In Concert

This past week I found myself in a movie theater with reclining seats, an overpriced large popcorn, and a two liter cup of soda all to myself. The movie was awful, but the audience more than made up for the bad comedy. With contagious laughter and witty one-liners, the audience of closet suburban comedians turned the otherwise flat movie into a Second City stage. Sometimes the audience is more entertaining than the scheduled entertainment; that was definitely the case as I ventured out with my 3-year-old-daughter to see SLEEPING BEAUTY at The Marriott Theatre for Young Audiences.

SLEEPING BEAUTY is Marc Robin's musical adaptation of the classic Brothers Grimm fairy tale with some variations. In a kingdom far away, the vengeful sorceress Magenta has placed a wicked curse on the beautiful Princess Amber and only a true love's kiss can unlock the spell and wake her before it is too late. Prince Hunter must battle dragons, scale mountains, and sail the dark sea to save Princess Amber. Will his journey allow him to make it in time to prove his love to his Sleeping Beauty? This captivating fairy tale creates excitement and thrill for its audience as they root for Prince Hunter and the fate of the beautiful princess!

The play was performed with the over-the-top, flamboyant, campy type of performances that can only be found in children’s theaters. Bouncing excitedly in their seats toddlers watched with wide eyes, captivated by the colorful characters and silly antics of the cast. When the cast called on the audience to help Prince Hunter, played by Garrett Lutz, or to reassure Magenta, played by Meghan Murphy, the children responded faster than they answer their parents with a sense of urgency and enthusiasm only seen before bed times. Girls and boys dressed in princess dresses, waving at fairies and hiding in fear from the dragon. They sat on their feet and stood on their seats, craning their little necks to get better looks at their favorite characters on the stage. Rare moments of silence were punctuated with adorable high-pitched “whispers” of reassurance that princess Amber was “just sleeping;” big sisters calming worried younger siblings. With such pure happiness emanating from the seats around us, it was easy to overlook the many issues with the fairy tale narrative (like how a sixteen year old girl gets married after a single kiss or that a princess who is given courage and strength from her fairies is still not smart enough to stay away from a spinning wheel). But fairy tales often impart simple wisdom to impressionable audiences, and as they get swept up in the magic and majesty of the performance it is easy to look past our adult cynicism and just enjoy the show with childlike wonder.

SLEEPING BEAUTY runs on most Wednesdays through Sundays at 10 a.m. with certain performances at 12:30 p.m. Visit MarriottTheatre.com or call 847.634.0200 for exact schedule, as show times and dates may vary. Single ticket prices are $17.23 per person. Groups of 20 or more receive a discount by calling 847.634.5909. Free parking is available at all shows. To reserve tickets, call the Marriott Theatre Box Office at 847.634.0200 or visit www.MarriottTheatre.com<http://www.MarriottTheatre.com>.

Published in Theatre Reviews

Newsies, the Disney film from 1992 by Alan Menken (whose run around the same time of Little Mermaid, Beauty and the Beast, and Aladdin I’d put up against the work of any songwriter, on tape, on film, or on stage), was one I saw back when it hit VHS. But I don’t remember it too well. At least not the story. So, having not yet seen the Broadway adaptation of Newsies, I was curious to see if the Marriott Theatre’s production made more of an impression. And boy, did it ever.

The story’s still nothing that’ll make the “papes” (that’s what newsies call those inky, stinky things that used to provide the daily headlines), but I quickly realized we weren’t there for story. We were there for spectacle. And boy, did this production deliver.

In the round, the set is dominated by three steel girders that move to change the feel and figure depending on the needed background, but mostly harken back to turn-of-the-century NYC (partying like it’s 1899, not 1999), a city that’s growing and figuring it all out. So, too, are the newsies of the title, a pack of newspaper delivery boys of all shapes and shades and sizes, but who’ve got one thing in common – servitude to the media titans of the day. The story – one of standing up to the wealthy bullies who run things – is inspiring and as apt today as it was over a century ago, even if it doesn’t hold up to the spectacle. So let’s get to that spectacle!

Patrick Rooney as principal paperboy Jack Kelly works well as the lead. He’s got old-timey leading man looks and allure – “pizazz” they probably would’ve called it back in ‘99. And he’s got pipes, too, really letting loose on Menken’s “Santa Fe” to close the first act.

Jack’s fellow newsies have pizazz from the Bronx to Brooklyn, too. Athletes, all, they leap and bound, frolic and flip all across the square stage, charming the audience on all sides with spot-on choreography. Nick Graffagna as Davey looks and talks the part of a lad of that era, and Garrett Lutz’s bushy-haired Irishman does, too. Laura Savage and Adrienne Storrs as two newsgirls provide even more spunk and theater talent to the gang. And when the newsies storm the simple stage for ensemble numbers like “Seize the Day” and “King of New York” they make Lincolnshire’s modest forum seem simply metropolitan.

But from the get-go, the newsie who stands the tallest is young Matthew Uzarraga. As Crutchie, a disabled orphan armed with his namesake walking stick, Uzarraga first shows his skills when he joins Jack in harmony on an early take of “Santa Fe” – I’m a sucker for spot-on harmonizing, one of the things that’s hardest to do as a vocalist and when done right gives the listener goosebumps – giving me the chills. And throughout the show, Uzarraga’s crippled but plucky street urchin steals the stage whenever he’s on it, hobbling along happily and even bubbly and bright when consigned to a poorhouse bed.

My teen daughter, who accompanied me to the Marriott and who did catch the traveling cast of Newsies at the downtown Cadillac Theater a couple years back, said she enjoyed this production even more – delighted at seeing the footwork and old-timey fashions up close. So, too, did the rest of the audience – old and young, alike. So if it’s a story you’re looking for, I’ll tell you right now, Newsies is pretty much Annie, but with Worlds and Suns and Tribs instead of mops and buckets and baldheaded tycoons. But if it’s a show, a spectacle, you wanna see, then head to Lincolnshire for the Marriott’s production of Newsies, and pony up for the pomps and papes they’re sellin’!

For more show information visit www.marriotttheatre.com.

Published in Theatre in Review

From the bustling streets of New York City at the turn of the 20th century comes the Tony Award-winning new American musical, NEWSIES, making headlines at the Marriott Theatre just in time for the holidays, running October 25 through December 31 at 8 p.m. at 10 Marriott Drive, Lincolnshire. Featuring an electrifying score with music by eight-time Academy Award winner Alan Menkenand lyrics by Jack Feldman, and book by four-time Tony Award winner Harvey Fierstein, NEWSIES is the ultimate story of courage and overcoming one’s fears. Jeff Award nominee Alex Sanchez (Marriott Theatre: Evita, On the Town, Mary Poppins) brings his high-octane energy and brilliance to direct and choreograph the heartwarming piece, with Musical Direction by Jeff Award winner Ryan T. Nelson.
 
“We all get to a fork in our lives - which path do we choose? I want to inspire audiences to not be afraid to take the courageous path and strive for the unreachable,” says Director and Choreographer Alex Sanchez. “This story will be brought to life on stage with a plethora of energy bursting from our outstanding cast of dancers. Incredible set design will flow with the ensemble to provide a city landscape as vibrant as New York.”
 
Based on the 1992 motion picture of the same name and inspired by the real-life ‘Newsboy Strike of 1899’ that shook the ivory towers of publishing titans William Randolph Hearst and Joseph Pulitzer, NEWSIES follows orphan Jack Kelly and his band of teenaged ‘newsies,’ who dream of a better life far from the hardships of the streets. While they’ve had the talent and moxie to survive the challenges of inner city New York, the newsboys are pushed to the limit when media moguls Hearst and Pulitzer raise distribution prices at the boys’ expense. Timely and fresh, the fictionalized adaptation of NEWSIES addresses age-old themes of social injustice, exploitative labor practices and struggles as the young learn to harness their power against a corrupt establishment. Featuring soul stirring music, NEWSIES introduces eight brand-new songs by the original dynamic duo team of Menken and Feldman while keeping many of the beloved songs from the film, including “Carrying the Banner,” “Seize the Day,” “King of New York” and “Santa Fe.”
 
NEWSIES stars Patrick Rooney as “Jack Kelly” (Marriott Theatre: World Premiere of October Sky, Spring Awakening), Eliza Palasz as “Katherine Plumber” (Marriott Theatre: World Premiere of October Sky, Evita, Spring Awakening), Kevin Gudahl as “Joseph Pulitzer” (Marriott Theatre: Spring Awakening, Elf, My Fair Lady, 1776, The King and I) and Stephanie Pope at “Medda Larkin” (Broadway: Chicago, Pippin, Fosse). NEWSIES also stars Nick Graffagna as “Davey,” Matthew Uzarraga as “Crutchie,” and Carter Graf and Zachary Uzarraga alternating as “Les,” with Bill Bannon, Eean Cochran, Shea Coffman, Nicholas Dantes, Alejandro Fonseca, Sam Griffin, Garrett Lutz, Jeff Pierpoint, Zachary Porter, Liam Quealy, James Rank, Laura Savage, Peter Sipla, Adrienne Storrs, Steven Strafford, Richard Strimer, Martin Ortiz Tapia, Tiffany Tatreau, Andy Tofa and David Wright, Jr.
 
The production will feature set design by Kevin Depinet, lighting design by Jesse Klug, sound design by Robert E. Gilmartin, properties design by Sally Weiss, and musical supervision and orchestra conducted by Patti Garwood.
 
The performance schedule for NEWSIES is Wednesdays at 1:00 p.m. and 8:00 p.m., Thursdays and Fridays at 8:00 p.m., Saturdays at 4:30 p.m. and 8:00 p.m., Sundays at 1:00 p.m. and 5:00 p.m., with select Thursday 1:00 p.m. shows. Holiday weeks may have adjusted schedules. Ticket prices range from $50 to $60, including tax and handling fees. Call for student, senior and military discounts. On Wednesday and Thursday evenings there are a limited number of FREE dinners available with the purchase of a full-priced theatre ticket, which can only be purchased through the Marriott Theatre Box Office. To make a restaurant reservation, please call 847.634.0100. Free parking is available at all performances. To reserve tickets, please call The Marriott Theatre Box Office at 847.634.0200 or go to www.ticketmaster.com. Visit www.MarriottTheatre.com for more information.

 

Published in Upcoming Theatre

If you like Vegas like I like Vegas, you will love Marriott Theatre’s energetic and top notch, romantic musical comedy production of "Honeymoon in Vegas"!

Jack Singer (Michael Mahler) is in love with his girlfriend of five years Betsy Nolan (played with terrific spunk and formidable singing chops by Samantha Pauly), but was traumatized by the deathbed wish his mother imposed on him never to marry, because no one can love him like she did.  Bea (Marya Grandy) plays his mother with great physical comedy skills and her hospital deathbed scene where she strikes down a passing nurse in order to show jack what she can do to his future brides to be, gets some of the biggest laughs in the show. 

Jack and Betsy get through this flashback scene and resulting panic attack while shopping at Tiffany's for her ring and head straight to Vegas to tie the knot - before he loses his nerve for the umpteenth time. 

Upon arriving in Vegas, Betsy is instantly spotted by Tommy Korman, a rich, handsome but slightly shady businessman played to perfection by Chicago born actor Sean Allan Krill. Betsy reminds Korman of his past wife and then he goes all out to steal her from tentative Singer. His pursuit really begins when he invites Singer to a “low stakes” poker game, letting him win a few hands – a total set up. Singer has a hand next to impossible to beat and the pot becomes so large there is no way he can pay up if he loses. That’s when the fun really begins. Sean Allen Krill was the standby in this role for Tony Danza on Broadway. Krill was just fantastic and I'm not the only critic in Chicago to say Sean Allen Krill should be a huge Broadway star right now. Krill is so smooth in the role of Tommy Korman, so fluid and graceful in his immediate desire for, and courtship of, Betsy that women and men throughout the theater were so wowed by Krill's amazing singing voice and comedic acting chops that they actually wished Betsy would stay with him in Hawaii and not marry the non-committal, bumbling, but kind, Jack Singer. 

Another character actress deserving of special notice is Christine Bunuan, as the funny and fabulous Hawaiian tour guide who helps Jack find Betsy and Korman (yes, the story moves to Hawaii), but not without first trying desperately to make “Friki-Friki with Jack before delivering him to his destination. 

While talented Alex Goodrich is very funny to watch in multiple roles, Steven Strafford also shows off his comedic talent as Korman's sidekick, Johnny Sandwich.  

Several of the leading creators of its 2015 Broadway production were brought in by the Marriott Theater including director Gary Griffin, choreographer Denis Jones, and costume designer Brian Hemesath. The effect of all these highly skilled players coming together is a full-service production that grabs you right from the start with well-paced scenes and challenging, yet humorous, dance numbers that dazzle the audience with beautiful, leggy showgirls - Vegas style. 

I highly recommend this adorably sexy and funny, Elvis-filled production for young and old alike. This production is so well-played and fun to watch that you will feel you have had a honeymoon in Vegas - with a stop-over in beautiful Hawaii to boot!  

Honeymoon in Vegas is being performed at Marriott Theatre through October 15th. For more show information visit www.marriotttheatre.com.

 

Published in Theatre in Review

Led by the original Broadway powerhouse team, including ten-time Jeff Award-winning director Gary Griffin, Tony Award-nominated choreographer Denis Jones, and Emmy Award-winning costume designer Brian Hemesath (PBS’s “Sesame Street”, NBC’s “SNL”), HONEYMOON IN VEGAS, a loving throwback to the classic American musical, makes its Regional Premiere at Marriott Theatre, 10 Marriott Drive in Lincolnshire with previews August 23, opening August 30 at 8 pm, and running through October 15. With music and lyrics by three-time Tony Award-winning composer Jason Robert Brown and book by highly-acclaimed American screenwriter Andrew Bergman, HONEYMOON IN VEGAS is a hysterical romantic comedy, based off the hit 1992 film. The veteran team also includes Jeff Award-winning musical director Ryan T. Nelson and Jeff Award-winning associate choreographer William Carlos Angulo.
 
“HONEYMOON IN VEGAS brings a modern twist to the beloved classic American musical, written by a contemporary writer for today’s audiences,” says Director Gary Griffin. “And there’s just something about Chicago. I am excited to give The Marriott Theatre audiences unprecedented access to this particular show, with so many touch points coming straight from the Broadway stage.”
 
A delightful and bouncy mix of old-time Vegas and contemporary musical theatre, HONEYMOON IN VEGAS tells the story of Brooklyn couple Jack Singer and Betsy Nolan, who have escaped to Las Vegas to tie the knot. Everything changes when the couple encounters Tommy Korman, a dashing Vegas gambler who believes Betsy is a spitting image of his deceased wife. With Tommy’s determination and Jack’s hopeful heart, HONEYMOON IN VEGAS throws the audience on a hilarious rollercoaster ride of love, humor, and competition for true romance.
 
HONEYMOON IN VEGASstars Jeff Award Winner Michael Mahler as “Jack Singer” (Broadway: Miss Saigon; Marriott Theatre: October Sky, Hero,City of Angels); Samantha Pauly as “Betsy Nolan” (Marriott Theatre: Evita, Elf the Musical); Jeff Award Winner Sean Allan Krill as “Tommy Korman” (Broadway: Mamma Mia!, Honeymoon in Vegas, and On a Clear Day; National Tour: Thoroughly Modern Millie; Marriott Theatre: Brigadoon, 1776, and Pirates of Penzance); Cole Burden as “Buddy Rocky/Roy Bacon” (National Tours: Les Misérables, The Bridges of Madison County; Marriott Theatre: Legally Blonde); Marya Grandy as “Bea Singer” (Broadway: Les Misérables; Marriott Theatre: How to Succeed In Business Without Really Trying, Sister Act, and On the Town); and Steven Strafford as “Johnny Sandwich” (National Tours: Spamalot, Peter Pan, Cinderella, and Grease; Marriott Theatre: She Loves Me and Madagascar). Also starring in HONEYMOON IN VEGAS are DeShawn Bowens, Christine Bunuan, Aaron Choi, Shana Dagny, Devin DeSantis, Alejandro Fonseca, Alex Goodrich, Anne Gunn, Kristina Larson, Tyler John Logan, Richard Manera, James Rank, Jessica Wolfrum Raun, Drew Redington, Laura Savage, Allison Sill, and Ambria Sylvain.
 
The production will feature set design by Kevin Depinet, lighting design by Jesse Klug, sound design by Robert E. Gilmartin, properties design by Sally Weiss, projections design by Anthony Churchill, and musical supervision and orchestra conducted by Patti Garwood.
 
The performance schedule for HONEYMOON IN VEGAS is Wednesdays at 1:00 p.m. and 8:00 p.m., Thursdays and Fridays at 8:00 p.m., Saturdays at 4:30 p.m. and 8:00 p.m., Sundays at 1:00 p.m. and 5:00 p.m., with select Thursday 1:00 p.m. shows. Ticket prices range from $50 to $60, including tax and handling fees. Call for student, senior and military discounts. On Wednesday and Thursday evenings there are a limited number of FREE dinners available with the purchase of a full-priced theatre ticket, which can only be purchased through the Marriott Theatre Box Office. To make a restaurant reservation, please call 847.634.0100. Free parking is available at all performances. To reserve tickets, please call The Marriott Theatre Box Office at 847.634.0200 or go to www.ticketmaster.com. Visit www.MarriottTheatre.com for more information.

 

Published in Upcoming Theatre

If you haven't seen the film version of “The Bridges of Madison County” starring Meryl Streep and Clint Eastwood, do not fear - the musical adaptation for the stage is full of beautiful songs and choreography that make this production a whole different animal than the 1995 movie and 1992 novel it was based. 

The story is simple, and universal. What to do when your life has not turned out the way you dreamed and true love steps in to give you another chance? Will you take a chance on Love? 

In "Bridges" we meet Francesca, an Italian war bride who married the first, kind GI she met after the war and came to America leaving everything familiar behind her to start a new life. While her husband and children are away at the state fair in Indianapolis for the weekend, fate brings true love knocking right on her front door in the form of a handsome and single National Geographic photographer, Robert Kincaid, who is on assignment in the area photographing the seven beautiful bridges of Madison County. 

After directions, that turns into a guided tour of the seventh bridge, followed by a few drinks and the sharing of deep personal stories, this compatible coupling quickly heats up into a life changing affair.

Francesca Johnson, played by the beautiful Kathy Voytko, reminds me a lot of a young Patti Lupone. Voytko, who has appeared in numerous Broadway productions, has a strong and lovely voice with a lovely Italian accent and very expressive face which reflects her growing attraction to Kincaid with every glance or bat of her large brown eyes. 

Kincaid, played by actor Nathaniel Stampley, comes alive on stage with a masculine warmth and grounded sensuality which make both Francesca and the audience feel she is infinitely safe within his embrace. We quickly realize that this is no one night stand nor even a chance encounter but all of destiny itself intervening to make these two lives powerfully intersect, if only for the weekend. 

Stampley and Voytco's passionate and unexpected love affair is well-supported with some comic relief by the actors who play her husband, kids and friends. Bart Shatto plays Bud while Brooke MacDougal plays the couple's young daughter Carolyn and Tanner Hake is their teen aged son Michael. Francesca's' supportive best friend, her closest neighbor out in farm country, is wonderfully played by Wydetta Carter. Carter also has a great Jazz voice and sings a very funny song about her envy of the magical love affair unfolding just across the fields from her perch in the front window of her country home. 

Jeffrey D. Kmiec's set design is very open, changing rapidly from the bridge location back to the kitchen and gives one the feeling that the ageless beauty of the bridges of Madison County represent a type of true love that is only found in dreams come true and that the small house in which Francesca and her family live is actually more of an astral 18 year-long "rest stop" -  that the travel loving and exotic Francesca is fundamentally out of place here.

I loved the song, "Before and After You" passionately and exquisitely sung by both Voytko and Stampley. The song perfectly describes how true love changes one's life and perceptions completely, making one realize in an instant just how much has been missing from their lives before they met and also how much their future lives will be forever indelibly stamped by the experience of this miraculous encounter and gift from fate. 

During their brief, but instantaneous, courtship over Francesca's kitchen table, Robert Kincaid, who is a devout loner and world traveler, tells her he feels disconnected from the world. In a flashback type setting, his ex-wife Marian, who is a hippy folk singer played by actress Emily Berman sings a very lovely song behind the flirting couple about her relationship with Kincaid and we see a whole other, liberal free loving side to the somber Kincaid character. The romantic, open-minded, artsy side of Kincaid has long since disappeared from his own consciousness as he jets sets around the globe never stopping for that "glass of iced tea or night cap of brandy" that will open the door to a new relationship thereby sidestepping over and over the vulnerability that a new relationship will inevitably bring. 

I highly recommend this beautifully cast and performed production of the stage musical. The relationships are very well played and the audience is allowed to see how the lover's interactions with each other bring to life all of the best aspects of their personalities, important living aspects and hopeful expectations of freedom and genuine loving excitement that have been long buried by the monotonous work and family demands of daily life. We also sit on pins and needles as the play brings its leading characters to an incredibly tough choice.

Voytco and Stampley's performances in the lead roles are deeply drawn, rich and compelling. Their chemistry feels real and palpable and their expansive individual artistry as singer/actors draws you in and makes the audience really care what choices they make and how their decisions will impact their mind-opening love affair, which is obviously a gift from heaven. 

“The Bridges of Madison County” is being performed at Marriott Theatre in Lincolnshire through August 13th. For tickets and more show information visit www.marriotttheatre.com.

 

Published in Theatre in Review

From the picturesque covered bridges of 1965 Winterset, Iowa, comes the Tony Award-winning Broadway musical, THE BRIDGES OF MADISON COUNTY, continuing Marriott Theatre’s spectacular 2017 Season, running June 21 through August 13, 2017 at 10 Marriott Drive, Lincolnshire. Featuring one of Broadway’s most accomplished creative teams with music and lyrics by three-time Tony Award-winning composer Jason Robert Brown and book by Pulitzer Prize-winning writer Marsha Norman, THE BRIDGES OF MADISON COUNTY first captured the nation’s heart as a best-selling novel by Robert James Waller and remains one of the most romantic stories ever written. Seven-time Jeff Award Winner Nick Bowling (Man of La Mancha, The King and I) returns to The Marriott Theatre to direct, with musical direction by Jeff Award Winner Ryan T. Nelson.
 
“When I first came across this piece, I was immediately drawn to the spectacular score. It’s the kind of music you fall in love with the first time you hear it, which can’t be said for all musicals,” says Director Nick Bowling. “I feel a strong personal connection to the story having grown up in a small town in Iowa similar to Winterset. Seeing my mother face the same challenges Francesca is going through in terms of navigating a world that is foreign to her, my focus is to keep the story as true to Iowa as can be. Every detail from the set design to the costumes will be inspired by Madison County’s beauty to capture the true essence of the story’s setting.”
 
A true sweeping romance, THE BRIDGES OF MADISON COUNTY is the heartbreaking and touching story of two people caught between duty and desire. A beautiful Italian war-bride who longs for the dreams of travel and excitement she once had as a girl, Francesca Johnson is a dedicated Iowa housewife living a simple, yet dispassionate life. When her family goes on a trip to the 1965 State Fair and leaves her behind to take care of the house, Francesca’s world is shattered as a ruggedly handsome National Geographic photographer, Robert Kincaid, pulls into her driveway seeking directions. A quick ride to photograph one of the famed covered bridges of Madison County sparks a soul-stirring, passionate affair for the couple, whose lives are forever altered by this chance encounter. Audiences will be swept away by Jason Robert Brown’s soulful score, drawing upon the rich textures of Americana and folk. 
 
THE BRIDGES OF MADISON COUNTY stars Jeff Award Winner Kathy Voytko as “Francesca” (The Marriott Theatre: Les Misérables; Chicago Shakespeare Theatre: Passion; Broadway: Oklahoma!, Nine, The Frogs, The Pirate Queen and Next to Normal); Jeff Award Winner Nathaniel Stampley as “Robert” (The Marriott Theatre: Man of La Mancha; Broadway/National Tour: The Gershwins’ Porgy and Bess; Broadway: The Color Purple and The Lion King; London: The Lion King; Apple Tree Theatre: Big River; Milwaukee Rep: Dreamgirls and Man of La Mancha); Bart Shatto as “Bud” (Broadway: Les Misérables, The Civil War, Dracula, Hands on a Hardbody; National Tours: Cats, The Civil War, Les Misérables); Wydetta Carter as “Marge” (The Marriott Theatre: Little Shop of Horrors); Terry Hamilton as “Charlie” (The Marriott Theatre: She Loves Me, How to Succeed in Business Without Really Trying, October Sky); Tanner Hake as “Michael”; Brooke MacDougal as “Carolyn”; and Emily Berman as “Marian” (World Premiere: Miss Bennet: Christmas at Pemberley at Northlight Theatre; Chicago Shakespeare Theatre: Sense and Sensibility). Also starring in THE BRIDGES OF MADISON COUNTY are Shea Coffman, Nick Cosgrove, Phoebe González, Allyson Graves, Johanna McKenzie Miller, Danni Smith and Brandon Springman.
 
The production will feature set design by Jeff Kmiec, costume design by Sally Dolembo, lighting design by Jesse Klug, sound design by Bob Gilmartin, projections design by Anthony Churchill, properties design by Sally Weiss, and musical supervision and orchestra conducted by Patti Garwood.
 
The performance schedule for THE BRIDGES OF MADISON COUNTY is Wednesdays at 1:00 p.m. and 8:00 p.m., Thursdays and Fridays at 8:00 p.m., Saturdays at 4:30 p.m. and 8:00 p.m., Sundays at 1:00 p.m. and 5:00 p.m., with select Thursday 1:00 p.m. shows. Ticket prices range from $50 to $60, including tax and handling fees. Call for student, senior and military discounts. On Wednesday and Thursday evenings there are a limited number of FREE dinners available with the purchase of a full-priced theatre ticket, which can only be purchased through the Marriott Theatre Box Office. To make a restaurant reservation, please call 847.634.0100. Free parking is available at all performances. To reserve tickets, please call The Marriott Theatre Box Office at 847.634.0200 or go to www.ticketmaster.com. Visit www.MarriottTheatre.com for more information.

 

Published in Upcoming Theatre

Try to remember a time before the Internet, before dating sites, before personal ads and instant cameras and you will eventually discover the age-old path of finding love and dating for men and women called "Lonely Hearts Clubs". 

 

In Marriott Theatre’s “She Loves Me", a musical with a book by Joe Masteroff, lyrics by Sheldon Harnick, and music by Jerry Bock, two co-workers at the quaint Maraczek’s Parfumerie shop have unwittingly fallen in love with each other by the “Dear Friend” letters they have sent and received through their lonely hearts club connection. Though Georg and Amalia have not seen even a single photo of the other they each are certain by the written words of the other that they are truly in love and are ready to finally meet. 

 

Alex Goodrich’s Georg, the male half of this love match starts out as a bit of a jerk. Goodrich, who puts forth a very strong performance, makes Georg very sympathetic, albeit a bit of a boor though he is likable to his co-workers. He is earnestly content with his fifteen-year-plus job at the store. Although he has lots of girls who are real friends, it turns out Georg is completely insecure and out of touch with his feelings towards the opposite sex when it comes to romance. 

 

When Elizabeth Telford enters the store as Amalia (who is both seeking employment and unsuspectingly the other half of the lonely hearts club love letters), Georg is utterly irritated by her natural instinct for sales. Georg treats her with disdain even though she is cute and eminently qualified for the job she gets from the boss after selling a new product, a musical cigarette box, in record time. 

 

Both Goodrich and Telford endear you to their stubborn characters over the course of the show. As delivery boy, Arpad, played with youthful cheer, by Grant Kilian says to another clerk at the store with wonder, "Do they like each other?” The other clerk says, " Yes, they like each other very much," to which Arpad says, "Well shouldn't someone tell them?"  

 

Elizabeth Telford really knocks it put of the park emotionally and vocally with the number “Will He Like Me?", as she muses about all the different qualities he may or may not find attractive about her once they finally meet. Also, her genuinely joyous and girlish rendition of "Vanilla Ice Cream" lifts the audience to believe in true love again as Georg, who has already stood her up once, breaking her heart so badly that she cannot return to work that day, delivers a pint of Amalias' favorite vanilla ice cream. The thoughtful gesture makes her happy at his consideration in a way that begins to dimly realize what might be real love despite his earlier disdainful and brutish treatment of her feelings at work.  

 

Yes, it's like a period piece version of " You've Got Mail" that plays with a very modern feel as couples STILL face these challenges trying to find their mate today despite the Internet dating revolution. 

 

(Above) Jessica Naimy as "Ilona" and Jame Earl Jones II as "Sipos"

Jessica Naimy as Ilona steals the show with two of her numbers as the sexy, single gal at the Parfumerie who lets her desire for Mr. Right get in the way of finding her Mr. Right. In “I Resolve”, Naimy sings with genuine force and power that she resolves to let go of her destructive purely sexual relationship with the lothario of the drugstore and rather stand up for the truly lovable and deserving-of-respect woman she really is. In the number “Trip to the Library", Ilona seems to unconsciously know that a trip to a place of higher learning for the evening instead of to the local drinking hole will eventually lead to her meeting a man of substance and intelligence who loves her the way she was meant to be loved. 

 

James Earl Jones II as Sipos, the clerk with a family who will kiss anyone's butt to save his boring but dependable job, delivers a very funny, dry performance and his singing voice is both comical and deeply resounding. Great job!  And David Schlumpf as Steven Kodaly, the womanizing and insensitive clerk who'll sleep with anyone, really makes you want to slap him in the face, but his number “Grand Knowing You" shows the audience his sexist honesty is what finally pushes Ilona over the brink to find her own self-respect again, even if it means being alone for a while. 

 

Shop owner Mr. Maraczek is also well played by Terry Hamilton, as he is able to finely capture both the character’s storminess as that of a demanding boss and the good heartedness that hides beneath his exterior. 

 

The slicked back hair and black tails of The Headwaiter who serves Georg and Amalia at their very first meeting at a "romantic hideaway" is hysterically portrayed by Steven Strafford who has great physical comedy skills with his spot on facial expressions and timing. 

 

Directed and choreographed by Artistic Director Aaron Thielen, “She Loves Me” is a cute love story that features many charming characters and fun numbers including the adorable “Thank You, Madam” a goodbye the store employees sing together whenever a customer leaves the shop.

 

Thank you, madam. 

Please call again. 

Do call again, 

Madam

 

I highly recommend this heartwarming, fresh and fun production which is brought to life by Jeffrey D. Kmiec’s sets, Jesse Klug’s soft and lovely period lighting and especially Sally Dolembo’s really delicious, color-rich costumes for both the leads and the wonderful ensemble of players who portray shoppers in the store. Altogether with this superb cast, "She Loves Me" brings the art of lovemaking in this long past period to life in a delightful modern way. 

 

“She Loves Me” is being performed at Marriott Theatre in Lincolnshire through June 18th. For tickets and show information click here

 

Published in Theatre in Review

Set against the lavish backdrop of a 1930s Hungarian perfume shop, the Tony Award-winning musical comedy gem, SHE LOVES ME, continues The Marriott Theatre’s 2017 Season, running April 26 through June 18, 2017 at 10 Marriott Drive, Lincolnshire. Based on Miklos Laszlo’s play, Parfumerie, which then became the inspiration for the Tom Hanks and Meg Ryan box office hit, You’ve Got Mail, SHE LOVES ME features a soaring score by Tony Award-winning composers Jerry Bock and Sheldon Harnick (Fiddler on the Roof), and book by Joe Masteroff (Cabaret). With musical direction by Matt Deitchman, Marriott Theatre Lead Artistic Director and Jeff Award-winner Aaron Thielen directs and choreographs this euphoric comedy.

 

“I fell in love with SHE LOVES ME twenty-six years ago, when I was cast in the show while attending the University of Wisconsin-Stevens Point. Also in that cast we're soon to be Marriott Theatre alumni Guy Adkins and Tari Kelly. I think it's a brilliant show and am thrilled to get the opportunity to work on it again,” says Director and Choreographer Aaron Thielen. “From the details of the props and costume pieces, to the music’s Hungarian influence, we’re really adding the element of tradition back into this already amazing piece. This production is a nod to the folk tradition of the era.”

 

A captivating jewel-box of a musical, SHE LOVES ME follows Georg and Amalia, two parfumerie clerks who don’t see eye to eye, constantly quarreling on the job. But once the work day is done, the feuding coworkers find solace in their anonymous romantic pen pals, not knowing their respective correspondents are actually each other.  Chaos ensues as a tangle of mistaken identity and hilarious encounters finally bring the soulmates together, leading Georg to realize the animosity between the two may have been nothing less than love in disguise. SHE LOVES ME radiates pure romance through some of the most iconic songs in the musical theatre canon, including“Vanilla Ice Cream,” “Tonight at 8” and “She Loves Me.”

 

SHE LOVES ME stars Elizabeth Telford as “Amalia Balash” (The Marriott Theatre: La Cage aux Folles, The Wizard of Oz, On The Town); Jeff Award Winner Alex Goodrich as “Georg Nowack” (The Marriott Theatre: World Premiere of HERO, How to Succeed in Business without Really Trying, ELF, and On the Town; Northlight Theatre: World Premiere of Shining Lives: A Musical); Jeff Award Winner Terry Hamilton as “Mr. Maraczek” (The Marriott Theatre: How to Succeed in Business without Really Trying; October Sky); Jeff Award Winner David Schlumpf as “Steven Kodaly” (The Marriott Theatre: Evita; Chicago Shakespeare: Sense & Sensibility, As You Like It, and Timon of Athens), Jessica Naimy as “Ilona Ritter” (The Marriott Theatre: How to Succeed in Business without Really Trying; Broadway: Honeymoon in Vegas; National Tour: South Pacific);James Earl Jones II as “Ladislav Sipos” (The Marriott Theatre: She Loves Me, Madagascar, October Sky, Dreamgirls and Full Monty); and sharing the role of “Arpad Laszlo” are Grant Kilian (Marriott Theatre debut!) and Johnny Rabe (Marriott Theatre: Mary Poppins and For The Boys; Broadway: A Christmas Story).SHE LOVES ME also features Lillian Castillo, Aaron Holland, Johanna McKenzie Miller, Jeff Pierpoint, Laura Savage, Allison Sill, Cassie Slater, Jason Slattery, Brandon Springman, Steven Strafford and James Rank.

 

The production will feature set design by Jeff Kmiec, costume design by Sally Dolembo, lighting design by Jesse Klug, sound design by Robert E. Gilmartin, properties design by Sally Weiss, musical supervision and orchestra conducted by Patti Garwood.

 

The performance schedule for SHE LOVES ME is Wednesdays at 1:00 p.m. and 8:00 p.m., Thursdays and Fridays at 8:00 p.m., Saturdays at 4:30 p.m. and 8:00 p.m., Sundays at 1:00 p.m. and 5:00 p.m., with select Thursday 1:00 p.m. shows. Ticket prices range from $50 to $60, including tax and handling fees. Call for student, senior and military discounts. On Wednesday and Thursday evenings there are a limited number of FREE dinners available with the purchase of a full-priced theatre ticket, which can only be purchased through the Marriott Theatre Box Office. To make a restaurant reservation, please call 847.634.0100. Free parking is available at all performances. To reserve tickets, please call The Marriott Theatre Box Office at 847.634.0200 or go to www.ticketmaster.com. Visit www.MarriottTheatre.com for more information.

 

Published in Upcoming Theatre
Monday, 06 March 2017 19:22

On the Run with Marriott's Madagascar

Charming, colorful and inventive, the Marriot Theater’s Madagascar – A Musical Adventure, for young audiences, is a fun-filled ride with themes that will surely resonate with both kids and adults.

 

Based on the popular 2005 film by DreamWorks Animation, Madagascar centers around four main characters from the Central Park Zoo: Alex the Lion (Russell Mernagh), Marty the Zebra (James Earl Jones II), Melman the Giraffe (Stephen Schellhardt), and Gloria the Hippo (Rashada Dawan).

 

At first glance this fun-loving group seems happy enough to perform for park visitors, especially the king of the jungle, Alex the Lion, who is in his element prancing around the stage, showing off his perfected “roar”. But when presented with the idea of freedom by a cadre of hilarious and enterprising penguins who say “it’s not natural to be in a zoo,” Marty the Zebra, to the surprise of his friends, makes a run for it.

 

Having lived their entire lives in captivity, Alex, Melman and Gloria are shocked that Marty would even consider leaving the comfortable life of the Central Park Zoo. But in the spirit of true friendship, they push their misgivings aside and embark on a rip-roaring adventure that eventually lands them in the exotic wilds of Madagascar.

 

The quirky and pompous lemur King Julien (wonderfully played by Jonathan Butler-Duplessis) is a joy to watch as he tries to incorporate Alex, Marty, Melman and Gloria, in his masterplan to rid the island of the fossa who hunt and attack his fellow lemurs. However, this plan goes awry as Alex, who now has to fend for himself in the wild, can’t contain his animal instincts and attacks Marty.

 

Directed and choreographed by Matt Raftery, Madagascar – A Musical Adventure, hits all the right notes in “crack-a-lackin’” style as Mernagh and Jones also shine in their roles with both chemistry and good-natured fun, as they show that in the end true friendship can overcome even the “laws of nature”.

 

Perhaps of the best moment of the production is the high-energy rendition of “Move It, Move It!” which gets the crowd clapping and kids, as well as adults, up on their feet.

 

Colorful costume and props really enhance the performance, bringing this animated favorite vividly to life. “Madagascar is already an established idea,” said Jesus Perez, costume designer and assistant director, “but since this is a live production and not a movie, it has opened up a world of creativity for us. This is the perfect vehicle for me as a designer to bring this fantastical world to life.”

 

The talented cast, which also includes: Leah Morrow as “Skipper,” Liam Quealy as “Kowalski,” Laura Savage as “Mort and Private,” Elena Romanowski as “Rico,” Samantha Pauly as “Maurice,” and Jed Feder as “Mason,” won’t disappoint as they sing and dance to some of your favorite tunes from the movie.

 

Recommended

 

All performances are followed by a question and answer session with the cast.

 

Madagascar – A Musical Adventure, playing at the Marriott Theater located in the Lincolnshire Marriott Resort, runs through April 15 Tuesdays through Sundays at 10 a.m. with certain performances at 12:30 p.m. For more information and tickets, visit www.marriotttheatre.com.

 

Published in Theatre in Review
Page 1 of 3

 

 

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