Displaying items by tag: Christopher Mowod

“There’s a fine line between compromise and losing yourself.”

So many of us have that story of a favorite band. A group brought together by a shared passion and realizes they have that special something that can make them huge. So often that passion takes a dramatic turn, and the pressures cloud that rise to fame in a way that no one can quite overcome. Playwright David Adjmi smartly writes that tragedy for the stage. A gut-wrenching story about the many ramifications of talent not quite being enough and realizing only too late that the love for music that made these folks unique got lost along the way.

Masterfully directed by Daniel Aukin, Stereophonic zooms in on a recording studio in 1976. As we witness a band recording their first album, we see the highs and lows of the year-long journey. The early-days excitement, to the exhaustion of the long nights, and finally, to the ending culmination – when it really does come down to making the hard choices in the midst of the many heartbreaks that took place along the way.

A story extending over a year in this way could risk feeling slow, but Aukin’s production is anything but. Aukin theatricalizes Adjmi’s high-stakes drama, creating a tension-filled production that is sure to keep you on the edge of your seat – anxiously wondering when that other shoe will drop. You might find that the sprinkling of Will Butler’s original music enhances that pacing and mood. As the emotional turmoil grows, we see that cleverly reflected in the score – all performed live by the deeply talented cast of musicians.

Aukin’s creative team creates the perfect space for this tension to bubble. Scenic Designer David Zinn beautifully transports the audience into a 1970s recording studio. Though seemingly cozy upon first glance, it quickly becomes clear that the long nights turn this studio into a pressure cooker for a band of five with two sound engineers. As the story unfolds, the space continues to feel increasingly smaller – with nowhere to hide from the interpersonal challenges that have no choice but to bubble and grow.

(From L) Claire DeJean as ‘Diana’, Emilie Kouatchou as ‘Holly’, and Denver Milord as ‘Peter’ in the First National Tour of Stereophonic.

Part of the cleverness of Adjmi’s play is the emphasis on the relationships at the core. Aukin’s ensemble exhibits genuine chemistry – inviting audiences to lean in and feel the heartbreak as they see those bonds crack. Aukin sets up a casual, familiar energy between group members early – an energy that slowly shifts as the story goes on.

The band begins unified under the management of Simon (Cornelius McMoyler). We learn early in the story of the romantic entanglements within the group – married couple Holly (Emilie Kouatchou) and Reg (Christopher Mowod), and Diana (Clare Dejean) and Peter (Denver Milord), a couple who has perhaps been together so long that they cannot find their way out of it. Dejean and Milord infuse a heartbreaking authenticity into their relationship – walking the balance of a couple that clearly loves each other despite the heavy pain on both sides.

Grover (Jack Barrett) and Charlie (Steven Lee Johnson) tie everything together as the sound team in the studio. Lee Johnson’s comedy offers a much-needed light-heartedness to some of the darker moments, and you might find that Grover’s story slowly becomes the heart of the play. As the engineer, he begins on the outside looking in. As Grover becomes more invested, we soon start to see that he might need this record even more than the band members. Barrett’s grounded performance immediately invites the audience to align with him as he fights for it, and to feel his heartbreak when he starts to wonder if everything will fall apart.

With heartfelt performances and a tension-packed story, Stereophonic is simply a must-see. It’s rare to find a packed house so lost in the emotion that they do not know how to handle the final blackout of a performance. This production earned that silence, as well as the uproar of applause that followed.

HIGHLY RECOMMENDED

Run Time: 2 hours and 50 minutes, including intermission

Stereophonic runs through February 8 at the CIBC Theatre. For tickets and information, see the Broadway in Chicago website.