Theatre in Review

Displaying items by tag: Monsieur Chopin: A Play with Music

Sunday, 14 April 2024 01:01

Hershey Felder Brilliant as Monsieur Chopin

If you appreciate classical music and captivating stories about brilliant artists from the past, Hershey Felder’s one-man show, Monsieur Chopin: A Play with Music, is an absolute delight. Felder, an accomplished pianist and composer, has previously wowed audiences with his portrayals of the magnificent music and talents of Irving Berlin and George Gershwin. Now, he turns his attention to the prodigious Polish composer, Fryderyk Chopin, and the result is equally compelling.

Set in post-revolutionary Paris in 1848, Monsieur Chopin runs for an uninterrupted hour and forty minutes. It seamlessly blends theater and concert, with Felder embodying Chopin as he shares personal stories and insights. The audience is transported into Chopin’s salon, where we become students listening to his rehearsals and teachings. Throughout the performance, Felder, still in character, engages in question-and-answer sessions as Chopin, creating an immersive experience that makes theatergoers feel like they are truly in the presence of the master composer.

The staging of the play is elegantly simple, yet haunting. A beautiful grand piano graces the stage accompanied by two candlelit salon tables. The backdrop features projections and archival video from the period, some of which were specially created for this production.

Felder’s talents are commendable. While many actors could portray Chopin or write a script about a famous musician, none can simultaneously play Chopin’s music with the same skill and authenticity as Felder. Conversely, although there may be numerous pianists capable of performing Chopin’s compositions for an hour and a half, none could inhabit the role of Chopin with the emotional depth and believability that Felder achieves.

In the captivating play about Chopin’s life, I discovered several intriguing and often tragic facts that were previously unknown to me, despite him being one of my favorite composers. For instance, Chopin’s renowned ‘Piano Sonata No. 2,’ commonly referred to as the “Funeral March,” was actually composed in response to the death of his younger sister, Emilia. This haunting piece has since become synonymous with funeral music worldwide.

Another revelation was Chopin’s deep affection for the brilliant French novelist George Sand. In the play, Chopin affectionately calls her ‘Madame’ and reveals that she was the true love of his life. Sand’s devotion to him and his music was so profound that she would recline on a chaise lounge directly beneath his piano, allowing her to experience the melodies ‘directly from his heart.’

Furthermore, I learned that Chopin’s musical journey began at an astonishingly young age—he made his debut as a pianist at just seven years old, showcasing his enormous talent. However, as he gained prominence, he grew disillusioned with public performances. Initial reviews criticized him for playing too softly, but the truth was that the enthusiastic upper-class audience drowned out his delicate playing with their chatter.

Monsieur Chopin weaves together many captivating stories, including the tragic childhood loss of his sister, the complexities of his love life, the challenges of safeguarding the women in his life across international borders, and his relentless battle with chronic illness. Sadly, Chopin’s untimely death at the age of 39 resulted from untreated health issues exacerbated by financial struggles. Despite his genius, he struggled to receive proper compensation for his work.

During my interaction with Chopin, I posed the question about the happiness he experienced in his life and whether there was a time when he felt successful and recognized as a genius.

Regrettably, as was often the case, Chopin responded with a resounding ‘No.’ He recounted how, after an initial reception that hailed him as a great talent, he faced subsequent criticism from critics. In response, he shifted away from live performances and instead focused on teaching music—a domain in which he excelled.

Allow me to wholeheartedly recommend this thoughtful, moving, and exhilarating musical theater piece to audiences of all ages. Hershey Felder has once again crafted a historically accurate and captivating portrayal of a brilliant genius brought to life. Throughout the performance, Felder’s intense portrayal, coupled with his remarkable pianistic skill, left the audience yearning for more of his exquisite piano playing.

Monsieur Chopin: A Play with Music, skillfully directed by Joel Zwick, is currently being staged at Writers Theatre until May 12th. For tickets and additional show information, please visit the official website.

Highly recommended.

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