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Friday, 09 February 2018 17:51

Review: Joffrey Ballet's "Modern Masters"

As the era of streaming entertainment and sweatpants-clad binge watching continues, you have to applaud those who attend the performing arts. It’s certainly not an easier medium to consume, but some would argue it’s much more rewarding. Unfortunately, ballet and opera are struggling to attract a millennial audience. 

The Joffrey Ballet, however, opened its Modern Masters to no lack of enthusiasm. The massive Auditorium Theater was packed with audiences of all ages. Modern Masters is a four-piece show featuring the works of four different choreographers including the popular George Balanchine. Modern Masters is presented as part of the Ashley Anniversary, celebrating Ashley Wheater’s 10th season as artistic director of the Joffrey. 

They begin with Balanchine’s ‘Four Temperaments’, a visual take on the ancient belief that the body is influenced by four humors. This piece is the most traditional and lengthy of the four. The costumes and staging are sparse. Music by Paul Hindemith is soft but stirring. 

After a brief intermission, they return with Myles Thatcher’s ‘Body of Your Dreams’. The energy picks up here. With colorful 80s-flavored workout inspired costumes, 'Body of Your Dreams' is a cheeky take on fitness. It's a little ironic for a stage full of perfectly sculpted dancers to slightly criticize the "perfect body" obsession. The steps are fun, and the music is catchy. 

Next is the world premiere of Nicolas Blanc's multi-part piece 'Beyond the Shore'. This one is more similar in style to Balanchine's. The staging is as sparse, but the choreography is visually stunning. Music by Mason Bates is intricate with a cinematic scope. Think John Williams. 

The final piece is the Chicago premiere of 'Glass Pieces' by legendary choreographer Jerome Robbins. This is the piece to come for. Ballet fans of Chicago have been waiting for this one. It's well worth the hype. The set and costumes are striking. Philip Glass' music really shines in this meticulously choreographed number. The dance begins chaotic and busy but comes full circle to inspire the movement of a busy city. Bright and thrilling, 'Glass Pieces' is the strongest of the four. 

Modern Masters is a perfect evening for those looking to touch their toe into the waters of modern dance. Tread without fear of boredom for this highly engrossing show. Joffrey has a great way of being accessible to all audiences despite familiarity with the art of dance. 

Through February 18th at Joffrey Ballet. 50 E Congress Parkway. 312-386-8905

 

Published in Dance in Review

A delightful winter holiday ballet staple, Joffrey’s The Nutcracker gets a make-over by Tony Award-winning choreographer Christopher Wheeldon and Joffrey’s Artistic Director Ashley Wheater. The all-American all-Chicago version that premiered last December at The Auditorium Theatre takes us to a very exciting time in our history: 1892, five months before the World’s Fair in Chicago is set to open (story by Brian Selznick). Though the circumstances are different, creators of the ballet kept many elements of the original story by E.T.A. Hoffmann, and most importantly, the spirit of Christmas, intact. No more rich children and their fancy Christmas party with expensive presents - we’re back to the real world. Marie is from a poor immigrant family; she lives with her widowed mother, who is a sculptress working on the golden Statue of the Republic for the Columbian Exposition, and a younger brother Franz. The construction is in full swing and employs mostly immigrants from around the world.

In Act I the workers come to Marie’s house bearing food and drink for a lively Christmas celebration. Three musicians [from the orchestra] are invited on stage to accompany the dancing, much like it would be in those days. Marie is performed by very talented Amanda Assucena, a remarkably expressive ballerina; her gestures are all we need to understand what’s happening in the story. When a mysterious man who designed The World Fair and is known as The Great Impresario (Miguel Angel Blanco), shows up at the party, he captures everyone’s imagination with his visions of the completed Fair and gives out Christmas gifts. Marie receives a toy Nutcracker, and she couldn’t be happier. When she goes to bed that night she dreams that her new favorite toy leads an army of soldiers against a pack of rats who invade their shack and are always around in the streets (doesn't that sound painfully familiar, at least to Chicago city dwellers?). After she saves her Nutcracker from being eaten by The Rat King, he promptly turns into a handsome Prince. Whimsical costumes, gorgeous set and wonderful puppetry make for very enjoyable ballet experience  and a long cast of characters danced by children adds even more charm to the ballet.

Joffrey Ballet dancers are unquestionably world class masters, and this production showcases its many talented members. Victoria Jaiani who dances the parts of both Marie’s mother and The Queen of the Fair couldn’t be any more graceful and is always quite marvelous.

In Act II Marie, the Prince and The Great Impresario sail to the World Fair in a gondola where the Queen of the Fair (Victoria Jaiani) takes them to different pavilions where countries are represented by their dances – exotic Chinese and Spanish Dances are great, Buffalo Bill’s Wild West Show is really fun too, but then there’s the sexy Arabian Dance. Here Weeldon’s brilliant choreography is masterfully executed by Christine Rocas and Fabrice Calmels ; watching them dance is like eating some exquisite dessert that you wish would never end. It’s that good.

Somewhere towards the end of Second Act the drama of Tchaikovsky’s music gets lost in the romantic love dance of The Great Impresario and The Queen of Fair and leaves us longing for something else, but that’s easy to get over.

Live score is provided by Chicago Philharmonic Orchestra under Conductor/ Music Director Scott Speck.

The performance can be seen at Auditorium Theatre and runs two hours and twenty minutes and includes a twenty-minute intermission. For more information on Joffrey Ballet's The Nutcracker visit www.joffrey.org

Published in Dance in Review

 

 

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