Displaying items by tag: ‘night Mother

Mother-daughter relationships are somehow deemed different.  More seminal than the bond between a father and son. More instinctive than between sisters.  When trust is broken, all bets can certainly be off.  But that doesn’t seem to be the case for Thelma and Jesse, a mom and her daughter who live together in Marsha Norman’s magnificent ‘night Mother, just opening at Redtwist Theatre in Edgewater.  They have a balance and flow that suggests a seasoned understanding.  A harmonic acceptance of their lives together.

Thelma, played so fully by Redtwist ensemble member, Kathy Ruhl, is a pleasing mix of pragmatism and discreet earnestness.  A woman who’s lived a long life, withstood a lot and is making the most of the years in her final season.  Knitting on her well-cushioned sofa, cell phone dangling from her lanyard, TV playing in the background, she’s thinking about how she’s going to satisfy her sugar fix.  And settles on a snowball before contemplating many other options as the evening passes.

Thanks to the prodigious thought and scrupulous detail Bobbie Buie poured into the set design, Thelma’s modest home has the soft glow of easy unpretentious comfort.  Everywhere there are signs that point to a contentment that’s been well earned.  The world she created, along with Harper Justus’s precise and subtle sound design, saturated you in place.

Anne Sheridan Smith in the role of her daughter, Jesse, is much more wired; frenzied in an organized way.  When she shoots out of her bedroom door, she’s clearly a woman on a mission to get a lot of things done.  Quickly.  As she settles down, she’s simply determinedly methodical and impressively so.  There’s some light haggling with her mother.  It seems like something they just occasionally do.  Normal.  Tonight, giving her mother a manicure is high on Jesse’s to do list.  It’s not long before they settle down at the kitchen table and normal goes away.  

A small cloud of foreboding drifted in when Jesse began looking for some things in their makeshift attic. One of them is a gun. When her mother keeps pressing her on why she wants or needs one, she forces her daughter’s hand. Jesse declares to her mother, not coldly but matter-of-factly, that tonight she’s going to use it to kill herself.

It’s the kind of statement that instantly triggers incredulity.  And automatically, by reflex, Thelma’s “mom” response zooms past tilt.  Even though she may not initially believe Jesse, she hears her.   And intuitively she wants to fix it as she struggles to even comprehend the magnitude of what she’s been told.   ‘night Mother soon becomes a push and pull with Jesse always exhibiting the greater strength against a formidable opponent.  She has the inner conviction to see this grim task through.  You can sense that when she first told her mother what she was going to do. Like her mother, we too want to know why.

A dissection of one person’s why is what this intricate and intimate story is all about.  And the way Smith inhabits her character, she functions as an outstandingly plausible stand-in for many of us.   People who not only have had enough but also look at themselves and don’t see enough. 

Her mother doesn’t really understand. Not at first.  It’s as the tandem airing of their lives that reveals how it’s come to this. 

Well into this gripping one act performance, wonderfully directed by Redtwist’s Artistic Director, Dusty Brown, Thelma describes herself as a “plain country woman”.  Life for her is something you just did.  It’s the kind of existence where naivete and ignorance may thrive in abundance, but neither carries an especially detrimental cost.  When it came to Jesse’s early childhood rearing of Jesse though, perhaps it did. Thelma and her husband discovered late in their daughter’s development that the fits she experienced as a child were epileptic.   Undiagnosed and untreated for far too long, Jesse internalized them as manifestations of a personal flaw.  A flaw that inevitably, in her mind, produced terrible consequences.

She never directly states it, but it’s clear she blames herself for the way her son, Ricky, is turning out.  A thief, drugs, regularly in run-ins with the police.  Thelma says it’s just a phase.  He’ll grow out if it and be a “fine young man”.  But through a haze that’s draped in quiet anguish, Jesse senses otherwise.  It’s the same with her ex-husband. In Cecil’s case, he was there and then he was gone.  The man her mother found for her, who she came to love and who chose not to stay.

They’re all hard blows.  Jesse has weathered them.  Now it sounds like she’s tired.  Sick of it all.  Living with her mother.  Lonely present.  Lonely future.  She’s felt this way for so long that she’s used the last 10 years to plan for this night.    She’s gotten it so fine-tuned, she can give her mother detailed instructions on who to call when after the deed is done, and why.

For this compassionate plunge into the unthinkable, Marsha Norman won the Pulitzer Prize for drama in 1983.  A native of Kentucky, you can hear a faint sound of the south in the way Thelma and Jesse talk to one another.  The weight of the subject matter, the care in which these two women are drawn and portrayed, the way every argument Thelma raises against this tragic decision is rebuffed by unswayable conviction, keeps you rapt.  A sliver of life captured beautifully and unforgettably on the stage.

‘night Mother

Through May 24, 2026

Redtwist Theatre

1044 W. Bryn Mawr Ave.

Chicago, IL    60660

For tickets and more information:  https://www.redtwisttheatre.org

Highly Recommended

Award-winning Redtwist Theatre announces the cast and creative team for ‘night Mother, April 2 - May 10, by Marsha Norman and directed by Executive Artistic Director Dusty Brown, at Redtwist Theatre, 1044 W. Bryn Mawr Ave. Previews are Thursday, April 2 - Saturday, April 4 at 7:30 p.m. with the press opening Saturday, April 4 at 7:30 p.m. or Sunday, April 5 at 3:30 p.m. The performance schedule is Thursdays - Saturdays at 7:30 p.m. and Sundays at 3:30 p.m. with a total running time of 90 minutes with no intermission. There will be two understudy performances on Sunday, April 19 at 3:30 p.m. and Thursday, April 30 at 7:30 p.m. Single tickets are now on sale for $10 - $60 at RedtwistTheatre.org with discounts available for seniors, students and veterans with pay-what-you-can for all Friday night performances. 

Life has been difficult for Jessie and her hope for the future has faded. Spiraling between a failed marriage and caretaker fatigue due to her criminal son and aging mother, Jessie is determined to take control of her life in the only way left to her. When society and technology isolate Jessie, when the world turns to chaos around her and a promised future fades away: Jessie digs up her father’s old pistol with the intention to end her life. Marsha Norman’s Pulitzer Prize-winning play launches audiences through a mother and daughter’s darkest night together.

The ‘night Mother cast includes Anne Sheridan Smith (she/her, Jessie) and Kathy Ruhl* (she/her, Thelma).

The ‘night Mother production team includes Dusty Brown* (they/them, director/executive artistic director); Ashley O’Neill (she/her, asst. director); Meredith Ernst (she/her, dramaturg); Madeleine Shows (she/her, costume designer); Nick Barletson (he/him, props designer); Harper Justus (they/them, sound designer); Bobbie Buie (he/him, scenic designer); Jeff Brain (he/him, technical director); Piper Kirchhofer (she/her, lighting designer) and Ruby Lowe (they/them, master electrician).

*indicates Redtwist Theatre Ensemble Member

ABOUT MARSHA NORMAN, playwright

Marsha Norman is a Pulitzer Prize-winning playwright and co-chair of playwriting at Juilliard. She won a Tony for The Secret Garden and another nomination for The Color Purple. Her first play, Getting Out, received the John Gassner Playwriting Medallion, the Newsday Oppenheimer Award and a citation from the American Critics Association. Other plays include The Laundromat, The Pool Hall, Loving Daniel Boone, Trudy Blue and her newest play, Last Dance. Published collections of her works include “Four Plays, Collected Works of Marsha Norman, Vol. 1,” and a novel, “The Fortune Teller.” She has also worked extensively in television and film and has an upcoming play for the United Nations about trafficking and violence toward women. She is a member of the Fellowship of Southern Writers, a former advisory member of the Sewanee Writers Conference and current vice president of The Dramatists Guild of America. She serves on the boards of the New York Foundation for the Arts and the Independent Committee for Arts Policy. Norman was elected to the Agnes Scott College Board of Trustees in 2003. She lives with her two children in Monterey, MA and New York City.

ABOUT DUSTY BROWN, director

Dusty Brown is the executive artistic director of Redtwist Theatre. They began their career as a stage hand in Atlanta, Georgia, working on everything from Shakespeare to new works and everything in between. They received their MFA in directing from Ohio University in 2021. Notable productions include: Steve Yockey's Wolves at Redtwist and Pluto at Ohio University; William Shakespeare's Macbeth at Three Crows and Ohio University; Tracy Letts' Bug at Ohio University; Stephen Sondheim's Sweeney Todd at DramaTech in Atlanta; Uffizi at Bottled Lightning in Atlanta and Neil Simon's Barefoot in the Park at Vox Populi Productions in Chattanooga.

ABOUT REDTWIST THEATRE

Redtwist, now celebrating its 21st anniversary, is an award-winning theatre company that stages up close and personal contemporary dramas annually in its intimate black box theatre housed proudly within the heart of Edgewater’s Bryn Mawr Historic District. 

Intimate performances at Redtwist are designed to place the theatre patron in the midst of the stories being told, making them accessible and riveting. Redtwist strives for excellence with every project and endeavors to take risks while offering opportunities for up-and-coming actors, designers and directors to work with established talent. Redtwist provides the very best Chicago storefront theatre experience from excellence on stage, to warm hospitality in a clean, friendly environment.

Award-winning Redtwist Theatre announces the cast and creative team for ‘night Mother, April 2 - May 10, by Marsha Norman and directed by Executive Artistic Director Dusty Brown Boseman, at Redtwist Theatre, 1044 W. Bryn Mawr Ave. Previews are Thursday, April 2 - Saturday,April 4 at 7:30 p.m. with the press opening Sunday, April 5 at 3:30 p.m. The performance schedule is Thursdays - Saturdays at 7:30 p.m. and Sundays at 3:30 p.m. with a total running time of 90 minutes with no intermission. There will be two understudy performances on Sunday, April 19 at 3:30 p.m. and Thursday, April 30 at 7:30 p.m. Single tickets are now on sale for $10 - $60 at RedtwistTheatre.org with discounts available for seniors, students and veterans with pay-what-you-can for all Friday night performances.