Disney’s 1991 Award-winning musical Beauty and the Beast was an instant hit. Its songs were memorable, and its story considered one of Disney’s best. With music by Alan Menken and lyrics by Tim Rice and Howard Ashman, a live musical took the Broadway stage in 1994 that successfully ran for thirteen years (Broadway’s tenth longest run) and has since been stage in theatres all around the world. Fairy tale lovers in the Chicago area now get their chance to see this highly acclaimed fantasy-musical once again, this time at Aurora’s Paramount Theatre, in what is truly a visually stunning, heart-warming and vocally charged adaptation of the modern classic.
A spell is cast on a handsome prince that turns him into an unsightly beast after his horrible behavior and selfish ways have gone too far. He now lives in a dark mansion deep in the woods along with a once human staff that are slowly turning into household items - a candlestick, a clock, a dresser and a teapot. The more time that passes the closer each is to losing their human likeness altogether - forever. Only one thing can save them – should the beast fall in love before the last pedal of a magic rose falls, the spell would be reversed, and all would be come human again. But…the love must be returned to him. For a hot-tempered beast that lives hidden in the middle of a vast forest, this is much easier said than done.
Belle (Beth Stafford Laird) is a beautiful village girl who is courted by town hero Gaston (Emmett O’Hanlon) but she repeatedly fends off the egotistical hunter’s aggressive advances. But Gaston doesn’t give up so easily and he, along with his comical sidekick Lefou (Nick Druzbanski) are always scheming their next move. Belle’s kind-hearted father Maurice (Ron E. Rains) is an inventor whose keen ideas are often looked at as kooky by the fellow villagers. He loves his daughter more than anything but stumbles into trouble when he gets lost in the woods and Belle goes on the daunting task of searching for him on her own. After a series of happenings have the two crossing paths deep within the trees, Belle then Beast’s last chance for love before time runs out.
Paul-Jordan Jansen, who recently left a strong impression on theatre goers for his strong performance in Drury Lane’s ‘And Then There Were None’ is magnificent as Beast. His deep, strong speaking voice and precise annunciation of every syllable lends to his regal background, so we never forget who he was despite his beastly appearance. Jansen effectively delivers rage as well as he does tenderheartedness, making Beast a well-rounded counterpart to Belle. And Beth Stafford Laird is well cast as the musical’s leading lady, charming, warm and adventurous when need be, she so effortlessly captures the essence of our fairy tale Belle. Both Jansen and Laird complete the package also showing off their powerhouse vocals in many numbers throughout the show.
Though our leading characters are nearly flawless and are simply a pleasure to watch from scene to scene, the musical gets a lift from a very solid supporting cast. Emmett O’Hanlon’s rich baritone gives us a showstopping moment or two while he is also able to pull of the needed over the top cockiness that makes his role so humorous (Trevor Vanderzee will be playing the role of Gaston January 8th through 19th). Druzbanski as Lefou is just plain funny nearly every time he takes the stage while other notable performances would have to include Jackson Evans as Lumiere (the candlestick) whose comedic timing is just superb, Ron E. Rains as Maurice, the highly-imaginative inventor, and Becca McCoy who delivers big as Madame de la Grande Bouche, the former singing star who is slowly becoming a dresser thanks to the spell cast upon them. So many great performances grace the stage in this all-out production that includes an impressive ever-changing set, astonishing costumes and several memorable numbers including the instant classic “Be Our Guest”.
Directed and co-choreographed by Amber Mak, ‘Disney’s Beauty and the Beast’ is a colorful, exciting and thoroughly engaging adventure filled with fun surprises and outstanding vocal performances.
Recommended for theatre goers of all ages.
‘Disney’s Beauty and the Beast’ is being performed at Paramount Theatre in Aurora through January 19th. For more information visit www.paramountaurora.com.
As with any good mystery, suspense, intrigue and surprise are the key elements in making a successful story that keeps one on the edge of their seat and keeps you guessing. ‘And Then There Were None’ at Drury Lane in Oakbrook has it all. And even though I have seen this play before, I did not remember the ending and was thoroughly surprised and shocked to find out who “dunnit” and why!
Without giving anything away, this Agatha Christie story is about ten strangers who have been invited to an island vacation by a secretive host or hostess. After realizing that there is a murderer on the island and no escape until a boat comes, the characters all begin displaying their own foibles and ways of coping with what seems to be certain death with some welcoming it and others fighting to the death to stay alive. As the mystery progresses, clues unfold that keep amateur sleuths (audience members) involved as we try piece the puzzle together.
The mature and very talented, ensemble cast includes Vera Clayton (Cher Alvarez), Justice Wargrave (Matt DeCaro), Mrs. Rogers (Jennifer Engstrom), Emily Brent (Marilyn Dodds Frank), Fred Narracott (Casey Hoekstra), William Blore (Paul-Jordan Jansen), Anthony Marston (Zachary Keller), Doctor Armstrong (David Kortemeier), Philip Lombard (Yousof Sultani), Thomas Rogers (Paul Tavianini), and General Mackenzie (Bruce Young). And all ten had a solid grip on their characters. I was particularly impressed with Emily Brent as Marilyn Dodds Frank. Brent really knows how to infuse every word and look with an element of intensity and humor as her character teeters on the brink of sanity.
The set design by Andrew Boyce was particularly lush in depicting a mansion set on a private island somewhere off the coast of Maine with a stunning view of the ocean. As one who truly enjoys a water view, I was engaged immediately. Directed with great timing by Jessica Fisch, this production had me guessing on the murderers' identity right up until the last scene. But though the thought of a murder mystery might be macabre to some, the play infuses enough humor to keep things light enough for everyone to appreciate.
There is a very interesting subtext in this story by Christie wherein the murderer has real reasons to kill off each of the guests who are guilty of murder in various ways themselves. The murderer has justified in his or her mind that killing each of these "alleged" murderers is the right way to serve up justice, and to a point the audience begins to actually want to see some of the characters die. But by the end it is clear that when a human presumes to "play God" they must be ready to experience the kick back of instant karma! Recommended for a fun Summer night of mystery solving that is suspenseful but not too scary for the whole family to enjoy.
‘And Then There Were None’ is a delightful whodunnit that is attractive to all sorts of theatre goers. Playing at Drury Lane Theatre in Oakbrook, you can catch this fun mystery through September 1st For more show information visit www.drurylanetheatre.com.
All hands on deck Titanic fans! Get ready for a lavishly produced musical that boldly reimagines the Titanic story, navigating…
By popular demand, Disney’s The Lion King will return to Chicago for the first time since 2023, where the production played a sold-out…
THE LISTENERS has undergone several incarnations since the 2021 novel by Jordan Tannahill. It’s been a full-length movie, a TV…
IDENTITY PERFORMING ARTS Presents Spring Concert 2025 “Instinct” A captivating performance of four distinct works on April 26 & 27…
The Auditorium (Chicago’s Landmark Stage® at 50 E. Ida B. Wells Drive) proudly welcomes back the eclectic energy of hometown favorite South…
Open Space Arts (OSA), who recently won some of the top honors in the Joseph Jefferson Awards for 2024 productions,…
I’ve reviewed a number of shows at Open Space Arts (OSA) – I love the place – so I’m familiar…
Hell in a Handbag Productions is pleased to continue its 2024/25 Season with the world premiere of Scary Town, Artistic Director David Cerda's semi-autobiographical…
In Definition Theatre's production of "Splash Hatch on the E Going Down," Kia Corthron's 1997 work feels unnervingly relevant in…
Kokandy Productions is pleased to announce the official selections for the annual Chicago Musical Theatre Festival, a celebration and showcase of the…
I’m not holding back—Copley Theatre’s latest offering, The 25th Annual Putnam County Spelling Bee, is an absolute winner! I’ve seen…
Don’t be deceived by the title. The phrase “lifespan of a fact” sounds about as dry as the Mojave Desert…
A.B.L.E.—Artists Breaking Limits & Expectations—a Chicago-based nonprofit that creates theatre and film for, with, and by individuals with Down syndrome…
Walking into Windy City Playhouse, audiences are immediately transported to somewhere new. Scenic Designer Kevin Rofls fills the space with…
Artistic Director Braden Abraham and Executive Director Kathryn M. Lipuma announce Writers Theatre's 2025/26 season. The five-play season is marked by four productions never seen before…
About Face Theatre announces the return of Re/Generation Studio, a weekend of community building, education, and performance to help build the future…
Fresh off her critically acclaimed and Tony-nominated run in Broadway's Days of Wine and Roses, Steppenwolf Theatre Company and Mark Cortale are pleased to present…
Going into “La Bohème” with little knowledge of Puccini’s masterpiece, I was just a naive theater-goer seeing it fresh at…
Cameron Mackintosh is delighted to announce that a revitalized new production of Andrew Lloyd Webber’s legendary musical, THE PHANTOM OF THE OPERA, will play…
Chicagoland's longest running musical theatre, Marriott Theatre, continues its 50th Anniversary Season celebration with the epic production of Titanic The Musical, directed and choreographed by Connor…
Ser o no ser esa es la cuestión We are all familiar with Shakespeare’s iconic line: to be or not…
Theater Wit, in collaboration with the Crown Family Center for Jewish Studies at Northwestern and Northlight Theatre, hosts CityTalk: A Series of Conversations on Assimilation, Antisemitism…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to continue its 49th season with the Chicago premiere of The…
Lyric Opera of Chicago today announces the company's 2025/26 Season, its first complete season under the leadership of new General…
Beetlejuice, Beetlejuice… Beetlejuice! You’ve summoned him once again, Chicago— BEETLEJUICE is back for another hauntingly hilarious run! The edgy and irreverent Broadway…
The Auditorium (Chicago’s Landmark Stage® at 50 E. Ida B. Wells Drive) proudly presents a special evening with Parsons Dance, the New…
Obliteration, LLC & The Revival Theater announce a limited engagement of Obliteration, written by Andrew Hinderaker, directed by Jonathan Berry, featuring Michael Patrick Thornton and Cyd Blakewell. Obliteration runs April 10-May 4,…
The Dance Center of Columbia College Chicago announces 16 by Red Clay Dance Company for three performances only, April 17-19, 2025, featuring Founding Artistic Director and CEO Vershawn…
Stand Up Together, a comedy benefit in support of artists impacted by the Los Angeles wildfires, hosted by Second City and SNL…
Following a string of successful shows, Music Theater Works has once again hit the jackpot with their 2025 season opener,…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.