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Displaying items by tag: Once Upon a Mattress

Of all the theaters whose return I’ve been most excited to experience, Theo Ubique was near the top of the list. And, with their current production of Mary Rodgers’ Once Upon a Mattress, directed by Landree Fleming, the Evanston company did not disappoint.

While Once Upon a Mattress is a rollicking take on Hans Christian Andersen’s beloved “The Princess and the Pea”—humor we’ll get to in a second—it’s not without its heart. The love story between Sir Harry and Lady Larken provides the heart in this production. Parker Guidry’s Lady Larken is often the stately center of a production with all manner of hilarity occurring all around, and their onstage and vocal chemistry with Michael Metcalf’s Harry is real. Not to be outdone, Sonia Goldberg as the titular princess also brings the vocals.

And then the rest of the cast turns this love story into something fun. As Princess Winnifred’s love interest, Prince Dauntless, August Forman lights up the stage with their childlike preening and pouting, often dueling with their mother, Queen Aggravain, played totally over-the-top (in the best way possible) by Anne Sheridan Smith.

The Queen’s husband, King Sextimus, is forced to go over-the-top on account of his being mute. And Andrew Fortman turns this disadvantage into comedy gold, miming his way across the theater floor, often with Jasmine Lacy Young’s Poet and Michael M. Ashford’s Jester (especially in the trio for two, “The Poet, The Jester and I”). Ashford’s “Very Soft Shoes” dance routine also brought smiles.

But it’s all the movement and action and stuff constantly going on across Theo Ubique’s floor that most delights. That can be chalked up to Jenna Schoppe’s choreography (captained and assisted by J Alan, who also moves the story along as the Wizard). But it’s just as much the talented ensemble of Theo Ubique that keeps the show going—Sarah J. Patin, Nathe Rowbotham, Peter Ruger, and Laura Sportiello are every bit as vital as the rest of the cast, dancing, singing, sweating, and smiling to bring life to the kingdom.

And the smile they brought to my face showed that Theo Ubique is indeed back, doing what Theo Ubique does—bringing life to a beloved show, bringing smiles to those who wander into the cozy storefront off Howard Street, and bringing joy to Chicago’s theater community once again. Share in that joy as Theo Ubique presents Once Upon a Mattress, now through May 1.

Published in Theatre in Review

 

 

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