dancing in the show. It was taken to a whole new level with the choreographic updates and addition of high flying and jaw dropping acrobatics and stunts which you have to see to believe.

This show breaks down the 4^th wall with the actors addressing the audience directly, and calling out the fact that they are in a show. Sasha Allen in the role of the Lead Player was fantastic and her powerful singing gave me chills more than once during the show.  In the role of Pippin, Sam Lips was a star. He was a strong lead with a fantastic voice and personality that drew the audience in. My favorite actor of the show was hands down Adrienne Barbeau as Berthe, Pippin sassy grandmother.  In the song “No Time as All” she will thrill and truly shock and surprise you – a surprise which I will not ruin for those who are heading out to see the show!

The show is funny and thrilling with plenty of good one-liners and jokes that get the audience laughing and (warning parents!) some scenes that get a pretty racy! At the same time, it has a much deeper and darker plot that speaks more to real life than your typical happy go lucky musical.  In an all around well-executed show, the performance troupe takes us on a journey of seeking greatness and meaning in a world where there is no clear path. Through a series of compromises shrouded in doubt and confused all the more by the influence of the Leading Player we watch Pippin settle for ordinary over extraordinary in the end, seemingly happy with his ultimate decision.

I can highly recommend this show as a great breakaway from your traditional Broadway production that will thrill you, give you the chills, and also make you stop and reflect on the challenges of real life.  It is playing at the Cadillac Palace Theater through August 9^th.  Get your tickets before the final curtain falls and the lights are all turned off on Pippin in Chicago!