Monday, 22 January 2018 01:58

Review: All My Sons at Court Theatre

Whenever things get hot in America, Arthur Miller comes back in vogue. It's hard to fathom what he would think of today's world though. Court Theatre features Miller's first hit play 'All My Sons' . Directed by Charles Newell, this provocative new production is vibrant and exceedingly well acted.

'All My Sons' first appeared on Broadway in 1947, establishing Arthur Miller as a major playwright. Though considered among his best, there's an amount of melodrama here that later Miller works would shed. In this dark play, he examines the moral and psychological effects of WWII on ordinary Americans.

John Judd plays Joe Keller, the good-guy neighbor type who has just arrived home from prison. He's been acquitted of manufacturing faulty airplane parts that caused plane crashes in WWII. His partner remains in jail having accepted all responsibility. His adult son Chris, played by Timothy Edward Kane survived the war while his brother Larry did not. On an ordinary summer day Chris invites Larry's former fiance and daughter of Joe's business partner, Annie (Heidi Kettenring) for a visit. Chris' mother Kate (Kate Collins) cannot reconcile that Larry is dead and is slowly unraveling.

Newell takes this script in an interesting direction. The central conflict is Joe, a normal guy with a huge moral dilemma. "I know you're no worse than most men, but I thought you were better." Miller writes. It's through Kate Collins that Newell puts the emphasizes on the women's narrative of this play though. Kate's dialogue swings from reality and delusion so rapidly. Collins' interpretation has an eerie Blanche DuBois quality to it. This is also a story about a woman losing her grip in a time when life was supposed to be cheerful.

Heidi Kettenring brings Annie to the foreground in this version. With 'All My Sons' Miller wanted to show how aspects of the war effected all parts of America. Many women were left widows. Social constructs made finding love more challenging for women. Kettenring captures every scene she's in. Her portrayal of a lonely woman with few options is haunting.

Newell's production is artful. The staging is vivid and unique. When every theater company is offering Arthur Miller, it's cool to see how these works are being reinterprated to appeal to a new generation. For some, two and a half hours of classic American theater sounds like a school field trip. Newell's production proves that there's always a new way to see a play.

Through February 11th at Court Theatre. 5535 S Ellis Ave. 773-753-4472

Published in Upcoming Theatre
Friday, 19 January 2018 16:54

Review: Boy at Timeline Theatre

Long before Jeffrey Eugenide’s novel 2003 ‘Middlesex’ brought intersexuality to the mainstream lexicon, there was David Reimer. ‘BOY’ by Anna Zeigler is a new play inspired by the real life story of a boy raised as a girl after a botched circumcision. Reimer was known only as the “John/Joan” case throughout the medical community until 1997, when he decided to make his story public. He has since committed suicide.

‘BOY’ makes its area premiere at TimeLine Theatre Company under the direction of Damon Kiely. In their intimate space, this small cast tells Zeigler’s version of the John/Joan case. The structure of the play is one its strongest assets. We first meet Adam (Theo Germaine), a shy young man trying to flirt with a girl named Jenny (Emily Marso). Starting here establishes the present tense, or in this case, the early 90s. In alternating scenes, we then meet Adam’s parents Doug and Trudy (Stef Tovar and Mechelle Moe) in the mid-60s. They’re new parents desperate for a way to make normal the life of their infant son whose penis is mutilated in a medical accident. They’re introduced to Dr. Wendell Barnes (David Parkes), the founder of the first American institute on gender. The two stories gradually meet in the middle when Adam must confront his past in order to move into his future.

The brisk pace tells a complete story, if only a little brief. A story as unique as this probably garners more questions than answers. The ensemble works well together to demystify this case study. The courtship between Theo Germaine’s Adam and Emily Morso’s Jenny is endearing. Morso perfectly embodies the dialogue of a tough-girl with a warm side. Whereas Theo Germaine gives one of their best performances yet. Theo swings from child to grown up in the blink of an eye throughout the play and yet, it’s through those swings we can see that Adam never really grows up. Stef Tovar and Mechelle Moe as the stereotypical Iowan family dealing with this surreal reality are impeccable. Moe has the mannerisms down. While Tovar’s character is pretty quiet throughout the play, his final moments on stage with Adam are some of the play’s most touching.

‘BOY’ will surprise many. As the National Geographic pointed out last year, we’re in the midst of a gender revolution. What is the most surprising is how accessible this play is. Unlike Taylor Mac’s comic masterpiece ‘HIR’ – there’s no tone of condescension here. The play is simply a well-structured, fictionalized account of the John/Joan case. It’s as juicy as an episode of the Phil Donahue show but there’s also a lot of heart here, and it begs the bigger question, what would you do? Zeigler’s version of the real life Dr. Money (who wrote about David Reimer extensively) – Wendell Barnes, is written in a way that will make some debate whether or not he genuinely cared for his patient or proving his extreme gender theory. Though, it’s through this (unfortunately) failed experiment that we know so much more about sexual science today.

Through March 18 at TimeLine Theatre Company. 615 W Wellington Ave. 773-281-8463

Published in Upcoming Theatre

Haven Theatre is pleased to continue its 2017-18 Season with Bertolt Brecht’s unsettling and unflinching drama FEAR AND MISERY IN THE THIRD REICH, translated by Eric Bentley and directed by Artistic Director Josh Sobel, playing February 8 – March 11, 2018 at The Den Theatre's Janet Bookspan Theatre, 1333 N. Milwaukee Ave. in Chicago. Tickets are currently availale at haventheatrechicago.com
 
FEAR AND MISERY IN THE THIRD REICH features Joe Bianco, Amanda De La Guardia, Alys Dickerson, Elizabeth Dowling, Simon Hedger, Niko Kourtis, Kyla Norton, Siddhartha Rajan, Alexis Randolph and Jessica Dean Turner.
 
As Germany careens toward war, an entire society begins to crack, and the seeds of chaos and tragedy take root in the minds of its citizens. Josh Sobel (We're Gonna Die) helms an ensemble-driven production of Brecht's 1938 classic with a contemporary eye – a warning of how insidiously a culture can make space for atrocity, and a call to never allow it to happen again. 
 
Comments Artistic Director Josh Sobel, "As the world finds itself in the midst of its next great cultural shift, Brecht's examination of the common citizen and how a society can be led to accept the inhumane feels strikingly immediate. Brecht wrote this play reflecting and pulling back the curtain on the news of the day as it was happening around him, providing an unnerving and – in our current moment – all too important call to confront injustice as it happens and to firmly and proudly say: No. With this production we seek to serve one of Haven's core values – the Future – through an intimate and personal look at our past and how such fatal mistakes were allowed to take place."
 
The production team for FEAR AND MISERY IN THE THIRD REICH includes Yu Shibagaki (scenic design), Izumi Inaba (costume design), Claire Chrzan (lighting design), Sarah D. Espinoza (sound design), Jeffrey Levin (original music), Sasha Smith (movement design), Abhi Shrestha (dramaturg, associate movement director), Angela Salinas (production manager), Madisen Dempsey (assistant director), Anna Sung-En Medill (assistant director) and Corbin Paulino (stage manager).
 
PRODUCTION DETAILS:
 
Title: FEAR AND MISERY IN THE THIRD REICH
Playwright: Bertolt Brecht
Translator: Eric Bentley
Director: Artistic Director Josh Sobel
Cast: Joe Bianco (Ensemble), Amanda De La Guardia (Ensemble), Alys Dickerson (Ensemble), Elizabeth Dowling (Ensemble), Simon Hedger (Ensemble), Niko Kourtis (Ensemble), Kyla Norton (Ensemble), Siddhartha Rajan (Ensemble), Alexis Randolph (Ensemble) and Jessica Dean Turner (Ensemble).
 
Location: The Den Theatre's Bookspan Theatre, 1333 N. Milwaukee Ave.
Dates: Previews: Thursday, February 8 at 8 pm, Friday, February 9 at 8 pm, Saturday, February 10 at 8 pm and Monday, February 12 at 8 pm
Regular run: Thursday, February 15 – Sunday, March 11, 2018
Curtain Times: Thursdays, Fridays & Saturdays at 8 pm; Sundays at 3 pm
Tickets: Previews: pay-what-you-can. Regular run $18. Tickets are currently available at haventheatrechicago.com.

 

Published in Upcoming Theatre

Porchlight Music Theatre and Artistic Director Michael Weber are proud to announce the second production in its 2017 – 2018 season of Chicago’s hit musical revue series, New Faces Sing Broadway 1959, hosted by Gene Weygandt, directed by Adrian Abel Azevedo with music direction by David Fiorello, Monday, Feb. 26 at Skokie Theatre, 7924 Lincoln Ave in Skokie at 7:30 p.m.  In tribute to the original New Faces series that ran on Broadway and on film from 1934 – 1968, Porchlight Music Theatre created the Chicago musical revue series, New Faces Sing Broadway as a showcase for the best emerging music talent now performing on Chicago stages. Each edition is a “time–machine” journey from the start to the finish of an entire musical season from the classic days of Broadway, peppered with photos and films of the era in an exciting multimedia presentation with a favorite Chicago theatre veteran hosting and introducing the next generation of music theatre artists while acting as your guide through a vintage year on the Great White Way. Seating is general admission; tickets are $22 and are available at porchlightmusictheatre.org or from the Porchlight Music Theatre box office, 773.777.9884.

In addition to the performances on stage, the host engages the audience to sing along as the “Broadway chorus” of some of the best-known production numbers from that classic musical season and challenges them to “Name that Showtune,” a fun and fast-moving music theatre trivia game where participants win Porchlight prizes.

New Faces Sings Broadway’s spring edition celebrates the start to the finish of the year 1959 on Broadway, peppered with photos and films of the era in an exciting multimedia presentation with, Gene Weygandt, a favorite Chicago theatre veteran hosting and introducing the next generation of music theatre artists and acting as your guide through a past season on the Great White Way.
Featuring songs from A Party With Comden and Green, Destry Rides Again, Fiorello!, First Impressions, Flower Drum Song, Goldilocks, Gypsy, Juno, The Most Happy Fella, The Nervous Set, Once Upon a Mattress, Redhead, Saratoga, The Sound of Music, Take Me Along, Whoop-Up and others.

The original New Faces series via Broadway and movies was instrumental in introducing the public to emerging talent such as June Carroll, Robert Clary, Imogene Coca, Jane Connell, “Professor” Irwin Corey, Henry Fonda, Alice Ghostley, Ronny Graham, Tiger Haynes, Van Johnson, Madeline Kahn, Eartha Kitt, Robert Klein, Carol Lawrence, Paul Lynde, Virginia Martin, John Reardon, Maggie Smith, Inga Swenson and many, many others.

The cast of New Faces Sing Broadway 1959 includes: Anastasia Arnold, last seen in Gypsy at Music Theatre Works; Curtis Bannister, who recently appeared in Marie Christine at BoHo Theatre; Katherine Bourne, also seen in Marie Christine;  Roy Brown, just seen in Porchlight’s Billy Elliot the Musical; Charlie Ingram, recently seen in Les Miserables at The Muny; Jacquelyne Jones, who appeared in Honky Tonk Angels at Theo Ubique; Bernell Lassai III, who is also appeared in Billy Elliot; Mallory Maedke, recently seen in Hair at The Mercury Theatre; Jeff Pierpoint, last seen in Newsies at Marriott Theatre and Maisie Rose, who appeared in Lysistrata Jones with Refuge Theatre Project. The stage manager is Joaquin Gomez.

 

Published in Upcoming Theatre

Flying Elephant Productions is pleased to launch its inaugural season with the world premiere of WE THE PEOPLE – SONGS OF THE RESISTANCE, a political musical song cycle about the turbulent 2016 election, with six actors playing 55 characters. This powerful new musical features a book by Sean Chandler, music and lyrics by Leo Schwartz, direction by Derek Van Barham and music direction by Ty Miles. WE THE PEOPLE will play January 26 – February 10, 2018 at Stage 773, 1225 W. Belmont Ave. in Chicago. Tickets are currently available at stage773.com, by calling (773) 327-5252 or in person at the Stage 773 box office. 
 
WE THE PEOPLE features Dwayne Everett, Bradley Halverson, Elizabeth Rentfro, Carmen Fisher Risi, Alyssa Soto and Timothy Swaim.
 
The election of 2016: Disappointment, Chaos, Intrigue, Anger, Response! This new political musical song cycle takes audiences from the party conventions through election night and its immediate aftermath into the realization of “Trump’s America.” It all culminates with a call to action from “We The People.”
 
Comments Flying Elephant Productions Executive Director Leo Schwartz, “Often, an artist’s job is to light dark corners and elucidate a way to a new understanding of the world. We see life differently and we passionately express our vision. Whether it’s to expose the workhouses of Victorian London in Dickens’ Oliver Twist, or the ravages of the Spanish Civil War in Picasso’s Guernica, or the social upheaval of the ‘60s with Guess Who’s Coming to Dinner?, art inspires us to reconsider, to act, to challenge. We the People is a call to action to save those things which we hold most dear, our country and our freedom.”
 
The production team to date includes: Theron Wineinger (scenic design), Cat Wilson (lighting design), G. Max Maxin IV (projections design) and Neill Kelly (stage manager).
 
PRODUCTION DETAILS:
 
Title: WE THE PEOPLE – SONGS OF THE RESISTANCE
Book: Sean Chandler
Music and Lyrics: Leo Schwartz
Director: Derek Van Barham
Music Director: Ty Miles
Cast: Dwayne Everett, Bradley Halverson, Elizabeth Rentfro, Carmen Fisher Risi, Alyssa Soto and Timothy Swaim.
 
Location: Stage 773, 1225 W. Belmont Ave., Chicago
Dates: Preview: Friday, January 26 at 8 pm
Regular run: Sunday, January 28 – Saturday, February 10, 2018
Curtain Times: Thursdays at 7:30 pm; Fridays & Saturdays at 8 pm; Sundays at 3:30 pm. 
Tickets: Preview $30. Regular run $40. Thursdays “Industry Night” $10 with headshot/resume.
Tickets are currently available at stage773.com, by calling (773) 327-5252 or in person at the Stage 773 box office.

 

Published in Upcoming Theatre
Tuesday, 16 January 2018 03:42

Review: Five Mile Lake at Theater Wit

With the homecoming and family-visit season safely in the rear-view, Shattered Globe presents a new play by Rachel Bonds about the places we come from. “Five Mile Lake” is directed by Cody Estle, his first production with the company.

Bonds writes about a feeling that many city transplants can relate to all too well. “I can’t believe I managed to spend 18 years there,” she says of her small hometown in the stage notes. Though Bonds seems to have escaped small town life at a young age, her script is not a snobby look down her nose at small town America, in fact, it’s almost the opposite. There’s a longing for a perceived simplicity in this play. The irony is that no matter where you live, complexity is unavoidable.

‘Five Mile Lake’ is about five characters in a town outside Scranton, at the edge a frozen lake. The symbolism is not lost. Local coffee shop coworkers Mary (Daniela Colucci) and Jamie (Steve Peebles) live fairly uneventful lives until Jamie’s older brother returns with a new girlfriend and an open-ended visit.

In many ways, this is a retelling of Chekhov’s masterpiece ‘Uncle Vanya’. Mary and Jamie seem to toil endlessly in their dismal lives. Jamie works on a lake house his brother Rufus (Joseph Wiens) and girlfriend Peta (Aila Peck) are suddenly interested in when their impressive city-life turns to shambles. Mary is bogged down by a shell-shocked brother Danny (Drew Schad), all the while dreaming of a life outside Five Mile Lake. Between these desires for other circumstances are subtle, but wholly palpable, moments of truth.

Shattered Globe is an ensemble theater and most of their productions feature familiar faces. The result is a sense of intimacy between actors that translates to an audience. There’s a naturalistic cadence to Rachel Bonds’ dialogue too. Sometimes inside-jokes or silliness between characters seems contrived on stage. Whenever Daniela Colucci is in a scene, you feel like you’ve known her all your life. There’s something really authentic going on here. Estle gets great performances out of even the smallest, non-verbal moments of the play. A scene in which Rufus and Mary’s older brother Danny run into each other after years of estrangement is so fraught that just a searching look from Drew Schad is enough to break your heart.

“Five Mile Lake” is a prime example of why you should see new work. Sometimes it’s a gamble, but other times in the middle of an ordinary Sunday you find yourself completely invested in the problems fictional characters. You take them with you, because they are you.

Through February 24th at Shattered Globe Theatre. Theater Wit. 773-975-8150

Published in Theatre in Review
Wednesday, 10 January 2018 20:28

For The Loyal is dynamic and brutally honest

Echoing the western world’s most debated issue of late, For The Loyal was inspired by the Penn State sexual abuse scandal involving one of the college football coaches. Written by Lee Blessing and directed by James Yost, the play is presented as part of Interrobang Theatre Project’s ‘RAW Series’. Five actors on a tiny, modestly decorated stage (scenic design by Pauline Olesky), each playing multiple parts and enacting a story with alternative endings – it’s stripped down of anything but the story, acting and analysis of a crime.

Toby (Matthew Nerber) is an assistant coach to Mitch Carlson (very convincing Rob Frankel), the head coach of a top college football program. Toby’s wife Mia (intensely played by Sarah Gise) is pregnant with the couple’s first child. Toby and Mia had just become aware of Carlson’s terrible secret, and now everyone involved, including Carlson’s boss, Hale (Josh Zagoren), is faced with a difficult choice. A lot is at stake: the program’s integrity, coaches’ careers and reputations, but no one but Mia has any concern for Carlson’s victim. Mia is faced with a personal dilemma: stay loyal to the program and keep a secret, or bring Carlson to justice. She spends the evening exploring and playing out different scenarios and outcomes in her head, none of which seems particularly satisfying to her.

The creators of the play did a great job analyzing the dynamic between the sexual predators and their victims, giving us plenty of food for thought: is the sexual predator usually a stranger or is he more often a respected figure? Is the victim (a young boy played by Richard David) still a victim, despite his “consent”? Is Coach Carlson guilty, even though “no boy comes to him who is not ready for him”? And, most importantly, do we, as a society, tend to put certain people on a pedestal and then become protective of them, despite their crimes? Carlson’s remark is priceless: “Watch out for heroes, not strangers”. Indeed.

For the Loyal is being performed at Athenaeum Theatre through February 4th. For tickets and/or show information visit www.athenaeumtheatre.org.  

Published in Theatre in Review

The Neo-Futurists and The Ruffians are thrilled to announce the return of the holiday hit BURNING BLUEBEARD for six performances only, December 27 – 31, 2017 at The Neo-Futurarium, 5153 N. Ashland Ave. in Chicago. The fantastical tale inspired by Chicago’s 1903 Iroquois Theatre fire has been an annual Chicago holiday favorite for six years running. Tickets are currently available at neofuturists.org.
 
Written by Jay Torrence and directed by Halena Kays, BURNING BLUEBEARD reunites the full cast from the past three seasons: Pam Chermansky, Anthony Courser, Molly Plunk, Jay Torrence, Leah Urzendowski and Ryan Walters.
 
Inspired by the true story of Chicago’s 1903 Iroquois Theatre Fire, BURNING BLUEBEARD is the story of six singed clown performers who emerge from the burnt remains of history attempting to perform their spectacular Christmas Pantomime once and for all. But this time, they hope to finally reach the true happy ending of their second act and avoid the fateful fire that killed 600 of its audience members. BURNING BLUEBEARD is a whimsical romp with a sensitive heart, a joyful eulogy with a sharp irreverent wit including music, clowning, tumbling, acrobatics and dance. Each performance is a vaudevillian delight with a story that excavates the poetic and poignant remains of a piece of Chicago’s rich history. 
 
The run of BURNING BLUEBEARD will include two performances on the 114th anniversary of the actual Iroquois Theatre fire, Saturday, December 30. An optional New Year’s Eve VIP Package is available which includes performances of BURNING BLUEBEARD (7:30 pm) and THE INFINITE WRENCH, The Neo-Futurists’ popular barrage of two minute plays (11 pm), along with food, drinks and a midnight toast. 
 
Performance Schedule:
Wednesday, December 27 at 7:30 pm (preview)
Thursday, December 28 at 7:30 pm
Friday, December 29 at 7:30 pm
Saturday, December 30 at 3 pm & 7:30 pm (114th Anniversary Performances)
Sunday, December 31 at 7:30 pm 
 
Tickets:
Preview: pay-what-you-can.
Regular run: $35 ($30 early bird discount through Wednesday, December 13). Students/seniors $25.
New Year’s Eve VIP Package: $75 – In addition to regularly priced tickets to BURNING BLUEBEARD, a limited number of special VIP New Year’s Eve packages will be available, which include tickets to both BURNING BLUEBEARD at 7:30 pm and The Neo-Futurists’ THE INFINITE WRENCH New Year’s Eve performance at 11:00 pm. In between shows, VIP ticket holders will be treated to dinner, live performance and music, brews from Metropolitan Brewery and type-written poetry on demand from Poems While You Wait. The Neo-Futurists' THE INFINITE WRENCH performance will finish just in time for an audience champagne/sparkling apple juice toast at midnight. Tickets are currently available at neofuturists.org.
 
The production team for BURNING BLUEBEARD includes: Lizzie Bracken (scenic, costume and props design), Jay Torrence and Mike Tutaj (sound design), Maggie Fullilove-Nugent (lighting design), Archer Curry (prop master) and Justine Palmisano (stage manager).

 

Published in Upcoming Theatre

Following its hit production of FOXFINDER, Interrobang Theatre Project is pleased to continue its 2017-18 Season, exploring the urgent question “What is Truth?,” with Lee Blessing's shocking and thought-provoking new play FOR THE LOYAL, directed by Co-Artistic Director James Yost*. FOR THE LOYAL will play January 6 – February 4, 2018 at The Athenaeum Theatre (Studio 1), 2936 N. Southport Ave. in Chicago. Tickets are currently available at www.interrobangtheatre.org, by calling (773) 935-6875 or in person at The Athenaeum Theatre Box Office. The press opening is Monday, January 8 at 7:30 pm.
 
FOR THE LOYAL features ensemble members Sarah Gise* as Mia and Matthew Nerber* as Toby with Rob Frankel as Carlson, Richard Hatcher as The Boy and Josh Zagoren as Hale.
 
For Toby and Mia, college football and family are one and the same; he has a new coaching job for a top team, and they are happily expecting their first born. But when Toby gets Mia enmeshed in an unseemly team secret, she is forced to decide where her loyalties truly lie. Inspired by the Penn State sexual abuse scandal, FOR THE LOYAL takes an unconventional and provocative look at how one woman traverses a no-win situation. 
 
FOR THE LOYAL is presented as part of Interrobang's RAW Series. Think of it a bit like theatrical sashimi. Big ideas, bold flavors – everything you’ve come to expect from Interrobang Theatre Project – without the trimmings. We’ve stripped down the classic stage elements to put the story front and center. The RAW Series features passion-projects and bucket-list productions spearheaded by our talented ensemble. In addition to our regularly scheduled plays, the RAW Series aims to bring concise, actor-driven theater to the Chicago stage. 
 
In Conversation with The Playwright
Interrobang Theatre Project with host a talkback with playwright Lee Blessing on Saturday, January 6, 2018 from 4 – 5 pm. Tickets cost $10 (discussion only) or $20 (discussion plus 7:30 pm performance. For additional information, visit www.interrobangtheatre.org.
 
The production team for FOR THE LOYAL includes: Pauline Olesky (scenic design), Rebecca Bartle (lighting design), Christopher Aaron Knarr* (original music), Hannah Wolff (asst. director) and Devonte Washington (stage manager).
 
*Denotes Interrobang Theatre Project Company Member. 
 
PRODUCTION DETAILS:
 
Title: FOR THE LOYAL
Playwright: Lee Blessing
Director: Co-Artistic Director James Yost
Cast: Sarah Gise (Mia) and Matthew Nerber (Toby) with Rob Frankel (Carlson), Richard Hatcher (The Boy) and Josh Zagoren (Hale).
 
Location: The Athenaeum Theatre (Studio 1), 2936 N. Southport Ave., Chicago
Dates: Previews: Saturday, January 6 at 7:30 pm and Sunday, January 7 at 2 pm
Press opening: Monday, January 8 at 7:30 pm
Regular run: Thursday, January 11 – Sunday, February 4, 2018
Curtain Times: Thursdays, and Fridays at 7:30 pm; Saturdays at 2 pm & 7:30 pm: Sundays at 2 pm. 
Tickets: Previews: $17. Regular run: $32. Students $17 with ID. (Ticket prices include $2 Athenaeum Theatre restoration fee). 
In Conversation with Playwright Lee Blessing: Saturday, January 6 from 4 – 5 pm $10 (discussion only) or $20 (discussion plus 7:30 pm performance).
Tickets are currently available at www.interrobangtheatre.org, by calling (773) 935-6875 or in person at The Athenaeum Theatre Box Office.

 

Published in Upcoming Theatre
Monday, 18 December 2017 19:29

The New Colony Presents THE LIGHT

The New Colony is pleased to conclude its ninth season with the world premiere of Loy Webb’s gripping romantic drama THE LIGHT, directed by Toma Langston, playing January 5 – February 4, 2018 at The New Colony’s resident home, The Den Theatre, 1333 N. Milwaukee Ave. in Chicago’s Wicker Park neighborhood. Tickets are currently available at www.thenewcolony.org. The press opening is Monday, January 8 at 7:30 pm.

THE LIGHT will feature TNC Ensemble Member Jeffery Owen Freelon Jr. (Byhalia, Mississippi - TNC, A Wonder in My Soul - Victory Gardens) and Tiffany Oglesby (An Octaroon - Definition Theatre Company, Significant Other - About Face & Theater Wit). 
 
A surprise proposal takes an unexpected turn that upends the world of Genesis and Rashad, forcing them to confront a devastating secret from the past and putting the future of their relationship at risk. Featuring two of Chicago’s most dynamic actors, THE LIGHT is a 70-minute, real-time rollercoaster journey of laughter, romance and despair that uncovers how the power of radical love can be a healing beacon of light.
 
The LIGHT is the 30th world premiere presented by The New Colony since 2008 and marks the final production under the tenure of founding co-artistic directors Andrew Hobgood and Evan Linder, who are stepping down at the conclusion of the company’s ninth season 
 
The production team for THE LIGHT includes: John Wilson (scenic design), Cassandra Kendall (lighting design), Regina Victor (dramaturg), Noelle Simone (assistant director) and Daryl Ritchie (stage manager). 
 
PRODUCTION DETAILS:
Title: THE LIGHT
Playwright: Loy Webb
Director: Toma Langston
Cast: Ensemble Member Jeffery Owen Freelon Jr. (Rashad) and Tiffany Oglesby (Genesis).
 
Location: The Den Theatre (2B), 1333 N. Milwaukee Ave., Chicago
Dates: Previews: Friday, January 5 at 7:30 pm and Saturday, January 6 at 7:30 pm
Opening: Sunday, January 7 at 3 pm
Press opening: Monday, January 8 at 7:30 pm
Regular run:  Thursday, January 11 – Sunday, February 4, 2018
Curtain times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm
Industry Night: Monday, January 29 at 7:30 pm 
Tickets: Previews: $15; Regular run: $20. Students/seniors: 25% off. Tickets are currently available at www.thenewcolony.org

 

Published in Upcoming Theatre
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