Wowza! If you're searching for one of Chicago’s must-see summer events, look no further. The Joffrey Ballet has done it again, this time taking Alice’s Adventures in Wonderland to electrifying new heights at the Lyric Opera House, delivering a kaleidoscopic whirlwind of dance, theatrics, and pure magic. Guided by the visionary genius of two-time Tony Award winner Christopher Wheeldon, this adaptation seamlessly fuses classical ballet with unexpected bursts of tap, mesmerizing stage illusions, and imaginative puppetry. Wheeldon is a visionary choreographer renowned for his ability to fuse classical ballet with theatrical innovation. His direction ensures that Alice’s Adventures in Wonderland is not just a ballet—it’s a mesmerizing demonstration of movement, storytelling, and immersive artistry that sweeps audiences into the bizarre yet enchanting universe of Alice in Wonderland created by Lewis Carroll. Set against the backdrop of Joby Talbot’s spellbinding score, Wonderland unfolds as a psychedelic dreamscape where the Mad Hatter defies rhythm, the Queen of Hearts commands the stage with regal ferocity, and the ever-dashing White Rabbit keeps the adventure racing forward.

From breathtaking choreography to vibrant storytelling, this production breathes new life into Lewis Carroll’s iconic world, transforming it into a sensory explosion of movement, wit, and wonder. Every leap, twirl, and dramatic flourish pulls audiences deeper into a surreal fantasy that is both enchanting and unforgettable.

Alice doesn’t simply fall into Wonderland—she plummets into a realm of delightful madness, where reason bends and imagination rules – and the special effects are simply mind-blowing! In this topsy-turvy world, she’s whisked into a dizzying adventure by the ever-hurried White Rabbit, who barely has time to explain anything before dashing off again. The Mad Hatter’s tea party is pure chaos, with logic thrown out the window and time behaving like an unruly guest. The Cheshire Cat appears and vanishes with an eerie grin, offering cryptic wisdom that only deepens the mystery. And the Queen of Hearts? She’s as unpredictable as she is temperamental, ready to declare, “Off with their heads!” at the slightest provocation.

From growing and shrinking in size to playing croquet with flamingos, Alice must navigate Wonderland’s absurd rules while questioning everything she thought she knew. This stage adaptation transforms Carroll’s whimsical world into a vibrant, theatrical spectacle filled with stunning visuals, witty dialogue, and playful surprises at every turn. It’s a stunning experience where reality dissolves and nonsense takes center stage!

Joffrey’s Alice’s Adventures in Wonderland dazzles at the Lyric Opera of Chicago with a glittering cast that breathes life into Carroll’s timeless fantasy. A rotating lineup of exceptionally talented dancers take on the iconic roles, ensuring each performance offers a fresh and dynamic interpretation of Wonderland’s whimsical inhabitants.

Alice, the fearless and inquisitive heroine, is brought to life by Amanda Assucena, Anais Bueno, Gayeon Jung, and Jeraldine Mendoza. The ever-hurried White Rabbit—portrayed by Stefan Gonçalvez, Dylan Gutierrez, and Zachary Manske—whisks Alice through a transformative series of adventures. Meanwhile, the commanding Queen of Hearts, played by Anais Bueno, Lucia Connolly, Olivia Dureya, and Victoria Jaiani, commands the stage with regal presence and just the right touch of mischief.

Edson Barbosa and Jonathan Dole embody the eccentric energy of The Mad Hatter, whose tea parties defy logic in the most spectacular fashion. Adding to the intrigue, Jose Pablo Castro Cuevas, Stefan Gonçalvez, Hyuma Kiyosawa, and Alberto Velazquez alternate as Jack, the charming Knave of Hearts entangled in the Queen’s unpredictable world.

On the evening I attended, Gayeon Jung mesmerized as Alice, bringing the character to life with fluid dance routines, distinctive charm, and effortless grace. Zachary Manske captivated the audience as The White Rabbit, embodying the role with quick, rabbit-like mannerisms, seamless movement, and a delightful urgency. Jose Pablo Castro Cuevas exuded elegance as Jack, The Knave of Hearts, while Johnathan Dole impressed with impeccable tap skills as The Mad Hatter. Yet, it was Anais Bueno’s portrayal of The Queen of Hearts in the third act, The Palace Gardens, that may have truly stolen the spotlight—her dance and expressive artistry were nothing short of breathtaking. With a great sense of sharp physical comedic timing, not often seen in ballet, she infused the Queen with a lively, commanding presence that had the audience cheering in admiration.

The set design for Joffrey Ballet’s Alice’s Adventures in Wonderland at the Lyric Opera House is a mesmerizing fusion of theatrical magic and whimsical artistry. With costume and scenic design by Tony Award-winning Bob Crowley, the production features vibrant stagecraft, surreal puppetry, and astonishing visual effects that transport audiences straight into Wonderland’s dreamlike world. From the ticking clocks that echo Joby Talbot’s hypnotic score to the larger-than-life characters brought to life through ingenious design, every scene is a feast for the senses.

Adding to the production’s already astonishing vision, conductor Scott Speck masterfully guides the Lyric Opera Orchestra through a rich, dynamic rendition of Joby Talbot’s score, elevating Wonderland into a truly enchanting theatrical experience.

Prepare to be swept into a world of breathtaking ballet, whimsical storytelling, and pure theatrical magic!

Alice’s Adventures in Wonderland at the Joffrey Ballet is a dazzling spectacle that captivates audiences of all ages, blending mesmerizing choreography with vibrant stagecraft. Whether you're a longtime ballet lover or simply looking for an unforgettable experience, this production promises thrills, enchantment, and a touch of Wonderland’s delightful madness.

Alice’s Adventures in Wonderland is being performed at Lyric Opera of Chicago through June 22^nd. Run time is 2 hours and 45 minutes, which includes two intermissions.

A brief but important note—as a disabled reviewer, I want to sincerely commend the Lyric Opera of Chicago and/or Joffrey for ensuring accessibility by assigning an usher to manage the first-floor restrooms, reserving them for handicapped and senior patrons who cannot navigate the stairs. Given the length of this delightful production and its two brief intermissions, this thoughtful accommodation makes a meaningful difference. 

Don't miss your chance to journey down the rabbit hole—secure your showtimes and tickets at the Joffrey Ballet’s official website here!

Recommeded for audiences of all ages.

An electrifying evening of artistic fusion unfolded at the Auditorium Theatre as Hiplet Ballerinas, the professional company of the Chicago Multi-Cultural Dance Center, dazzled audiences once again with their breathtaking production, Dipped in Versatility. Created by Homer Hans Bryant, Hiplet redefines the boundaries of dance, blending the elegance of classical ballet with the raw energy of hip-hop, the rhythmic pulse of African dance, and the vibrant passion of Latin movement. Bryant, alongside Executive Director Robin Edwards, presented a stunning and deeply moving vision of the company's future. Their latest work offers a glimpse into the artistry and innovation that will continue to define Hiplet Ballerinas, showcasing the brilliance and boundless potential of this extraordinary ensemble.

“We are diversity at its best,” Bryant is quoted as saying in the show's program. “Trained in tradition, and dipped in versatility. Eurocentric is our approach - Afrocentric in our delivery.”

Without a doubt, Bryant’s vision came to life in this remarkable production, delivering a performance that fully embodies his artistic statement.

The production showcased a mesmerizing collection of pieces, highlighted by the highly anticipated world premiere of Garden—a spectacular work exquisitely choreographed by Taylor Edwards and Tre Daniels. With hypnotic projections, dazzling costumes, and an electrifying blend of hip-hop rhythms, the dancers carried the audience through a visionary experience where tradition seamlessly intertwines with innovation from start to finish.

Absolutely magnificent! Hiplet Ballerinas continue to push artistic boundaries, offering a one-of-a-kind, non-traditional dance experience that leaves audiences in awe. The gifted dancers rise to the occasion, effortlessly adapting to any musical backdrop—whether the vibrant sounds of the Spanish Harlem Orchestra, dynamic mixes by Brian Ford, or the electrifying live performances of Marcus Kincy, Lawrence Jones, and Patrick Stanton.

Hiplet Ballerinas at Auditorium Theatre. Photo by Andy Argyrakis.

From the moment the lights fade and the music reverberates, you'll witness dancers of all body shapes and sizes who are absolute forces. Their technique is impeccable, their energy contagious, and their command of the stage undeniable. They flow with ethereal grace before seamlessly transitioning into movements that will astound you. Kendall Brown and Gabrielle Dantzler deliver truly sensational performances, leading standout pieces alongside a remarkable ensemble of talent, including Allison Harsh, Brandon Paraharm, Taylor Edwards, Terri “Berri” Woodall, Dajiah Alexander, Benjamin Marshall, Miranda McGovern, Jaelynn Selph and Captain Nia Towe. The company is also joined by guest performers Sierra Tapia and Alexandria Franklin. Together, they elevate the production to dazzling heights, creating an unforgettable experience from its opening sequence Power to its climactic finale, Outdated Education. 

This isn't your traditional ballet. Hiplet shatters conventions with its bold, innovative, and joyfully inclusive spirit. The diverse artistry of the performers underscores that true talent knows no limits. The imagination and ingenuity of the choreography team that brings Homer Bryant’s vision alive is on full display and it is fantastic. 

The music will pulse through you, the vibrant energy will keep you riveted, and the sheer artistry will leave you breathless. Hiplet is an immersive experience – a dynamic, exhilarating, and unforgettable journey that will leave you feeling inspired and uplifted. If you have the opportunity to see Hiplet, seize it! It's truly a groundbreaking performance. 

For more information on this outstanding dance company, be sure to visit their site at https://www.hipletballerinas.com/. You can also give them a follow on Instagram @hipletballerinas. 

*This review is also featured on https://www.theatreinchicago.com/! 

I’ll just say it - Cats is going to blow your mind. Now running at the Paramount Theatre, this spectacular production elevates the famous musical to magnificent new heights—both figuratively and literally. While Cats has always been an extravagant, surreal whirlwind of theatrical magic, this version cranks up the spectacle with breathtaking Cirque-inspired gymnastics and aerial acrobatics. Part fever dream, part feline fantasy, and entirely unforgettable, this is Cats like you’ve never seen before.

Inspired by T.S. Eliot’s Old Possum’s Book of Practical Cats, the show transports audiences into the world of the Jellicle cats, a mysterious tribe that gathers once a year for their sacred Jellicle Ball. During this mystical night, their wise leader, Old Deuteronomy, perfectly played by Lorenzo Rush Jr., selects the worthiest feline to ascend to the Heaviside Layer—a realm of renewal and rebirth, where a cat is granted a magical, new life. It’s a premise unlike any other in musical theater.

Anakin Jace White plays Skimbleshanks the Railway Cat, riding astride his Railway Car in Paramount Theatre’s circus-inspired production of Cats.

Cats is an indulgence in music, movement, and character-driven storytelling. Rather than following a traditional narrative, the musical is more of a series of dazzling introductions featuring larger-than-life feline personas like the mischievous Rum Tum Tugger (Donovan Hoffer), the cunning Macavity (Matthew Weidenbener), and the forlorn Grizabella (Emily Rohm). Each cat has its moment in the spotlight, showcasing spectacular choreography and Andrew Lloyd Webber’s infectious melodies. The pinnacle of the show’s emotional depth, of course, is “Memory,” an achingly nostalgic ballad incredibly performed by Rohm as Grizabella, the once glamour cat now outcast, who longs for her lost youth, beauty and forever home. Sung with heart-wrenching intensity it’s no wonder that it has become one of musical theater’s most iconic songs—soaring with raw emotion. This hauntingly nostalgic ballad doesn’t just tug at heartstrings—it resonates far beyond the stage and has cemented itself as an anthem of longing and transformation.

But Cats isn’t just about one song—it’s an entire universe, brimming with movement, mystery, and spectacle. Traditionally, the stage morphs into a sprawling junkyard, but in this production, it transforms into an abandoned circus tent—a hauntingly whimsical playground where feline characters leap, twirl, prowl and perform aerial stunts through mesmerizing choreography. The environment is immersive and fantastic, pulling audiences into a world where the ordinary rules of storytelling dissolve, leaving only the magic of dance, music, and theatrical wonder. What sets Cats apart is its fearless originality—an entirely sung-through musical without a conventional storyline, instead relying on a kaleidoscope of feline personalities brought to life through magnetic direction and expressive movement. It’s a high-energy spectacle packed with soaring melodies, iconic characters, and a trancelike atmosphere that keeps audiences spellbound. Whether you find yourself hypnotized by the haunting strains of “Memory” or captivated by the playful antics of Rum Tum Tugger, one thing is certain: Cats isn’t just a musical, it’s an experience—one that has pounced its way into the hearts of millions for good reason.

Alexandra Palkovic plays Demeter in Paramount Theatre’s circus-inspired production of Cats.

Luminously directed by Trent Stork with wild imagination, Paramount’s hypnotic choreography, shimmering feline costumes, and a stunning atmosphere that teeters between enchanting and dreamlike, Cats is less of a conventional production and more of a theatrical experience that defies expectations. This show is sure to leave audiences awe-struck; it remains a singular, extraordinary phenomenon in the world of musical theater.

But this isn’t just Cats—it’s Cats 2.0, a turbo-charged, high-octane reinvention of the classic musical. Paramount Theatre goes all out, delivering a one-of-a-kind, show-stopping spectacle that takes the experience to exhilarating new heights. From the moment the curtain rises, Cats launches into a dazzling display of jaw-dropping acrobatics and gravity-defying stunts that never let up. Theatergoers are instantly swept into the whirlwind of movement, perching on the edge of their seats as the enchanting performance unfolds. But beyond the sheer athleticism, it’s the clever feline nuances—the subtle catisms—woven seamlessly into each performance that add an extra layer of charm, making this production both thrilling and delightfully amusing.

This production doesn’t just purr—it roars.

Guided by the expertise of Circus Captain Hayley Larson, Dance Captain Christopher Kelley, and Flight Captain Matthew Weidenbener, the performance unfolds as a mesmerizing visual masterpiece, leaving audiences breathless with wonder. Yet, it’s the extraordinary cast that truly ignites this enthralling production, seamlessly weaving every awe-inspiring moment into an unforgettable event. The breathtaking vocal performances perfectly complement the hypnotic dance sequences, high-flying maneuvers, and breathtaking aerial acrobatics, creating a spectacle that is as beautiful to hear as it is to watch.

In addition to the aforementioned ensemble actors, Chicago stage veterans like Gene Weygandt and Allison Sill add their brilliance to this exceptional, multi-talented cast. Alongside them, standout performers such as Tiffany Topol, Alexandra Palkovic, Jake DiMaggio Lopez, Selena Robinson, Christopher Kelley, Sophie Liu David and a host of other gifted artists help bring this production to life with energy, skill, and undeniable stage presence. Unforgettable musical moments like “Magical Mister Mistoffelees,” “Gus: The Theatre Cat,” and “Jellicle Songs for Jellicle Cats” are just a few of the amazing numbers that will stay with you long after the final bow. With their infectious melodies and gripping performances, these songs make Cats an experience that lingers far beyond the theater doors.

Circus artist Ryan Huemmer (Coricopat) flies through the air with the greatest of ease in Paramount Theatre’s circus-inspired production of Cats.

Long before Cats made its grand entrance onto the Paramount stage, this legendary musical had already clawed its way into theater history, leaving a trail of wide-eyed audiences and notable performances in its wake. Since its West End debut in 1981, Cats has dazzled, bewildered, and utterly enchanted theatergoers with its boundary-pushing theatrical appeal.

Despite early skepticism, Cats scratched its way to legendary status, running for 21 years in London and 18 years on Broadway, making it one of the longest-running musicals in history. It helped usher in the era of the "megamusical," paving the way for grand theatrical productions like The Phantom of the Opera and Les Misérables, which would go on to define modern musical theater.

Beyond its record-breaking success, Cats sprang onto pop culture, leaving an impressive legacy. Its intricate choreography inspired generations of performers, its distinctive aesthetic became the subject of countless parodies, and its impact spread into film, television, and even internet culture. Whether adored or furiously debated, Cats remains one of the most influential—and delightfully eccentric—productions in musical theater history.

That being said, it’s truly exhilarating to see Cats return to the Chicagoland area—especially in such a grand, spectacular fashion. This production doesn’t just bring the beloved musical back; it elevates it to dazzling new heights.

Paramount’s production of Cats is an excellent homage to the legendary stage musical, staying true to its spirit while adding its own unique flair. This rendition not only honors the show’s original magic but elevates it with fresh creative choices, making it an even more extraordinary experience.

Cats is being performed at Paramount Theatre in Aurora, IL through June 15th. For tickets and/or more show information, click here.

Highly recommended for audiences of all ages!

*This review is also featured on https://www.theatreinchicago.com/!

Citadel’s latest production, A Jukebox for the Algonquin, truly captured my heart. It’s a refreshing reminder that as we age, life doesn’t lose its spark—it merely shifts to a new rhythm, one filled with laughter, camaraderie, and unexpected joys. This delightful offering beautifully showcased the vibrant lives that still await us in our twilight years, proving that fun and bond know no age limit. 

Radiating vibrancy and warmth, this production showcases the spirited lives of its characters who discover purpose and happiness in life’s simplest yet most impactful moments. More than just a theatrical presentation, it’s a heartfelt and uplifting depiction of aging with grace, infused with humor and emotional depth.

Paul Stroili's A Jukebox for the Algonquin stands out as a true treasure of the stage, effortlessly blending sharp humor with heartfelt emotion in a celebration of the intricate tapestry of life. Transporting audiences to the delightful Placid Pines Senior Care Center in upstate New York, this play radiates with originality and charm. It introduces us to a spirited ensemble of senior residents who, driven by a nostalgic longing for their youth, devise an unexpectedly daring scheme to fund their dream of owning a jukebox—by selling marijuana. Yep! And let’s just say that the journey is as wildly entertaining as it is endearing.

The jukebox emerges as a powerful symbol, resonating far beyond this specific story. It reflects a hope from the struggles of many residents who, isolated and yearning for connection, are left grappling with a lack of stimulation, music, and activities. These individuals are confined to neglected, unrenovated sections of sprawling senior complexes, spaces that corporate priorities have relegated to the margins. This pattern has become disturbingly prevalent, as corporate-driven changes focus on enhancing facilities for wealthier, younger seniors, while leaving lower-income, older residents behind. At Placid Pines, this disparity is starkly evident: the entertainment room offers little more than a fish tank with dying fish and shelves stocked with donated books—the heartfelt contribution of a single paralyzed resident, whose spirit reflects the quiet resilience of the overlooked community. 

With vividly drawn characters, sharp and vibrant dialogue, and deeply touching moments, Stroili explores themes of enduring friendship, unwavering resilience, and the determination to transcend the boundaries of age. The play shines in its remarkable ability to uncover life’s beauty and humor in the most unexpected places. The camaraderie and ingenuity of the residents will have you laughing out loud, shedding a tear, and cheering them on throughout their unforgettable adventure.

Helmed by Director Scott Westerman, this Chicago Theatre debut is sure to touch your heart. Set within the lively recreation room of the Placid Pines Senior Care Center, this production sparkles with energy and charm, brought to life by a vibrant cast of residents, each with personalities as dynamic as the tunes on a jukebox. Leading the charge is Kenneth Johnson as Johnny, an exuberant Yankees enthusiast and the driving force behind the gang’s mission to acquire a jukebox. Johnson’s effervescent energy and magnetic stage presence make Johnny both endearing and immensely enjoyable to watch.

Adding depth and balance to the production is Bob Sanders in the role of Dennis, Johnny’s steadfast best friend and the voice of reason amidst the group’s lively escapades. Sanders delivers a warm and nuanced performance, anchoring their dynamic with sincerity and poise. Ellen Phelps lights up the stage as Annie, her lively and animated personality adding flair and excitement to every scene she graces. Elizabeth Rude completes this delightful ensemble as Peg, capturing the role with subtle charm and a compelling presence. Together, these four seasoned actors weave a narrative rich in humor, camaraderie, and heart, crafting a performance that is simply captivating.

Bringing a humorous twist to the story is Patrick Thornton as Chuck, the janitor affectionately referred to as the “dust mop guy.” Thornton’s charismatic and witty portrayal adds moments of lighthearted fun that resonate effortlessly with the audience. Rounding out this exceptional cast are Karla Corona and Joshua Thomas, who embody Placid Pines staff members with finesse, seamlessly bridging the interactions between the spirited residents and enriching the production with their well-rounded performances.

This ensemble delivers a performance that is not just entertaining but genuinely heartwarming, showcasing a narrative filled with humor, passion, and a sense of community. With their skillful portrayals, they transform the recreation room of Placid Pines into a vibrant stage where laughter, drama, and connection take center stage.

I found it especially moving how the production cleverly employed the jukebox as a symbol for life’s playlist. Much like the selections we make on a jukebox, we can choose our moments, embrace our decisions, and immerse ourselves in the harmonies of both our past and present. Citadel has masterfully created a work that strikes a chord, offering the audience a fresh perspective on the richness of life’s adventures and the bonds that can thrive in its later chapters.

A Jukebox for the Algonquin is a touching tribute to friendship, community, and the timeless spark that fuels our lives, no matter our age. It beautifully prompted me to reflect on the richness of life’s later chapters, highlighting the joy of embracing them with curiosity and a zest for living. This production is an absolute delight and a perfect pick for anyone in search of inspiration and heartwarming entertainment.

Currently being performed at the Citadel Theatre in Lake Forest, this production is a must-see for theater enthusiasts. The Citadel Theatre's intimate setting and exceptional cast bring Stroili's vision to life, making A Jukebox for the Algonquin an unforgettable theatrical experience. It’s not just theater—it’s a triumph. This joyous and moving exploration of life’s complexities leaves audiences with a renewed appreciation for the enduring vibrancy of the human spirit. What an absolutely wonderful play!

Performance Schedule: April 18 – May 18, 2025

• Previews: April 16 & 17, 2025, at 7:30 PM
• Regular Performances:
  • Thursdays, Fridays, Saturdays at 7:30 PM
  • Sundays at 3:00 PM
  • Wednesdays at 1:00 PM (April 23, April 30, May 7)

Newly Added Dates:

• Wednesday, April 30, 2025, at 1:00 PM
• Saturday, May 17, 2025, at 2:00 PM

For tickets and/or show information, click here. 

 *Extended through May 25th

*This review is also featured on https://www.theatreinchicago.com/!

I’m not holding back—Copley Theatre’s latest offering, The 25th Annual Putnam County Spelling Bee, is an absolute winner! I’ve seen this delightfully offbeat musical brought to life at various theaters, but Copley’s rendition? It’s absolutely “F-A-B-U-L-O-U-S.” This production earns its place at the very top, possibly stealing the crown altogether.

And let’s take a moment to appreciate the venue! My inaugural visit to Copley Theatre was a treat in itself. Not only did I get to enjoy the hilarious, heartfelt magic of Spelling Bee, but I also had the chance to soak in the sleek elegance of this modern gem. With its stunning aesthetics, thoughtful conveniences, and intimate yet impeccably crafted stage setup, Copley has created an experience that’s as polished as it is inviting.

The 25th Annual Putnam County Spelling Bee is a brilliantly funny and deeply touching musical that captures the hilarity and heartache of middle school life through the lens of a high stakes spelling competition. With a sharp and witty book by Rachel Sheinkin and an engaging score by William Finn, the show offers a perfect blend of humor, warmth, and unforgettable musical moments.

At its core, the story introduces us to six wildly different young spellers, each of whom brings their own unique quirks, struggles, and aspirations to the stage. There’s Leaf Coneybear (Ben Broughton), the whimsical underdog with a heart of gold who’s as surprised as anyone to have qualified for the competition. Then there's Logainne Schwartzandgrubenierre (Ann Delaney), a driven and socially conscious overachiever with a lisp and two doting dads rooting her on. And, of course, William Barfée (Teddy Gales) —brash, brilliant, and armed with his hilariously unconventional “magic foot” spelling strategy that leaves both contestants and audiences in awe. Other spellers include the pressure-laden Marcy Park (Shelbi Voss), an overachiever who excels at everything; the sweet yet neurotic Olive Ostrovsky (Elizabeth Stenholt), who’s grappling with absent parents; and the slightly obnoxious, juice-box-loving Chip Tolentino (Nic Dantes), facing the realities of puberty at an inopportune time.

The competition itself is overseen by an equally eccentric trio of adults: Rona Lisa Peretti (Veronica Garza), a former Bee champion turned upbeat host; Vice Principal Panch (Jason Richards), whose tightly wound demeanor hides his hilariously chaotic tendencies; and Mitch Mahoney (Naphtali Curry), the “comfort counselor” on parole, tasked with handing out juice boxes to eliminated contestants.

While Spelling Bee unfolds with plenty of laugh-out-loud moments—enhanced by improv comedy and unexpected audience participation — the musical also delves into poignant themes. Beneath the humor lies a heartfelt exploration of identity, resilience, and the awkward beauty of adolescence. Each character’s journey speaks to the universal struggles of finding one's place in the world, making the show deeply relatable to audiences of all ages.

Highlighting the show’s standout performers is easy — it's the entire cast, hands down! Every single member of this ensemble is outstanding – and I truly mean that. Each spelling bee contestant shines with their own unique moments to revel in - and each gets plenty of big laughs – Gales, Delaney, Broughton, Voss, Stenholt, Dantes – all of them are terrific! As for the hosting adults, Garza as the charismatic event host and Richards as the stone-faced VP with a penchant for tossing out challenging words make a hysterical duo. Curry as the competition's "comfort counselor," also steals the spotlight in several scenes.

Shelbi Voss (front) is the overachiever, Marcy Park, in The 25th Annual Putnam County Spelling Bee.

Wonderfully directed by Stephen Schellhardt, the magic of Spelling Bee truly shines in many standout moments that follow the company’s opening number – a fresh and vibrant take on the show’s title song. Shelbi Voss dazzles as she command’s the stage with “I Speak Six Languages,” capped off with Music Director Kory Danielson’s own energetic and uniquely upbeat spin on the ending. Then there’s the stunning trio of Elizabeth Stenholt, Veronica Garza, and Naphtali Curry, who deliver a breathtaking showcase of vocal mastery in their emotionally charged performance of “The I Love You Song.” And Nic Dantes brings the house down with the hilariously awkward and unforgettable number “Chip’s Lament,” riotously portraying the character’s woes after a... let’s call it “untimely distraction” during the competition. These moments, and soooo many more, make this production soar.

With its clever writing, charmingly oddball characters, and emotionally resonant storytelling, The 25th Annual Putnam County Spelling Bee proves that even something as seemingly mundane as a spelling competition can be transformed into a magical, uproariously funny, and deeply moving theatrical experience.

Also striking in this very funny and heartwarming musical were the details in set of the high school gymnasium and the overall show production and choreography. When you put it all together, audience members get an intimate, next-level theatre experience.

For those unaware, Copley Theatre (part of the Paramount Theatre family) is nestled in the heart of downtown Aurora. This 165-seat gem stands as an inviting and contemporary performance venue that really delivers, thanks to its recent extensive renovations, elevating it to a cutting-edge space designed for captivating and thought-provoking productions. Copley Theatre is also celebrated for hosting the Paramount Theatre's BOLD Series, a carefully curated lineup of productions that showcase a blend of timeless classics and modern works meant to inspire, challenge, and entertain. The recent upgrades also introduced an elegant lounge and bar area, adding a touch of sophistication and comfort to the theatergoing experience. I feel I can safely say that, whether you're an avid theatergoer or exploring the performing arts for the first time, Copley Theatre promises an enriching and memorable journey into the world of live entertainment.

See this show! The 25th Annual Putnam County Spelling Bee is being performed through April 27^th at Copley Theatre located at 8 East Galena Boulevard in Aurora. Tickets are in the $55 range and the show’s running time is two hours including a fifteen-minute intermission. For tickets and/or more show information, click here.

Very highly recommended!

*This review is also featured on https://www.theatreinchicago.com/!

Following a string of successful shows, Music Theater Works has once again hit the jackpot with their 2025 season opener, Guys and Dolls. This delightful production is currently wowing audiences at the North Theatre at the North Shore Center for the Performing Arts. With infectious tunes and clever lyrics by Frank Loesser, and a sharp script by Jo Swerling and Abe Burrows, the show is skillfully directed by Sasha Gerritson. Add to that the vibrant choreography by Clayton Cross and the expert musical direction by Linda Madonia, and you've got a performance that's guaranteed to keep you coming back for more!

Guys and Dolls is a timeless musical comedy that transports audiences to the bustling streets of 1950s New York City. The plot centers around the dynamic lives of several characters, particularly Nathan Detroit, a gambler running an underground dice game, and his enduring fiancée, Miss Adelaide, a nightclub singer longing for Nathan to finally marry her. To fund his next game, Nathan bets Sky Masterson, a high-stakes gambler, that he can't charm Sarah Brown, a virtuous mission worker. Sky takes up the challenge, and through a series of delightful and engaging interactions, he gradually wins Sarah's heart.

As the story unfolds, the characters become woven into a rich tapestry of love, deceit, and redemption. Sarah uncovers Sky's original motives but forgives him as they both realize their deepening love for each other. Meanwhile, Nathan's efforts to keep his dice game hidden lead to a blend of comedic and thrilling situations. The musical reaches a heartwarming and joyous climax, with Nathan marrying Adelaide and Sky and Sarah starting a promising new chapter together. Featuring memorable songs, lively dance routines, and a touching storyline, Guys and Dolls remains a beloved and timeless treasure in the world of musical theatre.

This well-cast ensemble driven production has an array of bright and talented actors that make this such a memorable adventure. Callen Roberts finesses the role of Nathan Detroit to perfection - a gambler who runs an illegal dice game and is engaged to Miss Adelaide. Roberts truly embraces his fast-talking, hustling persona, transforming the character into one of the show's key anchors and a standout presence. Jeffrey Charles is spot on as Sky Masterson, the suave gambler who wagers he can charm Sarah Brown, while Kristin Brintnall steals the spotlight as Miss Adelaide, Nathan's fiancée. Her blend of comedic timing and stellar vocals brings the nightclub singer's longing for a settled life to life brilliantly. Cecilia Iole shines Sarah Brown, a mission worker who becomes the object of Sky's bet but eventually falls for him. Iole’s vocals are nothing short of spectacular. A round of applause also goes out to the rest of the ensemble, who contribute to making this musical the delightful experience it is meant to be. Andrew Freeland brings down the house as Big Julie, serving up some of the show’s biggest belly laughs. Shoutouts are also well-earned by Ian Reed, Carey Lovett, Caron Buinis, Bob Sanders, and Peter Ruger, who each bring their own flair to the stage. And let’s not forget the dazzling Hot Box Girls—Jenny Couch, Catherine Rodriguez O’Connor, Emily Holland, and Emma Jean Eastland—who light up the stage with their sensational moves. These ladies can really dance! The entire cast? Absolutely top-notch.

(L to R) Jenny Couch, Catherine Rodriguez O’Connor, Kristin Brintnall, Emily Holland and Emma Jean Eastland in GUYS AND DOLLS, from Music Theater Works.

One of my absolute favorite things about the show was its incredible Times Square neighborhood set—it felt like you were right in the heart of the action! But what truly stole the spotlight was the eight-piece band playing up above for everyone to admire. Talk about a show-stopping touch! Equally impressive was how choreographer Clayton Cross utilized the stage space to accommodate such a large cast, creating a busy New York feel with heavy people traffic and such elaborate dance numbers.

Guys and Dolls is a must-see production that brings the vibrant streets of 1950s New York City to life with its captivating characters and delightful musical numbers. With unforgettable songs like "Luck Be a Lady," “A Bushel and a Peck,” and "Sit Down, You're Rockin' the Boat," this show is guaranteed to have you tapping your toes and humming along. Don't miss the chance to experience the magic, humor, and heart of this timeless classic—it's a theatrical gem that promises an evening of pure entertainment!

This might be the first production of the year, but plenty of action lies ahead for Music Theater Works. The 45th season lineup also features the following upcoming shows: Fiddler on the Roof from August 7 to 17, Godspell from October 23 to November 16, and Annie from December 18, 2025, to January 4, 2026.

Guys and Dolls is currently being performed at the North Shore Center for the Performing Arts in Skokie, 9501 Skokie Blvd, Skokie and runs through March 30^th. For tickets and/or more show information, visit www.MusicTheaterWorks.com.

Highly Recommended!

Featured on https://www.theatreinchicago.com/

Beautiful: The Carole King Musical is a captivating tribute to the extraordinary journey of Carole King, tracing her path from a teenage songwriter to an iconic solo artist. The production delves into her personal and professional evolution, highlighting the creation of timeless classics like "It Might As Well Rain Until September," "Will You Love Me Tomorrow," and "You've Got a Friend." Alongside showcasing her musical triumphs, the show explores her relationships with fellow songwriters, including her husband Gerry Goffin, and friends and competitors Barry Mann and Cynthia Weil. Currently on stage at Drury Lane Theatre, Beautiful celebrates Carole King's enduring talent and profound influence on the music world. This captivating musical whisked me away on a sentimental voyage, and I'm confident it will resonate deeply with many others as well.

Raised in a Jewish household, her father a firefighter and her mother a teacher, both parents supported King's musical interests early on. Her mother, Eugenia Klein, began teaching her daughter piano at the age of four. Before long, the young singer/songwriter really tapped into something special as she matured into a once in a generation talent. King stayed true to her musical self and believed in herself when it mattered most, deciding to sing her own songs at just the right time. Who knew the heights this little-known Jewish girl from Brooklyn would someday reach - and, wow, did she ever!

Samantha Gershman is AMAZING and offers an enthralling portrayal of Carole King in her Drury Lane debut. With a perfect blend of vulnerability and incredible strength, Gershman captures the essence of the iconic singer-songwriter, bringing her inspiring journey to life with genuine warmth and exceptional talent. Gershman, fantastic throughout, really showcases her King-like vocals and magnetic charisma in a climactic concert scene, delivering a powerful performance of the title track "Beautiful."

Drury Lane’s casting is as dependable as ever. Alex Benoit delivers a nuanced and captivating portrayal of Gerry Goffin, capturing both his charm and the intricacies of his relationship with Carole King. Alexandra Palkovic and Andrew MacNaughton form a dynamic duo as Cynthia Weil and Barry Mann, infusing the stage with infectious energy and humor while showcasing their impressive songwriting talents. Rebekah Ward brings a grounding presence as Carole's mother, Genie, radiating warmth and wisdom, while Michael Lawrence Brown dazzles as the charismatic Don Kirshner. This well-cast, exceptionally talented ensemble elevates Beautiful, making it an unforgettable theatrical experience.

Jane Lanier's masterful direction of Beautiful illuminates Carole King's extraordinary journey, seamlessly blending the personal and professional milestones that shaped this legendary artist's career.

The choreography by Gerry McIntyre in Drury Lane's production of Beautiful with Carolyn Brady’s music direction is a perfect match for the show's infectious energy, bringing the musical numbers to life with dynamic and period-authentic movement. Their collective efforts enhance the storytelling beautifully, capturing both the spirit of the era and the emotional core of the characters.

I'll admit, I didn't know that Carole King wrote for some of the bands/performers that she did before her own singing  stardom. This show turned out to be quite educational for me. I was familiar with The Monkees' use of King's "Pleasant Valley Sunday" among other songs of hers, but I had no idea that King penned hits for The Shirelles ("Will You Love Me Tomorrow"), The Righteous Brothers ("You've Lost That Lovin' Feeling"), and Neil Sedaka ("Oh Carol"). Once again, sincere kudos to the entire cast, including Alana Lovely, Maxwell J. DeTogne, Lydia Burke, and Ryan Michael Armstrong, just to name a few. Thanks to this entire team of exceptional actors bringing these performers to life, this production offers a delightful glimpse into the vibrant mid-late 1960s music scene. 

This musical is a true masterpiece from start to finish, making it absolutely impossible not to enjoy.

Beautiful: The Carole King Musical is being performed at Drury Lane Theatre in Oakbrook through March 23rd. For the most current ticket pricing and show dates, it's recommended to visit the Drury Lane website (https://drurylanetheatre.com/beautiful/) or contact their box office directly, as prices vary depending on performance date, time, and seat location. The show runs approximately 2 hours and 30 minutes, including a 15-minute intermission. This feel-good musical, a wonderful tribute to Carole King's incredible talent and enduring legacy, is highly recommended for audiences of all ages.

Buffalo Theatre Ensemble’s latest offering, Native Gardens by Karen Zacarias, is a riotous comedy that delves into the quirky world of suburban gardening and neighborly tiffs. The plot blossoms around two neighboring couples in Washington D.C. On one side, there's Pablo, a high-powered lawyer from Chile with a wealthy background, and his very pregnant wife, Tania, a doctoral candidate and avid gardener. They're ecstatic about transforming their new backyard into a vibrant native garden that attracts the right kind of insects that add to a healthy ecosystem. They are a younger couple, new to the neighborhood, with a bright future ahead.

On the other side, there's Frank and Virginia, a well-established couple with a perfectly manicured, non-native garden. Frank is laser-focused on winning the neighborhood's annual gardening competition. At first, the two couples get along swimmingly, but things take a thorny turn when Pablo and Tania discover that their property line extends two feet into Frank's cherished garden. This revelation ignites a full-blown border dispute, with both couples revealing their true colors as they clash over race, class, privilege, and taste.

As the conflict heats up, the play explores themes of cultural differences, environmentalism, and the challenges of living harmoniously with others. Despite the tension, Native Gardens ultimately offers a hopeful message about finding common ground. While there are plenty of profound moments that point out the short-comings and hypocrisies on both sides of the fence (pun intended), there are also many moments that share joint interests between the two couples, giving audience members the feeling that compromise, and even friendship, can be reached with a little effort once the egos are left at the door and true respect and understanding for each other is realized. 

The sparring couples are wonderfully cast - and are a hoot to watch! Richard Gomez and Sofia Tew are convincing as Pablo and Tania De Valle, each executing rapid fire line delivery with just the right amount of finesse and humor. Frank and Virginia Buckley are played by Bryan Burke and Kelli Walker and are fantastic together as the long-term residents who look to fend off the newcomers - despite the official survey findings. With no shortage of hilarious moments, this play has a lot of fun with generation gaps, culture clashes and of course the various things neighbors might squabble about. One won’t be able to help but get into the characters within the first few minutes and, like a freight train, the momentum of this play just keeps building as it goes.     

Keenly directed by Steve Scott, Native Garden’s delightful blend of humor and social commentary will have you laughing and reflecting long after the final curtain call. 

Nestled in the backyards of two Georgetown homes, each with contrasting landscaping visions that irk their new neighbors, you can only imagine the craziness that will ensue. Fortunately, there’s nothing for you to do but sit back and enjoy the garden wars!

Where: The Playhouse Theatre at the McAninch Arts Center (The MAC) in Glen Ellyn, Illinois. Additionally, the theatre is thoughtfully designed with increased accessibility features, such as elevators, wheelchair ramps, accessible seating, and assistive listening devices, making it a comfortable and inclusive venue for all attendees, including those with disabilities. Pro tip when selecting tickets - if stairs are challenging for you or your companion(s), the first row does not require any steps at all and the second row just a couple.

When: Native Gardens is running through March 2nd. 

Tickets: $44 and $42 for seniors. 

Theatre/Play Information: For tickets and/or more show information, visit http://atthemac.org/events/native-gardens/.

Brightside Theatre's latest production, Jekyll And Hyde In Concert is a truly mesmerizing experience. And if you are a Chicago resident like myself, this theatrical performance is well worth the not-so-long trek to the burbs. The musicians and the impressive array of talented singers delivered a performance that seized my attention from the very start and held me spellbound throughout. With cozy table seating on the floor and traditional theater seating in the rear, there isn't a bad spot in the house. The acoustics are superb, and the singers frequently stroll through the audience, creating an immersive and intimate experience.

Jekyll and Hyde In Concert rejuvenates the eerie narrative of The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson. This musical retelling masterfully brings the enthralling story to life on stage, showcasing the complexity of human nature through riveting songs and dynamic performances. The plot centers on the esteemed Dr. Henry Jekyll, whose attempt to distinguish the good from the evil within himself results in the birth of the malevolent Edward Hyde. As Hyde's horrifying deeds escalate uncontrollably, Jekyll battles with the monster he has unleashed, culminating in a heart-wrenching and inevitable end. The concert format accentuates the stirring score, featuring unforgettable pieces that illuminate the internal and external struggles of the characters. With its powerful melodies and expressive lyrics, the audience is drawn into the mesmerizing and dark world of Jekyll and Hyde, promising an unforgettable theatrical journey.

Picture a theater abuzz with excitement as the audience prepares for an "on book" concert performance of Jekyll And Hyde. The performers, each clutching their scripts and scores, take their places at music stands arranged across the stage. Behind them, a full orchestra sits poised, instruments at the ready. Magical.

As the orchestra dives into the stirring opening notes, the performers join in, bringing to life characters such as Dr. Henry Jekyll, Lucy Harris, Emma Carew, and Sir Danvers Carew with their powerful vocals and deep emotion. The "on book" format adds an intimate, unpolished charm to the performance, allowing the audience to focus on the music and the performers' interpretations. Throughout the concert, the orchestra's lush harmonies and soaring crescendos amplify the drama and intensity of the story, creating a gripping and immersive experience. This fusion of live orchestration and on-book singing offers a distinct and unforgettable rendition of the cherished musical.

Gerald Kelel masterfully leads this concert, seamlessly transitioning between the roles of Dr. Henry Jekyll and Edward Hyde, executing each note with precision and authority. Rachel Carreras as Lucy Harris and Julie Ann Kornak as Emma Carew also deliver standout performances, showcasing their impressive vocal range. Veteran stage actor Stan Austin shines as Sir Danvers Carew, bringing intensity and robust vocals to the role. While the entire cast is brimming with talent, both Molly Bremer and Sean Rhead each have their moments to highlight their remarkable vocal prowess. This is just a brilliant piece of theatre in concert form that was such a pleasure to watch.

This particular performance of Jekyll And Hyde In Concert is a highlight of Brightside Theatre’s Concert Series, following the company’s spectacular run of Dracula. Artistic Director Jeffrey Cass has skillfully curated the upcoming season, featuring Beetlejuice Jr., Pippin, and A Midsummer Night’s Dream, promising an exhilarating 2025.

Brightside Theatre, nestled in the heart of Naperville's historic downtown district, is a professional non-profit theatre company dedicated to enlightening, educating, and entertaining audiences. Established in 2011, it holds the distinction of being the only professional non-profit theatre in Naperville. Brightside Theatre's diverse offerings include comedies, inspirational stories from around the globe, mainstage productions, a musical theatre concert series, and a free Summer in the Parks Series. They also provide educational programs and summer camps for young performers. Recognized with multiple awards, Brightside Theatre has been named the Best Entertainment Venue by Naperville Magazine for five consecutive years.

RECOMMENDED!

Jekyll And Hyde In Concert

About: Conceived for the stage by Frank Wildhorn and Steve Cuden

Music by Frank Wildhorn, Book and Lyrics by Leslie Bricusse

Directed by De Haddad

Musical Direction by Phil Videckis

2 hours 15 minutes including intermission

Where: Madden Theatre, North Central College, 171 Chicago Avenue, Naperville, IL

When: Fridays and Saturdays at 7:30 pm and Sundays at 2:00 pm from January 17 through 26, 2025.

Tickets: $37 for Adults and $32 for Seniors and Students

Show and Theatre Information: http://www.brightsidetheatre.com/ 

I fondly recall watching the 1964 children’s television special Rudolph the Red-Nosed Reindeer each year with great wonder! Its message of hope—that you can be yourself and different from the herd—left a lasting impression. The idea that, through perseverance, you can be loved and appreciated for your unique talents is as relevant today as ever. This timeless lesson is humorously celebrated in Hell in a Handbag Production’s 25th anniversary edition of Rudolph, the Red-Hosed Reindeer.

Written by Handbag Artistic Director David Cerda, directed by Anthony Whitaker with musical direction by Chad Gearing, this year's production of Rudolph the Red-Hosed Reindeer (An Unauthorized Musical Parody) is as significant as ever. It’s a delightful experience and provides so many much-needed laughs, particularly during these dark winter months following the election. I always enjoy David Cerda’s brilliant sense of humor whether writing, acting or both - and his fabulous camp costumes. This time, David is dressed head to stiletto-heeled toe in luscious candy apple red, parodying one of the 'Reindeer Housewives of the North Pole,' and it's fantastic.

The Handbag satire remains faithful to the storyline and characters of Rudolph the Red-Nosed Reindeer, but with a distinctive Handbag twist. In this version of the Christmas classic, Rudolph, a young reindeer at the North Pole, stands out not because of a shiny, glowing red nose, but for his love of wearing red-hosed stockings. His 'unusual' clothing choice often makes him the target of teasing and exclusion by his fellow reindeer. In his quest for acceptance, Rudolph runs away and, thanks to friends he meets along the way, like Herbie the elf who wants to be a dentist and Yukon Cornelia the gold miner, our red-hosed wearing reindeer learns that it's okay to be different and to love yourself for who you are. Rudolph’s story highlights themes of acceptance, determination, and celebrating individuality. 

(left to right) Kelly Bolton, Caitlin Jackson and Peter Ruger in Hell in a Handbag Productions’ production of ‘Rudolph the Red-Hosed Reindeer (An Unauthorized Musical Parody).’

This show features hysterical spins on all the well-known Rudolph characters, brought to life by many beloved Handbag favorites. Caitlin Jackson, whom I’ll always adore for her fantastic portrayal of Bette Midler in Handbag’s Bette: Live at the Continental Baths, plays Mrs. Claus, the oft-drunken, lonely wife of the narcissistic and sex-addicted Santa Claus - and she steals every scene she's in! Jackson’s outstanding singing voice, paired with her sharp wit, generates continuous laughter throughout this hilarious production. While Jackson excels as Mrs. Claus, Michael Hampton delivers an uproariously funny performance in Handbag’s amusing spoof of Santa Claus.

Handbag fave, Sydney Genco, who plays Elfina and also doubles as Choo Choo, the misfit square-wheeled train, is funny and adorable as always, showcasing her terrific singing voice. Genco also took on the role of make-up designer for this production, contributing to the fantastic visual elements of the show.

The show is brimming with fantastic performances, so I'll continue to heap on the praise. Longtime Hell in a Handbag member Terry McCarthy is the ideal comedic counterpart to Cerda, portraying another of the influential, spoiled reindeer wives of the North Pole. Their characters are suspicious of poor Rudolph, clad in lacy red underwear, who is quite a departure from the macho bucks that usually pull Santa's sleigh. Lori Lee shines as Yukon Cornelia, the slightly confused gold miner, in this production. A very talented comedienne and singer, and a Hell in a Handbag member, Lee is a delight in her role. With the help of the fearsome Drag Beast (well played by Mark Bartishell), Cornelia finally realizes she is gay, a hunch that every other character in the play had all along! Kelly Bolton glows as the quirky elf Herbie, who dreams of being a dentist rather than a toymaker. Bolton perfectly captures the character, eliciting plenty of laughs from the enthusiastic opening night audience.

Indeed, the praise for this show is boundless… While Peter Ruger enchants as our hero, Rudolph, with charm and flair, yet another standout performance comes from Matt Sergot, who brilliantly embodies Sam the Snowman in this delightful musical. As the show's narrator, Sergot sets up each scene with perfect whimsy, adding a charming touch to the entire production. Rudolph the Red-Hosed Reindeer also benefits from the talents of ensemble performers Eustace Allen, Cameron Cai, Micah Mixon, TJ O’Brien, Shawn Quinlan, Michael Radford, and Whitney Willard Wilkinson, who impresses in her role as Clarice.

Special kudos also go out to costume designer Marquecia Jordan for doing a splendid job bringing Herbie, Yukon Cornelia, Sam the Snowman, and our other Rudolph favorites to life. The entire production team crushes it in this one.

Each year's production of Rudolph consistently features a great deal of updated humor. Some jokes are bawdy, but all are undeniably funny, touching, and heartfelt – and that is the magic that is Hell in a Handbag. Alongside the humor also comes valuable life lessons—in this case, the importance of being true to yourself and accepting others for doing the same.

One thing I can always count on when bringing friends to a Hell in a Handbag production, especially this Christmas-themed show, is that we'll have a great laugh, hear fun songs, enjoy a couple of drinks during the generous intermission, and leave feeling like part of the uniquely wonderful straight and LGBTQ family celebrating right here in Chicago.

If you need a laugh and to unwind during the holiday season, then be sure to attend Rudolph the Red-Hosed Reindeer through January 5^th. And please take special note of the show's benefit weekend, from Friday, December 20th through Sunday, December 22nd. During this time, you can enjoy this fantastic camp parody holiday-themed show, knowing that the proceeds will go directly to support the food needs of Chicagoans living with AIDS.

Hell in a Handbag’s Rudolph the Red-Hosed Reindeer and Unauthorized Musical Parody is being performed at Hoover Leppen Theatre at Center on Halsted through January 5^th. For tickets and/or more show information click HERE.