Dance in Review

Scapegoat; Or (Why the Devil Always Loved Us) a satirical political drama now playing at the Den Theatre, takes the audience on a wild ride through a rather unusual family affair. But the play rapidly bogs down with its own complexity.

The curtain rises mid-action, and we gradually piece together that the six members of the Porter family are career politicians: patriarch Senator Anse Porter and his son, Congressman Coyote “Coy” Porter, represent Ohio as Democrats. The Senator’s Chief of Staff John Schuler is married to his daughter Leza, who is in the final weeks of her pregnancy. Matriarch Eleanor Porter and the Senator’s adopted daughter Margaret, are lobbyists for the United American Muslims.

The plot centers on the passage of a bill that would favor Christianity over other religions in the U.S. This bill is supported by Congressman Coy Porter, who is courted by the Religious Freedom Caucus, comprised of three Republican Senators: Frank Mason, Texas; Mary Colbourn, Illinois; and Perry Allen, Arizona.

Plans go awry when Congressman Porter’s father Anse, the senator, is outed as a Satanic Priest. He decides he will filibuster the bill. To dissuade him, so the bill can pass, the Religious Freedom Caucus hints they will award him a judgeship.

While it took a while to figure out what was going on, once I did, I loved the concept. And the play delivers some strong social commentary on religious freedom – a topic of great social currency. It also  scores some comedic points – Senator Porter delivers a complete Black Mass in downstage while the political drama unfolds upstage in convincingly delivered press conferences.

Jeffrey Freelon Jr. gives a strong performance as the put-upon Chief of Staff John Schuler. Likewise for Echaka Agba (Margaret), John Kelly Connolly (Frank), Barbara Figgins (Eleanor Porter), Jack McCabe (Perry), Cassidy Slaughter-Mason (Leza), Kelli Strickland (Mary) and Norm Woodel (Anse).

Scapegoat is needlessly layered, starting with its grammatically suspect title, through characters whose background and details have little bearing on the main action on stage: That Margaret is the Senator’s adopted daughter is revealed in the second act – along with the fact that she chose to keep her birth mother’s last name (so she is Okafor-Porter). So? Coy Porter is widowed, and occasionally has seizures. Um, did we need to know that? This made Evan Linder’s job playing Coy a challenge, but he rose to it.

Scapegoat is by and large a sentimental comedy. The script by Connor McNamara, a Chicago actor, brought to mind those fast-paced 1930’s screwball comedies loaded with mayhem. But the play is probably closer to You Can't Take It With You, George S. Kaufman and Moss Hart’s 1936 Pulitzer prize-winning satire. 

There are some rich moments here: Deciding to filibuster anyway, Anse reads chapter and verse from the satanic scriptures, driving the believing Caucus senators from the chamber floor. This intelligent script which renders the political processes and dynamics with veracity, is, is fast paced and strong at its core. The direction by Kristina Valada-Viars is very well done. Scapegoat plays through May 7. www.thenewcolony.org

Published in Theatre in Review

 

 

10 Years! Fave Issue Covers

Register

Latest Articles

  • Mysteriously seductive, Joffrey’s "Giselle" charms with its darkness
    Written by
    Giselle, Adolphe Adam’s beautiful tale created for the ballet’s premiere in Paris back in 1841, has been re-imagined by the Ballet Master and Stager Lola de Avila, marking the opening of Joffrey Ballet’s 2017-2018 Season. Set in the Middle Ages…
  • An Evening with Chris Thile – The Man, The Mandolin
    Written by
    “That didn’t even sound like a mandolin,” I said to my companion – a mandolinist of some considerable skill – as we left Skokie’s North Shore Center for the Performing Arts after attending An Evening with Chris Thile. “That’s what…
  • Review: "Hard Times" at Lookingglass Theatre
    Written by
    Lookingglass Theatre Company opens its 30th Anniversary Season with the return of the award-winning “Hard Times”, adapted from Charles Dickens and directed by Artistic Director and Ensemble Member Heidi Stillman , in association with The Actors Gymnasuim. It was first…
  • BLUE MAN GROUP CELEBRATES 20th BIRTHDAY!
    Written by
    With two decades in its home at Lakeview’s Briar Street Theater under its belt, Blue Man Group is still going strong. The show can best be described as a bizarre, performance-arty take on STOMP, with both running about 90 minutes…