It’s always nice to watch a legend perform, especially when that legend is considered a revolutionary force in the music industry as we now know it. This was the case last evening when Brian Wilson, co-founder of the surf rock band, The Beach Boys, took the stage at Ravinia. Complimented by original Beach Boys’ member Al Jardine and a large band that included more recent writing partner Scott Bennett on keyboards and even Blondie Chaplin on a handful of songs, Wilson’s sound was full and the peachy keen harmonies ever so familiar done to perfection.
Planted behind a large white grand piano, Wilson and friends immediately kicked it into high gear with “Heroes and Villains”. Though Wilson has long since abandoned the high voice synonymous with The Beach Boys sound, he was still able to carry a tune and did get a lot of help from band members when it came to harmonies and surrendered a handful of leads throughout the evening.
One brilliant piece of music history was performed after another. “California Girls”, “Little Deuce Coupe”, “I Get Around”, “In My Room” – so simplistic, yet so genius. In all, over thirty songs were played, mostly Beach Boys’ songs but also a couple Wilson had comprised for his own solo career, including “One Kind of Love”. Wilson also admirably handled leads on a few songs done by former Beach Boys Carl Wilson and Mike Love.
Interestingly enough, just before playing “Surf’s Up”, a classic ballad about guess what – surfing, Wilson stated to the crowd that the song was his least favorite to play live, leaving us fans thinking, “Well, why are you playing the song then? You have a million to choose from.” Kind of a weird moment, but what would a Brian Wilson show be without one. Nonetheless, each song was played inspired and with vigor and that’s all you can really ask for when someone has been performing the same songs for nearly fifty years.
The set continued with greats like “Darlin’” (dedicated to the late Carl Wilson), “Sloop John B”, “Don’t Worry Baby” and a beautiful version of “God Only Knows”. “Since you loved that song so much, we’re going to give you some “Good Vibrations”, Wilson declared as they went into the song.
After a brief departure from the stage, the band returned to knock out five hits without pause – “All Summer Long”, Help Me, Rhonda”, “Barbara Ann”, Surfin’ U.S.A.” and “Fun, Fun, Fun”. The energy on stage was at its highest during the multitude of encore numbers, as Wilson raised his hands to simulate surfing and band members ran back and forth from one end to the other. It was certainly a high note to end the show with when Wilson opted to rather end the night with the much lower-keyed “Love and Mercy” in promotion of the latest film on Brian Wilson – Love and Mercy.
All in all, Brian Wilson and band played an enthusiastic set, each song as polished and youthful as ever. What is better than sitting back on a balmy summer night and listening to Beach Boys classics sung by Brian Wilson himself?
Even the opening act was inspiring as the night began with Rodriguez, the musician featured in the documentary Searching for Sugar Man. Rodriguez is an amazing musician who became huge in other parts of the country, particularly South Africa, and never even knew he had achieved any fame at all. In fact, most presumed he was dead. Rodriguez, aided by just his trusty guitar, warmed the crowd nicely, tapping into “Sugar Man”, “I Just Want to Make Love to You” and a peppy cover of “Fever”. With little words Rodriguez preached against violence towards women and reminded us that hate is too much of a powerful emotion to be wasted on those we do not like.
For upcoming events at Ravinia, visit www.Ravinia.org.
Ravinia plays host to so many memorable concerts throughout the year, but one of the most unforgettable came last Tuesday night when The Beach Boys shared the stage with the legendary Temptations. Amply called “Surf and Soul” audience members were able to take in some of the most celebrated classics in music history under the stars.
Taking the stage first were the Temptations led by Bruce Williamson and the band’s only original member, Otis Williams. Dressed in matching, brightly colored suits the band clapped, spun and added some fancy footwork to such favorites as “Treat Her Like A Lady”, “The Way You Do the Things You Do”, “Just My Imagination” and “My Girl”. Gracing the crowd with smooth harmonies and romantic lyrics, the Temptations still had women swooning as they probably did some fifty years ago.
After a healthy set of soulful bliss, The Beach Boys then came out to perform headed by original members Mike Love and Bruce Johnston. Fun videos of 1960s nostalgia and band footage were displayed on each side of the stage throughout the show while The Beach Boys launched into an array of their famous surf hits. Strangely however, Brian Wilson seemed to be shunned from such footage barring a few quick shots were it was nearly impossible to exclude him. Obviously missing was Brian and Carl Wilson, but the band still managed to pull off a highly efficient performance taking on such songs (most Mike Love driven hits) as “”Do It Again”, “Sloop John B”, “Surfin’ USA”, “Catch A Wave”, “Be True To Your School”, “409” and “I Get Around”. Also thrown into the set, and maybe a bit unnecessarily, was Mike Love’s solo project number “Pisces Brothers”. The band did venture into a few Brian Wilson led songs with the touring musicians handling his high vocal range quite nicely – the same goes for the terrific harmonies in each song.
The Beach Boys played two songs from Pet Sounds – “Wouldn’t It Be Nice” and “God Only Knows”, the latter of which the band got creative with the jumbo screens to allow the late Carl Wilson sing the lead (as only it should be) while they gently played and sang harmonies underneath. Ending on a high note, Love and gang jumped into the band’s last big hit “Kokomo” from the late 1980s and their ever so popular anthem “Good Vibrations”.
Not to be a band that walks away from challenges, Mike Love was greeted with a bucket of ice water over his head in support of ALS awareness to put the finishing touches on a fully enjoyable experience.
Overall, though at times a bit sad to be reminded of our mortality and the inevitable aging process we all must endure, both bands were thoroughly entertaining, tight and most of all – fun. I can only hope both will return to Ravinia in 2015. Surf’s still up, boys!
Following an acclaimed run at the Geffen Playhouse in Los Angeles and NY City Center in New York, AVA: The Secret…
“Six Men Dressed Like Stalin,” now at A Red Orchid Theatre in Chicago and directed by dado, draws upon the…
Broadway In Chicago is thrilled to announce the smash hit TINA – THE TINA TURNER MUSICAL is now playing at the Cadillac Palace Theatre…
The Den Theatre today announced upcoming July 2025 shows at the theatre's Wicker Park stages at 1331 N. Milwaukee Ave., including Sammy…
The Opera Festival of Chicago announces the cast and creative team for Pagliacci by Ruggero Leoncavallo, directed by Sasha Gerritson, conducted by…
You’ll want to join this “Neighborhood Watch," a fast-paced comedy having its world premiere in Jackalope Theatre’s performance space in…
Kokandy Productions invites you to spend the summer in Paris (Montmartre, to be exact), as it kicks off its 2025 Season with…
Producers Lia Vollack, John Branca, and John McClain and Broadway In Chicago are thrilled to announce that individual tickets for the highly anticipated return engagement of…
Recent Chicago-area winters have been relatively easy ones. Lest we forget howling blizzards or subzero temperatures, Will Arbery’s Evanston Salt…
Corn Productions announces the world premiere of “Support Group For The End Of The World” Thursdays, Fridays and Saturdays, June…
I’m a geek, I admit it; I love seeing theatre that’s … well … real. Like SCANDALOUS BOY – you’ve…
Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, concludes its…
TimeLine Theatre Company, celebrated for its powerful and provocative productions that connect past, present, and future, announces a landmark 29th…
Chicago's Raven Theatre Company today announced its 43rd season, with productions appearing on its Edgewater stages at 6157 N. Clark St. in…
For a dose of summer fun, theatergoers are invited to grab their Walkman, cue up their favorite 80s mix tape,…
Lucid Theater announced today it will present the world premiere of BUDDHA'S BIRTHDAY by Chicago playwright Amy Crider, whose WELLS…
HONEYPOT originated as a creative nonfiction book by E. Patrick Johnson, Dean of the School of Communication at Northwestern University.…
It was a dark and stormy night as I motored to The Conspirators “Chicago Cop Macbeth,” with a fog of…
Broadway In Chicago announced today that HAMILTON will return to Chicago for a multi-week engagement beginning March 4, 2026 through April 26,…
An electrifying evening of artistic fusion unfolded at the Auditorium Theatre as Hiplet Ballerinas, the professional company of the Chicago…
We are inside the Pompeii Club. From everything Charity has told us, the club is the place to be, and…
With AI and other technological advancements continuing to change the landscape of how we work and interact with one another,…
Riots of laughter greeted the City Lit Theater world premiere of “R.U.R. [Rossum’s Universal Robots]” Wait. Could this be the…
Paramount Theatre’s smash hit Million Dollar Quartet, a “roof-rattling…rapturous celebration of early rock ‘n’ roll” (Daily Herald), won’t stop rockin’ anytime…
See Chicago Dance, the dance industry's nonprofit service organization celebrating its 20th anniversary in 2025, is proud to announce organizations…
Broadway In Chicago announced today that individual tickets for Disney’s The Lion King, are now on sale to the public. Tickets ranging…
I’ll just say it - Cats is going to blow your mind. Now running at the Paramount Theatre, this spectacular…
“Galileo” written in 1938 by German playwright Bertolt Brecht, tells the straightforward story of the 17th century physicist and astronomer’s…
The adage goes that you can’t choose your family but you can choose your friends. Throughout our lives, we meet…
Hell in a Handbag Productions is pleased to conclude its 2024/25 Season with the world premiere of QUEEN FOR A DAY written by…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.