What was meant to be a run somewhere in the neighborhood of four to eight weeks, became a resident show for Windy City Playhouse, so popular in fact, a new home was created nearly a year later to hold the run indefinitely. The new venue, Windy City Playhouse South (2229 S. Michigan) is now the home for ‘Southern Gothic’ the smash hit play that shows no signs of slowing down. The immersive theater experience co-created by Windy City Playhouse Artistic Director Amy Rubenstein is truly unique and it’s not at all beyond the possibility that this show could become Chicago’s next Million Dollar Quartet, as far as a show that went on an open run for several years.
The show centers around a house party containing four couples in Ashford Georgia on June 30th, 1961. Ellie and Beau Couttier (Sarah Grant and Michael McKeogh) are hosting Suzanne Wellington’s 40th birthday party and it doesn’t start off very well after the caterer doesn’t show up, and the Couttier’s are forced to throw together appetizers and desserts. Scrambling through their refrigerator and cabinets, the two throw together frosting on graham crackers, Cheez-it on crackers and other fun creations. As guests arrive, the party starts off on a light note but quickly goes off the rails as secrets come out and Tucker Alsworth (Ben Page) shows up with Cassie Smith (Arielle Leverett), a woman of color – in 1961 Georgia, where, for many, it was acceptable to enjoy Harry Belafonte on the radio but not socially acceptable to have him over for dinner. As the play progresses, multiple story lines take shape - each fascinating in their own right, with everything eventually coming together quite nicely.
So…the dialogue is riveting and the performances outstanding. Sounds like a solid production, but why all the fuss?
Because, you – the audience, are invited to the party – like, really. And, if you’re like me – someone who enjoys going out but prefers to avoid mundane small talk with acquaintances or strangers, this party is for you.
Audience members can gather in the front yard area of the mid-century modern home or choose to travel from room to room in its interior. There’s not a bad seat in the house (literally). The story moves from room to room (even the bathroom) and you, as the “invited guest” can choose to follow whichever story line you like. There are benches along the walls of the home if you prefer to sit for a bit, but chances are you’ll be moving back and forth a fair amount of the time to collect as much action as possible. And don’t be shy. Feel free to grab any of the snacks that the Couttier’s provide for the guests. Tom Collins are also served (non-alcoholic version available upon prior request). It’s a party! And all you have to do is sit back (and/or walk around) and soak in a hilarious party gone wrong.
Of course, the audience (limited to 30 guests for obvious space reasons) is asked to do their best to stay along the walls and not interact with the actors, who by the way are spectacular at focusing on each other despite the distraction of a moving crowd. Yes, each finely-tuned actor is dialed into their character and the others as though the audience did not exist.
Superbly directed by David H. Bell and wonderfully written by Leslie Liataud, the play includes a great amount of humor, comes with a handful of intriguing story lines, includes eight stand out performances and a set that will certainly make many reminisce about their childhood home (depending on how old one is) or maybe their grandparents house thanks to the fine attention to detail by the talented Windy City Playhouse design team.
Victor Holstein as Charles Lyon, Erin Barlow as Lauren Lyon, Paul Fage as Jackson Wellington and Amy Malcom as birthday girl, Suzanne Wellington round out a splendid cast, that, along with the other actors already mentioned, create a most memorable night for audience members in this very special production.
Do not be deterred by the $90-$100 ticket prices – steep at first glance – but it’s really not. This brilliantly put together show is well worth the cost of admission as it is something you cannot experience anywhere else. In fact, you might even opt to see the play more than once just so you can follow a different story line or see it from a different perspective. There’s a reason this play is a hit and is not going anywhere anytime soon.
Highest recommendation.
‘Southern Gothic’ is being performed at Windy City Playhouse South indefinitely. For tickets and/or more show information, visit windycityplayhouse.com.
*Extended through October 27th
All hands on deck Titanic fans! Get ready for a lavishly produced musical that boldly reimagines the Titanic story, navigating…
By popular demand, Disney’s The Lion King will return to Chicago for the first time since 2023, where the production played a sold-out…
THE LISTENERS has undergone several incarnations since the 2021 novel by Jordan Tannahill. It’s been a full-length movie, a TV…
IDENTITY PERFORMING ARTS Presents Spring Concert 2025 “Instinct” A captivating performance of four distinct works on April 26 & 27…
The Auditorium (Chicago’s Landmark Stage® at 50 E. Ida B. Wells Drive) proudly welcomes back the eclectic energy of hometown favorite South…
Open Space Arts (OSA), who recently won some of the top honors in the Joseph Jefferson Awards for 2024 productions,…
I’ve reviewed a number of shows at Open Space Arts (OSA) – I love the place – so I’m familiar…
Hell in a Handbag Productions is pleased to continue its 2024/25 Season with the world premiere of Scary Town, Artistic Director David Cerda's semi-autobiographical…
In Definition Theatre's production of "Splash Hatch on the E Going Down," Kia Corthron's 1997 work feels unnervingly relevant in…
Kokandy Productions is pleased to announce the official selections for the annual Chicago Musical Theatre Festival, a celebration and showcase of the…
I’m not holding back—Copley Theatre’s latest offering, The 25th Annual Putnam County Spelling Bee, is an absolute winner! I’ve seen…
Don’t be deceived by the title. The phrase “lifespan of a fact” sounds about as dry as the Mojave Desert…
A.B.L.E.—Artists Breaking Limits & Expectations—a Chicago-based nonprofit that creates theatre and film for, with, and by individuals with Down syndrome…
Walking into Windy City Playhouse, audiences are immediately transported to somewhere new. Scenic Designer Kevin Rofls fills the space with…
Artistic Director Braden Abraham and Executive Director Kathryn M. Lipuma announce Writers Theatre's 2025/26 season. The five-play season is marked by four productions never seen before…
About Face Theatre announces the return of Re/Generation Studio, a weekend of community building, education, and performance to help build the future…
Fresh off her critically acclaimed and Tony-nominated run in Broadway's Days of Wine and Roses, Steppenwolf Theatre Company and Mark Cortale are pleased to present…
Going into “La Bohème” with little knowledge of Puccini’s masterpiece, I was just a naive theater-goer seeing it fresh at…
Cameron Mackintosh is delighted to announce that a revitalized new production of Andrew Lloyd Webber’s legendary musical, THE PHANTOM OF THE OPERA, will play…
Chicagoland's longest running musical theatre, Marriott Theatre, continues its 50th Anniversary Season celebration with the epic production of Titanic The Musical, directed and choreographed by Connor…
Ser o no ser esa es la cuestión We are all familiar with Shakespeare’s iconic line: to be or not…
Theater Wit, in collaboration with the Crown Family Center for Jewish Studies at Northwestern and Northlight Theatre, hosts CityTalk: A Series of Conversations on Assimilation, Antisemitism…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to continue its 49th season with the Chicago premiere of The…
Lyric Opera of Chicago today announces the company's 2025/26 Season, its first complete season under the leadership of new General…
Beetlejuice, Beetlejuice… Beetlejuice! You’ve summoned him once again, Chicago— BEETLEJUICE is back for another hauntingly hilarious run! The edgy and irreverent Broadway…
The Auditorium (Chicago’s Landmark Stage® at 50 E. Ida B. Wells Drive) proudly presents a special evening with Parsons Dance, the New…
Obliteration, LLC & The Revival Theater announce a limited engagement of Obliteration, written by Andrew Hinderaker, directed by Jonathan Berry, featuring Michael Patrick Thornton and Cyd Blakewell. Obliteration runs April 10-May 4,…
The Dance Center of Columbia College Chicago announces 16 by Red Clay Dance Company for three performances only, April 17-19, 2025, featuring Founding Artistic Director and CEO Vershawn…
Stand Up Together, a comedy benefit in support of artists impacted by the Los Angeles wildfires, hosted by Second City and SNL…
Following a string of successful shows, Music Theater Works has once again hit the jackpot with their 2025 season opener,…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.