Theatre at the Center brings back ‘Over the Tavern’ fourteen years after the 1950’s comedy brought audiences to their feet. Finely directed by Ericka Mac, ‘Over the Tavern’ is set in 1959 and is a comedy centered around the Pazinski family. Devout Catholics, young Rudy (Logan Baffico) is a precocious twelve-year-old who spends much time in detention where he repeatedly challenges the teachings of Sister Clarissa (Janet Ulrich Brooks). Rudy is not trying to be confrontational or funny, he is genuine when asking why he shouldn’t shop around for a more fun religion. Of course, Sister Clarissa and her ruler doesn’t see it that way and finds Rudy to be a troublesome kid with attitude.
We often get to experience Rudy under the Sister’s guidance and the banter between the two is quite riveting, and humorous, at times, though it is in the home amongst his family that we really get an inside look at Rudy. Rudy’s father, Chet (Eric Slater), is tough, no-nonsense and, though he can show his temper on occasions, can also be warm and loving. He runs the bar below the family’s upstairs apartment and sometimes forgets to pick up dinner from the nearby Italian restaurant, much to the irritation of his patient and sensible wife Ellen (Corey Goodrich). Eddie (Seth Steinberg) is the older brother and is exactly that, the conventional older brother. He may tease his younger siblings but will also protect them without a second thought. Isabelle Roberts plays Annie, the middle child.
The play does a great job of creating a late 1950’s setting and gives us a stereotypical Catholic family of that time period – the stay at home mother, the breadwinning, hardworking, middle-class father and their three children who find safety with their mom while distant and fearful of their dad. The play also hits home for many of us that attended Christian or Catholic schools when it was okay, and even expected, for faculty to physical punish heir students.
Tom Dudzick’s semi-autobiographical play not only has a strong script, but Theatre at the Center gives this production some extra oomph by putting forth an all-around excellent cast.
Janet Ulrich Brooks is nothing short of sensational as hard-nosed Sister Clarissa and is enjoyable to watch in each of her scenes. Logan Baffico makes a fine impression in his TATC debut as Rudy as does Eric Slater as Chet. Both steals scenes at moments and are thoroughly engaging. Most who follow this terrific theatre in Musnster, Indiana are already aware of Corey Goodrich’s talents, and she delivers once again in this, her 14th Theatre of the Center production. It is always a pleasure watching such talent grace the stage.
Loaded with laughs and touching moments and a few life lessons, ‘Over the Tavern’ is just as fresh and relevant today as it always has been. Kudos to such a gifted cast, the show’s flawless direction and a set that takes us back to middle-America 1959.
Recommended.
‘Over the Tavern’ is being performed at Theatre at the Center through August 11th. For more information, visit www.TheatreAtTheCenter.com.
Some people can only see what's right in front of them. Abe Koogler explores this theme in his play "Kill Floor" making its Midwestern debut at American Theater Company. The slaughterhouse is a setting once familiarized by Upton Sinclair in his novel "The Jungle." Koogler is updating this disturbing classic for our modern era. While we'd like to think we've evolved since 1906, perhaps we haven't. Maybe because we can't see the inside of a slaughterhouse, we don't think about how horrible factory farming really is.
"Kill Floor" tells the story of Andy (Audrey Francis) who has been recently released from prison. Rick (Eric Slater) is a foreman at the slaughterhouse and gives Andy a job after taking pity on her. A flirtation develops despite that Eric is married, and it's suggested that Andy won't be promoted off the kill floor unless she sleeps with him. B, or Brendan (Sol Patches) is Andy's fifteen year old son who lives with foster parents. B struggles with a closeted homosexual crush, and the reality that most people ignore what makes them uncomfortable. B is also a vegan, making even it harder for Andy to reconnect with him.
Under the direction of Jonathan Berry, this ensemble cast is killing it. Audrey Francis delivers a heartbreaking performance as a woman trying to reclaim her life. She falters naturally between assertiveness and crushing trauma. There's an emotional honesty in her performance that makes for a rare theater experience. Eric Slater and Sol Patches make for an excellent supporting cast.
Koogler's play makes some intriguing points without browbeating the audience with his message. Particularly the comparison between mass incarceration and meat processing. In a way, we're all like the cattle - blindly following one another through winding tunnels, unsure of what's ahead. There's a certain degree of understanding he expects from his viewers. The script strays away from melodrama, leaving some stories untold and ideas unfinished. What's more human than that?
Through May 1st at American Theater Company. 1909 W Byron Street. 773-409-4125
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