No , I haven’t read the book 50 Shades of Grey, only portions of it - while standing in the grocery store, but still I was swept up by the excitement of Broadway Playhouse’s mostly female audience who giddily lined up to see this show as if they were going to get to meet their own Mr. Grey in person.
Several of the musical parody numbers in this production got solid laughs on almost every beat and punchline, including the hysterical, “There’s a Hole Inside of Me “, “I Don’t Make Love , I F-ck!”, “Just Like any Other Couple” and “How Much Can I Take?”. I really loved the way the three women reading the book together at a book club were the chorus for the show, interjecting their breathless responses to the action between Anastasia Steele and Grey the way the real fans of this book attempt to live out the fantasy in their own lonely lives.
I also enjoyed the way the parody shows both sides of the S & M world by showing that much of it is harmless fun and role play fantasy but that some of it is brought about by serious sexual dysfunction and or abuse, like revealing that Grey is into S & M because he was “sexually molested by an older woman from the ages of 15 to 21”.
Ben Caplan as the plus-sized Christian Grey clad in a sickly revealing, red and white muscle builders unitard with a full on barrel tummy was hysterical, delivering his song and dance numbers with great physical comedic timing.
Diego Klock Perez was also very funny in his role as “Jose” the Latin lover who hopes to steal Steele’s heart from the dominating and untouchable Grey. Klock got great laughs just by his entrance and exit from the stage each time leaving Anastasia’s presence without losing her eye contact by backing slowing out of the room one deep step/lunge at a time.
Katie Lamark has a great singing voice and was very funny and cute as the befuddled and enamored Anastasia Steele. But the real scene stealer for me was Carol from the chorus of three ladies’ book club played by Melanie Brook. She really reminded me of a young Carol Burnett and when I saw how young she is in person after the show I was even more impressed that she was able to pull off playing a dowdy, nerdy desperate woman in her fifties with such uncanny comedic accuracy.
The three piece band onstage was perfect for this show, it was lively and effective yet felt casual and fun. However, the set could use some real sprucing up as there was none to speak of and I think everyone was a little disappointed there was not even a backdrop painted to suggest Grey’s opulent million dollar home nor the trappings of his infamous “Red Room”.
Other than that though this was a really fun and sexy evening of entertainment because it made the whole audience feel that sex and different kinds of sex can be talked about openly and laughed at and even relished in public without anyone being offended or belittled, male OR female, fat OR thin, sexy or nerdy. This fun and funny musical parody about America’s new obsession with soft core S & M strikes many of the right notes, no pun intended.
50 Shades! The Musical Parody is only playing at Broadway Playhouse through January 18th, so take advantage of this funny show while you still can. For more information, visit www.BroadwayinChicago.com.
All hands on deck Titanic fans! Get ready for a lavishly produced musical that boldly reimagines the Titanic story, navigating…
By popular demand, Disney’s The Lion King will return to Chicago for the first time since 2023, where the production played a sold-out…
THE LISTENERS has undergone several incarnations since the 2021 novel by Jordan Tannahill. It’s been a full-length movie, a TV…
IDENTITY PERFORMING ARTS Presents Spring Concert 2025 “Instinct” A captivating performance of four distinct works on April 26 & 27…
The Auditorium (Chicago’s Landmark Stage® at 50 E. Ida B. Wells Drive) proudly welcomes back the eclectic energy of hometown favorite South…
Open Space Arts (OSA), who recently won some of the top honors in the Joseph Jefferson Awards for 2024 productions,…
I’ve reviewed a number of shows at Open Space Arts (OSA) – I love the place – so I’m familiar…
Hell in a Handbag Productions is pleased to continue its 2024/25 Season with the world premiere of Scary Town, Artistic Director David Cerda's semi-autobiographical…
In Definition Theatre's production of "Splash Hatch on the E Going Down," Kia Corthron's 1997 work feels unnervingly relevant in…
Kokandy Productions is pleased to announce the official selections for the annual Chicago Musical Theatre Festival, a celebration and showcase of the…
I’m not holding back—Copley Theatre’s latest offering, The 25th Annual Putnam County Spelling Bee, is an absolute winner! I’ve seen…
Don’t be deceived by the title. The phrase “lifespan of a fact” sounds about as dry as the Mojave Desert…
A.B.L.E.—Artists Breaking Limits & Expectations—a Chicago-based nonprofit that creates theatre and film for, with, and by individuals with Down syndrome…
Walking into Windy City Playhouse, audiences are immediately transported to somewhere new. Scenic Designer Kevin Rofls fills the space with…
Artistic Director Braden Abraham and Executive Director Kathryn M. Lipuma announce Writers Theatre's 2025/26 season. The five-play season is marked by four productions never seen before…
About Face Theatre announces the return of Re/Generation Studio, a weekend of community building, education, and performance to help build the future…
Fresh off her critically acclaimed and Tony-nominated run in Broadway's Days of Wine and Roses, Steppenwolf Theatre Company and Mark Cortale are pleased to present…
Going into “La Bohème” with little knowledge of Puccini’s masterpiece, I was just a naive theater-goer seeing it fresh at…
Cameron Mackintosh is delighted to announce that a revitalized new production of Andrew Lloyd Webber’s legendary musical, THE PHANTOM OF THE OPERA, will play…
Chicagoland's longest running musical theatre, Marriott Theatre, continues its 50th Anniversary Season celebration with the epic production of Titanic The Musical, directed and choreographed by Connor…
Ser o no ser esa es la cuestión We are all familiar with Shakespeare’s iconic line: to be or not…
Theater Wit, in collaboration with the Crown Family Center for Jewish Studies at Northwestern and Northlight Theatre, hosts CityTalk: A Series of Conversations on Assimilation, Antisemitism…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to continue its 49th season with the Chicago premiere of The…
Lyric Opera of Chicago today announces the company's 2025/26 Season, its first complete season under the leadership of new General…
Beetlejuice, Beetlejuice… Beetlejuice! You’ve summoned him once again, Chicago— BEETLEJUICE is back for another hauntingly hilarious run! The edgy and irreverent Broadway…
The Auditorium (Chicago’s Landmark Stage® at 50 E. Ida B. Wells Drive) proudly presents a special evening with Parsons Dance, the New…
Obliteration, LLC & The Revival Theater announce a limited engagement of Obliteration, written by Andrew Hinderaker, directed by Jonathan Berry, featuring Michael Patrick Thornton and Cyd Blakewell. Obliteration runs April 10-May 4,…
The Dance Center of Columbia College Chicago announces 16 by Red Clay Dance Company for three performances only, April 17-19, 2025, featuring Founding Artistic Director and CEO Vershawn…
Stand Up Together, a comedy benefit in support of artists impacted by the Los Angeles wildfires, hosted by Second City and SNL…
Following a string of successful shows, Music Theater Works has once again hit the jackpot with their 2025 season opener,…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.