Displaying items by tag: Kathryn Acosta

If there’s ever been a time for Paula Vogel’s 1997 Pulitzer Prize winner ‘How I Learned to Drive’ it’s now. In the wake of the #metoo movement, a play about a young woman being taken advantage of by her older uncle seems extremely relevant. Under the direction of Raven Theatre artistic director Cody Estle, ‘How I Learned to Drive’ makes its second appearance in Chicago this year. Artistic Home revived it in the spring.

If you’re wondering which one was better, it’s Raven’s. The combination of strong direction and even stronger performances makes this a more solid production. This play hinges on the lead actress in the role of Li’l Bit. Eliza Stoughton turns in a powerhouse performance. She’s consistent throughout the 90-minute run time. The script moves in quick vignettes that span from her teenage years until the present. It’s not an easy feat to make the teenage version of the character as dynamic as the grown version. Stoughton strikes the perfect balance, picking up on the nuances of Vogel’s complex script. Though, it’s not just her that makes this cast so great. Kathryn Acosta is double cast as Li’l Bit’s mother and her aunt. She achieves the humor of the dialogue in a subtle way with all the appearance and poise of a brunette Betty Draper.

Cody Estle’s vision for this show is very definitive. Scene transitions are accented with captivating projections that place the audience right into the 1960s. Again, think ‘Mad Men’. There’s a branded quality to this show that feels exceedingly professional. The art of subtlety might be the real star. Estle has mined this play for all the psychological tells of abuse that Vogel nestles into the dialogue. The characters never go over the top, which can easily be done in such a juicy play. This feels like real life despite Vogel’s unique storytelling device of driving lessons as a means to propel the action.

‘How I Learned to Drive’ is by now a modern American classic. Perhaps too risqué for high school drama, but it now finds itself within the cannon beside ‘Rabbit Hole’ and ‘Dinner with Friends.’ An essential play for our modern times. Vogel has continued to be a voice for women in an art that is even still somewhat dominated by male playwrights. Raven Theatre does the script its justice in a time in which it would be nearly impossible to separate it from the #metoo and #timesup movements. Perhaps Vogel was eerily ahead of her time. If you’ve been meaning to see a faithful production of this play, Raven Theatre Company has you covered.

Through March 24 at Raven Theatre Company. 6157 N Clark St. 773-338-2177