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Displaying items by tag: Jack CahillLemme

I am delighted that Northlight Theatre chose to produce The Flying Lovers of Vitebsk, penned by Daniel Jamieson and expertly staged and directed by Elizabeth Margolius, especially given the alarming rise of antisemitism currently sweeping the country.

The Flying Lovers of Vitebsk is a play that tells the love story of the famous Jewish artist Marc Chagall born Moishe Shagal and his wife, writer Bella Rosenfeld. Set against the backdrop of early 20th-century Vitebsk, the narrative explores their relationship as they navigate significant historical events such as the Pogroms, the Russian Revolution, and the rise of fascism in Europe. Marc Chagall, a renowned painter born in the small town of Vitebsk, where he met his wife Bella, lived to the age of 97. Such a ripe old age, despite the harrowing events depicted in the play, where he and Bella flee the brutal pogroms in Russia and the Nazi atrocities in Europe, Chagall’s resilience and longevity stand out. The play masterfully intertwines dance and music along with gripping dialogue to narrate the couple’s journey through some of the most turbulent periods of the 20th century, leading up to the Nazi occupation of France while focusing on the couple’s strong relationship and strength. 

Jack Cahill-Lemme portrays Chagall with a focused optimism and an unwavering devotion to his Jewish bride, Bella, capturing the essence of love at first sight from their very first encounter. As Cahill-Lemme follows and admires Bella moving across the stage, his unwavering pursuit of her love is evident. His character’s elegant movements, captivating smile and dreamy expression reveal that his attention is entirely devoted to her. Cahill-Lemme’s longing  gaze envelops Bella, reflecting his profound love, devotion, and undeniable attraction. Interestingly, during their first encounter, he asked her to pose nude for him, a common practice among painters of that era. Jack Cahill-Lemme is a rising star who was most recently seen on Broadway in the National Tour of Moulin Rouge alongside Boy George and has taken on roles at Marriott Theatre and Paramount Theatre among many other Chicagoland theaters. Rosenthal has also made her mark in the theater world, appearing at Drury Lane Theatre, Steppenwolf Theatre and Writers Theatre.

Emma Rosenthal portrays Bella, the love of Chagall’s life with a tremendous amount of energy and childlike wonder. Her character is a fiery, headstrong, and intelligent woman deeply in love and devoted wholly and joyously to her passionate and genius husband, and their child. Rosenthal’s performance radiates with the spirited energy of a Jewish woman who has found both her true love and her destiny as his inspiration, especially evident in their numerous dance numbers and songs together. 

It was fascinating to see that instead of using the stained glass painting of the flying lovers as a backdrop, the simple yet modern set allowed each dance number between the two lovers to evoke the painting’s uplifting joy and the lifelong physical attraction that inspired the most famous painting by Chagall of all time.

The live music for the show, performed by musical director Michael Mahler and Alyssa Carlson, featured a mix of new and old instruments, including the piano. Their performances added depth to the many wonderful song and dance numbers, which were delivered in various languages, including Yiddish, Russian, French, and English, creating a powerful emotional impact.

Marc Chagall was ahead of his time in many ways and faced rejection in his Russian homeland despite his worldwide acclaim as a pioneer of the art movement now known as Impressionism.

Under the guidance of Artistic Director BJ Jones, The Flying Lovers of Vitebsk captivates audiences with its compelling narrative that holds their attention from start to finish. The production is brought to life with its talented cast along with music by Ian Ross, stage and movement direction by Elizabeth Margolius, and musical direction by Michael Mahler.

I highly recommend this beautiful, moving, and joyful 80-minute one-act production for audiences of all ages. It offers a wonderful opportunity to learn about Jewish history and the arts in a setting that celebrates the relationship between artist and muse.

The Flying Lovers of Vitebsk is being performed at Northlight Theatre in Skokie through October 6th. For tickets and/or more show information, click HERE

Published in Theatre in Review

It’s time to go back to high school – for a couple hours anyway – and the year is 1959. The time for slicked back hair with full-on pompadours, bobby socks with pleated knee length skirts and hanging out at the malt shop have once again returned as Marriott Theatre has begun 2020 on a strong note bringing the classic rock and roll musical ‘Grease’ to the stage. And though maybe not quite the R-rated, profanity-laced production that first hit Chicago when it was initially produced in 1971 by the Kingston Mines Theater Company in Chicago, there is still enough teenage-driven attitude, raunchiness and high school spirit to successfully deliver the spirit of the original. 

The story, which is based on co-writer and co-composer Jim Jacobs’ own experiences at Taft High School in Norwood Park, takes place at ‘Rydell High,’ walks us through the senior year of a handful of colorful characters. Greaser Danny Zuko (Jimmy Nicholas) returns after summer break to lead the T-Birds while, at the same time, Sandy Dumbrowski (Leryn Turlington) is just getting her feet wet at Rydell, a brand-new student whose family just moved to the area. It turns out the two had a relationship over the summer while on vacation, but their stories couldn’t be more different. While too-cool-for-school Danny tells a more vulgar description to impress the gang where the two were “getting friendly down in the sand,” Sandy, intercepted by the Pink Ladies led by tough and sassy Betty Rizzo (Jacquelyne Jones) a.k.a. “Rizzo,” tells the girls a wholesome version more along the lines of meeting a cute boy, holding hands, having lemonade and staying out until 10 o’clock. Thus, explained to perfection in the show’s second number “Summer Nights”.   

Not long after, the two are beyond surprised to find out they are attending the same school, but Danny’s cool image that he holds so dearly might just get in the way of rekindling any kind of romance they once had. While centering on Danny and Sandy, ‘Grease’ also keeps us busy with plenty of T-Birds and Pink Ladies action. Danny’s second in command, Kenickie (Kevin Corbett) is building a hot rod the fellas call “Greased Lightning”. It’s a hunk of junk, but he can dream. T-Birds Sonny LaTierri (Jack Cahill-Lemme), Roger (Jake Elkins) and Doody (Michael Kuroswki) cause trouble whenever they can, talk about rumbling with other gangs (they don’t) and just love to horse around any chance they get. 

The Rizzo-led Pink Ladies take Sandy in. She’s far too squeaky clean for their taste but maybe a pajama party with booze, cigarettes and ear-piercings might loosen her up. Frenchy (Landree Fleming) wants to be a beautician and drops out of high school, Marty (Michaelle Lauto) crushes on TV dance host Vince Fontaine (Curt Bouril) and Jan (Tiffany Taylor) has the hots for Roger, a T-Bird who really loves mooning people. 

There are plenty of ups and downs along the way for these seniors and plenty of unforgettable moments take place. Director Scott Weinstein not only does a fantastic job at staging this production in the round, he gives the audience what we want most of all – a nearly flawless recreation of the hit show so many of us grew up with. William Carlos Angulo beautifully choreographs the dance numbers to Ryan T. Nelson’s musical direction, particularly in “Greased Lightnin’” and “Born to Hand Jive” and the casting is just superb. Jimmy Nicholas brings the looks, the cool and the comedic timing to pull off an admirable Danny Zuko, while Leryn Turlington delivers the sweetness and innocence (and toughness at times) needed to play Sandy. Turlington also impresses vocally, especially in the key number “Hopelessly Devoted to You”. As good as Nicholas is as Danny, you can’t have a convincing leader of the T-Birds without strong support from his gang and Corbett, Cahill-Lemme, Elkins and Kurowski are simply terrific. Each have plenty of their own moments to shine, but when together, it’s not hard to imagine these goofballs being the best of friends.

Equally impressive is the chemistry and individual acting chops of our Pink Ladies. While Jones truly does stand out in this production (her rendition of “There are Worse Things I Could Do” – wow!), Fleming has plenty of laugh out loud moments as Frenchy while Lauto and Taylor have their own scene-stealing moments. 

Garrett Lutz also makes a funny Eugene and Kelly Anne Clarke is solid as Miss Lynch, but it is Jonathan Butler-Duplessis as Teen Angel who, though not as featured as the rest of the cast, might just leave the audience with the biggest impression of all after his show-stopping performance of “Beauty School Dropout”. 

‘Grease’ is a hit for good reason. What took off from a small Chicago theater company, made its mark on Broadway (16th longest run in history) and inspired a 1978 mega-hit starring John Travolta and Olivia Newton John, has now become an iconic part of pop culture. It is a story that so many of us can relate to, no matter when we went to high school.  From real teenage moments and hysterical antics throughout from the show’s many lively characters to well-executed song and dance numbers that keep your toes tapping, Marriott Theatre’s ‘Grease’ successfully keeps the classic musical alive in their own unique way while holding onto the integrity of the show. 

The arsenal of great songs is plenty and includes such familiar tracks as “We Go Together,” “You’re the One the I Want,” “Look at Me, I’m Sandra Dee” and “Alone at a Drive-In Movie.” 

Highly recommended for those who enjoy laughing and listening to catchy music. 

‘Grease’ is being performed at Marriott Theatre through March 15th. For tickets and/or more show information, visit www.MarriottTheatre.com

Published in Theatre in Review

 

 

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