Who remembers the 1960s TV show “Hazel”? It may not be as easily recollected as such classics as “The Dick Van Dyke Show”, “The Andy Griffith Show” or “I Love Lucy”, but for those who loved 1960s sitcoms back in the day or have been introduced to them thanks to networks like ME TV, it would be hard to forget Hazel, the lovable, take-charge maid played by Shirley Booth, who treasured nothing more than taking care of the Baxter family. Now, some fifty or so years later Drury Lane Theatre presents the World Premiere “Hazel: A Musical Maid in America” as an ode to the silver age of television.
Directed and choreographed by Joshua Bergasse, “Hazel” brings a new adventure to the dutiful maid and Baxter family. When Dorothy Baxter wants to go back to work much to husband George Baxter’s lack of support, enter Hazel who is hired to maintain the family’s home and take care of young Harold Baxter. A story in itself as Dorothy tries to take on the world of interior design with a corporate gig and wonders if she still has what it takes to succeed, the plot takes a twist when Harold believes he has captured a photo of a U.F.O. It doesn’t take much for word to get out of his spaceship sighting and for the Air Force to get involved. Kind of out there but remember we are talking about an era where U.F.O. scares were not so uncommon and TV was getting blitzed by series that included space ships and aliens. So the tie in actually makes sense.
The evolution of Hazel continues. What began as a single-panel cartoon in the Saturday Evening Post back in 1943, was then brought to life in 1961 as a popular sitcom that went on to span five seasons. Hazel was not only known for keeping a spot-free home, but it was her big heart and droll sense of humor that made her one of TV’s most beloved heroines of the early to mid-1960s. In “Hazel: A Musical Maid for America” Klea Blackhurst admirably takes on the role as the tough as nails housekeeper, injecting just the right dose of humor and no-nonsense into her character while offering a dynamic vocal range in many of the show’s numbers.
Both Ken Clark and Summer Naomi Smart are finely cast as George and Dorothy Baxter and are highly convincing as the 1960s married couple, gelling well with each other. Each also displays a finely tuned vocal presence of their own with Smart really lighting up the stage in her back to work number “Sheer Perfection”. The cast is well rounded and provides outstanding contributions from Ed Kross as Hazel’s love interest Bonkers Johnson, Casey Lyons as Harold Baxter and a strong ensemble that is highlighted by Bill Bannon and Meghan Murphy.
Boasting a very impressive, ever-changing set that really enhances the 1960s essence, “Hazel” is an entertaining spectacle as much as it is a fun, light-hearted comedy that gets its digs in at the male narrow-mindedness of the era and delves into the accepting of those for who they are. With plenty of energetic musical number laced with humor and wit, we are presented with a well-rounded comedy that comes with a nice measure of nostalgia.
“Hazel: A Musical Maid in America”, a presentation full of clean humor (pun intended), a fun story and enjoyable big show numbers, is being performed at Drury Lane Theatre in Oakbrook through May 20th. For tickets and/or more show information, visit www.DruryLaneTheatre.com.
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