Friday, 28 July 2017 16:53
"They're Playing Our Song" Watching Two Neurotic Musical Prodigies Try to Stay In Love
Written by Kimberly Katz
I was very happy to see Brown Paper Box Company put together this once hugely successful romantic comedy by Neil Simon, which played on Broadway for four years with music and book by Marvin Hamlisch and Carole Bayer Sager. Produced, directed and choreographed by Daniel Spagnuolo, this semi-autographical piece about…
Published in
Theatre in Review
Thursday, 27 July 2017 18:12
Review: An American in Paris at Oriental Theatre
Written by John Accrocco
‘S wonderful. “An American in Paris” was the surprise hit of 2015 on Broadway. It is of course the stage adaptation of Vincent Minnelli’s 1951 Best Picture winner of the same name. With familiar songs by George and Ira Gershwin, it would be hard not to be charmed. To appreciate…
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Theatre in Review
Sunday, 23 July 2017 18:06
Cirque du Soleil's "LUZIA" is playful, colorful and romantic
Written by Vika Lvova
In the Chicago premiere of Cirque du Soleil’s 38th original production, LUZIA (a combination of two Spanish words, luz (light) and lluvia (rain)) transcends the audiences into a lucid dream, an imaginary world of Mexico. Based on traditional Mexican culture, this Big Top show reflects back on the beautiful country…
Published in
Theatre in Review
Thursday, 20 July 2017 21:37
The Tin Woman, A Moving Play About the Value of Having a Heart
Written by Kimberly Katz
Playwright Sean Grennan’s latest work is based on a true story about a successful heart transplant that occurs between two very different people who meet briefly and then go on to complete each other's lives without meeting in this world again. Joy, played realistically and with dry humor by the…
Published in
Theatre in Review
Tuesday, 18 July 2017 06:40
First Folio's "As You Like It" is outdoor theatre at its best
Written by Ken Payne
Gentle breezes, crickets chirping (or whatever that sound is they make), and comfortably warm summer nights. We're here. And knowing it won't last forever, Chicagoans certainly relish the summer months, making the most of each balmy evening. And, you know it’s July when Shakespeare comes alive under the stars at…
Published in
Theatre in Review
With “HIR” by Taylor Mac, Steppenwolf Theatre continues its legacy of pushing relevant and sometimes uncomfortable topics onto its audiences. Directed by Hallie Gordon, this is the Chicago premiere of Mac’s acclaimed 2015 Off-Broadway hit. This vivid production is sure to unsettle some subscribers, but that’s the point. Mac’s script…
Published in
Theatre in Review
Sunday, 09 July 2017 09:51
'The Bridges of Madison County" A Romantic Musical that Warms the Heart and Soul
Written by Kimberly Katz
If you haven't seen the film version of “The Bridges of Madison County” starring Meryl Streep and Clint Eastwood, do not fear - the musical adaptation for the stage is full of beautiful songs and choreography that make this production a whole different animal than the 1995 movie and 1992…
Published in
Theatre in Review
Tuesday, 11 July 2017 21:29
In Masterful Production of O’Neill’s Ah Wilderness, Niall Cunningham Is the Wunderkind
Written by Bill Esler
In Ah Wilderness, Eugene O’Neill tackles the emotional struggles of an upper middle class family, with sibling rivalries and marital and romantic dynamics that ring true today. Goodman Theatre’s current production struck gold, however, with Niall Cunningham - he's a TV star of Life in Pieces - in the lead…
Published in
Theatre in Review
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Sunday, 02 July 2017 17:38
"The Gin Game" Delivers Powerful Message for Seniors with Top Notch Acting by Two Chicago Greats
Written by Kimberly Katz
If you saw "The Gin Game", a timely play about the coming together of two lonely but feisty seniors at a run-down nursing home, when you were younger - you should see it again now at Drury Lane. John Reeger and Paula Scrofano, a long-time married couple who met at…
Published in
Theatre in Review
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Monday, 26 June 2017 07:13
David Cerda's "The Golden Girls: The Lost Episodes" is Solid Gold Comedy
Written by Kimberly Katz
Fun! Funny! Funnier! If you are fan of The Golden Girls TV show, then run, don't walk, to see Hell in a Handbag’s The Golden Girls: The Lost Episodes at Mary's Attic before its special, recently extended, run is over. The show opens with a heart lifting, hug your best…
Published in
Theatre in Review
Tagged under
- The Golden Girls: The Lost Episodes
- Mary's Attic
- Hell in a Handbag
- David Cerda
- Ed Jones
- AJ Wright
- Adrian Hadlock
- Chazie Bly
- Kristopher Bottrall
- Grant Drager
- Lori Lee
- David Lipschutz
- Terry McCarthy
- Michael S Miller
- Robert Williams
- Myron Elliot
- Keith Ryan
- The Golden Girls
- Chicago
- theatre
- Parody
- Kimberly Katz
- Buzz Center Stage
Sunday, 25 June 2017 23:38
Review: COR Theatre's "Late Company" at Pride Arts Center
Written by John Accrocco
“Late Company” is the fairly literal title of a new play by Canadian playwright Jordan Tannahill. Presented by COR Theatre, Jessica Fisch directs the regional premiere at Pride Arts Center. The 80-minute play is a response to the uptick in teen suicides triggered by cyberbullying. “Late Company” takes on the…
Published in
Theatre in Review
Saturday, 24 June 2017 02:03
Akvavit's "Hitler on the Roof" Sheds Light on Media Influence
Written by Vika Lvova
In Akvavit Theatre Company's Hitler On The Roof, playwright Rhea Leman has devised the perfect post-mortem punishment for the man behind the Nazi propaganda machine. It’s spring of 1945, Berlin, infamous Fuhrerbunker; the war is all but lost, Hitler had just committed suicide, Dr. Joseph Goebbels and his wife have…
Published in
Theatre in Review
Monday, 19 June 2017 02:37
Moby Dick is a spectacular physical theatre experience
Written by Vika Lvova
Winner of four Jeff Awards, including Best Production, and fresh off a national tour, Moby Dick, adapted and directed by David Catlin from the book by Herman Melville, returns to the Lookingglass Theatre. The play is produced in association with The Actors Gymnasium, a circus and performing arts training center.…
Published in
Theatre in Review
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