It’s so easy to make comparisons with artists these days. He/she sounds like so and so, etc. My expectation before seeing Becca Stevens was to find a folk singer along the lines of the clichéd variety. I was surprised at what I found. I guess Stevens does somewhat fit into the folk category only because the industry likes to file music into genres. However, the folkie title is a bit too generic for her music.
Stevens is the singer/songwriter type for sure. That being said, I would consider her music to be more along the lines of eclectic pop sprinkled with some folk and almost Medieval overtones. During her recent performance in support of her latest release Regina at City Winery, I sat back, unsure of what to expect live. As l listened to Stevens’ set, I heard some very catchy melodies including those in “Queen Mab” off her latest album. Steven’s voice I might compare with someone like a Joni Mitchell, at least in terms of range, though her songs were quite different than Joni’s. I really liked the band she had, as well. Three musicians backed her up - drums, keys and bass. Stevens also played guitar – and well.
Steven’s ability to play guitar with such heart and technical prowess was jaw-dropping at times. I couldn’t help but notice several interesting chord voiceings and it sounded to me like she might have ventured in to some open tunings. Stevens did not perform any guitar solos. She is not that kind of player, and her music did not lack anything because of that.
Liam Robinson was the man on keys. He also contributed backing vocals. He played a grand piano, electric keys and accordion depending on the song. Robinson adds a very melodic element to the fold. The accordion was a nice touch and Steven’s performance had me wondering if it was not also used as a midi controller due to some of the timbres I heard.
Jordan Perlson played drums. A very solid pocket guy, he did not over or underplay either. He was part of what I would consider a very solid rhythm section. I consider dynamics a huge part of performing and he led the musicians in that direction very well. He knew just when to pull back when the time called. The balance of sounds has a lot to do with the man behind the kit. A live band can’t really be any better than their drummer, and in this case, they have a solid one in Perlson.
My favorite part of her band was bass player Chris Tordini. He also sang along with Stevens and even pitched in with some short lead vocal lines of his own. His style was very diverse. Pick and finger styles were used along with some almost classical guitar style right hand work. Tordini complimented the dynamic drums and never overpowered the vocals.
The City Winery has a great system. I am not sure if the person running the board was the house guy or not. The mix was flawless, very unlike a lot of the clubs I hear in Chicago were all you hear is the bass and drums. I don’t care to much for that. I like hearing the vocals myself. I was not disappointed.
Becca seemed to have quite a following at City Winery, as many people were singing along with her songs. I may need to dive into some more listening from her catalog. I also thought it was very cool that she did some work with a band I highly respect, Snarky Puppy. Talented people do seem to attract one another’s attention so I shouldn’t be all that surprised. The surprise to me was that Stevens was billed as some type of roots musician. I didn’t hear that at all. I found the songs to never really sound dated. I think that title should be dismissed. I don’t like categories anyway. That always narrows the focus of the artist and the mind of the listener. Music should expand your mind, and Becca Stevens is a fine example of that notion.
For more info on Becca Stevens visit http://www.beccastevens.com/.
To check out the upcoming schedule at City Winery, visit http://www.citywinery.com/chicago/.
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