There was only one star of the Cubs-Diamondback series this past weekend in Chicago and it wasn’t a player. It was a pigeon who spent a sleepy seven innings strutting along the third base line to the delight of cameramen and Cubs fans. Who can blame the cameraman panning in on the funny looking bird when our beloved Cubbies couldn’t manage to get a player on base let alone to third? At one point fans were telling the team to put let the Pigeon play. But my son cautioned us all: Don’t let the pigeon play baseball. This sentiment was agreed upon by all the children in our section of the stands. The reason was that pigeons think they are old enough, mature enough, talented enough, when in reality they can’t play baseball any more than they could drive a bus and the children had the Mo Willems receipts to prove it. But in a world of Don’ts, particularly involving our fine feathered friends, there is one thing we all should do, and that is seeing the soon to be crowd favorite of Don’t Let the Pigeon Drive the Bus! The Musical!
Hop on board for an unforgettable ride with the Pigeon in Don’t Let the Pigeon Drive the Bus! The Musical! In this feather-filled extravaganza based on Mo Willems’ bestselling books, the Pigeon is back and he’s ready to take the stage. When the Bus Driver has a crisis that threatens to make her passengers late, the wily bird sees his chance to take the wheel. With an innovative mix of actors, puppets, and feathers, this production brings the beloved characters to life like never before. Featuring a hilarious script co-written by Willems and Mr. Warburton and catchy songs by Deborah Wicks La Puma, this show is perfect for the whole family. Suitable for children ages 4 and up, Don’t Let the Pigeon Drive the Bus! The Musical! is an interactive and joyous experience.
Similar to Willem’s musical adaptation Elephant & Piggie’s “We Are in a Play!” that premiered at Marriott Theatre in Chicago, Don’t Let the Pigeon Drive the Bus! The Musical! brings the beloved children’s story about the Pigeon to life, focusing nearly entirely on Drive the Bus, but references Willem’s other Pigeon books such as Stay up Late, Duckling gets a Cookie, Pigeon Wants a Puppy and Pigeon Finds A Hot Dog. Unlike its predecessor, Drive the Bus relied too heavily on the one book for source material. The Pigeon was almost a secondary character behind the bus driver, and duckling hardly made an appearance the whole show. The play lacked a well crafted storyline that could have tied all the beloved books together, relying on overexaggerated bits and gags that had kids rolling in the aisles and some clever quips that adults ostrich chuckled at. What the musical story might lack, Marriott Theatre makes up for in its local talent. Actors and actresses belted out catchy tunes and demonstrated their breathtakingly impressive ranges. The actors make the musical accessible and easy to follow for children of all ages, using the full 360-degree stage to ensure every section of the theatre feels included in the show and can see the Pigeon. While the story might not be as strong or entertaining as the Piggie and Elephant musical, the magic and charm of Mo Willems still shines through and it is well worth the trip to Lincolnshire to delight your kids of all ages.
The Cubs might lose some, but there is plenty of season left. The same cannot be said for this limited run of Don’t Let the Pigeon Drive the Bus! The Musical!, now playing only through August 11th at the Marriott Theatre in Lincolnshire. Maybe the Pigeon shouldn’t drive the bus, but maybe, just maybe, the Cubs shouldn’t discount the Pigeon to be a reserve player for the latter half of the season. Tickets for Don’t Let the Pigeon Drive the Bus! The Musical! are available at www.marriotttheatre.com.
With the Cubs finally winning the World Series in 2016 after a 108-year drought, it was probably inevitable a theatrical production would be created at some point to recreate the special magic Chicagoans felt over that incredible year. And so ‘Miracle’, the new musical by William Marovitz and Julian Frazin, has arrived at Royal George Theatre smack dab in the middle of baseball season. Directed by Damon Kiely, the story centers around Maggie’s Tavern in Wrigleyville and the direct effect a winning season has on its owners, friends and patrons.
Charlie (Brandon Dahlquist) grew up at Maggie’s. It was owned by his parent’s and not long after his mother passed away, Pops (Gene Weygandt) passed the family business on to his son. Now Charlie lives upstairs with his wife Sofia (Allison Sill) and his daughter Dani (Amaris Sanchez and Elise Wolf). Everyone helps out. Larry (Johnathan Butler-Duplessis) is Charlie’s best friend and though busy with his law firm, always makes time to lend a hand. Sofia, Pops and Dani also do their part. It is a true family business. But business is slow, back taxes have piled up (thanks to an oversight by Pops) and Charlie doesn’t want his daughter’s future to be the same as his. But they are all die-hard Cubs fans and enjoy every minute of Wrigleyville tavern life. Each year opens with new enthusiasm and optimism for everyone except Charlie.
Charlie, a former college pitcher who gave up a possible Major League career to take on responsibilities at the tavern, asks himself why he and his family keep buying into the Cubs. He knows they are bound to disappoint. They are cursed. But don’t tell that to Charlie’s family or his regulars Babs (Veronica Garza) and Weslowski (Michael Kindston) – both hilarious, by the way. They just know the Cubs are destined to win the World Series.
The story evolves throughout the year, starting with an opening day win. We watch as the wins keep stacking up. A World Series win would sure do wonders for the struggling bar and no one has more faith than Dani.
Each step of the historic journey is captured as the Cubs make the post season and take out the Dodgers to play Cleveland for the World Series Championship. Images are displayed overhead as we relive those seven games that might just go down in history as the most exciting ever to have been played. Fans cheer from the audience as their Cubbies come back from the improbable 3-1 deficit only to snatch victory in an extra-innings Wild West adventure.
‘Miracle’ entertains from beginning to end. There are plenty of humorous moments, touching moments and the story flows smoothly thanks to a well-crafted script and an all-around very talented cast (Weygandt is just terrific as Pops). Even the musical numbers are catchy –Allison Sill really displays great vocal range while Dahlquist certainly holds his own.
There is really nothing to dislike in this engaging production that centers around one of Chicago’s most memorable moments. A great way to recapture the magic of 2016, ‘Miracle’ wins in every way.
Homerun!
‘Miracle’ is currently being performed at Royal George Theatre. Performance schedule for MIRACLE is Wednesdays at 7:30pm, Thursdays at 2pm and 7:30pm, Fridays at 8pm, Saturdays at 3pm and 8pm, and Sundays at 3pm. Tickets can be purchased at www.ticketmaster.com or by calling the box office at 312.988.9000.
*Extended through September 1st
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