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Thursday, 20 April 2017 11:05

Review: "Marry Me A Little" at Stage 773

How nice that even songs Stephen Sondheim cut from his own musicals can still find a home. “Marry Me a Little” is a 1981 songbook musical assembled by Sondheim. It’s a review of songs he wrote for various musicals in the 60's and 70's but were cut or unfinished. “Marry Me a Little” is a show performed without dialogue. The plot is pretty simple: a man (Austin Cook) and a woman (Bethany Thomas) are two artists who live a floor apart in a New York City apartment building. A chance meeting sends them down a standard relationship path. Or does it? 

 

You may already be asking yourself, why see this show? To be fair, it’s not a great script and like its sister Sondheim review “Putting it Together” – opinions are generally mixed. The script isn’t the point though. “Marry Me a Little” is a great chance to glean some insight into Sondheim’s creative process and hear some strong voices singing great songs you may not otherwise be familiar with. 

 

Director Jess McLeod’s vision for this semi-modernized “Marry Me a Little” is sleek and cool. The décor in both apartments looks directly out of a West Elm catalog. Costumes by Stephanie Cluggish fit right in, you’ll definitely want a pair of the cool shoes The Woman struts around in. 

 

What will certainly resonate after an hour and a half of continuous singing are these two voices. It would difficult for any co-star to match the vocal talents of Bethany Thomas, but Austin Cook holds his own. Cook is also the music director here and spends a great deal of the show parked at the piano. It’s nice to see the usual music director on stage and killing the piano. Without speaking a single word, these two are selling the magic of romance, all its ups and downs. If there’s one number worth coming for it has to be “Can That Boy Foxtrot” originally written for “Follies.” Bethany Thomas’ playful and sexy interpretation will bring a smile to your face. 

 

“Marry Me a Little” may not be the opus “Sunday in the Park with George” but it’s a great way to spend some time with Sondheim’s lyrical genius. With a short run time and overly romantic plotline, this stylish production would surely make for a charming first date. 

 

Through May 21 at Stage 773. 1225 W Belmont Ave. 773-327-5252

 

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