Dance in Review

American Blues Theater, Chicago’s second oldest Equity Ensemble, under the continued leadership of Artistic Director Gwendolyn Whiteside, announces the 2017 Blue Ink Playwriting Festival.  The Blue Ink Festival will feature staged readings of four exceptional new plays held May 22 – 25, 2017 at Stage 773, 1225 W. Belmont or American Blues Theater, 4809 N. Ravenswood, in Chicago.
 
This year’s Blue Ink Playwriting Festival features staged readings of four new works, including Hype Man by Idris Goodwin, winner of the 2017 National Blue Ink Playwriting Award. The festival also includes readings of featured finalists Flying by Sheila Cowley, Mynx & Savage by Rebecca Gorman O’Neill, and This Thing of Ours by Caridad Svich.
 
The 2017 Blue Ink Playwriting Festival schedule and ticket information is as follows:
 
Monday, May 22 at 7pm
HYPE MAN (winner of the 2017 Blue Ink Award)
Written by Idris Goodwin
Directed by Jess McLeod
Featuring Walter Briggs, Rashaad Hall, and Kimberly Vaughn
Location: Stage 773, 1225 W Belmont, Chicago
Tickets: $10
Purchase tickets by calling (773) 654-3103 or online at americanbluestheater.com.
 
HYPE MAN is a story about a controversial police shooting inflaming tensions between an interracial hip hop trio. It is a rhythmically woven drama exploring race, representation, fame and friendship.  A post-reading discussion with playwright Idris Goodwin will follow the performance.
 
American Blues previously named Idris Goodwin the winner of the 2017 National Blue Ink Playwriting Award. Goodwin’s play, HYPE MAN, was selected from a pool 543 submissions. As part of the award, Goodwin receives a $1,000 cash prize and the opportunity to further develop his script with American Blues Theater.
 
Tuesday, May 23 at 7pm
FLYING (featured finalist)
Written by Sheila Cowley
Directed by Heather Meyers
Featuring Ian Paul Custer, Jazmin Corona, Lisa Herceg, John Mohrlein, and Patricia Patton
Location: American Blues Theater, 4809 N. Ravenswood, Chicago
Tickets: FREE (Limited Seating, RSVP Recommended)
Contact: This email address is being protected from spambots. You need JavaScript enabled to view it. or call (773) 654-3103.
 
Susan flew military planes in WWII, so men could go and fight. Now she’s been sent home to get back to normal, while the town waits for her local hero husband to come home.
 
Wednesday, May 24 at 7pm
MYNX & SAVAGE (featured finalist)
Written by Rebecca Gorman O’Neill
Directed by Elyse Dolan
Featuring Clara Byczkowski, Jennifer Cheung, Jesse Massaro, and Nelson Rodriguez
Location: American Blues Theater, 4809 N. Ravenswood, Chicago
Tickets: FREE (Limited Seating, RSVP Recommended)
Contact: This email address is being protected from spambots. You need JavaScript enabled to view it. or call (773) 654-3103.
 
MYNX & SAVAGE is a tri-level story of a comic book writer, the characters of his superhero story, and the creatures of his “serious” work. When corporate powers start pushing him to produce, he is torn between the comfort of fantasy and the necessary truth.
 
Thursday, May 25 at 7pm
THIS THING OF OURS (featured finalist)
Written by Caridad Svich
Directed by Isaac Gomez
Featuring Debbie Banos, Andrew Goetten, Rashaad Hall, Priya Mohanty, and Avi Roque
Location: American Blues Theater, 4809 N. Ravenswood, Chicago
Tickets: FREE (Limited Seating, RSVP Recommended)
Contact: This email address is being protected from spambots. You need JavaScript enabled to view it. or call (773) 654-3103.
 
An act of violence struck our city. This has happened before. We say we will put our lives back together. Years will go by. We will grow apart, come together, have children, and some of us, will wonder how to keep going, as we turn to myths and seek lessons there. In our theaters of memory, in our songs of transcendence, perhaps we will find peace.
 
About American Blues Theater
Winner of the American Theatre Wing’s prestigious 2016 National Theatre Company Award, American Blues Theater is a premier arts organization with an intimate environment that patrons, artists, and all Chicagoans call home.  American Blues Theater explores the American identity through the plays it produces and communities it serves.
 
The diverse and multi-generational artists have established the second-oldest professional Equity Ensemble theater in Chicago.  The 37-member Ensemble has 530+ combined years of collaboration on stage. As of 2016, the theater and artists received 186 Joseph Jefferson Awards and nominations that celebrate excellence in Chicago theater and over 31 Black Theatre Alliance Awards. The artists are honored with Pulitzer Prize nominations, Academy Awards, Golden Globe Awards, Emmy Awards and numerous other accolades.  
 
The American Blues Theater Ensemble includes all four Founders Ed Blatchford, Rick Cleveland, James Leaming, and William Payne with Dawn Bach, Matthew Brumlow, Manny Buckley, Kate Buddeke, Sarah Burnham, Dara Cameron, Casey Campbell, Darren Canady, Brian Claggett, Dennis Cockrum, Austin Cook, Laura Coover, Ian Paul Custer, Lauri Dahl, Joe Foust, Cheryl Graeff, Marty Higginbotham, Jaclyn Holsey, Lindsay Jones, Nambi E. Kelley, Kevin R. Kelly, Steve Key, Ed Kross, Warren Levon, Michael Mahler, Heather Meyers, John Mohrlein, Christopher J. Neville, Suzanne Petri, Carmen Roman, Editha Rosario, Sarah E. Ross, and Gwendolyn Whiteside.

 

Published in Upcoming Theatre

Never has a play about journalism, the presidency and Cold War with Russia seemed more relevant than now. And The Columnist, performed by The American Blues Theater at Stage 773, is all of that and more. In a story that could have easily been set during today’s heated political environment, The Columnist is a scintillating tale of family, power, betrayal and personal struggle.

 

Written by the Pulitzer and Tony award-winning author David Auburn and directed by Keira Fromm, The Columnist is based on real-life journalists Joe Alsop (Philip Earl Johnson) and his brother Stewart Alsop (Coburn Goss). Once a power writing duo, the play begins with Joe, now one of America’s most influential columnists - both feared and beloved, caught in a revealing and compromising position in a Moscow hotel.

 

That affair and its consequences runs like an undercurrent throughout the entire play as we see Joe battle for power, his ideas on what American exceptionalism entails and how the president (both John F. Kennedy and Lyndon Johnson) should achieve it no matter the costs. We also see his struggle to keep his private life separate from the illusion he creates for the public.

 

Johnson is exquisite and brilliant in the role of Joe Alsop and very capably humanizes such a towering political figure of the time.

 

Joe is a man who loves his country and family with equal and blinding passion but in the rapidly changing world of the 1960’s, against the backdrop of the Vietnam war, his inability to see beyond his own beliefs pushes away those closest to him. He manages to alienate even some of his most ardent admirers and colleagues.

 

However, despite the growing distance between Joe and his family – his perfectly cast, dutiful and charming wife Susan (played by the equally charming Kymberly Mellen), his precocious stepdaughter Abigail (Tyler Meredith) and his sincere and loyal brother Stewart, what is conveyed even at some of his lowest points is how much they still love him despite his many flaws.

 

Stewart and Abigail are perhaps two of Joe’s most pivotal relationships. Several key moments come when they both show not only how much they understand him, as well as what drives him, but also their acceptance of the contradiction of his public figure and private life. This understanding and acceptance comes even though they often disagree with his passionate defense of the war as well as his methods of squashing the dissenting views of fellow journalists. Both Goss and Meredith play their roles with such depth and nuance that it’s easy to feel their characters’ compassion for such a complex man.

 

The ability of Auburn to delve so deeply into these relationships and to keep the plot moving at the fast pace of an intriguing spy novel is impressive. Also, very impressive and effective is the staging and the way several of the more dramatic moments are highlighted, especially during transitions. After several poignant and emotional scenes, having Joe stand in a single spotlight as the darkened set changes behind him is a powerful effect, and whether intended or not, is a reflection of the often-tumultuous changes happening in his life.

 

The creative team for The Columnist: Joe Schermoly (scenic design), Christopher J. Neville (costume design), Jared Gooding (lighting design), Christopher Kriz (original music and sound design), Alec Long (props design), Sarah E. Ross (production manager), Eva Breneman (dialect coach), Sara Illiatovitch-Goldman (dramaturg), and Dana M. Nestrick (stage manager), does an amazing job of enhancing an already powerful script and showcasing as Joe says: “human intercourse at its sublimely ridiculous.”

 

Highly recommended

 

American Blues Theater’s The Columnist runs through April 1, 2017, at Stage 773, 1225 W. Belmont. Tickets are available in online at americanbluestheater.com.

 

Published in Theatre in Review

American Blues Theater, under the continued leadership of Producing Artistic Director Gwendolyn Whiteside, announces the lineup for its 2017 – 2018 Season, “The Beat Goes On.” American Blues’ 32nd Season will include the World Premiere of Six Corners by Keith Huff, directed by Gary Griffin; the Chicago Premiere of Beauty’s Daughter by Dael Orlandersmith, directed by Ron OJ Parson; the 16th annual production of It’s a Wonderful Life: Live in Chicago! from Frank Capra’s film, directed by Gwendolyn Whiteside; and Buddy – the Buddy Holly Story by Alan Janes, directed by Lili-Anne Brown with musical direction by Ensemble member Michael Mahler. All performances in the 2017-2018 Season will take place at Stage 773, located at 1225 W Belmont Ave, Chicago.

 

“From the lyric beats of a poet, the heartbeat of a family man, the patrol beat of a Chicago cop, to the inimitable beat of Buddy Holly & the Crickets, we’re thrilled with the rich and varied stories offered for our audiences,” notes Producing Artistic Director Gwendolyn Whiteside. “We’re honored to have such extraordinary talent on the American Blues stage.”

 

The 2017-18 American Blues Theater Season up close:

 

The Chicago Premiere of

Beauty’s Daughter

by Dael Orlandersmith

directed by Ron OJ Parson

July 7 – August 5, 2017

Press Opening: July 13, 2017 at 7:30 p.m.

This Obie Award-winning play by Dael Orlandersmith depicts one woman’s journey through life’s obstacles in an East Harlem neighborhood. Artistic Affiliate Wandachristine takes on 6 different characters during the course of this solo play—some broken, some on the way down, but all memorable.

 

16th Anniversary Production of

It’s a Wonderful Life: Live in Chicago!

from Frank Capra’s film

directed by Producing Artistic Director Gwendolyn Whiteside

November 17 – December 30, 2017

Press Opening: November 19, 2017 at 2:30 p.m.

For 16 years, the American Blues Ensemble has treated Chicago audiences to a live 1940s radio broadcast of holiday favorite It’s a Wonderful Life. The incredible cast recreates the entire town of Bedford Falls with Foley sound effects, an original score and holiday carols. The Bedford Falls “residents” extend their hospitality after every performance when audiences are treated to milk and cookies served by the cast.

 

The World Premiere of

Six Corners

by Keith Huff

directed by Gary Griffin

February 16 – March 25, 2018

Press Opening: February 22, 2018 at 7:30 p.m.

Late one night, two burnt-out violent crimes unit detectives try their damnedest to close the puzzling murder of a CTA employee.  What should be a simple open-and-shut case, however, evolves into a horrifying mystery and unearths a legacy of violence stretching back years.

 

The Chicago Revival of

Buddy – the Buddy Holly Story

by Alan Janes

directed by Lili-Anne Brown

musical direction by Ensemble member Michael Mahler

April 27 – May 26, 2018

Press Opening: May 3, 2018 at 7:30 p.m.

Before the Beatles or the Rolling Stones ever played a note, rock & roll was forever changed by the bespectacled kid from Texas. BUDDY tells the true story of Buddy Holly through his short yet spectacular career and features the classic songs "That’ll be the Day", "Peggy Sue",  The Big Bopper’s  "Chantilly Lace", Ritchie Valens' "La Bamba" plus many more.

 

Additional 2017-2018 Programming

Ripped Festival: Edition 16

Spring 2018

Written and direction by various Chicago artists

 

Since 2009, American Blues Theater has produced 135 short plays in the RIPPED: the Living Newspaper series. Based on the 1930’s WPA era program that brought Orson Welles, Arthur Miller, Richard Wright and Clifford Odets into public attention, playwrights use inspiration ripped from today’s headlines to create stories performed live on stage.

 

Arts Education in Chicago Public Schools

The Lincoln Project

Conceived and Adapted by Producing Artistic Director Gwendolyn Whiteside from Artistic Affiliate James Still’s Pulitzer-nominated The Heavens Are Hung in Black

 

American Blues Theater’s innovative and adaptive program aligns with Illinois Learning Standards to engage 5th-10th graders about the life of Abraham Lincoln, specifically the events surrounding the Emancipation Proclamation.  Students watch scenes performed by professional actors, participate in discussions, and most importantly, write their own plays. Since the program’s launch in 2013, over 5,500 students have participated in the program.

 

Subscriptions

All main stage performances take place at Stage 773, 1225 W. Belmont Ave. The Blue Card – the most affording ticketing offer  the 2017-2018 season are available now at www.AmericanBluesTheater.com or by calling 773.654.3103.

 

About American Blues Theater

Winner of the American Theatre Wing’s prestigious 2016 National Theatre Company Award, American Blues Theater is a premier arts organization with an intimate environment that patrons, artists, and all Chicagoans call home.  American Blues Theater explores the American identity through the plays it produces and communities it serves.

 

The diverse and multi-generational artists have established the second-oldest professional Equity Ensemble theater in Chicago.  The 37-member Ensemble has 530+ combined years of collaboration on stage. As of 2016, the theater and artists received 186 Joseph Jefferson Awards and nominations that celebrate excellence in Chicago theater and over 31 Black Theatre Alliance Awards. The artists are honored with Pulitzer Prize nominations, Academy Awards, Golden Globe Awards, Emmy Awards and numerous other accolades.  

 

The American Blues Theater Ensemble includes all four Founders Ed Blatchford, Rick Cleveland, James Leaming, and William Payne with Dawn Bach, Matthew Brumlow, Manny Buckley, Kate Buddeke, Sarah Burnham, Dara Cameron, Casey Campbell, Darren Canady, Brian Claggett, Dennis Cockrum, Austin Cook, Laura Coover, Ian Paul Custer, Lauri Dahl, Joe Foust, Cheryl Graeff, Marty Higginbotham, Jaclyn Holsey, Lindsay Jones, Nambi E. Kelley, Kevin R. Kelly, Steve Key, Ed Kross, Warren Levon, Michael Mahler, Heather Meyers, John Mohrlein, Christopher J. Neville, Suzanne Petri, Carmen Roman, Editha Rosario, Sarah E. Ross, and Gwendolyn Whiteside.

 

American Blues Theater programs and activities are made possible, in part by funding by The MacArthur Funds for Arts & Culture at Prince, the Shubert Foundation, The Chicago Community Trust, SMART Growth Grant, Gaylord & Dorothy Donnelley Foundation, the Illinois Arts Council Agency, Anixter Foundation, Actors’ Equity Foundation, and the Chip Pringle Fund. ComEd is the Season Lighting Sponsor.

 

Published in Buzz Extra

Chicago, IL– American Blues Theater, Chicago’s second oldest Equity Ensemble, under the continued leadership of Producing Artistic Director Gwendolyn Whiteside, has named Idris Goodwin the winner of the 2017 National Blue Ink Playwriting Award. Goodwin’s play, HYPE MAN, was selected from a pool 543 submissions. As part of the award, Goodwin receives a $1,000 cash prize and the opportunity to further develop his script with American Blues Theater.

“I am of course honored and grateful, but mostly I am charged up,” said Idris Goodwin.  “I want to use the theatre as a venue to wrestle with our national sicknesses but also a place to nod heads in unison, as we collectively imagine towards liberation. HYPE MAN, this latest entry into my break beat plays series, exemplifies this desire. I can’t wait to further refine the play with the indomitable American Blues Theater, in one of the greatest cities for art.”

“We’re honored to announce Idris Goodwin’s script as the 2017 winner,” notes Producing Artistic Director Gwendolyn Whiteside. “Idris’s script is both heartbreaking and humorous with characters impossible to forget. The themes resonate empathy and a call to action. We’re thrilled to further develop HYPE MAN with Idris.

HYPE MAN is a story about a controversial police shooting inflaming tensions between an interracial hip hop trio. It is a rhythmically woven drama exploring race, representation, fame and friendship.

About Idris Goodwin

Idris Goodwin is a playwright, poet/performer and essayist. His play How We Got On developed at the O’Neill National Playwrights Conference, premiered in Actors Theatre’s 2012 Humana Festival, and is being produced at theatres across the country. It is the first in his “break beat play” series which includes The REALNESS and HYPE MAN. Other plays include Blackademics, This Is Modern Art co-written with Kevin Coval, And in This Corner: Cassius Clay, Bars and Measures, and The Raid. Goodwin is one of seven playwrights featured in the widely presented HANDS UP!, an anthology commissioned by The New Black Fest and published by Samuel French. His one act Black Flag was produced Off Broadway in Summer Shorts Festival at 59E59 Theatre. He’s received support from the NEA and Ford Foundation, and awarded Oregon Shakespeare’s American History Cycle Commission, and InterAct Theater’s 20/20 Prize. He's had work produced and/or commissioned/developed with Steppenwolf Theatre, The Kennedy Center, Berkeley Rep's Ground Floor Program, La Jolla Playhouse, The Lark Playwriting Center, The Playwrights' Center and New Harmony Project. These Are The Breaks (Write Bloody, 2011), his debut collection of essays and poetry, was nominated for a Pushcart Prize. Goodwin’s poetry has featured on HBO, The Discovery Channel, Sesame Street and National Public Radio.  Goodwin is an assistant professor in The Department of Theatre and Dance at Colorado College. Find him at www.idrisgoodwin.com

 

About the Blue Ink Playwriting Award

The annual Blue Ink Playwriting Award was created in 2010 to support new work. Since inception, American Blues Theater has named 7 Award winners, 35 finalists, and 59 semi-finalists. American Blues awarded more than $5,000 in cash and prizes for 2017.  The full list of 2017 Blue Ink Playwriting Award winners can be found at AmericanBluesTheater.com.

 

Each year American Blues Theater accepts worldwide submissions of original, unpublished full-length plays. The winning play is selected by Producing Artistic Director Gwendolyn Whiteside and the theater’s Ensemble. The playwright receives a monetary prize of $1,000 and a developmental workshop or staged reading at American Blues Theater in Chicago.  Finalists and semi-finalists are also awarded a cash prize.

 

Submissions for the 2018 Blue Ink Playwriting Award open July 1, 2017. All submissions must be received by American Blues Theater by August 31, 2017 at 11:59pm. Playwrights may only submit one (1) manuscript each year for consideration.

 

About American Blues Theater

Winner of the American Theatre Wing’s prestigious 2016 National Theatre Company Award, American Blues Theater is a premier arts organization with an intimate environment that patrons, artists, and all Chicagoans call home.  American Blues Theater explores the American identity through the plays it produces and communities it serves.

 

The diverse and multi-generational artists have established the second-oldest professional Equity Ensemble theater in Chicago.  The 37-member Ensemble has 530+ combined years of collaboration on stage. As of 2016, the theater and artists received 186 Joseph Jefferson Awards and nominations that celebrate excellence in Chicago theater and over 31 Black Theatre Alliance Awards. The artists are honored with Pulitzer Prize nominations, Academy Awards, Golden Globe Awards, Emmy Awards and numerous other accolades.  

 

The American Blues Theater Ensemble includes all four Founders Ed Blatchford, Rick Cleveland, James Leaming, and William Payne with Dawn Bach, Matthew Brumlow, Manny Buckley, Kate Buddeke, Sarah Burnham, Dara Cameron, Casey Campbell, Darren Canady, Brian Claggett, Dennis Cockrum, Austin Cook, Laura Coover, Ian Paul Custer, Lauri Dahl, Joe Foust, Cheryl Graeff, Marty Higginbotham, Jaclyn Holsey, Lindsay Jones, Nambi E. Kelley, Kevin R. Kelly, Steve Key, Ed Kross, Warren Levon, Michael Mahler, Heather Meyers, John Mohrlein, Christopher J. Neville, Suzanne Petri, Carmen Roman, Editha Rosario, Sarah E. Ross, and Gwendolyn Whiteside.

 

 

 

Published in Buzz Extra

 

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