Displaying items by tag: Clue

I’m not a fan of board games. I’ve never finished a full game of Monopoly. Risk? No, thanks. But Clue? I’ve loved it since I saw the ‘80s film version as a kid. And ever since, the movie and the game have been inseparable and intertwined in my mind.

The first time I brought my youngest child to a theater production of Clue, she was also transfixed—with the show and the game—and so we were both eager to see Broadway in Chicago’s current touring production of Clue—Live on Stage!, directed by Casey Hushion and playing at the CIBC Theatre until March 2.

First off, I forget how cozy the CIBC Theatre is. I adore each of the 1920s Rapp & Rapp palaces, and I love the much-older Auditorium the most of any Chicago venue, but the turn-of-the-century-ish Vaudevillian vibe of the once-Majestic CIBC is its own thing altogether. And it sure bundled us all in and enveloped us for an evening of murder, mystery, and maniacal merriment—just like the movie and just like the game, but playing out live.

In the film, Tim Curry is Tim Curry—the thief of any scene, the star of any moment the camera catches him—as Wadsworth does the heaviest lifting. Onstage, Wadsworth the butler carries the story and the action. Jeff Skowron’s Wadsworth received the largest and loudest ovation at show’s end, and it’s because he kills it—literally and figuratively. He makes the butler his own, and relishes with impish glee the evening of horrors he’s there to present to the six guests.

Wadsworth is joined in his service to the night’s slayings and silliness by Elisabeth Yancey as the French maid, Yvette. I recall as a boy being enamored of Yvette on the silver screen, and it’s no different all these years later. Yancey’s enamoring while still being a riot—playing the trope for all the provocativeness and physical comedy she can wrench from it.

Speaking of physical comedy (not to mention, wrenches… lead pipes, candlesticks, etc.), in all my years of attending live theater, I’ve rarely seen a physical comedian as gifted as John Shartzer, who plays Mr. Green. Shartzer’s arrival at the doorway of Boddy Manor is a flop—in the best sense of the word—and in the hour or so that follows he continues to one-up himself with slithering, scooting, being squashed, shrieking, screeching, squawking, squealing, and a really cool slo-mo scene, all while waiting to deliver the show’s coup de grace.

The other five dinner guests/game pieces are equally as memorable and enthralling. David Hess imperially bumbles and balderdashes through the evening’s proceedings. Christina Anthony’s Miss Scarlet’s the sadder but wiser woman of the night. Donna English, who originated the role of Mrs. White onstage, continues the role with calculating cool. Jonathan Spivey’s abrasive know-it-all Professor Plum might annoy his fellow houseguests, but the crowd thoroughly enjoyed him. And my daughter pointed out as soon as Joanna Glushak took the stage as Mrs. Peacock (my daughter’s favorite Clue character) that she was the “perfect Mrs. Peacock.”

Indeed, with this production’s impressive set pieces, lighting, and stage choreography—not to mention its intermission-less wham-bam runtime, and its spot-on setting during American times of distrust, untruth, and turmoil—Broadway in Chicago’s current production of Clue—Live on Stage!, at the CIBC Theatre until March 2, is a great escape.

For more info visit https://www.broadwayinchicago.com/shows/clue/.

One of my earliest memories going to a movie theater is seeing Clue on the big screen. It not only started a lifetime love of Tim Curry, but cemented the Parker Brothers board game as the only board game little me ever wanted to play. And it still remains as a formative moment in my love of a good story told or performed well.

And that is what the Mercury Theater’s current production of Clue did once again. I actually brought my youngest child, about the same age I was when I saw the movie, and I delighted in watching her delight almost as much as I enjoyed the production…because boy, it’s delightful.

Just like Tim Curry in the film version, Mark David Kaplan as Wadsworth the butler steals the show, his expressions and physicality leading us down the fun and thrilling corridors of the mansion he mans. Wadsworth welcomes six guests for an evening of mystery and murder, and each character brings the mayhem.

Jonah D. Winston’s Colonel Mustard is all buffoonish bluster, towering over the cast in both size and sonority. McKinley Carter’s Mrs. White is over the top, as are Nancy Wagner’s Mrs. Peacock and Andrew Jessop’s Professor Plum, caricatures of characters we know as people even if they were once just brightly colored plastic play pieces. Mr. Green, played by Kelvin Roston, Jr., adds a sense of fear, even if I remember how the story ends for him. But both my daughter and I agreed that the most fun character (and the one we fight over being when playing the game) was Miss Scarlet, played with sizzle and swank by Erica Stephan.

Well, Miss Scarlet would be the swankiest and most sizzling person onstage if not for Honey West, most recently seen stealing scenes in the Mercury’s Priscilla, Queen of the Desert. The Chicago cabaret icon shows up throughout Clue, taking part in some of the show’s best slapstick gags.

Just like the time I had all those years ago watching the movie, as well as the hours and hours of fun the board game has given me, the Mercury Theater’s production of Clue—playing now through January 1, 2023—is every bit the hour or two of laughs and thrills and loads of fun that I remember from childhood.