I was 16 years old, digging through a used record bin at a flea market. I came across an album by a Fusion band named Return to Forever. I had heard of the guitar player, Al DiMeola, so I bought the used LP for a dollar. It was money well spent. At that time, I was a relatively new guitar player and I was already getting onto Progressive bands like Yes. At first that is how I saw Fusion. It was kinda like “Prog Rock” sans vocals. It was at that time I first heard Stanley Clarke. The man’s name translates to the word bass in some language. I am sure of that. I know of very few players that have the kind of command over the instrument the Clarke does.
Stanley Clarke just hit Chicago on his latest tour and his performance at City Winery was top notch from beginning to end. His lineup included two keyboardists, drums, electric violin and Clarke on electric and upright bass. What, no guitar player? Blasphemy! I was devastated. Not exactly. There was no void in the music by the lack of having a guitar player that evening. With such a large ensemble of musicians, I’m not sure that there would have been room on the stage anyway. Needless to say, Clarke was already playing through one of the largest bass rigs I have seen in a venue of that size. It really wasn’t even all about that bass either, all the musicians were of the highest caliber.
Beka Gochiasvill and Cameron Graves were the two keyboardists, and both were outstanding. Beka is from Georgia, not the state, the nation that formerly belonged to the USSR. Only 22 years old, his playing reflected someone with much more maturity. Graves is a West Coast cat who has a reputation of his own and is also known for a lot of his own music.
Drummer Mike Mitchell was a solid groove machine, really holding down the fort with Stanley’s melodic monster bass lines. I love jazz drummers, they are never boring, and Mitchell was no exception. The art of being creative without showing off is another level of performance that takes time to achieve. There is an old joke: “A drummer is a person who follows musicians around”. When the drummer is really a musician, it makes all the difference in the world. It really does.
Last but not least in the lineup was the electric violinist. I feel terrible that I cannot recall his name and was unable to find out at the time of this writing! Ugh! I’ll just say that his performance was fantastic and that he was a very animated person. He gave the music a serious melodic boost, and almost upstaged Clarke yet his name is not listed in the band line up.
I say this in all my reviews, but go see live music! I am especially adamant about this when it comes to jazz. Clarke at age 66, is one of the younger players from back in the day. The newer generation does have the talent, no doubt about it, but it’s very educational to see the legends that were so influential in the genre. Thanks to venues like City Winery, this is still a tangible thing that is greatly available for people to seek out. City Winery also gets a great review from me, once again. They have a great staff and the sound there is always amazing. The wine is also fine.
Cheers!
All hands on deck Titanic fans! Get ready for a lavishly produced musical that boldly reimagines the Titanic story, navigating…
By popular demand, Disney’s The Lion King will return to Chicago for the first time since 2023, where the production played a sold-out…
THE LISTENERS has undergone several incarnations since the 2021 novel by Jordan Tannahill. It’s been a full-length movie, a TV…
IDENTITY PERFORMING ARTS Presents Spring Concert 2025 “Instinct” A captivating performance of four distinct works on April 26 & 27…
The Auditorium (Chicago’s Landmark Stage® at 50 E. Ida B. Wells Drive) proudly welcomes back the eclectic energy of hometown favorite South…
Open Space Arts (OSA), who recently won some of the top honors in the Joseph Jefferson Awards for 2024 productions,…
I’ve reviewed a number of shows at Open Space Arts (OSA) – I love the place – so I’m familiar…
Hell in a Handbag Productions is pleased to continue its 2024/25 Season with the world premiere of Scary Town, Artistic Director David Cerda's semi-autobiographical…
In Definition Theatre's production of "Splash Hatch on the E Going Down," Kia Corthron's 1997 work feels unnervingly relevant in…
Kokandy Productions is pleased to announce the official selections for the annual Chicago Musical Theatre Festival, a celebration and showcase of the…
I’m not holding back—Copley Theatre’s latest offering, The 25th Annual Putnam County Spelling Bee, is an absolute winner! I’ve seen…
Don’t be deceived by the title. The phrase “lifespan of a fact” sounds about as dry as the Mojave Desert…
A.B.L.E.—Artists Breaking Limits & Expectations—a Chicago-based nonprofit that creates theatre and film for, with, and by individuals with Down syndrome…
Walking into Windy City Playhouse, audiences are immediately transported to somewhere new. Scenic Designer Kevin Rofls fills the space with…
Artistic Director Braden Abraham and Executive Director Kathryn M. Lipuma announce Writers Theatre's 2025/26 season. The five-play season is marked by four productions never seen before…
About Face Theatre announces the return of Re/Generation Studio, a weekend of community building, education, and performance to help build the future…
Fresh off her critically acclaimed and Tony-nominated run in Broadway's Days of Wine and Roses, Steppenwolf Theatre Company and Mark Cortale are pleased to present…
Going into “La Bohème” with little knowledge of Puccini’s masterpiece, I was just a naive theater-goer seeing it fresh at…
Cameron Mackintosh is delighted to announce that a revitalized new production of Andrew Lloyd Webber’s legendary musical, THE PHANTOM OF THE OPERA, will play…
Chicagoland's longest running musical theatre, Marriott Theatre, continues its 50th Anniversary Season celebration with the epic production of Titanic The Musical, directed and choreographed by Connor…
Ser o no ser esa es la cuestión We are all familiar with Shakespeare’s iconic line: to be or not…
Theater Wit, in collaboration with the Crown Family Center for Jewish Studies at Northwestern and Northlight Theatre, hosts CityTalk: A Series of Conversations on Assimilation, Antisemitism…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to continue its 49th season with the Chicago premiere of The…
Lyric Opera of Chicago today announces the company's 2025/26 Season, its first complete season under the leadership of new General…
Beetlejuice, Beetlejuice… Beetlejuice! You’ve summoned him once again, Chicago— BEETLEJUICE is back for another hauntingly hilarious run! The edgy and irreverent Broadway…
The Auditorium (Chicago’s Landmark Stage® at 50 E. Ida B. Wells Drive) proudly presents a special evening with Parsons Dance, the New…
Obliteration, LLC & The Revival Theater announce a limited engagement of Obliteration, written by Andrew Hinderaker, directed by Jonathan Berry, featuring Michael Patrick Thornton and Cyd Blakewell. Obliteration runs April 10-May 4,…
The Dance Center of Columbia College Chicago announces 16 by Red Clay Dance Company for three performances only, April 17-19, 2025, featuring Founding Artistic Director and CEO Vershawn…
Stand Up Together, a comedy benefit in support of artists impacted by the Los Angeles wildfires, hosted by Second City and SNL…
Following a string of successful shows, Music Theater Works has once again hit the jackpot with their 2025 season opener,…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.