Not too long ago, Rahm Emanuel and Jesús "Chuy" Garcia were running head to head in the 2015 Chicago Mayoral election. Many thought this was the opportunity to get someone new into the office that actually related to the quintessential Chicagoan who cared about our public schools, opposed red light cameras, and had a new perspective on things. Well, the people spoke and reelected Mayor Emanuel into office for another four years. 

Whether you like Rahm or not, you must check out the musical “How to Run for Mayor”, which is part of the Chicago Musical Theatre Festival running until July 19th. The musical is about a recent college graduate, Kim, who looks high and low for a job. Her solution: become a viral sensation by running for mayor. 

Of course her promises of what she would accomplish as mayor are unrealistic but is something that millennials are drawn to. She quickly gets thousands of views and hits the 12,500 signatures needed to be on the ballot due to her trusty campaign manager.

The play has an actor that looks eerily similar to Emanuel, just taller but does a great job at showing his arrogance. 

As a political junkie, I appreciate that the play touched on our government system that is totally broken, the lack of interest in voting, and problems with candidates that have so much money and power that they are tough to push out of the office. 

“How to Run for Mayor” features fine acting performances by Trent Eisfeller as Rahm, Steve Lords as Chief of Staff, Grace Palmer as Kim Capello and Ryan Semmelmayer as Charlie Martin.

This musical is a funny and cheeky perspective on elections today. Hurry and purchase tickets to the show playing at The Den Theatre at www.cmtf.org. Upcoming shows of “How to Run for Mayor” are held on July 10, 12, 15, and 18th and runs approximately 60 minutes. The Chicago Musical Theatre Festival features thirteen brand new plays and is sure to have something for everyone.

"Stick Fly" is about the Levays, a wealthy African American family, who go to their beach house for a weekend getaway. What started off as two brothers bringing their significant others to meet their parents ends with revelations of deception, racial issues, and relationship woes. 

The older brother, played by Michael Pogue, does an excellent job in his role as an arrogant plastic surgeon. He brings home his Italian girlfriend, Kimber, who is strong, independent, and aware of her own privilege. Tyrone Phillips plays the younger brother, Kent, who has definitely gone through a journey to find himself but finally settled into writing to which he shows some talent. His girlfriend, Taylor, is neurotic and comes from a lower class background although her father is a well-liked and respected anthropologist who has written several books. We later learn that he left her at a very young age and created his own family that didn't include her. 

The family invites their longtime housekeeper to the beach house for the weekend but she asks her daughter Cheryl, played by Paige Collins, to fill in for her due to her illness. What we soon find out is that Cheryl went to a top tiered high school on scholarship and she is ready to attend college soon. It is apparent that she is out of place and clearly does not fit in.  

I couldn't help but to be impressed with Phillip Edward Van Lear’s performance as Dr. Levay. He is the matriarch and does a great job at commanding the stage when he walks in. 

I appreciate the playwright's attempt at bringing a very complex storyline to the theater. I was impressed with the fact that I was able to connect to a couple of characters as they all seemed to have some sort of problem. However, I felt at the end some of the characters were not fully developed and seemed a bit disjointed. Emotions were running high and it appeared that Cheryl just gave up at the end which was a bit of a disappointment. 

"Stick Fly" is the play to see if you like dramas with some comedy. Not only does it touch on many things such as family abandonment as well as racial issues; it leaves you reflecting on some of the things you may have encountered in your own life, especially if you are African American. This play is worth checking out at Windy City Playhouse, a non-profit theater that supports local actors. To be honest, any play that opens with Stevie Wonder is good in my book. 

“Jersey Boys”, currently playing at Cadillac Palace, is the story of the Four Seasons and their journey from Newark, New Jersey to becoming a multi-million record selling group. I went to the opening night expecting an entertaining performance, but really, unsure of what lied ahead. I imagined the audience to be a little older, and it was, but there were a surprising number of young attendees as well. It even looked like it was close to a full house. Before seeing the performance I didn’t know much about the story of the Four Seasons, but I did know their hit song “Sherry”.

All I can say is, “Oh, what a show!” “Jersey Boys” is a thoroughly entertaining show right from the get go. The opening consists of a French band’s cover performed in 2000 of Four Seasons’ “Oh, What a Night”. The song set the tone for how their music transcended to younger generations well after the band broke up.

The first character you meet as the band’s history unfolds is Tommy DeVito, played by Matthew Dailey, who was the leader of the iconic group. You can’t help but to be drawn to this character; he is very powerful and commands the stage - and has a pretty good Jersey accent. Hayden Milanes who plays Frankie Valli, has a beautiful voice and does a fantastic job recreating the legendary voice we have become so familiar with over the years. And here’s a Four Seasons factoid - Joe Pesci, yes that Joe, was the one who introduced Frankie Valli to the group.

In addition to the amazing actors’ voices, one of the best scenes in the play is when the band performs on television. The group is shown filming for a show while simultaneously playing a live feed from an overhead screen on stage. Older images flash onto the backdrop and the design team does a great job of reducing the quality of film to mimic that of the sixties.

The show doesn’t have any set props on stage. The actors pull up a table or chairs every now and then for many scenes but is very limited. Instead, the show relies on graphics displayed on a large screen to set the stage. And although some of them work well, I found myself to be distracted by some of the art. Some of the images just don’t fit the sixties which threw off my attention.

What really captures the essence of the band is their songwriter Bob Gaudio who is played by Drew Seeley. Gaudio is a gifted musician and wrote many of the band’s hits including but not limited to “(Who Wears) Short Shorts”, “Big Girls Don’t Cry”, “Walk Like a Man”, and my favorite “Can’t Take My Eyes Off of You”. It is rare to find many artists today who write their own music making it refreshing to be reminded of the raw overall talent of this great band.

“Jersey Boys” covers gambling, infidelity, children, excess of money, and death. Director Des McAnuff is able to capture many of the things that I appreciate in a musical without getting too heavy. After a slew of brilliant performances and one favorite played after another, the show ends with everyone, including the audience, singing along to the Four Seasons’ anthem “Oh, What a Night”. I, for one, left “Jersey Boys” walking like a man and in a really good mood.

I highly recommend attending “Jersey Boys” at the Cadillac Palace before it leaves on May 24^th. For tickets and/or more show information visit www.BroadwayInChicago.com.