Rhythm is an essential part of life. We wouldn’t exist without it. It all starts with your heart beat. That is the origin of rhythm really. And Djembe! The Show at Apollo Theater is all about the rhythm – and it’s informative. I really enjoyed learning how the djembe was used throughout musical history.
Djembe! was almost like a workshop at times. Drums are located at each audience member’s seat. The show was emceed by Ben Hope. Hope, along with the rest of the ensemble, taught the audience about the rich history djembe drumming. I didn’t realize this was actually a touring road show until yesterday. I can just imagine packing all those drums away after every show! Hopefully, Djembe! sticks around for a while because it is truly worthy of a long run.
The band in this show was fantastic. Fode Lavia Camara was the Djembe Fola, or “master”. He led the drumming for the most part although all were involved. The band was rounded out with bass guitar, keys and drums. All were musicians are very talented players.
Rashada Dawan handled most of the lead vocals. She wore a variety of costumes to illustrate the influence of djembe rhythms through musical history. Her voice was amazing. She also helped emcee the show.
When it all is said and done, we learn that a lot of the rhythm we take for granted in music is African in origin. It is interesting to see the influence of these rhythms on everything from Pop to Classical Music. This was all about the Djembe, but it translates to other instruments and even voices, and a show like this is great mind food for musicians. Us musicians need to constantly feed our minds with information. But it is the entertainment value in Djembe! that makes it fun!
This is a show one could see again and again. In fact, I am tempted to take a friend there who I know would really like it. You would too. Nothing makes you feel better than beating a drum. Bring a friend. Make a friend. It’s a celebration of life. This would be a great show to take your kids along. It’s a lot of fun.
Djembe! The Show is currently being performed at Apollo Theater.
For more information on this unique experience, visit www.djembetheshow.com.
After a successful summer preview run, "Thrones: The Musical Parody" has returned to Apollo Theater for Fall performances. Though the production might not have the staying power as did "Million Dollar Quartet", a show originally scheduled for a two-week run that was renewed for several years, "Thrones" is a solid production that, despite its niche market, should get comfy in its Apollo home for a decent stay.
Parodying Game of Thrones, one of the biggest television series over the past decade "Thrones" hold little back, cleverly mocking its main characters delivering a crude, but witty, humor GoT fans are sure to enjoy. From the show's opening number "Thrones!", a song that punches the audience with spoilers and refers to "The Wire" as a show one doesn't realize they like until after two and a half seasons, we get a good taste of the campy ride we are about to take. The show's very funny cast includes Caitlyn Cerza, Nick Druzbanski, Madeline Lauzon, Beau Nolan, Victoria Olivier and Christopher Ratliff.
The story revolves around a group of friends who excitedly await the GoT season premiere. However, after some lackluster enthusiasm is displayed, it's soon revealed that Brad (Druzbanski) has never seen the show. Of course, this is just mind blowing for the rest of the gang who quickly agree to act out the show to catch Brad up to speed. And this is where it starts to get crazy. In fact, the show takes a hilarious turn the moment Tom (Ratliff) throws on the John Snow wig and makeshift cape just before diving into his ode to The Wall watchers "For the Watch". And how can you have a wall number without taking a poke a Donald Trump, which they certainly do. Taking shots at practically every character on the show from Tyrian to Sansa to King Joffrey to Xerxes (there's actually a song on who we need to know), the group goes from one scenario to the next. Naturally, Brad's interest in the show grows as the friends get deeper and deeper into the characters.
Act One ends on a high note with possibly the funniest number in the show, "Stabbin'", a gruesomely humorous massacre free-for-all that really needs to be seen to be appreciated in full. But worry not, after a big ending into intermission, we are not let down, as Act Two holds a strong pace by providing solid laughs throughout, steering us to a strong finish. Each actor richly contributes in this talented cast holding the ability to get big laughs at any given moment as well as providing respectable vocal ability. The cast brilliantly overplays their characters expressions and are able to successfully spoof their many characteristics such as Tyrian's poor accent, John Snow's seemingly empty thoughts or _________ not so subtle crush on Denarys.
Written by the team of Chris Grace, Zach Reino, Al Samuels and Dan Wessels, the show gets a nice boost from director Hannah Todd, who is able to work the funny within the funny and finely translate it for stage. While GoT fans will certainly enjoy this show, easily picking up on its jokes - both subtle and bold, it remains to see how theater goers not familiar with the show will react. The GoT fan base in Chicago might be enough in itself to support this show for a long run, possibly even creating new GoT fans along the way.
"Thrones: The Musical Parody", performed at Apollo Theater through November 15th, has plenty to make it a thoroughly entertaining event - laughs, sex, an engaging storyline,catchy songs and excellent acting performances.
Take your Game of Thrones experience to the next level with "Thrones: The Musical Parody".
Following an acclaimed run at the Geffen Playhouse in Los Angeles and NY City Center in New York, AVA: The Secret…
“Six Men Dressed Like Stalin,” now at A Red Orchid Theatre in Chicago and directed by dado, draws upon the…
Broadway In Chicago is thrilled to announce the smash hit TINA – THE TINA TURNER MUSICAL is now playing at the Cadillac Palace Theatre…
The Den Theatre today announced upcoming July 2025 shows at the theatre's Wicker Park stages at 1331 N. Milwaukee Ave., including Sammy…
The Opera Festival of Chicago announces the cast and creative team for Pagliacci by Ruggero Leoncavallo, directed by Sasha Gerritson, conducted by…
You’ll want to join this “Neighborhood Watch," a fast-paced comedy having its world premiere in Jackalope Theatre’s performance space in…
Kokandy Productions invites you to spend the summer in Paris (Montmartre, to be exact), as it kicks off its 2025 Season with…
Producers Lia Vollack, John Branca, and John McClain and Broadway In Chicago are thrilled to announce that individual tickets for the highly anticipated return engagement of…
Recent Chicago-area winters have been relatively easy ones. Lest we forget howling blizzards or subzero temperatures, Will Arbery’s Evanston Salt…
Corn Productions announces the world premiere of “Support Group For The End Of The World” Thursdays, Fridays and Saturdays, June…
I’m a geek, I admit it; I love seeing theatre that’s … well … real. Like SCANDALOUS BOY – you’ve…
Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, concludes its…
TimeLine Theatre Company, celebrated for its powerful and provocative productions that connect past, present, and future, announces a landmark 29th…
Chicago's Raven Theatre Company today announced its 43rd season, with productions appearing on its Edgewater stages at 6157 N. Clark St. in…
For a dose of summer fun, theatergoers are invited to grab their Walkman, cue up their favorite 80s mix tape,…
Lucid Theater announced today it will present the world premiere of BUDDHA'S BIRTHDAY by Chicago playwright Amy Crider, whose WELLS…
HONEYPOT originated as a creative nonfiction book by E. Patrick Johnson, Dean of the School of Communication at Northwestern University.…
It was a dark and stormy night as I motored to The Conspirators “Chicago Cop Macbeth,” with a fog of…
Broadway In Chicago announced today that HAMILTON will return to Chicago for a multi-week engagement beginning March 4, 2026 through April 26,…
An electrifying evening of artistic fusion unfolded at the Auditorium Theatre as Hiplet Ballerinas, the professional company of the Chicago…
We are inside the Pompeii Club. From everything Charity has told us, the club is the place to be, and…
With AI and other technological advancements continuing to change the landscape of how we work and interact with one another,…
Riots of laughter greeted the City Lit Theater world premiere of “R.U.R. [Rossum’s Universal Robots]” Wait. Could this be the…
Paramount Theatre’s smash hit Million Dollar Quartet, a “roof-rattling…rapturous celebration of early rock ‘n’ roll” (Daily Herald), won’t stop rockin’ anytime…
See Chicago Dance, the dance industry's nonprofit service organization celebrating its 20th anniversary in 2025, is proud to announce organizations…
Broadway In Chicago announced today that individual tickets for Disney’s The Lion King, are now on sale to the public. Tickets ranging…
I’ll just say it - Cats is going to blow your mind. Now running at the Paramount Theatre, this spectacular…
“Galileo” written in 1938 by German playwright Bertolt Brecht, tells the straightforward story of the 17th century physicist and astronomer’s…
The adage goes that you can’t choose your family but you can choose your friends. Throughout our lives, we meet…
Hell in a Handbag Productions is pleased to conclude its 2024/25 Season with the world premiere of QUEEN FOR A DAY written by…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.