Displaying items by tag: William Underwood

When I remember John Denver, it’s hard not to think about crisp country air, clean rivers, pristine mountains and, well, just a healthy planet. John loved nature. It was abundantly clear in his music. His life was cut short at just 53 years old when a plane he was piloting crashed into Monterey Bay, but the folk and country singer left quite an impression on the world in his four decades with not only the music he wrote and performed but also his work as an activist and humanitarian.

In Almost Heaven, a musical revue created by Harold Thau, the singer’s longtime manager, John Denver’s life and music are celebrated in brilliant fashion. Currently being performed at nearby Theatre at the Center in Munster, Indiana, Artistic Director Linda Fortunato skillfully directs this wonderful tribute as William Underwood lends his special touch as the productions’ Music Director to bring Denver’s most memorable songs to life.

(left to right) Actors Steven Romero Schaffer, Tommy Malouf, Sara Geist and Andrew Mueller - Photo by Guy Rhodes

While telling the story of Denver’s life from the start of his music career in the 1960’s through his untimely death in 1997, the musically gifted cast takes turns singing and playing songs that include fan favorites “Rocky Mountain High,” “Annie’s Song,”, “Sunshine on My Shoulders” and, of course, “Take Me Home, Country Roads”. The often-moving story touches on Denver’s anti-war stance despite growing up in a military family, his meteoric rise in becoming a household name, his marriage, his love for a rich, clean environment and the impact his music had on so many people. A particularly touching moment occurs when a letter is read from a young fan in China who shares what a positive effect Denver has left on her and her music teacher – even at a time when it was illegal to listen to his music in their country. We are also made privy to Denver’s shortcomings in his later years, since he, too, is after all human.

A rotating cast commands the three-quarter round theater. Steven Romero Schaeffer, Shannon McEldowney, Andrew Mueller, Sara Geist and Tommy Malouf each deliver strong solo and group performances, beautiful harmonies filling the venue as the five also impress on stringed instruments playing along with the Underwood-led band that also features musicians Malcolm Ruhl and Alison Tatum.

Almost Heaven is a well-crafted musical work that flows at the perfect pace while grabbing its audience from the very beginning - and it never lets go. Whether a fan of John Denver’s already or for those that have been recently introduced to his work, this production is sure to entertain and touch hearts.

Highly recommended.  

Almost Heaven is being performed at Theatre at the Center through March 22nd. For tickets and/or more information visit www.TheatreAtTheCenter.com.

  

Published in Theatre in Review

I am from Miami, Florida and after moving to Chicago there was a time when I genuinely looked forward to the first snow of the year. I’d also wish for snowfall each year to bring us a white Christmas here in Chicago and this lovely production of ‘White Christmas’ at Theatre at the Center brought that joy back into my mind for the first time in years.

The story is about two servicemen, Bob (Matt Edmonds) and Phil (Justin Brill), who become big time entertainers after their army days. From performing in USO shows for fellow military troops during World War II to becoming a featured act on the Ed Sullivan show, the two pals are now looking for a "sister act".  It isn’t long before the two stumble upon Judy and Betty (both played wonderfully by Casiena Raether and Erica Stephan) and wind up not only finding two talented women to perform with but also finding true love. The tale is a timeless one thanks to Irving Berlin's classic music – and this cast does the book and lyrics of Berlin justice.

When Bob and Phil run across their old General, Henry Waverly (Neil Friedman), they happily offer to help out by lending their star presence by performing at his lodge in the hopes of attracting more guests. The retired General is on hard times having sunk his entire life saving into the lodge. Thankfully he has been keeping his head just above water thanks to the help he receives from his ever-loyal lodge hand Martha Watson (brilliantly played by Glory Kissel). It isn’t long before Bob and Phil enlist Judy and Betty and a host of fantastic dancers to put on the show of a lifetime at the General’s lodge. It is nothing short of touching to see the dedication Bob and Phil have towards General Henry Waverly.

I would totally see this production twice just to hear the everlastingly touching “How Deep is The Ocean”:

"How much do I love you? I'll tell you no lie

How deep is the ocean? How high is the sky?

How many times a day do I think of you?

How many roses are sprinkled with dew?

How far would I travel to be where you are?

How far is the journey from here to a star?

And if I ever lost you, how much would I cry?

How deep is the ocean? How high is the sky?"

“Blue Skies” was another showstopper with the entire cast tapping in blue and white to Irving Berlin's classic song about the very real exciting effects of new love taking place on the loving new couples:

"Never saw the sun shining so bright

Never saw things going so right

Noticing the days hurrying by

When you're in love, my how they fly

Blue days

All of them gone

Nothing but blue skies

From now on!"

(from lerft) Erica Stephan as Betty and Casiena Raether as Judy. Photo by Guy Rhodes

There was a palpable chemistry in the humorous courtship between the wry, dry Phil and slightly uptight and business-oriented Betty, which the whole audience picked up on and really enjoyed watching develop scene by scene.

Director Linda Fortunato is wisely able to draw out the fun in her own unique way from each song and also includes a few numbers cut from the motion picture, like "Falling Out of Love Can be Fun,” sung by Martha, Betty and Judy. The song gives the thoroughly modern advice, way ahead of it's time, that if you are heartbroken by one man you can pick yourself up and try again without shame.

"When you've find your lover has gone

Get your second wind and go on

There's an old affair that is there for renewing

In your grief, do you know what you're doing?

Falling out of love can be fun

Soon, you'll be swinging in a hammock on a porch

One arm wrapped around someone else

The other arm carrying a torch

Love can give a lady a clout

And she may be down but not out

Get yourself a date, don't you wait for the count of ten, then

Falling out of love can be fun!"

Talented Artistic Director Linda Fortunato wears multiple hats not only directing this production but providing its dazzling choreography. William Underwood gives this show its musical direction. 

Special kudos must go to Glory Kissel as the rowdy Senior hotel concierge for her entire performance and especially the showstopper "Let me Sing, I'm Happy." Kissel shows the youngsters in the cast just how it's done with her amazing dance and superb physical comedy skills while singing out about the pure Joy of being alive and happy.

The super talented ensemble blows everyone away with one fantastic tap or dance number after another.

It is truly thrilling to watch all those tapping feet moving in perfect unison. Other great numbers include “Heat Wave,” “I Love a Piano” and of course, the title song “White Christmas”, a song that Matt Edmonds sings to perfection as he captures the period so well with both his singing and acting.    

I can't recommend this production highly enough for audiences of all ages who are looking for a happy, fun-filled and joyous celebration of LOVE and of course SNOW, during this cold and oft-strenuous Holiday season. 

‘White Christmas’ is being performed at Theatre at the Center in nearby Munster, IN through December 22nd. For more information visit www.theatreatthecenter.com.

Published in Theatre in Review

 

 

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