Displaying items by tag: Michael Teoli

Underscore Theatre and Harborside Films hearkens back to a simpler time, when the biggest national tragedy was a young Olympic figure skater getting clubbed in the knees. The year was 1994 and the world couldn't get enough of Tonya Harding versus Nancy Kerrigan. Some twenty-two years later, this scandal is ripe fodder for a campy rock opera. 

Written by Elizabeth Searle and Michael Teoli, "Tonya and Nancy" is exactly what it sounds like. A sharp, 90 minute campfest akin to "Mommie Dearest." There's no dressing this up as anything other than satire. It almost feels like an extended SNL sketch, but that's not to say it's not interesting. It's questionable how much of this skate tale is true, but it certainly serves to humanize both Tonya Harding and Nancy Kerrigan. 

Since this is billed as a rock opera, the soaring vocals make good sense. In the role of wrong-side-of-the-tracks Tonya Harding is Amanda Horvath, and she lands it well. Despite everything, Horvath's performance gives Harding some extra layers. She's also hilarious. Courtney Mack co-stars as Nancy Kerrigan. Mack also has a tremendously strong voice and it comes across in such campy songs as "Why Me?" While the show may be about two figure skaters, Veronica Garza actually steals the show playing dual-characters, Tonya and Nancy's moms. She seems to relish in playing Tonya Harding's down-on-her-luck mom, and the audience eats her spot-on accents right up. Garza also has an impressive voice. 

Director Jon Martinez's choreography stands out as a high point in a show about ice skating that doesn't actually feature any ice skating. It's almost a surprise to see so many group dance numbers in a small space. In fact, the show features ensemble members in a perpetual state of motion which adds a nice visual element. It pairs well with all the lyrcra costuming, which reminisces of a thankfully bygone era. 

For those entering this fray with some skepticism, approach this work with confidence. "Tonya and Nancy" is highly polished and well-staged. There's some real potential here. The show may be a little crowded with solos, but otherwise this is a solid script. It's always fun to see a new musical in its debut production. 

Through December 30th at Theatre Wit 1229 W Belmont Ave. 773-975-8150.