Theatre in Review

Displaying items by tag: OIL LAMP THEATER

Oil Lamp Theater is proud to announce the cast and creative team for its first production of the 2025 season, The Complete Works of William Shakespeare (abridged), written by Adam Long, Daniel Singer and Jess Winfield with new revisions by Daniel Singer and Jess Winfield, January 24 - February 16, at Oil Lamp Theater, 1723 Glenview Road. The Complete Works of William Shakespeare (abridged…) is directed by JT Nagle with a preview performance Thursday, Jan. 23 at 7:30 p.m The press performance is Friday, Jan. 24 at 7:30 p.m. The performance schedule is Thursdays and Fridays at 7:30 p.m., Saturdays at 3 and 7:30 p.m. and Sundays at 3 p.m. with additional Wednesday performances January 29 and February 12 at 11 a.m. and 3 p.m. and February 5 at 7:30 p.m. Single tickets are $30 for previews and $55 for the performance’s run. Subscriptions for the entire 2025 season and single tickets to The Complete Works of William Shakespeare (abridged) are on sale now at OilLampTheater.org

Oil Lamp Theater’s 2025 season begins with an irreverent, fast-paced romp through the Bard’s plays,The Complete Works of William Shakespeare (abridged) weaves through all of Shakespeare’s comedies, histories and tragedies in one wild ride that will leave audiences breathless and helpless with laughter.

 

The cast of The Complete Works of William Shakespeare (abridged) includes Michael Ashford (he/him), Samantha Garcia (she/her) and Elizabeth Rentfro (she/her) with understudies Kyle Quinlivan (he/him); Emma Soden (she/her) and Aneesah Jemei (she/her).

The production team includes JT Nagle (he/him, director); Brenden Delcorio (he/him), stage manager); Marcus Klein (he/him) scenic designer);

Ellen Markus (she/hers, properties designer); Janelle Smith (she/hers/they/them, costume designer); Hannah Wien (she/hers/they/them, lighting designer);Connor Windle (she/hers/they/them, sound designer) and Greg Korak (he/him, technical designer).

ABOUT JT NAGLE, director

JT Nagle is an actor, comedian and director from Osawatomie, Kansas. As a director, he has worked with Oil Lamp Theater (most recently directing Ripcord), Avila University, Muse of Fire and Visceral Theatre (which he co-founded). You may also have seen Nagle onstage at Oil Lamp, Remy Bumppo Theatre Company, Goodman Theatre, Kansas City Repertory Theatre, Strawdog, Shattered Globe, Heart of America Shakespeare Festival and others. His one man show, Head Stuff, was featured at Redtwist Theatre and at the KC Fringe Festival with dozens of five-star reviews that weren’t just his parents.

OIL LAMP THEATER’S 2025 SEASON

In addition to The Complete Works of William Shakespeare (abridged), the 2025 Oil Lamp Theater season includes The Lifespan of Fact, March 14 - April 16; The Marvelous Wonderettes, June 6 - June 29; Side by Side by Sondheim, August 17 - September 7 and Gaslight (Angel Street) October 3 - 26. Five-show and four-show subscriptions for the 2025 season are on sale now at OilLampTheater.org

ABOUT OIL LAMP THEATER

Oil Lamp Theater is an award-winning 60-seat storefront theater located in the heart of downtown Glenview. Keith Gerth founded the theater in February 2005, originally staging 20 productions for up to thirty-five friends and guests at night in his condo in Chicago. In March 2012, the organization was incorporated as a nonprofit and established a new location in downtown Glenview, fitted with warm décor and comfortable seating, reminiscent of a home. Oil Lamp produced 53 shows over the next seven years, reaching 10,000+ patrons per year and earning “Best Live Theater in the North Shore'' for four consecutive years. At the start of 2020, Keith Gerth retired, and shortly after, the pandemic began. Despite these major changes, Oil Lamp sprung into action and organized a drive-in for a fully-produced solo show, hosted outdoor concerts and built an outdoor venue for two full productions. Seeing the impact this made and the ability to conquer any challenge, Oil Lamp returned to indoor programming with a renewed vision. Oil Lamp now produces a dynamic Main Stage Season, Speak Easy Nights, a Women on Wednesdays series and continues investing in its connection with the community.

 

Oil Lamp Theater is proud to announce the cast and creative team for its first production of the 2025 season, The Complete Works of William Shakespeare (abridged), written by Adam Long, Daniel Singer and Jess Winfield with new revisions by Daniel Singer and Jess Winfield, January 24 - February 16, at Oil Lamp Theater, 1723 Glenview Road. The Complete Works of William Shakespeare (abridged…) is directed by JT Nagle with a preview performance Thursday, Jan. 23 at 7:30 p.m The press performance is Friday, Jan. 24 at 7:30 p.m. The performance schedule is Thursdays and Fridays at 7:30 p.m., Saturdays at 3 and 7:30 p.m. and Sundays at 3 p.m. with additional Wednesday performances January 29 and February 12 at 11 a.m. and 3 p.m. and February 5 at 7:30 p.m. Single tickets are $30 for previews and $55 for the performance’s run. Subscriptions for the entire 2025 season and single tickets to The Complete Works of William Shakespeare (abridged) are on sale now at OilLampTheater.org.  

Published in Upcoming Theatre

Have you ever fallen in love – or out of love? Have you ever lost the love of your life only to find the new love is waiting for you right around the corner at just the perfect moment? Have you ever found love when you weren’t even looking for it? In John Cariani’s play, Almost Maine, the audience follows a series of several vignettes that revolves around these questions, each taking place in a small out of the way Maine town that sits under the Northern Lights. Skillfully directed by Susan Gorman, the stories we are presented with are touching, charming and often very funny. While some scenes are more direct in their nature a few are intended for the audience to interpret – leaving myself in a healthy conversation on the way home on where we felt the writer was going. The nice thing about this play is that it relates to just about everyone who has been in a relationship in one way or another, so throughout the performance it was easy to say to myself on a few occasions, yep, I’ve been there…

To successfully pull off its nine heartfelt sketches, this talented cast of four take on the daunting task of playing five-plus roles each – and they absolutely nail it. Cast members, Eileen Dixon, Zach Kunde, Whitney Minarik and Rio Ragazzone each get to show off their wide ranges, particularly impressing with their spot-on comedic timing. The casting couldn’t have been more perfect as all four leave notable performances – and to be fair, I caught the final preview just before opening night.

The creative team does a fine job in staging this production. The set is simple – not much more than a few pine trees thoughtfully moved around a home or establishment entrance for each scene – but it works well thanks to an engaging script that really keeps our focus on each actor so that the set works more as a subtle background that leaves the actors with a wide open, nearly blank canvas, leaving the deeper details of its scenes up to the imagination of the audience.   

In all, I found Almost, Maine an irresistible collection of quaint love stories that touched on every end of the spectrum. Delightful and often laugh out loud funny, Oil Lamp Theater kicks off 2023 with a sure-fire winner that is sure to capture the hearts of so many. Almost, Maine runs through February 26th. For tickets and/or more show information, click HERE.

Recommended!

*On a side note, it was my first time attending an Oil Lamp production in their Glenview home. Just a short (and easy) drive from Chicago, I found the theater space perfectly sized for an intimate, yet roomy, experience and there isn’t a bad seat in the house. I’d suggest arriving to a show early to check out the charming bar/lounge area that includes loads of comfy seating and the added nice touch of providing cookies for its guests. And with parking just next to the theater, it couldn’t have been a better all-around experience.

Published in Theatre in Review

 

 

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