Home

Route 66 Theatre Company is pleased to launch its ninth season with the world premiere of Gabe McKinley’s psychological drama THE SOURCE, directed by Jason Gerace, playing March 2 – April 2, 2017 at The Den Theatre, 1333 N. Milwaukee Ave. in Chicago. Tickets for THE SOURCE are currently available at route66theatre.brownpapertickets.com. The press opening is Tuesday, March 7 at 7:30 pm.

 

THE SOURCE features Kristina Valada-Viars and Cody Proctor.

 

On the hunt for the biggest story of their careers, two journalists are summoned to travel across the world to meet with The Source: an unidentified leaker of hacked documents and information on the U.S. government. As these strangers probe one another for the truth and information, they find themselves in a thrilling psychological drama that leads them to examine their motives, their country and themselves… all while waiting for The Source. 

 

Director Jason Gerace comments, "The question of ‘privacy versus security’ is central to our time, and I could not be more pleased that Route 66 Theatre Company has agreed to take it on. McKinley's play tackles this question with urgency and frames it in a way that resonates in the current moment, while building a thrilling theatrical experience for the audience. I am beyond excited to be at the helm of the world premiere of this important new play."

 

The production team for THE SOURCE includes: Jack McGaw (scenic design), Claire Margaret Chrzan (lighting design), Christopher Kriz (sound design), Mark Comiskey (projection design), Rachel Sypniewski (costume design), Pauline Oleksy (props design), Catherine Allen (production manager), Brian Sprague (technical director), Nancy Staiger (stage manager) and Matthew Bonaccorso (asst. stage manager).

 

PRODUCTION DETAILS:

 

Title: THE SOURCE

Playwright: Gabe McKinley

Director: Jason Gerace

Cast: Kristina Valada-Viars (Laura) and Cody Proctor (Vernon). 

 

Location: The Den Theatre, 1333 N. Milwaukee Ave., Chicago

Dates: Previews: Thursday, March 2 at 7:30 pm, Friday, March 3 at 7:30 pm, Saturday, March 4 at 3 pm & 7:30 pm and Sunday, March 5 at 3 pm

Press Opening: Tuesday, March 7 at 7:30 pm

Regular run: Thursday, March 9 – Sunday, April 2, 2017

Curtain Times: Thursdays and Fridays at 7:30 pm; Saturdays at 3 pm & 7:30 pm; Sundays at 3 pm

Tickets: Previews: $25 adults. Regular run: $35 adults; $20 students. Discounts available for groups of 10 or more. Tickets are available at route66theatre.brownpapertickets.com.

 

Creative Team Bios

 

Gabe McKinley’s (Playwright) plays have been produced and developed by companies nationally and internationally, including Atlantic Theater Company, Naked Angels, Premiere Stages, The Old Vic, American Theater Company, Ensemble Studio Theater, The LARK, Keen company, Williamstown Theater Festival and Red Dog Squadron, among others. His plays include The Kitchen Sink Play, Welcome Home Rock Rogers, Funny, Floodplains, Skopje, The Source, as well as the critically acclaimed Extinction and CQ/CX (John Gassner Outer Critics Award nomination). His short play, The Grave, was the winner of the Samuel French Off-Off Broadway Short Play Festival. Gabe was the recipient of the Samuel French/New School for Drama Award for Excellence in Playwriting, and his play CQ/CX was included in the Smith and Krause anthology "New Playwrights: The Best New Plays."  A graduate of NYU and The New School for Drama, Gabe lives in New York.

 

Jason Gerace (Director) is a freelance director in Chicago, and has been Artistic Associate of American Theater Company since 2008. He was the recipient of the 2014 Non-Equity Jeff Award in Outstanding Direction for his work on Great Expectations with Strawdog Theatre Company. Regional directing credits include Last Train to Nibroc (Haven Theatre, Chicago), Wrecks (with John Judd, Profiles Theatre, Chicago), Opus and Who's Afraid of Virginia Woolf (RedTwist Theatre, Chicago), Hamlet (Oklahoma Shakespeare Chautauqua), Pygmalion (Oak Park Festival Theatre). Jason originally hails from Anchorage, Alaska and holds an MFA in Directing from The University of Oklahoma.  He is a resident of Oak Park, and an associate member of SDC.

 

Route 66 Theatre Company

 

Route 66 Theatre Company introduces, develops, produces, and exports new work for the stage. The road begins with our new play development process and reaches west, where our World and Chicago Premiere shows are given an advocate for further regional productions along the road less traveled from Chicago to Los Angeles. Since the company’s founding, Route 66 has produced 10 productions, 2 in two cities including an Off-Broadway premiere, been nominated for ten Jeff Awards and won two. Route 66 is now a resident company of The Den Theatre. www.route66theatre.org

 

Route 66 is Stef Tovar, Founder and Artistic Director; Rachel Wendte, Managing Director; Deborah Blumenthal, Director of New Play Development; Alana Parvey-Zalas, Business Manager; Matthew Bonaccorso, Company Manager and Kelly Parker, Casting Director

 

Route 66 Theatre Company Artistic Associates: Brian Sidney-Bembridge, Audrey Billings, Johnny Clark, Brandon Dahlquist, Raymond Fox, Damon Kiely, Ron Klier, Jenni Lamb, Tyler Meredith, John Mohrlein, Kelly Parker, Geoff Rice, Emily Rohm, Tricia Small, Jeremy Sonkin, Alex Stage, Nancy Staiger, Erica Stephan, Bethany Thomas, Rita Vreeland, Steven Wilson, Rachel Wendte and Emily Woods.

 

Route 66 Theatre Company Board of Directors: Jennifer Baumann, President; Deborah Haimes, Vice-President of Communications; Nicholas Stone, Treasurer; Molly Crabtree, Secretary; Elizabeth Derrico, David and Monica Byrd, Lee Dickson, James Frenzel, Laurie Hamilton, Tammy Rosenszweig, Pat Turnbull and Robert Veasey.

 

Route 66 Theatre Company’s 9th Season is presented by generous grants from MacArthur Funds for Arts and Culture at the Richard H. Driehaus Foundation, Gaylord and Dorothy Donnelly Foundation, Illinois Arts Council Agency and DCASE CityArts. 

 ###

 

Published in Buzz Extra

Mysteriously seductive, Joffrey’s "Giselle" charms with its darkness

20 October 2017 in Dance in Review

Giselle, Adolphe Adam’s beautiful tale created for the ballet’s premiere in Paris back in 1841, has been re-imagined by the…

An Evening with Chris Thile – The Man, The Mandolin

20 October 2017 in In Concert

“That didn’t even sound like a mandolin,” I said to my companion – a mandolinist of some considerable skill –…

Review: "Hard Times" at Lookingglass Theatre

16 October 2017 in Theatre in Review

Lookingglass Theatre Company opens its 30th Anniversary Season with the return of the award-winning “Hard Times”, adapted from Charles Dickens…

BLUE MAN GROUP CELEBRATES 20th BIRTHDAY!

16 October 2017 in Theatre Reviews

With two decades in its home at Lakeview’s Briar Street Theater under its belt, Blue Man Group is still going…

Review: "Piaf: The Show!"

11 October 2017 in Theatre in Review

Darn those French and their "musical spectaculars." There are few things Americans do with more flare than the French, and…

First Folio's "The Man-Beast" a passionate tale of horror that delivers big

11 October 2017 in Theatre in Review

Set in the 18th century French countryside, First Folio Theatre vividly brings to life Joseph Zettelmaier’s “The Man-Beast”, a romantic,…

Rigoletto’s classic tale is a feast for the ears

10 October 2017 in Theatre in Review

Court jester Rigoletto prefers to hide his misery behind jokes and mockery of others. But it’s not the only thing…

Hilarious "Bewildered" will make you realize that YOU are the leading lady in your life!

10 October 2017 in Theatre in Review

Hell in a Handbag rings in its fifteenth-anniversary season with real magic in this hilarious spoof of the 60's and…

Review: The Crucible at Steppenwolf Theatre

09 October 2017 in Theatre in Review

It’s the season of Arthur Miller in Chicago. It appears Miller is enjoying a renaissance right now with three of…

Older than Mythologie: Orphée et Eurydice at the Lyric Opera

08 October 2017 in Theatre Reviews

The first time I went to the opera was in elementary school to see La Triviata. It was a school…

Foxfinder is vaguely relevant

03 October 2017 in Theatre in Review

The most depressing thing about the Foxfinder’s premise of “near future” is that it looks remarkably like somewhat distant past,…

Suzanne Puckett; Poetry at its finest

03 October 2017 in BCS Spotlight

You tore him down! Discredited his name ~ Made him lie, cry and beg ~ Hold his head in shame …

 

 

10 Years! Fave Issue Covers

Register

Latest Articles

  • Mysteriously seductive, Joffrey’s "Giselle" charms with its darkness
    Written by
    Giselle, Adolphe Adam’s beautiful tale created for the ballet’s premiere in Paris back in 1841, has been re-imagined by the Ballet Master and Stager Lola de Avila, marking the opening of Joffrey Ballet’s 2017-2018 Season. Set in the Middle Ages…
  • An Evening with Chris Thile – The Man, The Mandolin
    Written by
    “That didn’t even sound like a mandolin,” I said to my companion – a mandolinist of some considerable skill – as we left Skokie’s North Shore Center for the Performing Arts after attending An Evening with Chris Thile. “That’s what…
  • Review: "Hard Times" at Lookingglass Theatre
    Written by
    Lookingglass Theatre Company opens its 30th Anniversary Season with the return of the award-winning “Hard Times”, adapted from Charles Dickens and directed by Artistic Director and Ensemble Member Heidi Stillman , in association with The Actors Gymnasuim. It was first…
  • BLUE MAN GROUP CELEBRATES 20th BIRTHDAY!
    Written by
    With two decades in its home at Lakeview’s Briar Street Theater under its belt, Blue Man Group is still going strong. The show can best be described as a bizarre, performance-arty take on STOMP, with both running about 90 minutes…

Guests Online

We have 48 guests and no members online

Buzz Chicago on Facebook Buzz Chicago on Twitter