As soon as I saw the warm, rich lighting of a luxurious futuristic bedroom on the Space Ship Destiny lit and decorated by designers Heather Gilbert and Christopher Kriz and the set design by Arnel Sancianco, where the entire action of the play takes place, I thought this is going to be an interesting show. To the right of the set was a spaceship departure board with the names and photos of the passengers, along with their assigned room number, as they were headed to a planet three months away from Earth. The other ships had names like Fortune, Kismet, Prospect and Horizon suggesting that the people leaving earth are doing so willingly and must have enough money to do so. Smooch Medina’s spaceship flight calendar and wall projection also counts down the number of days the passengers have spent locked on this room together, which is a great tension builder as well.
There are just three characters in the play. One a soldier who is suffering from PTSD from a previous mission in which he witnessed the killing of civilians that haunts him still in a variety of deep emotional ways. He has requested a private room because he cannot sleep well while struggling with his inner demons but somehow an attractive young woman passenger has been placed in the room with him, much to his disapproval. Ed Flynn portrays this sensitive, journal-writing soldier (previously referred to as “Grant”) who is also prone to violent mood changes and outbursts with great feeling and a sweaty intensity that is frightening at times.
When you consider that he is locked into this “hotel room" for three full months due to a quarantine placed on certain sick members aboard the ship with a petite young female to whom he objects, it’s not difficult to imagine the strain that gradually surmounts. Janelle Villas does a wonderful job of showing the audience her fresh-faced bubbly enthusiasm while hiding a dark past that includes at least one rape, which has also left her in a state of PTSD.
Co-directed by artistic director Michael Patrick Thornton and guest artist Jessica Thebus, the “Pilgrims” moves along quickly yet with subtle changes in the characters that seem very satisfying and real with a lot of emotional suspense and tension. We the audience wonder if these two characters will ever bond, or even reach their destination safely. We also ponder what will become of their edgy, ever-changing relationship once they are finally released from this artificial and close-quartered isolation into the general population of the new planet.
The third character is a robot named Jasmine played with a great sense of humor and also an eerie, smiling menace by Brittany Burch. Jasmine has been programmed not only to answer all their questions and provide all their meals and cleaning services. She is also one of the older forms of “human-like robots” known for their ability to satisfy without any compunction - either member, male or female, with oral sex or intercourse if the human need arises.
The universality of two people meeting for the first time, learning about each other's baggage and foibles and being forced to overcome them in order to at least be friends if not lovers cannot be denied. This is a love story set in outer space plain and simple, even though it is suggested in the play that couples may have been placed together purposely to repopulate the new planet.
I highly recommend this production for its unique retelling of a tale as old as time, when Fate meets Destiny and two very "human" human beings struggle to please each other while being true to their own individual dreams of the future but must in the end reveal the dark, undesirable places of their souls in order to overcome them and move into a deeper union free of mistakes or tragedies of the past.
Excellent performances and an imaginative script make Pilgrims a compelling and often humorous sci-fi love story that resonates. Pilgrims is being performed at Gift Theatre through July 30th. For more show information or to purchase tickets visit www.thegifttheatre.org.
After many years without seeing the movie or reading the story of Peter Pan, the moment I learned that Peter Pan:…
Lifeline Theatre and Artistic Director ILesa Duncan announce the casting for Chicagoan Nambi E. Kelley's "gutsy, powerful, and relentless" adaptation of Richard Wright's powerful introspection…
A.B.L.E.—Artists Breaking Limits & Expectations—a Chicago-based nonprofit that creates theatre and film for, with, and by individuals with Down syndrome…
When a play’s opening moment is mystifying and its closing moment is satisfying, the stuff in between must be doing…
The expansive, opulent home exudes an air of solid middle-class comfort, boasting a formal dining area, an upright piano, and…
Chicago Shakespeare Theater announces today a thrilling addition to the season: Tony Award-nominated actor Eddie Izzard brings her celebrated solo theatrical performance of Hamlet to…
Identity's Spring concert offers a captivating performance with two dissimilar works in its dynamic. Join us for the premiere of choreographer…
The Joffrey Ballet boldly closes its 2023-24 season with the return of Midsummer Night's Dream by internationally renowned Swedish choreographer Alexander Ekman. Premiered by The…
Like any good Chicago March, the city cannot make up its mind about what season it is in. This weekend…
If there's one play every American should see in their lifetimes, without a doubt it's Tennessee Williams' perennial classic A…
Instituto Cervantes of Chicago (31 W. Ohio St.), the city's primary non-profit center for Spanish language and cultural exchange, is pleased to present,…
I love all things Shakespeare, particularly modern iterations and adaptations of his works, and I’ve had good experiences with Idle…
Broadway In Chicago is pleased to announce the smash-hit musical, ON YOUR FEET! THE STORY OF EMILIO & GLORIA ESTEFAN is now…
Drury Lane Theatre is thrilled to announce casting for its first show of the 2024/2025 season, Guys and Dolls, making its triumphant return to…
Artistic Director Braden Abraham and Executive Director Kathryn M. Lipuma announce Writers Theatre's 2024/25 season. The season launches with the Chicago premiere of the acclaimed musical Natasha,…
Who will the best speller be? Who will be able to withstand the pressures of competition? Who wants it the…
TimeLine Theatre announces the world premiere of the latest play developed through the company’s Playwrights Collective—Black Sunday, by Chicago playwright Dolores…
Marriott Theatre continues its thrilling 2024 season with MEREDITH WILLSON'S THE MUSIC MAN, the six-time Tony Award-winning musical comedy, directed and choreographed…
Red Theater is thrilled to present its second show of the 23/24 season: Shakespeare’s HAMLET, directed by Jeff nominated director Wyatt Kent, running April 26…
“The Penelopiad” is a zesty romp and very entertaining. With a script by a writer I adore, Margaret Atwood of “The…
City Lit Theater has announced its programming for the 2024-25 season, the company’s 44th. The season is the first to…
Giordano Dance Chicago (GDC) presents their "Season 61 | UNLIMITED!" Spring engagement at the Harris Theater at Millennium Park, 205…
Steppenwolf Theatre Company, under the leadership of Artistic Directors Glenn Davis and Audrey Francis and Executive Director Brooke Flanagan, today announced its 2024/25 Season, featuring a dynamic…
Broadway In Chicago is delighted to announce PRETTY WOMAN: THE MUSICAL is now playing at Broadway In Chicago's CIBC Theatre (18 W.…
“Bill W. and Dr. Bob,” in its Chicago premiere at the Biograph Theater, tells the exciting story of the 1935…
I’ve seen quite a lot of wonderful, entertaining dance productions in Chicago lately - creations that include music and modern…
There’s a reason Elton John’s Broadway musical adaptation of ‘Aida’ was one the most popular musicals of the early aughts.…
It was a dark and stormy night (yes, it really was!) – the perfect ambiance for taking in one of…
Broadway In Chicago and Universal Theatrical Group announced today complete casting for the world-premiere Chicago production of the drop-dead hilarious new musical comedy, DEATH…
Black music in the 1980’s was transformative. It was the decade where Black music exploded in diversity and influence. It…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.