Displaying items by tag: Braden Abraham

Artistic Director Braden Abraham and Executive Director Kathryn M. Lipuma announce Writers Theatre's 2024/25 season. The season launches with the Chicago premiere of the acclaimed musical Natasha, Pierre & the Great Comet of 1812, nominated for 12 Tony Awards, which reunites director/choreographer Katie Spelman and music director Matt Deitchman after their previous collaboration on WT's twice extended sold out run of Once. Kimberly Senior returns to Writers to direct the hilarious and compassionate one-person play Every Brilliant Thing. Acclaimed writer and performer Vanessa Severo will star as both herself and legendary Mexican painter Frida Kahlo in her searing new play Frida...A Self Portrait, directed by Joanie Schultz. Next spring, Braden Abraham brings Brian Friel's touching Irish drama Translations to the Writers stage before the season concludes with the World Premiere of Dhaba on Devon Avenue, directed by Chay Yew, co-produced with TimeLine Theatre Company.

Season Packages are available online at www.writerstheatre.org, and at the Box Office by calling 847-242-6000.

Writers Theatre Artistic Director Braden Abraham comments, "This season will take us on a theatrical odyssey traversing landscapes both familiar and foreign, where the echoes of history mingle with the vibrancy of contemporary life. From Russia and Ireland in the early 1800s to mid-20^th century Mexico to the present day in our beloved Chicago, these extraordinary plays are each an invitation to celebrate the human spirit in all its wonder, complexity, and heart. The deliberately intimate setting at Writers, where you are always close to the actors, promises an unforgettable experience that will linger long after the performance ends."

Natasha, Pierre & the Great Comet of 1812, Frida...A Self Portrait, Translations, and Dhaba on Devon Avenue will be presented in the 255-seat Alexandra C. and John D. Nichols Theatre. Every Brilliant Thing will be in the intimate Gillian Theatre. Both spaces are in Writers Theatre's award-winning building at 325 Tudor Court in Glencoe, designed by Studio Gang Architects.

Writers Theatre 2024/25 Season includes:

Natasha, Pierre & the Great Comet of 1812

Written by Dave Malloy 

Directed & Choreographed by Katie Spelman 

Music Direction by Matt Deitchman 

September 5 – October 27, 2024 

Opening: Friday, September 13, 2024

"There's a war going on somewhere out there, and Andrey isn't here." Young and impulsive, Natasha Rostova arrives in Moscow to await the return of her fiancée from the front lines. But when she falls under the spell of the roguish Anatole, family friend Pierre must push through his existential crisis to help Natasha pick up the pieces of her shattered reputation. Based on a scandalous slice of Leo Tolstoy's epic novel War and Peace, this innovative musical spectacle took Broadway by storm with its "electropop opera" score, earning 12 Tony Award nominations. Katie Spelman and Matt Deitchman, the inspired creative team behind WT's hit production of Once, reunite to bring this modern spin on a literary classic to Chicago for the first time. 

Natasha, Pierre & the Great Comet of 1812 is presented by arrangement with Concord Theatricals. www.concordtheatricals.com 

Every Brilliant Thing 

Written by Duncan Macmillan 

With Jonny Donahoe 

Directed by Kimberly Senior 

October 31, 2024 – January 5, 2025 

Opening: Friday, November 8. 2024

"1. Ice Cream. 2. Water fights. 3. Staying up past your bedtime and being allowed to watch TV." This is how a six-year-old child begins a list of all the things that make life wonderful. They're making the list for their mother, who suffers from depression. As life goes on, and the challenges faced morph from childhood to adulthood, the list continues to grow and take on a life of its own. By shining a hilarious and compassionate light on life's small abundant joys, this big-hearted play—told in gentle collaboration with the audience—is a loving tribute to resilience and the lengths we will go to for those we love. 

Frida...A Self Portrait 

Written and Performed by Vanessa Severo 

Directed by Joanie Schultz 

January 23 – February 23, 2025 

Opening: Friday, January 31, 2025

Iconic Mexican painter Frida Kahlo was a woman who lived boldly, loved wildly, and painted prolifically in order to see herself and the world around her more clearly. Witness this extraordinary figure come to life onstage through playwright and performer Vanessa Severo, who brings breathtaking physicality and raw honesty to this stunningly creative production. With music and movement, Vanessa cracks open a powerful portal between herself and Frida, uncovering insights into the painter's physical limitations, complex love life, addictions, and, of course, the beauty in her art. 

Translations

Written by Brian Friel 

Directed by Braden Abraham 

April 3 – May 4, 2025 

Friday, April 11, 2025

Life in County Donegal, Ireland proceeds much the same in 1833 as it's always done. Irish-speaking young people gather at the local hedge school where the long-time and long-winded schoolmaster instructs them in lessons in Latin and Ancient Greek. This bucolic tranquility is shattered when the schoolmaster's son arrives home along with members of the British army on an assignment to map the country, draw new borders, and "standardize" local place names into the King's English. Soon, this quiet corner of the emerald isle is ablaze with political, cultural and personal tension. A powerful classic from one of Ireland's most revered dramatists, Translations is a celebration of the power of language—whether it be to kindle romance, incite violence, or build a bridge to a common understanding. 

Translations is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com 

The World Premiere of 

Dhaba on Devon Avenue 

Written by Madhuri Shekar 

Directed by Chay Yew 

In a co-production with TimeLine Theatre Company

June 19 – July 27, 2025 

Opening: Friday, June 27, 2025

Dhaba Canteen has been a stalwart institution on Chicago's Devon Avenue since the '60s, serving up delicious Sindhi food with the power to transport diners back to the halcyon days of undivided India. Times are changing, however. With the bank threatening foreclosure and Chef Neeraj's health in decline, the restaurant may soon be cooking up its last meal—unless sous chef Rita can convince her father to let her take over the kitchen. Rich with culinary tradition and dramatic twists, Dhaba on Devon Avenue serves up a searing Chicago-set story of family, legacy, and survival at all costs. 

SEASON PACKAGES

This season, Writers Theatre is offering five subscriptions with an option for every theatregoer. Each subscription includes a deeply discounted ticket price for one ticket to the 5-play series, Flex subscriptions, with options for either 4 tickets or 6 tickets, are available.

Subscriptions are now available for the 5-show season and range from $240 - $325. Flex subscriptions are $260 (4-pack) to $360 (6-pack).

Season package subscribers receive exclusive benefits including complimentary ticket exchanges by phone and mail (upgrade fees may apply), access to special play readings and lectures, special "subscriber-rate" prices on additional tickets, discounts at the bar, on Writers Theatre merchandise, event rentals, and more. For a complete list of benefits visit writerstheatre.org.

Season Packages are available online at www.writerstheatre.org, and at the Box Office by calling 847-242-6000.

Singles tickets will go on sale at a later date. Tickets for Every Brilliant Thing, Frida...A Self Portrait, Translations and Dhaba on Devon Avenue are $35 to $95 each. Tickets for Natasha, Pierre & the Great Comet of 1812 are $45 to $110.

AUDIENCE ENGAGEMENT OPPORTUNITIES:

Throughout the season, Writers Theatre offers a variety of audience enrichment and special programming. This includes regularly occurring offerings like the Family Matinee Series, The Green Room artist interview series and podcast, and The Final Word Audience Discussion Series. Please visit writerstheatre.org/events for a full listing of upcoming offerings.

WT offers Open Captioning on select dates for each production. Please visit writerstheatre.org/accessibility for more information.

ABOUT WRITERS THEATRE 

Writers Theatre boldly looks to the future as it kicks off its 32^nd season in 2024/25. Having captivated audiences for years with its dedication to creating the most intimate theatrical experience possible, the theatre is now a major Chicagoland cultural destination with a national reputation for excellence, being called "America's finest regional theater company" by The Wall Street Journal.

Since 1992, Writers Theatre has stayed true to its core values: valuing the power of the written word and uplifting the artists who bring that word to life. The company has produced over 120 productions—everything from inventive interpretations of classics to groundbreaking new work. In 2016, Writers Theatre opened a new, state-of-the-art facility designed by the internationally renowned Studio Gang Architects. The new facility has allowed the Theatre to accommodate its growing audience, while maintaining its trademark intimacy.

Writers Theatre now welcomes more than 60,000 patrons each season and has helped establish the North Shore of Chicago as a premier cultural destination. Through its Literary Development Initiative, which has been responsible for the nurturing and premiering of over two dozen world premieres, the theatre has established itself as a major originator of new theatrical works. Serving as an extension of the Writers Theatre mission, WT Education programs engage an average 10,000 students each year with active learning opportunities centered around the written word.

“You might cry, you might not,” says playwright Sarah Ruhl in the show notes of Writers Theatre’s revival of her 2003 play ‘Eurydice’. Under new Artistic Director Braden Abraham, there’s a youthfulness in both casting and staging that feels like a big breath of fresh air for the Glencoe theatre company. Sarah Ruhl’s whimsical dialog appeals to a childlike sense of wonder and her bittersweet version of this classic story may unlock parts of yourself hidden away by grown-up practicalities.

We all know the Greek mythology of Orpheus and Eurydice in which a man tries to bring his beloved bride back from the dead with the sound of his music. If he can avoid looking back at her, she can follow him out of the underworld. Easier said than done.

Sarah Ruhl’s play borrows the names and framework of the Greek tragedy, but her quirky adaptation is aimed at a modern audience. In the twenty years since this play was written, Sarah Ruhl has become a regular fixture of contemporary theatre and has been shortlisted for the Pulitzer. Her unique style of balancing small-scale spectacle with arrestingly poetic observations about life is what continues to make her work popular with audiences.

‘Eurydice’ is immediately endearing because of the well-honed aesthetic created by Braden Abraham and scenic designer Courtney O’Neill. Minimal staging makes big moments like an elevator that rains all the more theatrical. Solid casting, especially in the lead roles, makes this production even more loveable.

Sarah Price plays the title character with Kenneth La’Ron Hamilton as her Orpheus. The pair are impeccably styled by Danielle Nieves. Chic fashion combined with great chemistry, it’s nearly impossible to keep your eyes off. Price is perfectly charming throughout and shows a lot of range. Her co-star is equally compelling and together they make a good case for enduring love.

There’s a line in the play at Eurydice and Orpheus’ wedding in which she says, “Weddings are for fathers and daughters.” With that idea in mind, Ruhl richly draws Eurydice’s father into the underworld, and they get to reconnect in the afterlife. These are some of the play’s most emotionally charged moments. John Gregorio plays the role of her father barefoot and vulnerable in a way that men of a certain age are rarely written. It’s here that Ruhl veers from the source material and allows this play to really be an examination of her own life.

As the playwright said, you may cry, you may not, but you will leave with a romantic feeling. Between the spectacle created on stage and the full swath of emotions illicited by the cast, there’s a lot to unpack. Sarah Ruhl’s play has aged well and it’s exciting to see one of her earlier works done to such incredible standards at a theater not far from where she grew up. Writers Theatre’s production feels like a full-circle moment in this decorated playwright’s career.

For tickets and/or more show information, click here.