“Every Brilliant Thing,” places unusual demands on its lead character, Narrator. Jessie Fisher delivers a carefully calibrated performance from a comedic script that is deceivingly simple, but deeply emotional and upon reading it afterward, I saw that it is beautifully structured, as well.
Fisher is the center of our attention in this 70 minute monologue that evokes the gamut of emotions—at times poignant and tearful, at others boisterously funny. She relates a sampling of thoughts of people, places and things intended to capture life’s happy and satisfying moments. This was Narrator's lifelong quest, begun in childhood, to stave off her mother’s suicidal tendencies by coaxing her to dwell on the brighter side of things.
In this demanding role, Fisher must be onstage 30 minutes before the “curtain” rises formally, welcoming each audience member with numbered slips of paper, each bearing a charming thought evoking joy: 1. Ice Cream. 2. Water fights. 3. Staying up past your bedtime and being allowed to watch TV. In the course of the performance, we are each called upon to read aloud the item we received. (My companion had #1654: "Christopher Walken's voice." mine was #1655: "Christopher Walken's hair.")
Fisher also eyes the incoming ticket holders as potential stagemates, and several will be called from their seats to play an array of characters from her life: a school counselor, a lecturer, a veterinarian, her father, her spouse, even herself, at one point. As the formal show begins, Fisher narrates the story of her life, and calls on these individuals and others, and all of us eventually, to voice items from the list, or to play the bigger roles. She becomes both actor, and director, and we are transformed from spectators to players, the fourth wall continuously dissolved in this unusual play.
So reliant on the audience is “Every Brilliant Thing,” that each performance varies significantly—yet reading the script afterward, things that I imagined must have been spontaneous or ad libbed, are in fact detailed by the British playwright Duncan Macmillan (with comedian Jonny Donahoe, who played Narrator in the original productions in London and New York). Director Kimberly Senior has guided Fisher to a remarkable performance that is deceivingly natural and immensely convincing. I had a chance to see “Every Brilliant Thing” a couple years ago at WIndy City Playhouse, and this production, in Writers Theatre's more intimate Gillian space is every bit as good as that one.
We see Narrator through stages of her life, in college, getting engaged, married, divorced—all the while growing and maintaining this list of “brilliant things” that make life worth living. In her earlier life, she shared it with her mother, but it made little impact on her. The audience members are cued to read their assigned thoughts by number. As she courses through life, Narrator’s list grows into the tens of thousands, and hundreds of thousands, deepening in complexity. The pace of Narrator's recitation of brilliant things hastens, and she recites many of them herself.
We see that ultimately, this list is for the Narrator, a lifeline to which she clings as a vision of a happier life.
“Every Brilliant Thing” runs through January 5, 2025 at Writers Theatre in Glencoe, IL, and comes highly recommended.
“Every Brilliant Thing,” places unusual demands on its lead character, Narrator. Jessie Fisher delivers a carefully calibrated performance from a…
Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, continues its 2024–2025 season with Louisa May Alcott's…
Music Theater Works is proud to announce the cast and creative team for the final production of its 2024 season, Legally Blonde:…
After pausing its operations last year to reorganize and create a new business model, Chicago's Tony-Award winning Lookingglass Theatre Company, in association…
BrightSide Theatre has announced that it will perform the long-running hit Broadway musical JEKYLL AND HYDE in a concert presentation…
Hell in a Handbag Productions is pleased to open its 2024/25 Season with the 25th anniversary edition of Artistic Director David Cerda's* holiday classic Rudolph…
Sometimes history has a way of repeating itself and it’s not always for the better. Try as we might to…
Throughout our busy lives we often seek out the new. It is easy to see the allure. Beginnings offer a…
I've always had a deep fondness for the two timeless films Holiday Inn and White Christmas. These movies feature outstanding…
Due to popular demand, Steppenwolf Theatre is pleased to announce Jane Lynch's A SWINGIN' LITTLE CHRISTMAS has added a sixth and final performance to its nearly sold-out…
The Joffrey Ballet's critically acclaimed reimagined classic, The Nutcracker by two-time Tony Award®-winning choreographer Christopher Wheeldon, returns to the Lyric Opera House, 20 North…
Lifeline Theatre brings their first MainStage production of the 2024-25 season to the stage with Jacob Marley's Christmas Carol. Tom Mula's holiday tale…
Individual tickets for SHUCKED, the Tony Award® winning musical comedy The Wall Street Journal calls "flat out hilarious," will go on sale on…
Invictus Theatre Company’s latest production of The Tragedy of Macbeth, adapted and directed by Sarafina Vecchio, delivers a potent, intense…
Ngozi Anyanwu’s Leroy and Lucy, in its electrifying world premiere at Steppenwolf Theatre, takes the legendary tale of Robert Johnson’s…
I’ve delighted in Babes with Blades since they began in 1997, and they are never more delightful than when slashing…
Chicago Tap Allstars, a collective of Tap dance artists and organizations brought together by M.A.D.D. Rhythms and Chicago Tap Theatre, is proud to…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to continue its 49th season with the world premiere of Ngozi…
I’ll admit it: I knew little about “Into the Woods” before seeing the new production at Chicago’s Chopin Theatre. I’m…
Music Theatre Works’ Little Shop of Horrors, featuring music by Howard Ashman and a book and lyrics by Alan Menken,…
I’m actually not a dance critic. I don’t know enough about dance; I‘m not fluent in the language of dance;…
IDENTITY PERFORMING ARTS Presents Fall Concert “Embrace” World Premiere in Chicago for Two Performances Location: Ann Barzel Theater Visceral Dance Center,…
American Blues Theater announces its 23rd Annual Production of It's a Wonderful Life: Live in Chicago! from Frank Capra's film and directed by Executive Artistic…
Chicago Tap Theatre (CTT) has recently returned from a successful European Tour and is pleased to announce its 2024-2025 season and…
They do abuse the king that flatter him For flattery is the bellows that blows up sin These days, fireplace…
Teatro ZinZanni, Chicago's wildly entertaining cabaret and cirque show, will open up their vintage circus tent, the Spiegeltent, to present The LiV…
Marriott Theatre has added a second matinee performance of the concert CHRISTMAS WITH THE KING: BRANDON BENNETT SINGS ELVIS PRESLEY…
In the midst of the bustle and busyness of several stunning song-and-dance routines in Some Like It Hot, beautifully directed…
Lifeline Theatre presents the 28th Annual Fillet of Solo Festival, a vibrant celebration of Chicago's premiere storytelling and live lit scene. The…
The Chicago International Puppet Theater Festival is pulling strings to raise funds this fall, offering three exclusive sneak peeks of…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.