Theater Wit has mounted an unexpectedly spellbinding show for its return to live productions: Anne Washburn’s “Mr. Burns, a post-electric play.”

What an amazing fever-dream has flowed from Washburn’s imaginative pen, brought to life at Theater Wit. Originally mounted in 2015, it is clear why this was one of the troupe’s most popular productions. It is a joy-filled moment to be back in the audience before a live show. 

Ostensibly, it is a portrait of a post-apocalyptic society in which people huddle around campfires on a darkened landscape, recalling favorite lines from television shows. Act 1 focuses on this means of diversion. Quickly the fragility of cultural memory becomes apparent, when there are no Google or YouTube to reference.

Seven years later, Act 2 opens with rehearsal for a semi-professional performance company, many of which have arisen, working against scripts gathered from memory (some recalled lines and scenes are even purchased from freelance contributors). Sets and costumes are cobbled together from the detritus of the decaying society.

Here “Mr. Burns” is revealed to be a true backstage play, with the players jousting over who will be featured and which bits shall be included in the show. There are humor and charm in these scenes, which feature live performances of clips of the Simpsons and other popular shows, as well as contemporary ads and music videos.

It is in Act 3 that the show reaches its apotheosis, we are transported to Elysium, and the performance becomes the food of the gods. Set 70 years later, the collective memory of the Simpsons has certainly faded, and those who saw the show on television are very few in number.

Washburn now gives us a heavenly reverie on how theater might be recreated from the dust of the cataclysm. As with cultures of old, an oral tradition was handed down before writing took hold. “Mr. Burns” seems to posit just such a scenario, with a beatifically staged battle between the forces of good - the Simpsons - and evil: Mr. Burns and his henchmen, Itchy and Scratchy. Fans of The Simpsons, who are legion, will recall that Mr. Burns owned the nuclear power plant at which Homer Simpson was employed, until sometime befoe this story picks up.  

A mashup of Greek drama, kabuki, and 18th century operetta, this final act defies description, except to say it is transportative. Aside from its intimate scale, “Mr. Burns - A post-electric play” is fully Broadway caliber, and the performances by every cast member are superlative. Daniel Desmarais, Andrew Jessop, and Leslie Ann Sheppard return from the 2015 production, with Eileen Doan, Tina Muñoz Pandya, Ana Silva, Jonah D. Winston and Will Wilhelm are making their Theater Wit debut. 

Everyone (including audience members) at Theater Wit is required to be vaccinated to enter the building. (Negative results from a PCR test for COVID-19 administered in the last 48 hours is an alternative.) All patrons must remain masked for the duration of their visit. Find more details and ticket information at www.TheaterWit.org.