Home

Buzz Center Stage

Buzz Center Stage

Rosemont's Parkway Bank Park entertainment district (5501 Park Place, Rosemont) will turn up the volume this summer with the return of its popular "Rockin' in the Park" free summer concert series. Presented by Feldco, the 2025 series will kick off on Sunday, May 25 and include a post-show fireworks display. Free concerts will continue every Thursday and select Friday evenings from May 29 through August 29, showcasing music by renowned tribute bands alongside food and beverage tents on the park's great lawn. All Thursday night concerts will culminate with a musical fireworks display. The 2025 lineup features a mix of returning favorites and exciting new cover bands celebrating rock legends including Rod Stewart, the Doobie Brothers, and Foreigner.

 

"Rockin' in the Park" concerts will run from 7 p.m. – 10 p.m. Admission to "Rockin' in the Park" is free. Outside food and coolers are prohibited. Parking is available at the Parkway Bank Park parking garage and is free with validation from any of the park's venues. This season, Parkway Bank Park will be giving away free "Rockin' in the Park" 2025 commemorative t-shirts onsite during concert hours, while supplies last. 

 

The 2025 Rockin' in the Park lineup is outlined below:  
* indicates post-show fireworks

 

Sunday, May 25: Pino Farina Band* – Adult alternative rock group, Pino Farina Band, bring audiences an energetic mix of original music and beloved covers. Lead singer and lyricist Pino Farina's powerhouse voice is often compared to late indie-artist Jeff Buckley. Known for their showmanship, Pino Farina Band's concerts dazzle fans with a blend of high-energy performances and tender, intimate songs.Thursday, May 29: Kings & Associates* – Kings & Associates have established themselves as one of Australia's most unique modern blues bands. Led by husband-and-wife duo Anjii Portolesi and Steve Portolesi, the award-winning Australian group blends blues, soul, funk, R&B and gospel together into a style that's all their own.Thursday, June 5: Infatuation STL* – Hailing from St. Louis, Infatuation is an eight-piece powerhouse of seasoned musicians united to deliver the ultimate Rod Stewart tribute experience. Fronted by the dynamic Tim Levene, the band brings Stewart's iconic hits to life with passion, precision and an electrifying stage presence that will keep audiences singing along all night.Thursday, June 12: Departure* – Celebrating 15 years, Departure recreates the look, sound and feel of the original 80s rock group, Journey. Known for their high-energy and engaging performances, Departure brings the very best of Journey to audiences of all ages.Thursday, June 19: The Dyer Davis Group* – American singer and guitarist Dyer Davis recently released his debut album, "Dog Bites Back" for WildRoots Records. The young talented artist finds inspiration in blues-based rockers such as Jeff Beck to create his unique sound, featuring fiery vocals and soulful guitar skills.


Thursday, June 26: Atomic Punks* – Direct from Los Angeles, Calif., this group pays tribute specifically to the glory days of Van Halen fronted David Lee Roth. Roth himself referred to the group as "the best tribute to Van Halen ever." For more than 20 years, the Atomic Punks have been re-creating Eddie Van Halen's classic guitar sound, while capturing all of the enthusiasm and flash Van Halen brought to the stage.Friday, June 27: 24K Magic / George Michael Reborn 

 

Guaranteed to keep audiences on their feet, 24K Magic pays homage to the hottest hits from popular singer-songwriter Bruno Mars. Led by Evan Saucedo, 24K Magic's performances aim to emulate Mars' signature sound, choreography and flashy fashion, offering Bruno Mars fans the ultimate tribute.Robert Bartko exudes the energy and passion of George Michael and Wham! in the 80s and 90s with George Michael Reborn. From "Wake Me Up Before You Go-Go," to "Careless Whisper," George Michael Reborn embodies the vocal range, choreography and looks of George Michael and leaves audiences cheering for an encore.Thursday, July 3: Slippery When Wet* – Hailing from Atlanta, Ga., Slippery When Wet performs the exact live arrangements from Bon Jovi's 2000 "Crush" tour, 2002 "Bounce" tour, 2005 "Have a Nice Day" tour, 2008 "Lost Highway" tour and 2010 "The Circle" tour. This band's drive, musical ability and showmanship strive to duplicate the live Bon Jovi experience.Thursday, July 10: Listen To The Music* – Listen to the Music delivers an authentic, high-energy tribute to the legendary Doobie Brothers. Based in Canada and made up of top-tier musicians, the band faithfully reproduces the Doobie Brothers' greatest hits, bringing their timeless sound to life for audiences everywhere.Thursday, July 17: Live the Who* – Direct from Detroit, Mich., this band plays tribute to The Who at the band's unstoppable best from 1968-1974, capturing the feel, sound and look of the legendary rock band in each concert.Thursday, July 24: New World Men* – New World Men deliver a powerful tribute to the legendary sound of Rush, capturing the spirit and intensity of the iconic band's live performances. Featuring the exceptional talents of François Larouche, Mathieu Groulx and Marc Girard, this immersive concert experience takes audiences on a journey through Rush's most celebrated eras.Friday, July 25: Boy Band Night / Semple Band

 

From *NSYNC, Backstreet Boys and New Kids on The Block to Boys 2 Men, One Direction and more, the Boy Band Night plays tribute to popular boy bands will have audiences dancing and singing along all night long.Semple Band is a high-energy, Chicago-based group known for its exceptional musicianship and dynamic stage presence. Led by the charismatic Keith Semple, the band offers a high-energy performance with tunes spanning from classic '70s rock to modern pop. Their diverse medleys feature iconic artists like The Beatles, The Rolling Stones, Michael Jackson and more, while also showcasing original songs in nearly every show.Thursday, July 31: Southern Accents* – Southern Accents recreates the music, style and sound of Tom Petty professionally with immaculate precision and wildly contagious enthusiasm. United in their quest to offer the ultimate Tom Petty and the Heartbreakers experience, each member of the band looks the part, plays the part and lives the part.Thursday, August 7: Double Vision* – Featuring some of New York City's top rock musicians, Double Vision delivers an authentic tribute to Foreigner with impressive technical skill and dedication. Known for their impeccable recreation of Foreigner's greatest hits from the '70s and '80s, the band brings audiences an unforgettable experience filled with energy, sing-alongs and non-stop energy.Thursday, August 14: Ticket to the Moon* – Ticket to the Moon is an Electric Light Orchestra (ELO) tribute band hailing from Ft. Lauderdale, Fla. Composed of eight talented musicians, the group is dedicated to bringing audiences the extraordinary musical arrangements of ELO through high-energy performances.Thursday, August 21: Brooklyn Charmers* – The Brooklyn Charmers are known for injecting a new, dedicated energy into the beloved musical catalogue of Steely Dan, bridging the gap between new and lifelong Steely Dan fans alike. Featuring masterful precision, the group is proud to pay tribute to Steely Dan's infectious hooks and poignant lyrics.Thursday, August 28: Rod Tuffcurls & The Bench Press* – Beloved Chicago band Rod Tuffcurls and The Bench Press delivers an electrifying, one-of-a-kind live experience. Known for their bone-crushing three-part harmonies and laser-sharp musicianship, the band delivers a powerhouse performance every time they hit the stage. With a wildly eclectic and carefully curated repertoire, each show is a joyful, genre-defying celebration that keeps audiences dancing, singing and coming back for more.Friday, August 29: Bee Gees Gold / The Wayouts

 

Backed by a renowned rhythm section, Bee Gees Gold recreates the look and sound of the Bee Gees from the 1960s and 1970s. Featuring the detailed vocals of John Acosta as Barry, Daryll Borges as Robin and Jeff Celentano as Maurice, the band performs legendary Bee Gees tracks from early hits such as "Massachusetts" and "I Started A Joke," to disco-era classics including "Stayin' Alive" and "You Should Be Dancing."The Wayouts play tribute to 1960s garage rock. Their concerts combine raw intensity with professional musicianship in order to bring fresh life to classic songs by artists such as The Kinks and The Animals.


About Parkway Bank Park
Rosemont's Parkway Bank Park entertainment district is a 200,000 square-foot complex home to 16 dining and entertainment venues offer upscale international cuisine, live music and comedy, state-of-the-art film, indoor skydiving, bowling and more. Conveniently located near O'Hare International Airport at 5501 Park Place, Parkway Bank Park is easily accessible from Chicago as well as the suburbs. A 20-minute drive from Chicago's Loop, Parkway Bank Park is walking distance from the Donald E. Stephens Convention Center, the CTA Blue Line Rosemont station, Fashion Outlets of Chicago and the Rosemont Theatre. Convenient parking is available and is free with validation from any of the Park's venues.The current venues located within Parkway Bank Park include Adobe Gila's, Aloft Chicago O'Hare, AMC Theatre, Bub City, Crust Brewing, Fat Rosie's Taco & Tequila Bar, Fogo de Chão, iFLY Indoor Skydiving, Joe's Live, Kings Dining & Entertainment, Pete's Dueling Piano Bar, Pete's Tiki Tiki, Saltwater Coastal Grill, Sugar Factory, Verilife and Zanies Comedy Club. The venues surround a great lawn that plays host to a variety of seasonal events including concerts, festivals and a winter ice rink. For more information, visit ParkwayBankPark.com.About The Village of Rosemont
Rosemont, Illinois, Chicagoland's business and entertainment suburb, is conveniently located five minutes from O'Hare Airport and twenty minutes from Chicago's downtown. Easily accessible via the area's major highways, Rosemont is home to the Allstate Arena, Donald E. Stephens Convention Center, a wide variety of hotel and dining options, Rosemont Theatre, Fashion Outlets of Chicago, Parkway Bank Park entertainment district and Impact Field. Rosemont continues to flourish and evolve, based on 69 years of growth and under the current leadership of Mayor Bradley A. Stephens. For more information, visit www.Rosemont.com

Broadway In Chicago is thrilled to announce that its free SUMMER CONCERT will return to Millennium Park on August 11, 2025. The free concert, sponsored by ABC 7 Chicago, will take place on Monday, August 11, 2025 at 6:15 p.m. at the Jay Pritzker Pavilion in Millennium Park (201 E. Randolph St). The annual event is presented with the City of Chicago Department of Cultural Affairs and Special Events. Fans can expect selections from PARADE, which will already be in performances at the CIBC Theatre (18 W. Monroe), and MJ THE MUSICAL, which will begin performances at the James M. Nederlander Theatre on Tuesday, August 12; as well as upcoming subscription shows THE SOUND OF MUSIC, HELL’S KITCHEN , the modern-day holiday classic ELF THE MUSICAL, STEREOPHONIC, and 2024 Tony Award® winning Best Musical THE OUTSIDERS. More shows will be announced later this summer.

Production photos of participating shows available to download here.

The Broadway In Chicago Summer Concert is presented in collaboration with the Department of Cultural Affairs and Special Events. Every summer in Millennium Park, the City of Chicago proudly presents symphonic music, dance, opera, Broadway hits and more—performed by some of Chicago’s best-loved cultural institutions. For the latest news and events, visit millenniumpark.org and follow Millennium Park on Facebook (@MillenniumParkChicago), Twitter, and Instagram (Millennium_Park).

For more information on the Summer Concert and Broadway In Chicago, visit www.BroadwayInChicago.com.


ABOUT MILLENNIUM PARK
Discover a world-class collection of architecture, landscape design and art that provides the backdrop for hundreds of free cultural programs including concerts, exhibitions, interactive art and family activities. In Millennium Park, you’ll find a spectacular gathering spot located in the heart of the city, a destination for all Chicagoans and visitors alike. Millennium Park is the #1 attraction in the Midwest and among the top 10 most-visited sites in the U.S. It is also the anchor of an urban cultural campus (Millennium Park Campus) that includes the Chicago Cultural Center, Maggie Daley Park and The Art Institute of Chicago. Millennium Park is located on Michigan Avenue, bordered by Randolph St. to the north, Columbus Dr. to the east and Monroe St. to the south. The Park is open daily during the summer from 6 a.m. to 11 p.m. Plan your visit at millenniumpark.org, follow us on Facebook (@MillenniumParkChicago), Twitter, and Instagram (@Millennium_Park) and join the conversation on social media using #MillenniumPark.

ABOUT CHICAGO DEPARTMENT OF CULTURAL AFFAIRS AND SPECIAL EVENTS
The City of Chicago Department of Cultural Affairs and Special Events (DCASE) supports artists and cultural organizations, invests in the creative economy, and expands access and participation in the arts throughout Chicago’s 77 neighborhoods. As a collaborative cultural presenter, arts funder, and advocate for creative workers, our programs and events serve Chicagoans and visitors of all ages and backgrounds, downtown and in diverse communities across our city—to strengthen and celebrate Chicago. DCASE produces some of the city’s most iconic festivals, markets, events, and exhibitions at the Chicago Cultural Center, Millennium Park, and in communities across the city—serving a local and global audience of 25 million people. The Department offers cultural grants and resources, manages public art, supports TV and film production and other creative industries, and permits special events throughout Chicago. For details, visit Chicago.gov/DCASE.

ABOUT BROADWAY IN CHICAGO
Broadway In Chicago was created in July 2000 and over the past 25 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place and presenting Broadway shows at The Auditorium.
 

For more information and tickets, visit www.BroadwayInChicago.com.
Follow @BroadwayInChicago on
Facebook ● Instagram ● TikTok ●Bluesky ● YouTube
#broadwayinchicago

American Blues Theater, under the continued leadership of Executive Artistic Director Gwendolyn Whiteside, presents the Chicago premiere of Artistic Affiliate Charles Smith's Golden Leaf Ragtime Blues, directed by Ensemble Member Chuck Smith. Capping off Blues' 2024-2025 season, Golden Leaf Ragtime Blues is a comedic and thoughtful tale brought to the stage by the creative team behind last season's successful The Reclamation of Madison Hemings. Running May 23 – June 29, 2025, tickets to Golden Leaf Ragtime Blues are on sale now through the American Blues Theater box office, www.americanbluestheater.com, (773) 654-3103. The press opening is schedule for May 29, 2025 at 7:00pm.

Pompey is an aging white vaudevillian; Jet is a Black teenager. Thrown together by circumstances beyond their control, they show us how basic needs and emotions transcend barriers of race, religion, and age. Don't miss Ensemble member and veteran TV star Dennis Cockrum's ("Shameless") return to American Blues Theater in the role of Pompey, along with Ensemble member Dawn Bach (Marsha), Justin Banks (Jetand James Sherman (Ollie).

 

Executive Artistic Director Gwendolyn Whiteside comments, "We're thrilled to produce another collaboration between Charles Smith and Chuck Smith. Working with these two legends has been a dream for us. There is a palpable excited around American Blues as we welcome back Ensemble member Dennis Cockrum to our stage to help bring this wonderful play to life."

 

The creative team includes Charles Smith* (playwright), Chuck Smith* (director), Shayna Patel* (scenic), Jared Gooding* (lights), Lily Walls* (costumes & wardrobe supervisor), Rick Sims* (co-sound), Warren Levon* (co-sound), Tyson Carter (properties), Wilson Cain (dramaturg), Richard Lundy* (stage manager), Michael Trudeau* (facilities manager & ME), Nate Walczyk* (production manager) Tom Daniel* (technical director), and Chris Walls (audio supervisor).

*Denotes an Ensemble Member or Artistic Affiliate of American Blues.

About the Artists

CHARLES SMITH (playwright) is a proud Artistic Affiliate of American Blues Theater. Plays include The Reclamation of Madison Hemings, Objects in the Mirror, Free Man of Color, Knock Me a Kiss, The Golden Leaf Ragtime Blues, Freefall, The Gospel According to James, Jelly Belly, Pudd'nhead Wilson, Les Trois Dumas, Denmark, Sister Carrie, The Sutherland, Black Star Line, Takunda, Cane, and City of Gold. His plays have been produced by Indiana Repertory Theatre, Goodman Theatre, Victory Gardens Theater, The Acting Company, People's Light, The New Federal Theatre, Penumbra, Crossroads Theatre Company, Shakespeare & Company, Penguin Repertory Theatre, Ujima Theatre Company, The Colony Theatre, St. Louis Black Rep, Weissberger Theater Group, Seattle Repertory Theatre, Jubilee Theatre, Ensemble Theatre in Houston, Pegasus Theatre Chicago, Westcoast Black Rep., Robey Theatre Company, Berkeley Repertory Theater, Ensemble Theatre in Cleveland, Independent Theatre in Adelaide, South Australia, the HBO New Writers Project, the International Children's Theater Festival in Seattle, and The National Black Theatre Festival.

 

He has been commissioned by Cleveland Play House and The Acting Company, and has received multiple commissions from Victory Gardens, Indiana Rep, and Goodman. He received the 2024 Kesselring Prize for Playwriting for his play, The Price of the Ticket. Other awards include a Joseph Jefferson Award, a John W. Schmid Award, two Ohio Arts Council Individual Excellence Awards, the Illinois Arts Council Governors Award, the Joyce Award, the Cornerstone National Playwriting Award, The National Black Theatre Festival's August Wilson Playwriting Award, Princess Grace Fellowship, the Theodore Ward National Playwriting Award, two Black Theatre Alliance Awards for New Work, the NBC New Voices Award, and numerous other AUDELCO, Jeff, NAACP, and Black Theatre Alliance award nominations.

 

He is an alumnus of New Dramatists, a graduate of the University of Iowa Playwrights Workshop, one of the founding members of the Playwrights Ensemble at the Tony Award-winning Victory Gardens Theatre in Chicago, Distinguished Professor Emeritus and Presidential Research Scholar in the Arts and Humanities at Ohio University and has taught playwriting at Northwestern University, for the Prague Summer Program in Creative Writing in the Czech Republic, and for the Center for Dramatic Art in Groznjan, Croatia.

 

CHUCK SMITH (director) is a proud Ensemble member of American Blues Theater where he directed Leroi Jones' Dutchman, Flyin' West, & The Reclamation of Madison Hemings. He is a member of Goodman Theatre's Board of Trustees and is a Goodman Theatre Resident Director. He is also a resident director at the Westcoast Black Theatre Troupe in Sarasota, Florida. Goodman credits include the Chicago premieres of Pullman Porter BluesBy the Way, Meet Vera Stark; Race; The Good Negro; Proof and The Story; the world premieres of By the Music of the Spheres and The Gift Horse; James Baldwin's The Amen Corner, which transferred to Boston's Huntington Theatre Company, where it won the Independent Reviewers of New England (IRNE) Award for Best Direction; A Raisin in the Sun; Blues for an Alabama Sky; August Wilson's Gem of the Ocean, Two Trains Running and Ma Rainey's Black Bottom; Objects in the Mirror, Having Our Say, Ain't Misbehavin' the 1993 to 1995 productions of A Christmas Carol; Crumbs From the Table of Joy; Vivisections from a Blown Mind and The Meeting.

He served as dramaturg for the Goodman's world-premiere production of August Wilson's Gem of the Ocean. He directed the New York premiere of Knock Me a Kiss and The Hooch for the New Federal Theatre and the world premiere of Knock Me a Kiss at Chicago's Victory Gardens Theater, where his other directing credits include Master Harold... and the Boys, Home, Dame Lorraine and Eden, for which he received a Jeff Award nomination.

 

Regionally, Mr. Smith directed Death and the King's Horseman (Oregon Shakespeare Festival), Birdie Blue (Seattle Repertory Theatre), Jitney and Gem of the Ocean (Nashville Shakespeare Festival), The Story (Milwaukee Repertory Theater), Blues for an Alabama Sky (Alabama Shakespeare Festival) and The Last Season (Robey Theatre Company). At Columbia College he was facilitator of the Theodore Ward Prize playwriting contest for 20 years and editor of the contest anthologies Seven Black Plays and Best Black Plays. He won a Chicago Emmy Award as associate producer/theatrical director for the NBC teleplay "Crime of Innocence" and was theatrical director for the Emmy-winning "Fast Break to Glory" and the Emmy-nominated "The Martin Luther King Suite".

 

He was a founding member of the Chicago Theatre Company, where he served as artistic director for four seasons and directed the Jeff-nominated Suspenders and the Jeff-winning musical Po'. His directing credits include productions at Fisk University, Vanderbilt University, Roosevelt University, Eclipse Theatre, ETA, Black Ensemble Theater, Northlight Theatre, MPAACT, Congo Square Theatre Company, The New Regal Theater, Kuumba Theatre Company, Fleetwood-Jourdain Theatre, Pegasus Players, the Timber Lake Playhouse in Mt. Carroll, Illinois, the University of Illinois in Champaign-Urbana, and the University of Wisconsin in Madison. In 2019 he received an Honorary Ph.D. from his alma mater Governors State University and has received lifetime achievement awards from The African-American Arts Alliance of Chicago, the League of Chicago Theaters and the Joseph Jefferson Awards Committee. He is a 2003 inductee into the Chicago State University Gwendolyn Brooks Center's Literary Hall of Fame and a 2001 Chicago Tribune Chicagoan of the Year. He is the proud recipient of the 1982 Paul Robeson Award and the 1997 Award of Merit presented by the Black Theater Alliance of Chicago.

 

DAWN BACH (Marsha) – has been a proud Ensemble member of American Blues Theater since 1993. Dawn has appeared in numerous Blues productions over the years, including Catch-22A Stone CarverOn the Waterfront, A Lie of the Mind and Dark at the Top of the Stairs. She served as musical director/composer for Medea and wrote original music for Toys in the Attic, for which she received the After Dark Award for outstanding original music. She has hosted and narrated numerous industrial films and has appeared on the stages of Lifeline, Shakespeare Project of Chicago, Bailiwick, Next, Buffalo Theatre Ensemble, Northlight (CowgirlsSmoke on the Mountain) and Goodman Theatre (A Christmas Carol). A long-time student of the late Mary Ann Thebus, Dawn is also a trained singer and violinist.

 

JUSTIN BANKS (J'Taurius, aka Jet) – is thrilled to make his premiere at the American Blues Theater. Recently, he wrote and performed in The Second City's Bob Curry Fellowship production, The Minority Report: What Had Happened Was..., and understudied for The Second City's Black By Popular Demand. Justin is also a former contributing writer for "The Onion." He studied Meisner and Viewpoints at Black Box Acting Studio's "The Academy" and is a recent graduate of Vanderbilt University. He is represented by Gray Talent Group.

 

DENNIS COCKRUM (Pompey) has been a proud Ensemble member of American Blues Theater since 1988. Shows at Blues include: Bad Moon, written by founding member Rick Cleveland; Desire Under the Elms by Eugene O'Neill; On the Waterfront by Budd Schulberg with Stan Silverman; Tobacco Road by Jack Kirkland; readings for The Commons series. BROADWAY: Frost/Nixon by Peter Morgan. REGIONAL: Dead End by Sidney Kingsley (Ahmanson Theatre, Los Angeles); Lincoln Park Zoo by Richard Strand (Geva Theatre, Rochester, NY); God of Isaac and Mr. 80% both by James Sherman (Victory Gardens, Chicago); Jefferson Citation recipient for Rosencrantz and Guildenstern are Dead by Tom Stoppard (Court Theatre, Chicago); FILM: Uncle Buck, Code of Silence, The Package, Murder by Numbers, Desperate Measures, Extreme Movie, Glimmer Man, Downeast, Gangster Squad, Inherit the Wind, Hail Caesar! TELEVISION: Chicago Med, Malcolm in the Middle, American Dreams, Cheers, Pretty Freekin' Scary, NCIS, Uncle Buck, Star Trek (Next Generation, Voyager, Enterprise), Firefly, King of Queens, Bookie, and seven seasons as Terry Milkovich on Shameless.

 

JAMES SHERMAN (Ollie) originally from Chicago, was a theatre student at Illinois State University in the 1970s. He began his professional career with The Second City in Chicago and received an M.F.A. degree from Brandeis University. Living in New York in the 1980s, James studied acting with Uta Hagen for five years and had his first professional production as a playwright. He was a founding member of the Playwrights Ensemble of the Tony Award-winning Victory Gardens Theater and had thirteen plays premiered there. He is the author of many plays including Magic Time, The God of Isaac, Beau Jest, Jest a Second!, Romance in D, From Door to Door, Jacob and Jack, The Ben Hecht Show, and Chagall In School. James' plays have been published and are regularly produced by theaters throughout the United States and have also been seen in Canada, Mexico, Australia, Argentina, Brazil, England, Germany, Austria, Turkey, Poland, South Africa, China, and Korea. In the summer of 2008, James wrote and directed the movie of his play, BEAU JEST, starring Lainie Kazan, Seymour Cassel, and Robyn Cohen. James currently teaches classes in Improvisation and American Comedy at DePaul University and Columbia College of Chicago He is a member of The Dramatists Guild of America. jamessherman.com

 

Fact Sheet

Title:                           Golden Leaf Ragtime Blues

Written by:                Charles Smith

Directed by:              Ensemble Member Chuck Smith                      

 

Featuring:                  Dennis Cockrum* (Pompey), Dawn Bach* (Marsha), Justin Banks (Jetand James Sherman (Ollie).       

 

Creative Team:            Shayna Patel* (scenic), Jared Gooding* (lights), Lily Walls* (costumes & wardrobe supervisor), Rick Sims* (co-sound), Warren Levon* (co-sound), Tyson Carter (properties), Wilson Cain (dramaturg), Richard Lundy* (stage manager), Michael Trudeau* (facilities manager & ME), Nate Walczyk* (production manager) Tom Daniel* (technical director), and Chris Walls (audio supervisor).

*Ensemble member or Artistic Affiliate of American Blues Theater

Dates:                        May 23 – June 29, 2025

Schedule:                   

Wednesdays: 2:00 PM (June 4 &18) & 7:30 PM (May 28 only)

Thursdays: 7:30 PM

Fridays: 7:30 PM

Saturdays: 3:00 PM (June 7, 21, 28) & 7:30 PM (except June 7 & 21)

Sundays: 2:30 PM

Location:                    American Blues Theater, 5627 N Lincoln Ave, Chicago

Ticket prices:              Previews: $25; Regular Run: $45; Opening night with reception: $60

Box office:                   Buy online at www.americanbluestheater.com or by calling (773) 654-3103.

 

Public Programming and Special Events

American Blues Theater is excited to offer audiences even more ways to engage with artists, neighbors and the larger community through its two programs The Commons and @Home Accessibility Series.

 

The Commons features readings, live concerts, open mics, game nights, town halls and more at American Blues. The @Home Accessibility Series features readings, live concerts, and town halls from the comfort of home via Zoom. For the most up-to-date programming schedule or to purchase tickets, visit www.americanbluestheater.com. Additional programming will be announced throughout the season.

 

The upcoming schedule for The Commons series follows:

 

Piano Man

Performed by Ian Paul Custer & Friends

Sunday, May 25, 2025 at 6:00 PM

An intimate concert featuring Ensemble member Ian Custer performing the hits from Billy Joel, Elton John, Ben Folds, and other male singer/pianists.

 

Sounds of the Soul

Gospel Music's Anthem of Freedom

Featuring vocalist Marquetta Jackson

Monday, June 16, 2025 at 7:00 PM

Powerful gospel songs of resilience, hope, and triumph that celebrate freedom.

 

My Amazon Diary

Written and Performed by Rick Cleveland

Saturday, July 19, 2025 at 7:00 PM

Founding Ensemble member Rick Cleveland shares his comic and heartfelt journey through Hollywood, mental illness, and 20 years of online purchases.

 

The upcoming schedule for @Home series follows:

 

Inclusion & Allyship

Anti-racism Workshop with Belonging Specialist Tania Richard

Wednesday, May 7 at 6:30 PM Central (via Zoom)

Continuing work of the anti-racism movement, Belonging Specialist & Artistic Affiliate Tania Richard helps attendees with their journey.

 

Rubber Banned Book Club – Anne Frank's The Diary of a Young Girl

Tuesday, May 27 at 6:30 PM Central (via Zoom)

Featuring readings from The Definitive Edition of The Diary of a Young Girl by Ensemble member Dara Cameron and guest artist Atlie Gilbert.

 

Blues Views – The Artists of Golden Leaf Ragtime Blues

Tuesday, June 24 at 6:30 PM Central (via Zoom)

A discussion with playwright Charles Smith, director Chuck Smith, and actors Dawn Bach, Justin Banks, Dennis Cockrum, and James Sherman.

 

About American Blues Theater

Winner of the prestigious National Theatre Company Award from American Theatre Wing (Tony Awards). American Blues Theater is an Ensemble of artists committed to producing new and classic diverse stories that ask the question: "What does it mean to be American?"

The diverse and multi-generational artists have established the second-oldest professional Ensemble theater in Chicago. As of 2024, the theater and artists received 239 Joseph Jefferson Awards and nominations that celebrate excellence in Chicago theater and 44 Black Theatre Alliance Awards. The artists are honored with Tony Award and Pulitzer Prize nominations, Academy Awards, Golden Globe Awards, Emmy Awards and numerous other accolades. 

The Joffrey Ballet concludes its 69th season with two-time Tony Award®-winning choreographer Christopher Wheeldon's enchanting and family-friendly Alice's Adventures in Wonderland. Set to Joby Talbot's hallucinatory sound world of sweeping melodies and ticking clocks, the production features vibrant stagecraft and puppetry by Tony Award®-winning designer Bob Crowley, transforming Lewis Carroll's classic tale with a modern twist. The production run has been extended for the first time in the Company's history, with 14 performances across three weekends at the historic Lyric Opera House, 20 North Upper Wacker Drive, from June 5 to 22, 2025 (originally scheduled to close June 15). 

Based on Carroll's beloved story, Alice's Adventures in Wonderland takes audiences on a magical journey through a fantastical world filled with iconic characters, including the high-strung Queen of Hearts, the entrancing Caterpillar, and the tap-dancing Mad Hatter. Through a seamless fusion of humor, whimsy, and fantasy, Wheeldon makes Wonderland wonderfully real in this audience-favorite dance adventure.

A highlight of the year, the Joffrey is the first American company to bring Wheeldon's whimsical Wonderland to life. Premiering in 2011 at the Royal Opera House in London, the ballet has since toured internationally with some of the world's most prestigious ballet companies.

Renowned for blending popular culture with artistic brilliance, Wheeldon also choreographed The Joffrey Ballet's reimagined holiday classic The Nutcracker, celebrating its 10th anniversary this year. The Joffrey first collaborated with Wheeldon on Swan Lake in 2014.

"The Joffrey holds a special place in my heart. I can't think of a more fitting U.S. company to premiere Alice's Adventures in Wonderland," says choreographer Christopher Wheeldon. "The Joffrey dancers lead the way in storytelling through dance, approaching choreography with enthusiasm and energy. Their passion allows them to fully inhabit the zany and colorful characters of Wonderland. Each year, I'm in awe of their growth in The Nutcracker; it remains one of my proudest achievements. These dancers are artists of curiosity and great integrity."

 

The Mary B. Galvin Artistic Director Ashley Wheater MBE said, "Collaborating with Christopher is always extraordinary. We are honored to be the first American company to perform Alice's Adventures in Wonderland, a production that dazzles on every level. This spectacular finale to our record-breaking season bursts with theatricality, whimsical stagecraft, and inspiring design. The versatility, theatricality, and technical prowess of the Joffrey artists will bring the iconic characters of Wonderland to life in the most magical way."

 

President & CEO Greg Cameron added, "Alice's Adventures in Wonderland embodies the Joffrey's commitment to artistic excellence and accessibility. For the first time, we've added four extra performances to expand our Joffrey for All initiatives. These added performances provide more opportunities to engage with our Community Engagement partners and affiliated schools, offering equitable access to arts education for Chicago's youth. Wonderland is a joyful and imaginative showcase of the very best the Joffrey has to offer."

 

Alice's Adventures in Wonderland features live music performed by the Lyric Opera Orchestra, conducted by Scott Speck, Music Director of The Joffrey Ballet.

 

Special thanks to Alice's Adventures in Wonderland Producing Sponsor Margot and Josef Lakonishok; Presenting Sponsors Ethel Gofen, The Negaunee Foundation, and Sonja and Conrad Fischer; Major Sponsors Mary Jo and Doug Basler, Dancing Skies Foundation, Mr. and Mrs. Ronald V. Waters III, Audrey Weaver, and the Women's Board of The Joffrey Ballet; Production Sponsors Lynda Sue Lane, M.D., Holly Palmer Foundation, Jeanette Stevens, Richard and Diane Weinberg, and an anonymous Production Sponsor; and Costume Sponsor Jane Ellen Murray Foundation.

Tickets and Schedule
The Joffrey Ballet presents Alice's Adventures in Wonderland from Thursday, June 5–Sunday, June 22, 2025; the full performance schedule is as follows: Thursday, June 5 at 7:30PM; Friday, June 6 at 7:30PM; Saturday, June 7 at 2:00PM and 7:30PM; Sunday, June 8 at 2:00PM; Thursday, June 12 at 7:30PM; Friday, June 13 at 7:30PM; Saturday, June 14 at 2:00PM and 7:30PM; Sunday, June 15 at 2:00PM; Thursday, June 19 at 7:30PM; Friday, June 20 at 7:30PM; Saturday, June 21 at 2:00PM and 7:30PM; Sunday, June 22 at 2:00PM.

Tickets are available for purchase at the Lyric Opera Box Office located at 20 N. Upper Wacker Dr. by telephone at 312.386.8905, or online at joffrey.org.

About The Joffrey Ballet 
The Joffrey Ballet is one of the premier dance companies in the world today, with a reputation for boundary-breaking performances for 69 years. The Joffrey repertoire is an extensive collection of all-time classics, modern masterpieces, and original works.  

Founded in 1956 by pioneers Robert Joffrey and Gerald Arpino, the Joffrey remains dedicated to artistic expression, innovation, and first-rate education and engagement programming. The Joffrey Ballet continues to thrive under The Mary B. Galvin Artistic Director Ashley Wheater MBE and President and CEO Greg Cameron. 

The Joffrey Ballet is grateful for the support of its 2024-2025 Season Sponsors: Abbott Fund, Alphawood Foundation Chicago, Daniel and Pamella DeVos Foundation, The Florian Fund, Gallagher, Anne L. Kaplan, and Live Music Sponsors: Sandy and Roger Deromedi, Sage Foundation, Robert and Penelope Steiner Family Foundation, and The Marina and Arnold Tatar Fund for Live Music. The Joffrey also acknowledges Season Partners: Chicago Athletic Clubs, and Athletico Physical Therapy, official provider of physical therapy for The Joffrey Ballet. 

For more information on The Joffrey Ballet and its programs, visit joffrey.org. Connect with the Joffrey on FacebookInstagram, and LinkedIn

Chicago's Rivendell Theatre Ensemble continues to celebrate its 30th Anniversary season with the World Premiere co-production of Keiko Green's GORGEOUS, directed by Kirsten Fitzgerald. The co-production with Raven Theatre runs May 1 - June 7, 2025, at Raven, 6157 N. Clark St. The press opening is Wednesday, May 7, at 7:30pm. The season includes Rivendell's current production of No Such Thing, in a world premiere production by Lisa Dillman, directed by Malkia Stampley. Rivendell continues devising work on the Folded Map Project, Tonika Johnson's groundbreaking work that addresses segregation in Chicago with core artists for a summer writing workshop. Rivendell will also host Tonika's photography in its theatre lobby throughout 2025.

About GORGEOUS

Gorgeous, written by Keiko Green and directed by Kirsten Fitzgerald, features Stephanie Shum (Jenny) and Rivendell Theatre Artistic Director Tara Mallen (Bernie). The creative team includes: Mara Ishihara Zinky (Scenic Designer), Paloma Locsin (Props Designer), Maegan Pate (Costume Designer), Seojung Jang (Lighting Designer), Connor Wang (Sound Designer), Caroline Uy (Dramaturg), and JC Widman (Stage Manager).

Jenny has a simple life; she takes care of the elderly and shows dogs professionally. When her just-a-little-bit-older boyfriend Bill dies suddenly, all Jenny wants is to get rid of his stuff and continue to show his champion Bulldog, GORGEOUS. Enter Bernie, a tornado of a woman. Amid the boxes of things that made up Bill's life, Jenny and Bernie must find a way forward for themselves and the dog.

Tickets are on sale at www.raventheatre.com

Rivendell Artistic Director Tara Mallen comments, "We are thrilled to be bringing Keiko Green's fresh and unapologetic voice to Chicago with this co-production between Raven and Rivendell. With Rivendell's continued commitment to amplifying women's voices and Raven's history of championing and producing new work, our combined efforts make for a production that gets at the heart of this world premiere comedy. It has been an absolute delight to share resources with the wonderful artists at Raven and it has served as a great reminder that the truly the best way forward is through collaboration and community."

FACTS:

Dates: May 1 - June 7, 2025

Press Opening: Wednesday, May 7, 2025 at 7:30 p.m.

Schedule: Thursdays, Fridays, Saturdays at 7:30 p.m.; Sundays at 3 p.m.

Running Time: approximately 90 minutes with no intermission

Location: Raven Theatre, 6157 N. Clark St. in Chicago

Tickets: General Admission: $45; Previews $30 (May 1-4).

Discounts for students, seniors, military, and groups of 6 or more, are available. 

Pay-What-You-Can Performances: Saturday, May 3, Thursday, May 8, and Friday, May 23

Box Office: www.raventheatre.com 

ABOUT No Such Thing

The world premiere of No Such Thing by Rivendell Ensemble Member Lisa Dillman and directed by Malkia Stampley continues through April 27, 2025. Tickets are now available at Rivendell Theatre Ensemble, 5779 N. Ridge Avenue in Chicago, (773) 334-7728 or www.RivendellTheatre.org.

Ren was once a sought-after screenwriter. Now in late middle age, her career foundering, she finds herself at a crossroads of social and professional invisibility. Seeking the intimacy that's been missing from her friendly but sexless marriage without capsizing the rest of her life, she begins an intricately constructed affair that blends sex and storytelling. Fact and fiction collide.

No Such Thing looks at the question of what makes a life story and charts the unpredictable changes to that story in a society that tends to downsize women out of some of their most productive years.

The cast of No Such Thing includes RTE member Jessica Ervin (Olivia) with Susan Gosdick (Ren), Matt DeCaro (Ted), Cheryl Hamada (Marilyn) and Josh Odor (Fallon).

The creative team includes Lauren Nichols (Scenic Design), Evelyn Danner (Costume Design), Madeleine Reid (Lighting Design), Ethan Korvne (Sound Design), Lonnae Hickman (Props Designer), Shannon Golden (Production Manager), Kristi Martens (Stage Manager) and Autumn Dancy (Assistant Stage Manager).

Tara Mallen says, "No Such Thing is the absolute embodiment of Rivendell's 30 years of excellence – a new play developed through our Fresh Produce developmental series, featuring contributions from a cadre of genius artists, with a resonant story told from an all too often invisible perspective – a woman over sixty. We are delighted to offer Chicago yet another provocative and surprising work penned by our longtime ensemble member, Lisa Dillman, and cannot imagine a better way to kick off our thirtieth anniversary season!"

Title: No Such Thing

Written by: RTE member Lisa Dillman

Directed by: Malkia Stampley

Featuring: RTE member Jessica Ervin (Olivia) with Susan Gosdick (Ren), Matt DeCaro (Ted), Cheryl Hamada (Marilyn) and Josh Odor (Fallon).

Creative Team: Lauren Nichols (Scenic Design), Evelyn Danner (Costume Design), Madeleine Reid (Lighting Design), Ethan Korvne (Sound Design), Lonnae Hickman (Props Designer), Kristi Martens* (Stage Manager) and Autumn Dancy (Assistant Stage Manager).

Production Sponsor: Michael Litt

Dates: through April 27, 2025

Schedule: Thursdays at 8:00pm; Fridays at 8:00pm; Saturdays at 4:00pm and 8:00pm

Special added performances include: Monday, April 21 at 8:00pm (Industry Night); Sunday, April 27 at 3:00pm (Closing)

Tickets: $39 General Admission

$17 Student, Educators, Military/Veterans, Industry (Limited quantity, first-come, first-served); $28 Seniors; $49 Sponsor Admission (to help us pay artists fair wages by covering the full cost of a seat at the performance); $94 Angel Admission (1 Basic Admission, plus helping to cover discounted or free tickets to people who need them

Membership / Subscription: RIV Pass: $95 (see Rivendell productions and other events as often as desired)

Box Office: (773) 334-7728 or www.RivendellTheatre.org

ABOUT RIVENDELL THEATRE ENSEMBLE

Since 1994, Rivendell Theatre Ensemble has advanced the lives of women through theatre. Rivendell cultivates the talents of women artists—writers, actors, directors, designers and technicians—by seeking out innovative plays that explore unique female experiences and producing them in an intimate salon environment.

Rivendell employs women theatre artists, offers mind-expanding experiences with new voices and perspectives, and sparks dialogue and action on critical issues in the lives of women and their communities.

In our 30-year history, Rivendell has earned 12 Joseph Jefferson Awards and nearly four dozen nominations. We are recognized as a national force in new play development and a home for women theatre artists. We engage about 200 artists and 3,000+ audience members each year through our mainstage season and new work development.

For more information about Rivendell Theatre Ensemble, visit http://rivendelltheatre.org. Follow Rivendell on Facebook at Facebook.com/rivendelltheatre and on Instagram at @rivendelltheatre.

Rivendell Theatre Ensemble is supported by generous grants from: SIF Fund at The Chicago Community Trust; TERRA Foundation for American Art, Paul M. Angell Family Foundation; Shubert Foundation; Illinois Arts Council Agency; Bayless Family Foundation; The Gaylord and Dorothy Donnelley Foundation; Sarah and the 2 C Dogs and Amazing Edibles.

ABOUT RAVEN THEATRE COMPANY

Raven Theatre tells stories of today and the past that connect us to our cultural landscape. Through its plays, as well as its educational programming, Raven is committed to serving our communities' needs through the arts. Raven Theatre Company is funded in part by The Gaylord and Dorothy Donnelley Foundation, JCCC Foundation, Paul M. Angell Foundation, Polk Bros Foundation, S&C Electric Company Fund, and The Shubert Foundation. This project is partially supported by a CityArts grant from the City of Chicago Department of Cultural Affairs and Special Events. This programming is partially supported by a grant from the Illinois Arts Council Agency. For more information visit www.raventheatre.com

Chicago Shakespeare Theater (CST) announces today the cast of the North American premiere of the new musical 42 Balloons. From the multi-award-winning producers Kevin McCollum (Oh, Mary!, Rent), Andy Barnes and Wendy Barnes (SIX), and Sonia Friedman Productions (Merrily We Roll Along), 42 Balloons is an '80s-inspired musical based on the unbelievable true story of Larry Walters' daring lawn chair flight. The show is produced by Chicago Shakespeare Theater after an acclaimed UK run at The Lowry where it garnered audience and critical acclaim, including a five-star review from The Times which proclaimed the show as "whip-smart, funny, and unexpectedly but exceptionally touching." The musical features a book, music, and lyrics by Jack Godfrey, direction by Ellie Coote, and will run May 24–June 29, 2025, in The Yard at Chicago Shakespeare Theater.

Charlie McCullagh and Evelyn Hoskins star as Larry Walters and Carol Van Deusen, reprising their roles from the acclaimed UK run last year. They lead an ensemble cast that also includes Daniel Assetta, Kailin Brown, Devin Cortez, Cameron Anika Hill, Josh Hoon Lee, Minju Michelle Lee, Austin Nelson Jr., Morgan Schoenecker, Lucia Spina, and Akron Watson. Understudies include Julia Bain, Lacey Jack, Joshua Messmore, and Luke Nowakowski.

Inspired by an unbelievable true story, 42 Balloons is a soaringly original musical from the award-winning producers of SIX. On July 2, 1982, truck driver Larry Walters defied the odds (and FAA airspace regulations) to achieve his lifelong dream of flying. In a lawn chair attached to 42 weather balloons, Larry—supported by his girlfriend and a community of unlikely heroes—ascended 16,000 feet into the blue sky above LA, and from the moment he landed, their lives would never be the same. Featuring an irresistible '80s pop-inspired score, 42 Balloons is a funny, moving, and thrillingly staged new musical that asks: How far would you go for your dream... and how far would you be willing to fly?

Charlie McCullagh stars as Larry Walters, a role he originated last year at The Lowry. His credits also include the original West End cast of Bonnie & Clyde and the 50th anniversary tour of Jesus Christ Superstar, and he recently appeared in Apple TV's Prime Target. Evelyn Hoskins plays Larry's partner, Carol Van Deusen. Her West End credits include Dawn in WaitressSomething Rotten! and Spring Awakening. She has also appeared in Gypsy (Mill at Sonning), Assassins (Nottingham Playhouse/Watermill Theatre), and the US tour of Peter Pan, among many other credits. 

The ensemble cast also features Daniel Assetta (& Juliet on Broadway, New York City Center Encores! production of The Light in the Piazza), Kailin Brown (Velma Kelly, Chicago National Tour), Devin Cortez (Empire and Americano! at New World Stages, Hair at Two River Theater), Cameron Anika Hill (Elf and Dear Evan Hansen on Broadway, First National Tours of Oklahoma! and Summer: The Donna Summer Musical), Josh Hoon Lee (RENT at The MUNY, Pippin at Center of Creative Arts St. Louis), Minju Michelle Lee (Newsies at The REV Theatre Company), Austin Nelson Jr. (The Little Mermaid at Drury Lane Theatre, 1776 at Marriott Theatre), Morgan Schoenecker (Mary Poppins at Metropolis Performing Arts Centre, Legally Blonde at Music Theatre Works), Lucia Spina (Into The WoodsKinky BootsSouth Pacific, and more on Broadway), and Akron Watson (The Color Purple on Broadway, The Fortress of Solitude at The Public Theater). Understudies include Julia Bain, Lacey Jack, Joshua Messmore, and Luke Nowakowski.

"It's such a pleasure to be producing this truly life-affirming and original piece of musical theater at CST," shared Chicago Shakespeare's artistic director Edward Hall. "A story full of hope, an uplifting and infectious score, and a world shot through with '80s color. We're thrilled to be partnering with Kevin, Andy, Wendy, and Sonia to celebrate Larry Walters—one of America's greatest dreamers."

Creator Jack Godfrey said, "I'm unbelievably excited that 42 Balloons will be coming to Chicago Shakespeare Theater this year, particularly with its brilliant recent history of supporting, developing, and producing new musicals! I'm thrilled that we will have this amazing opportunity to take our show about big balloons and big dreams to the land where Larry Walters actually flew 42 years ago. I cannot wait to share this musical and this story with American audiences very soon."

"I instantly connected with Larry and his desire to fly beyond his own limitations," shared producer Kevin McCollum. "One of my favorite aspects of being a producer is being able to help shepherd work by new voices, and I was inspired by Jack Godfrey's ability to capture the specificity of this real-life story and transform it into a universal journey that soars to the heavens."

Creator Jack Godfrey is a musical theater composer, lyricist, and writer. His other projects include This Is A Love Story (music and lyrics, commissioned by Vicky Graham Productions, selected for BEAM2021, workshop at Birmingham Hippodrome in January 2024) and Babies (music and lyrics, winner of the BYMT New Music Theatre Award 2021, run at The Other Palace in 2024), which is currently nominated for the WhatsOnStage Award for Best New Musical.

Director and dramaturg Ellie Coote is the co-founder of Chalk Musical Theatre Dramaturgy. Additional credits include The Way Way Deep (Underbelly, The Edinburgh Festival Fringe) and Mario: A Super Musical (The Cockpit, Union Theatre). Workshop credits include Train On Fire (MT Fest), Bluff (Pint Of Wine), and Busk (Dare Festival). Coote is currently writing This Is A Love Story with Jack Godfrey (Vicky Graham Productions), and adapting a translation of Korean musical Red Book (IM Culture).

The production features orchestrations, arrangements, and musical supervision by Joe Beighton (SIX), choreography by Alexzandra Sarmiento (How to Succeed In Business Without Really Trying), scenic design by Milla Clarke (Mates in Chelsea), costume design by Natalie Pryce (VANYA), video design by Tony and Olivier Award winner Andrzej Goulding (Life of Pi), lighting design by Tony and Olivier Award nominee Bruno Poet (Tina – The Tina Turner Musical), and sound design by Grammy and Tony Award nominee Paul Gatehouse (SIX). The team also includes Patrick B. Philips (Music Director), Chels Morgan (Intimacy Director), Kate DeVore (Dialect Coach), Patrick Goodwin, CSA | The Telsey Office (New York Casting), Bob Mason (Chicago Casting), Billie Aken-Tyers (Associate Director), Camden Gonzales (Associate Choreographer), Tony DiBernardo (Associate Scenic Designer), Joseph Haggerty (Associate Sound Designer), Brendan Marble (Assistant Lighting Designer), Kailey Rockwell (Assistant Music Director), Jinni Pike (Production Stage Manager), Emma Franklin (Assistant Stage Manager), and Tuesday Thacker (Production Assistant).

42 Balloons is produced by special arrangement with Kevin McCollum, Andy Barnes and Wendy Barnes, and Sonia Friedman Productions in association with Debbie Hicks, Sam Levy,  KLIVE Entertainment Corp., Kenny Wax, and The Lowry.

More information at chicagoshakes.com/42balloons or on social media at @chicagoshakes. 

42 Balloons

By Jack Godfrey
Directed by Ellie Coote
May 24 – June 29, 2025
The Yard at Chicago Shakespeare Theater

PERFORMANCE LISTING 

  • Tuesdays at 7:00 p.m. (except May 27 and June 3)
  • Wednesdays at 1:00 p.m. and 7:00 p.m. 
  • Thursdays at 7:00 p.m. 
  • Fridays at 7:00 p.m. (except June 6)
  • Saturdays at 2:00 p.m. and 7:00 p.m.
  • Sundays at 2:00 p.m. 

Chicago Shakespeare strives to make its facility and performances accessible to all patrons. Accessible seating, assistive listening devices, large-print and Braille programs, and sensory tools are available at every performance. Enhanced performances include:

  • ASL interpreted performance – Friday, June 20 at 7:00 p.m. 

All dialogue and lyrics are translated into American Sign Language by two certified interpreters.

  • Audio-described performance – Sunday, June 22 at 2:00 p.m.

A program that provides spoken narration of a play's key visual elements for patrons who are blind or have low vision. Touch Tours provide patrons the opportunity to experience, firsthand, a production's design elements.

  • Open captioned performance – Wednesday, June 25 at 1:00 p.m. and 7:00 p.m.

A text display of the words and sounds heard during a play, synced live with the action onstage.

 

CREATIVE TEAM

Jack Godfrey - Writer
Ellie Coote - Director & Dramaturg
Joe Beighton - Orchestrator & Musical Supervisor
Alexzandra Sarmiento - Choreographer
Milla Clarke - Scenic Designer
Natalie Pryce - Costume Designer
Andrzej Goulding - Video Designer & Animator
Bruno Poet - Lighting Designer
Paul Gatehouse - Sound Designer
Patrick B. Philips - Music Director
Chels Morgan - Intimacy Director
Kate DeVore - Dialect Coach
Patrick Goodwin, CSA - New York Casting
Bob Mason -  Chicago Casting
Billie Aken-Tyers - Associate Director
Camden Gonzales - Associate Choreographer
Tony DiBernardo - Associate Scenic Designer
Joseph Haggerty - Associate Sound Designer
Brendan Marble - Assistant Lighting Designer
Kailey Rockwell - Assistant Music Director
Jinni Pike - Production Stage Manager
Emma Franklin - Assistant Stage Manager
Tuesday Thacker - Production Assistant

CAST

Daniel Assetta - Air Traffic Controller / Ensemble
Kailin Brown - Ensemble
Devin Cortez - Ensemble
Cameron Anika Hill - Ensemble
Evelyn Hoskins - Carol Van Deusen
Josh Hoon Lee - Ensemble
Minju Michelle Lee - The Kid / Ensemble
Charlie McCullagh - Larry Walters
Austin Nelson Jr. - David Letterman / Ensemble
Morgan Schoenecker - Ensemble
Lucia Spina - Margaret Van Deusen
Akron Watson - Ron Richland / Ensemble
Julia Bain - Understudy
Lacey Jack - Understudy
Joshua Messmore - Understudy
Luke Nowakowski - Understudy 

CHICAGO SHAKESPEARE THEATER (CST)

A Regional Tony Award recipient, Chicago Shakespeare Theater produces a bold and innovative year-round season that includes Shakespeare, original plays, musicals, family programming, and international theatrical events. CST is committed to serving as a cultural center across its three stages—the 700+ seat Yard, 500 seat Jentes Family Courtyard Theater, and the 200 seat Carl and Marilynn Thoma Theater Upstairs as well as in classrooms, neighborhoods, and venues around the world. CST has a deep commitment to education and lifelong learning with robust programming for students, teachers, and lifelong learners, and engagement with communities across the city. Onstage, in classrooms and neighborhoods across the city, and in venues around the world, Chicago Shakespeare is a multifaceted theater—inviting audiences, artists, and community members to share powerful stories that illuminate the complexities, ambiguities, and wonders of our world. www.chicagoshakes.com

Pegasus Theatre Chicago and Director ILesa Duncan proudly announce the casting for the revival of playwright Shay Youngblood's Shakin' the Mess Outta Misery, which follows "Daughter", who returns home to eulogize the last of the women who raised her in 1960s Georgia. Shakin' the Mess Outta Misery runs at the Chicago Dramatists' Russ Tutterow Theatre, 798 N. Aberdeen, from May 15 through June 15, 2025. Tickets are $15-$35 and can be purchased at pegasustheatrechicago.org. Group sales may be arranged by contacting This email address is being protected from spambots. You need JavaScript enabled to view it..

Audiences will engage with "Daughter" who, after losing her mother, is brought up by a community of women, some blood-related, some not. Her 'Big Mamas' prepare her for womanhood by sharing stories while the child re-lives vivid memories of growing up, recalling rituals, faith healings, and lessons she learned about survival, healing, deep faith, and mystery. 

Cast members include Caitlin DobbinsFelisha McNealAfrica BrownSharyon CulbersonStacie DoublinJustice FordDestynee McMichaels, and debrah neal. The creative team includes Harrison Ornelas (scenic), Josh Wroblewski (lights), Shawn Wallace (music direction), Steve Labedz (sound) Tanji Harper (choreographer), Marquecia Jordan (costumes), Sheryl Williams (TIE Consultant), Carrie Hardin (dialects), and Wendy Huber (props design). 

To honor playwright Shay Youngblood, who passed away in June of 2024, Pegasus Theatre Chicago dedicates this production to her and offers upcoming community engagement activities around healing and self-care. Supported by a grant from Healing Illinois, engagement activities and events will include a series of community Healing Circles, performance, and post-performance events from April through June 2025.  

About ILesa Duncan, Director

ILesa Duncan is Pegasus Theatre's Executive and Producing Artistic Director and the former Artistic Director and an Ensemble Member at Lifeline Theatre. At Pegasus, she has directed Dontrell, Who Kissed the Sea, and Jeff Award-nominated productions of EclipsedRutherford's Travels (co-adaptor), The Green BookFor Her as a Piano, and Blacula: Young, Black & Undead. At Lifeline, she directed the Jeff-nominated, Native Son, and Neverwhere, as well as From the Mississippi Delta, and Blue Shadow (2010 KidSeries Premiere). A producer, director, writer, educator, and theater-maker, Duncan is an avid collaborator on new work. She has worked with The Goodman, Writers Theatre, Congo Square, Rivendell Theatre Ensemble, Stage Left and Chicago Dramatists, as well as Contemporary American Theatre Company (Ohio), The Alliance Theatre (Atlanta), Arena Stage (Washington D.C.) and Lincoln Center Theater (New York). As an educator, she has led youth development and arts education programs in Chicago for more than 13 years. She is a past awardee of an NEA/TCG Directing fellowship and a 3 Arts Ragdale's Fellowship. She is a member of the Lincoln Center Theatre Director's Lab and the Chicago Director's Lab and is an associate artist with Chicago Dramatists (where she previously served as education and community engagement director).

About Shay Youngblood, Playwright 

Shay Youngblood penned novels, poetry, children's books, and plays, creating powerful Southern Black women characters who were unapologetically self-possessed and free in ways not typically seen in women characters in general, and Black women in particular, in the U.S. In 1989, Youngblood published her first book, The Big Mama Stories, which she adapted into the seminal play Shakin' the Mess Outta Misery. Youngblood lived all over the world, joining the Peace Corps after graduating from Clark Atlanta University and serving in Dominica, working as an au pair and model in Paris, and living in Japan as a U.S.-Japan Creative Artist Fellow. Throughout her travels, Youngblood built strategic partnerships with theatres and created opportunities for women artists.

About Shawn Wallace, Music Director

Shawn Wallace studied Music Theory and Composition at the University of Illinois at Urbana-Champaign and currently serves as Musical Director for two New Thought congregations: The Emmaus Center and the Namaste Center for Spiritual Living-Chicago. Shawn has worked for several years as a Teaching Artist throughout Chicago schools teaching record production and theatre tech.  Wallace's work with Pegasus Theatre includes composition and music direction for Rutherford's Travels, the 2017 production of Shakin' The Mess Outta Misery and with Ilesa on Middle Passage at Lifeline TheatreHe has worked with luminary artists such as Common, Ice Cube, Bobby Brown, Dwele, Johnny Gill, Jon B., Bilal, Estelle, Julie Dexter, Rene Neufville, Rakim, Eric Roberson, Maggie Brown, Ugochi and Cherisse Scott. 

About Tanji Harper, Choreographer 

Tanji Harper is a choreographer and teaching artist from the South Side of Chicago. Harper was trained by the Joseph Holmes Chicago Dance Theater, Chicago Dance Medium, Homer Bryant, and Joel Hall, and is an alumna of The Chicago Academy of the Arts under the instruction of Anna Paskevska, Winifred Haun, Claire Bataille, Roger Turner, and Randy Duncan. After high school, she trained in both Los Angeles and New York, then started dancing for both R&B and Hip Hop mainstream music acts. Her resume includes R. Kelly, Sparkle, Do or Die, Avant, and Busta Rhymes from 1997 to 1999. After touring and performing all over the country. Harper came home and began teaching in Chicago. She landed a life-changing position that would grow her into the position of Artistic Director at The Happiness Club and began piloting dance programs that grew into apprenticeships through After School Matters for Chicago Public School teens aged 14-18.

SCHEDULE

Previews: May 15th through 18th at 7 p.m.

Opening: Monday, May 19th at 7 p.m.

Regular Run: May 19th – June 15th

TICKET INFORMATION
Tickets are $35 for General Admission, $25 for seniors, and $15 for students ages 21 and under. Tickets to Shakin' the Mess Outta Misery  are on sale at https://ci.ovationtix.com/216/production/1225929 

About Pegasus Theatre Chicago

Pegasus Theatre Chicago is a professional, nonprofit theater that has been supporting Chicago's diverse community for over forty years in the promotion and development of new artists for the stage. Pegasus Theatre Chicago is invested in theatre that provokes dialogue and inspires a shift in thinking. Pegasus Theatre Chicago produces theatre that examines social issues and engages in arts education programs that develop the next generation of writers, thinkers, and game changers.

Steppenwolf's LookOut Series is pleased to announce its action-packed summer lineup of comedy, magic, storytelling, drag and more! The Summer 2025 Season includes captivating solo works from some of Chicago's most accomplished storytellers; showcases of comedy, theatre and puppetry artists; and a 50th year celebration from Ensemble Español Spanish Dance Theater.

The popular local talk show The Not That Late Show comes to Steppenwolf's 1700 Theater featuring comedy, music and interviews with a to-be announced notable Chicagoan. Soon after, puppet artist Vanessa Valliere shines in her show LOOK! LOOK!, a celebration of weirdos told in three vignettes. For cult film lovers, Mamma Mia! From Memory presented by Cold Shower Productions and Clue a Drag Parody hosted by Bambi Banks-Couleé are camping it up on stage to bring you hilarious takes on iconic movies.

And if that wasn't enough, the season kicks off with the triumphant Chicago return of Gender Play, or what you Will starring Will Wilhelm. Touted as an "incredibly original theatrical production," this two-week run re-claims the famous Bard's plays by highlighting the importance of queer joy, laughter and self-discovery.

With 40 performances of 17 engagements featuring hundreds of local artists, this summer is jam packed with offerings for everyone!

All LookOut performances take place in Steppenwolf's 1700 Theater, an intimate and flexible venue nestled behind Front Bar, 1700 N. Halsted St. in Chicago. Tickets, which range in price from $18 – $53*, are now on sale by visiting steppenwolf.org/lookout or by calling the Box Office at (312) 335-1650. *Pricing includes a $3 fee

The full Lookout Summer 2025 Season (in chronological order):

Gender Play, or what you Will
Co-Created by Will Wilhelm & Erin Murray
Performed by Will Wilhelm
Directed by Emily Tarquin & Produced by Brannon Bowers
Dates: 
Thursday, May 15 – Saturday, May 17 at 8 pm; Wednesday, May 21 – Saturday, May 24 at 8 pm
Sunday, May 18 at 3:30 pm
Ticket Price: $38
Description: Will invites you to an impromptu party to celebrate their new friendship with one of the oldest and queerest playwrights of the English language – William Shakespeare! Total besties Will & Will reclaim the Bard's old plays in all their original homoerotic, cross-dressing, gender-fluid glory. Following a wildly successful run with About Face Theatre in 2023, Gender Play, or what you Will returns to Chicago for another mystical journey of queer joy, laughter, tarot and self-discovery.

Gender Fucked Productions Presents:
Trans Scribe: A New Works Festival
Dates: 
Friday, June 6 and Saturday, June 7 at 8 pm
Sunday, June 8 at 7 pm
Ticket Price: $28 – $43
Description: Trans Scribe is a new play festival like you've never seen before. This three-night event features 10-minute plays, new musical theatre songs, a new one act musical, a new one act play and a new full length play all written by Trans playwrights that call Chicago home.

Black Best Friend
By Colette Gregory
Dates: 
Thursday, June 12 – Saturday, June 14 at 8 pm
Ticket Price: $25
Description: This one-woman show hilariously dissects Black media tropes with satirical sketches, comedic songs and recognizable characters. Colette Gregory deconstructs sexuality, religion and everything from Black Conservatives to Love is Blind contestants.

Stir Friday Night Presents:
Rice to the Occasion
An AAPI Comedy Showcase
Dates: 
Friday, June 20 and Saturday, June 21 at 8 pm
Ticket Price: $28
Description: For 30 years Stir Friday Night, Chicago's longest-running AAPI comedy team, has been making people laugh. This show is no exception. As they gear up for their milestone 30th anniversary sketch revue in the fall, Stir Friday Night has roped some of their best and funniest ensemble members for Rice to the Occasion, an evening of sizzling, flavorful comedy. MSG included.

Betty Theft Presents:
CROOKED

Dates: 
Thursday, June 26 at 8 pm
Featuring: Betty Theft, Bambi Banks-Couleé, Irregular Girl, Ramona Slick, Celeste, Penis Envy, Lezbian Minnelli and Mister Mistress
Ticket Price: $23
Description: CROOKED is an alternative drag revue that celebrates the dark, bizarre and uncanny. Hosted by Betty Theft, CROOKED invites you to come take a peek at what lurks behind the curtain...

Paige Thompson Presents:
Magic Through the "Paige's"

Dates: 
Saturday, June 28 at 8 pm
Sunday, June 29 at 7 pm
Ticket Price: $33
Description: Witness a one-of-a-kind magic show with award-winning magician Paige Thompson as she takes an audience through the chapters of her magical life. Each trick reveals a new "Paige" of her journey, from childhood performances to the moments that shaped her magical career.

80 Minutes Around the World: Immigration Stories
Produced and hosted by Nestor "THE BOSS" Gomez
Dates: 
Saturday, July 5 and Saturday, July 6 at 8 pm
Ticket Price: $28
Description: 80 Minutes Around the World: Immigration Stories showcases stories by immigrants, refugees and allies on their immigration experiences. Founded by 60+ time Moth Story Slam winner Nestor Gomez, each performance brings together a wide breadth of participants including storytellers, writers, comedians and other performers.

Sex, Race & Jesus
By R.C. Riley
Directed by Emmi Hilger Dates: 
Friday, July 11 and Saturday July 12 at 8 pm
Ticket Price:
 $23
Description: Sex, Race & Jesus is a story of trial and triumph. R.C. Riley takes a journey through three relationships: with their body, their soul and their higher power. This introspective and raw show is a depiction of intimacy intertwined with personal revelations and powerful convictions.

The Not That Late Show
Dates: 
Thursday, July 17 at 8 pm
Ticket Price:
 $23
Description: The Not That Late Show is a late night talk show for Chicago, by Chicago. For one night only The Not That Late Show staff creates comedic material inspired by local and national news, internet happenings and whatever else is on their mind!

Karaoke Storytellers
Dates: 
Saturday, July 19 at 8 pm
Ticket Price:
 $23
Description: Music affects each of us individually, and the emotions we associate with a song are determined by our specific history. Karaoke Storytellers lends a microphone to four Chicago entertainers who have a story to tell about a song that means something to them – and then they might just sing it, too.

LOOK! LOOK!
By Vanessa Valliere
Featuring Lindsey Noel Whiting Dates: 
Thursday, July 24 – Saturday, July 26 at 8 pm
Ticket Price:
 $28
Description: Three vignettes, two actors, one circus slug, a load of puppets, a bit of clown, a big dance number and a ukulele. Fresh off a sold out run at the Chicago International Puppet Theater Festival, LOOK! LOOK! is a celebration of the gross and beautiful, the sweet and creepy, the euphemistic and earnest and – most importantly – the weirdos.

Cold Shower Comedy Presents:
Mamma Mia! From Memory: If She's Mamma, and I'm Mia, Then Who's Flying The Plane?
Dates: 
Thursday, July 31 at 8 pm
Ticket Price:
 $23
Description: Cold Shower Comedy, once again, tasks itself with the challenge of recreating a movie with zero reference to the source material. Armed with some BFAs and childhood memories, they will retell the story of three dads, one diary and countless 1970's disco classics.

Rat Mass
Dates: 
Saturday, August 2 at 8 pm
Ticket Price:
 $18 – $28
Description: At Rat Mass, we worship rats. Through comedy, performance art and audience participation, you will become indoctrinated into a world of shadows and trash. Join the mass for music, rituals and games to rid yourself of your human woes and unleash your inner creature. *This show is for audiences 21 and over.

"Dear Steve...it's Allie"
Featuring Allie N Steve Mullen Dates: 
Friday, August 8 and Saturday, August 9 at 8 pm
Ticket Price:
 $13 – $53
Description: "Dear Steve...it's Allie" is a solo theatrical autobiography and narrative concert told with songs and stories and pictures. Allie plays the piano and mountain dulcimer while she talks to Steve about the heartland boy and devoted father she watched from a distance, and the life she now lives as a trans elder, composer and artist.

You're Being Ridiculous: GIRL, BYE
Dates: 
Thursday, August 14 – Saturday, August 16 at 8 pm
Saturday, August 16 at 3:30 pm
Ticket Price:
 $30
Description: At You're Being Ridiculous, real people tell true stories about their lives. Each performance is linked by rotating themes, and by the desire to make you laugh... and, once in a while, cry. This time we're taking the garbage out and saying GIRL, BYE to all of life's annoyances. Join us as we take it to the curb.

Ensemble Español Spanish Dance Theater Presents:
Flamenco Tablao
Dates: 
Friday, August 22 and Saturday, August 23 at 8 pm
Ticket Price:
 $33 – $53
Description: Join Ensemble Español Spanish Dance Theater as they kick off their Golden 50th Anniversary Celebration as the premier company and center of Spanish dance and music in Chicago. In Flamenco Tablao, the Ensemble will present a suite of passionate and expressive Flamenco dances and music from the southern part of Spain with Andalusian Roma, Latin American and Caribbean influences. The program features dancers from the company with guest musicians.

Bambi Banks-Couleé Presents:
Clue a Drag Parody
Dates: 
Thursday, August 28 – Saturday, August 30 at 8 pm
Ticket Price:
 $28
Description: Clue a Drag Parody is a murder mystery farce starring some of Chicago's best and brightest queens. Whether it's Mrs. White in the ballroom with the candlestick or Colonel Mustard in the library with the rope, come ready to solve the mystery of this whodunit!

Accessibility:

Steppenwolf's 1700 Theater is equipped with an induction hearing loop and assistive listening devices (ALDs) are available upon request. Our building features wheelchair-accessible seating and restrooms, push-button entrances, a courtesy wheelchair, and all-gender restrooms, with accessible counter and table spaces at our bars. For additional information regarding accessibility, visit steppenwolf.org/plan-your-visit/accessibility or e-mail This email address is being protected from spambots. You need JavaScript enabled to view it..

Sponsor Information

The LookOut Series is supported in part by the Walder Foundation. United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf salutes lead sponsors Allstate Insurance Company, Paul M. Angell Family Foundation, Crown Family Philanthropies, Caroline and Keating Crown, Good Chaos, John Hart and Carol Prins, Joyce Foundation, Lefkofsky Family Foundation, Northern Trust, Anne and Don Phillips, Pritzker Traubert Foundation, Shubert Foundation, Inc, Walder Foundation, and Zell Family Foundation. Steppenwolf also acknowledges generous support from premier sponsors ArentFox Schiff, Andrew and Amy Bluhm, Ann and Richard Carr, Chicago Community Trust, Conagra Brands Foundation, Steven and Nancy Crown,  CRC Group, Julius Frankel Foundation, FROST CHICAGO, Kirkland & Ellis, Harold and Mimi Steinberg Charitable Trust, The Orlebeke Foundation, Polk Bros. Foundation, Sacks Family Foundation, Smart Family Foundation of Illinois, Gary Sinise Foundation, and Vinci Restaurant. Steppenwolf also acknowledges support from the Illinois Arts Council. This project is partially supported by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events.

About Steppenwolf Theatre Company:

Steppenwolf Theatre Company is the nation's premier Ensemble Theater with 49 members who are among the top actors, playwrights and directors in the field. Thrilling, powerful, groundbreaking productions - from Balm in Gilead and Grapes of Wrath to August: Osage County, Downstate and The Brother/Sister Plays - have made this theatre legendary. Founded in 1976, Steppenwolf started as a group of teens performing in the basement of a church. Today, the company's artistic force remains rooted in the original vision of its founders: an artist-driven theatre, whose vitality is defined by its appetite for bold and innovative work. Every aspect of Steppenwolf is rooted in its Ensemble ethos, from the intergenerational artistic programming to the multi-genre performance series LookOut, to the nationally recognized work of Steppenwolf Education and Engagement which serves nearly 15,000 teens annually. While grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf also holds accolades that include the National Medal of Arts, 12 Tony Awards, and more. Led by Artistic Directors Glenn Davis and Audrey Francis, Executive Director Brooke Flanagan and Board of Trustees Chair, Keating Crown - Steppenwolf continually redefines the landscape of acting and performance.

Steppenwolf's Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. steppenwolf.orgfacebook.com/steppenwolftheatretwitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.

Chicago Shakespeare Theater (CST) Artistic Director Edward Hall and Executive Director Kimberly Motes announce today the 2025/26 Season. As the nation's largest year-round theater dedicated to the works of Shakespeare, CST is committed to creating vivid, entertaining theatrical experiences that invigorate and engage people of all ages and identities by illuminating the complexity, ambiguity, and wonder of our world. This season, CST will produce two world premieres, three North American premieres, six Shakespeare and Shakespeare-adjacent productions, and present work from England, Ethiopia, and New Zealand for a total of 12 productions across all three stages. CST is deepening its commitment to its namesake playwright: out of a total of 358 performances this season, more than 50% are written or inspired by Shakespeare, including the return of the Royal Shakespeare Company.

The 2025/26 Season begins this summer with high-flying entertainment for audiences of all ages with Circus Abyssinia: Ethiopian Dreams; the world premiere of Billie Jean, a new play from Lauren Gunderson about sports icon and equality champion Billie Jean King; and free performances of Shakes in the City: A Midsummer Night's Dream in green spaces and neighborhood events throughout Chicago. The fall kicks off with a major new production of the musical revue Ain't Misbehavin': The Fats Waller Musical Show as Richard Maltby, Jr. and André De Shields reinvent this Tony Award-winning celebration of the music and spirit of Fats Waller. CST will produce the world premiere of Q Brothers Collective's satirical new "add-rap-tation" of Shakespeare's Julius CaesarRome Sweet Rome. Just in time for Halloween, CST launches the North American premiere of Paranormal Activity: A New Story Live on Stage, a thrilling new play from Chicago's Levi Holloway inspired by the world of Paramount Pictures' global horror phenomenon. For the holidays, Shakespeare's wittiest rom-com Much Ado About Nothing sparks joy in a new staging from acclaimed director Selina Cadell. Artistic Director Edward Hall directs Short Shakespeare! Hamlet for nearly 20,000 students in addition to public performances. The Royal Shakespeare Company returns as part of CST and RSC's ongoing artistic partnership with Hamnet, launching a US tour. CST produces Shakespeare's glorious comedy The Merry Wives of Windsor, staged by leading Shakespeare director Phillip Breen. Direct from New Zealand, audiences are invited to Mrs. Krishnan's Party, an immersive experience from Indian Ink Theatre. CST closes the season with the North American premiere of a new play: Brokeback Mountain, the heartbreaking love story based on the novella that inspired the Academy Award-winning film.

"Here at CST, we draw so much inspiration from the stories of Shakespeare and our Chicago community," said Edward Hall, Artistic Director. "In thinking about our 2025/26 Season, I was reminded of the quote from Cymbeline, 'boldness be my friend.' It says so much about looking outward, reaching for something ambitious, trying to create and build and serve something bigger than yourself. This upcoming season is bold—and promises to entertain, invigorate, and engage you with unforgettable stories that remind us of our shared humanity."

"Chicago Shakespeare Theater has a rare geographic vantage point which inspires a wide perspective," shared Kimberly Motes, Executive Director. "We look out at the expanse of Chicago and its 77 neighborhoods—and it challenges us to create work that reflects this vibrant city. And to the other side, we see the horizon line of the gorgeous Lake Michigan, encouraging us to look beyond—bringing the world to Chicago and sending Chicago out into the world. Our 2025/26 Season reflects this exactly with the work we are producing and the breadth of voices we share on our stages."

The 2025/26 Season

The world-famous Circus Abyssinia comes to Chicago Shakespeare Theater this summer for a limited engagement. Circus Abyssinia: Ethiopian Dreams (July 10–August 3, 2025 | The Jentes Family Courtyard Theater) astounds with heart-stopping acrobatics, stunning feats of juggling, high-flying hilarity, and death-defying tricks—all set to the irresistible beats of Ethiopian music. Inspired by the story of its creators, brothers Mehari "Bibi" Tesfamariam and Binyam "Bichu" Shimellis, the tale follows Little Bibi and Little Bichu who dream of joining the circus. Throughout their journey, they are joined by a host of circus dreamers whose acts of acrobatic daring call up a world of rushing adventure that awakens the possibility of the first Ethiopian circus made by and for Ethiopian artists. This soaring spectacle is the perfect, unforgettable outing for audiences young and old alike. The Times (UK) gave it four stars, calling it "sensational entertainment." TheaterMania declares, "Some of the most talented jugglers, tumblers, and contortionists you're likely to ever see...a journey worth taking." 

Creators Mehari "Bibi" Tesfamariam and Binyam "Bichu" Shimellis shared, "We're beyond excited to partner with Chicago Shakespeare Theater to share the joy, energy, and magic of Circus Abyssinia: Ethiopian Dreams with new audiences. This show is a celebration of Ethiopian culture, storytelling, and breathtaking circus artistry—an unforgettable journey filled with heart-pounding acrobatics and boundless dreams."

Beginning in July, Chicago Shakespeare Theater produces the world premiere of Billie Jean (July 18–August 10, 2025 | The Yard), an electrifying new play about Billie Jean King: a visionary, a pioneer, a woman who changed the world. Following her path to becoming a sports icon, from her record-breaking victories to her relentless fight for equal pay and equal rights, Billie Jean explores the cost of public battles and private struggles—bringing us closer than ever before to a woman whose battle for identity and equality inspired and continues to inspire generations. This new play is written by Lauren Gunderson, one of the most-produced playwrights in America and two-time winner of the Steinberg/ATCA New Play Award (I and You, The Book of Will). Marc Bruni—director of Broadway's The Great Gatsby and Beautiful: The Carole King Musical—stages this empowering new look at a living legend who shattered glass ceilings on and off the court. 

Playwright Lauren Gunderson said, "CST is the perfect place to launch this new play about Billie Jean King, her activism, and her ongoing impact on the world. Her story is a hero's journey, and the house of Shakespeare's heroes is a fitting home for this theatrical debut about excellence, equality, and heart. We want this play to be an exploration of contrast: instantly recognizable and also deeply surprising; athletic and also theatrical; heartfelt and heroic. I am honored and thrilled to have Billie Jean be a part of CST's season."

Shakespeare's dreamiest romantic comedy is brought to vibrant new life with free performances and activities in green spaces, neighborhood festivals, and events across the city with Shakes in the City: A Midsummer Night's Dream (July 19–August 17, 2025 | sites across Chicago). Now in the second year of the annual free initiative, join Puck and his feisty fairy band for Shakespeare at his most whimsical and fun—packed into just 45 minutes! A quartet of love-sick young people are joined by a motley crew of theatricals, a fairy King and Queen in an epic showdown, and a talking donkey to boot. Delight in the exhilaration and hilarity of young love as the chaos of magic and enchantment turns the world upside down. Adapted and originally staged by CST Artistic Director Edward Hall, who brings his signature clarity in storytelling and a playful staging to the comedy, this Midsummer treat now comes directly to Chicagoans across the city after a successful run played for students this winter. Dates, locations, and special programming to be announced soon.

Edward Hall stated, "Taking this vivacious, energetic and life affirming comedy onto the streets and into the neighborhoods of Chicago is a dream for Shakespeare's Dream. I am so looking forward to renewing our relationship with the many different communities of Chicago, a city that explodes with summer energy and life whenever the sun shines and people gather."

Richard Maltby, Jr.—Tony, Olivier, and Outer Critics Circle Award winner and the production's original creator and director—teams up with André De Shields—Emmy, Grammy, and Tony Award winner and member of the original 1978 Broadway cast—to reimagine, reframe, and direct a new production of the Tony Award-winning musical, Ain't Misbehavin': The Fats Waller Musical Show (September 3-28, 2025 | The Yard). Set in the golden age of the Harlem Renaissance in the '20s and '30s, this infectiously joyful Fats Waller tribute celebrates the enduring spirit of Black artistry as a multi-talented cast of five performs more than 30 hit songs from Waller and other artists—including "The Joint is Jumpin'," "Honeysuckle Rose," and the title track "Ain't Misbehavin'." CST produces this fresh, new production that goes straight to the heart of Waller's music, brought to life by the extraordinary artists who began it all. The New York Times declared that the revue, "moves with the zing and sparkle of a Waller recording—filled with bright melodies and wonderfully lighthearted rhythms, counterpointed by the comments and asides."

Co-director Richard Maltby, Jr. said, "The creation of Ain't Misbehavin', often referred to as the greatest musical revue of all time, was marked by so many accidents, coincidences, and magical surprises that, even while it was happening it felt to us creating it that the show was somehow blessed. What was intended to be pure entertainment turned out—because it was based on Fats Waller's life, art, and gargantuan personality—to suddenly have acquired a deeper significance that transcended a mere revue, and conjured up the story, the humanity, and the entire zeitgeist of the Harlem Renaissance. Now, nearly 50 years later, André De Shields and I are grateful to the Chicago Shakespeare Theater for the opportunity to release the magic to happen again as we bring a brilliant new cast into the creative process and reimagine the show for audiences today."

Co-director André De Shields added, "We artists/activists, who embrace the discipline of theater as a way to life, understand that the journey is taken in search of the eternal. Our souls are nourished and our senses informed by the unique communities we either encounter or create as we seek. When, in June of 1978, Ain't Misbehavin' opened on Broadway—winning the Tony Award for Best Musical—it was confirmation of the journey I had begun nearly a decade earlier in Chicago during the summer of 1969. I return to Chicago to celebrate. Lesson: theater as a way of life is finite; theater as a way to life is in-finite."

CST is excited to partner with Q Brothers Collective (GQ, JQ, JAX & POS) to debut their satirical new "add-rap-tation" of Shakespeare's Julius CaesarRome Sweet Rome (September 23–October 19, 2025 | The Jentes Family Courtyard Theater), created and directed by Q Brothers Collective (GQ, JQ, JAX & POS). The Collective returns once again to Chicago Shakespeare Theater after more than a decade of successful collaborations, including Othello: The RemixFunk It Up About Nothin', and Q Brothers' Christmas Carol. Hailed by MTV as "nothing short of brilliant," their work blends hip hop and theater—adapting classic stories with a wholly original style of performance that has amassed a cult following of fans in Chicago and beyond. Igniting Julius Caesar with the pulse of '90s hip hop and New Jack Swing, Rome Sweet Rome infuses Shakespeare's political intrigue with bold satire and electrifying beats. Razor-sharp wit collides with revolutionary rhythm, proving that power struggles never go out of style.

Q Brothers Collective (GQ, JQ, JAX & POS) shared, "We're excited to be back home at Chicago Shakes. Rome Sweet Rome is just us doing what we love—celebrating and satirizing Shakespeare, and the world at large."

In October, Chicago Shakespeare Theater launches the North American premiere of Paranormal Activity: A New Story Live on Stage (October 15–November 2, 2025 | The Yard). An original story set in the world of Paramount Pictures' terrifying film franchise, James and Lou move from Chicago to London to escape their past—and the rest is to be revealed. The haunting thriller is written by celebrated Chicago-based playwright Levi Holloway, a Red Orchid Theare ensemble member whose Tony-nominated Grey House premiered on Broadway in 2023. The production is directed by Felix Barrett, pioneering founder and artistic director of the acclaimed Punchdrunk—whose immersive Sleep No More played more than 5,000 performances in a record-breaking 14-year run. Paranormal Activity's UK premiere was hailed "a delicious mix of fear and excitement" (North West End)—urging "make sure you have someone's hand to hold" (Yorkshire Times). CST's North American premiere production is perfectly timed for the lead-up to Halloween, and audiences can turn up their fear factor with a special late night showing on October 31. Paranormal Activity is produced in a co-production with Center Theatre Group, American Conservatory Theater, and Shakespeare Theatre Company.

Playwright Levi Holloway shared, "Writing Paranormal Activity for the stage, collaborating with Felix Barrett in London—working to create an actual nightmare—has been a dream. We strived to create something impossible, mixing the familiar with the uncanny, heart with horror. Chicago audiences have a nose for honesty on stage and little patience for anything else. They'll find it here, right alongside all the mischief we've made to trouble their sleep."

Just in time for the festive holiday season, CST stages Shakespeare's original rom-com, Much Ado About Nothing (November 16–December 21, 2025 | The Jentes Family Courtyard Theater). CST welcomes back acclaimed director Selina Cadell, who most recently staged the record-breaking solo theatrical performance of Hamlet from Eddie Izzard, which played to sold-out houses at CST in 2024 as well as in NYC and London. One of the most sought-after directors in the UK, Cadell's extensive directing credits include Charles Dickens' Great Expectations (New York and London), Love for Love (RSC), and The Life I Lead (West End). In this wittiest of comedies, we meet Beatrice and Benedick: two ferociously independent individuals who have steadfastly avoided sharing their lives with anyone but themselves. Set against the backdrop of romantic Italy, they both finally fall for each other despite their best efforts to remain single. It's a warm-hearted ode to the power of love and the joy of partnership.

Director Selina Cadell stated, "In a turbulent world, where charm turns on a dime to hot headed decisions and disproven assumptions, Much Ado About Nothing is a play for our times, reflecting the tangles of a powerful patriarchy and the wrongful accusations made when power and reputation take precedent over listening and truth. Shakespeare balances this tragic lens with comedy and compassion, as Beatrice and Benedick guide themselves and us through the obstacles that can thwart enduring love."

CST will welcome nearly 20,000 middle and high school students from across the region to 35 student matinee performances of Short Shakespeare! Hamlet (January 27–February 28, 2026 | The Jentes Family Courtyard Theater). Directed by Artistic Director Edward Hall, this production marks CST's first-ever abridged staging of William Shakespeare's most famous play. Reeling from grief, the young Prince of Denmark navigates the loss of his father, his mother's betrayal, and relationships torn apart—offering a chance for today's young people to see themselves and their experiences reflected through a 400-year-old story. CST's education programming extends the performance's impact into the classroom with dedicated teacher workshops and curriculum resources designed to support the development of students' crucial skills, including social-emotional competencies, critical literacy, and meaningful collaboration. In addition to the five-week run of school matinees, this 75-minute production will offer 6 additional public performances on Saturdays.

Edward Hall noted, "Hamlet was written at a time of such great uncertainty and turbulence, making this an electric moment to delve back into his story of family, politics, and identity. After my experience directing Short Shakespeare! A Midsummer Night's Dream, I relish the opportunity of sharing Hamlet with a young audience that has so much to teach me about the world in which I live."

The world-renowned Royal Shakespeare Company (RSC) returns to CST as part of our ongoing artistic partnership to launch the US tour of their acclaimed Hamnet (February 10–March 8, 2026 | The Yard). When the plague steals 11-year-old Hamnet from his loving parents, Agnes and William Shakespeare, they must each confront their loss alone. And yet, out of the greatest suffering, something of extraordinary wonder is born. Experience the US premiere of the Royal Shakespeare Company's "elegant and beguiling" (London's Evening Standard) stage adaptation of Maggie O'Farrell's best-selling novel, adapted by award-winning playwright Lolita Chakrabarti (whose Hymn opens at CST in May 2025), and directed by Erica Whyman. Pulling back a curtain on the story of the greatest writer in the English language and the woman who was the constant presence and purpose of his life, Hamnet is a love letter to passion, birth, grief, and the magic of nature. The RSC's production originally opened in the Swan Theatre in Stratford-upon-Avon in 2023 and transferred to the Garrick Theatre in London's West End.

RSC co-Artistic Directors Daniel Evans and Tamara Harvey shared, "We are delighted to be returning to Chicago Shakespeare Theater where we were welcomed so warmly when we brought Shakespeare's Pericles to audiences on Navy Pier last year, marking the RSC's first visit to the city in 30 years. It's wonderful to be coming back in 2026 with Lolita Chakrabarti's beautiful adaptation of Maggie O'Farrell's Hamnet, which offers a compelling new perspective on Shakespeare through the eyes of Agnes Hathaway and their children. We can't wait to share this intimate and moving story with US audiences."

Playwright Lolita Chakrabarti added, "I am so excited to bring Hamnet to CST. As a theater steeped in Shakespeare and new work, this play offers both in one show. Hamnet brings to life the Shakespeare family—William, his sister and their parents, Agnes, his wife, and their three children. You will see why William went to London and discovered the theater, how his family lived without him and how the profound loss of a child gave us one of the most important plays in the western world. Hamnet is a heartwarming and heartbreaking exploration of family, loss, and the stories we tell ourselves in order to survive."

In the spring, audiences will delight in Shakespeare's glorious comedy The Merry Wives of Windsor (April 2–May 3, 2026 | The Jentes Family Courtyard Theater). The production is directed by foremost Shakespeare authority Phillip Breen, who has quite literally written the book on Merry Wives. His seminar for the Shakespeare Institute—Walking in A Windsor Wonderland: Some Ramshackle Reflections on Directing Shakespeare's Greatest Comedy—examines his creative sensibilities around a story that he considers exemplary of Shakespeare's comedic genius. An Associate Artist at the RSC, Breen's eclectic range of work expands beyond theater to encompass opera, musicals, and cabaret, as well as being a regular collaborator with Vivienne Westwood for London Fashion Week. In the middle-class and very English hamlet of Windsor, joyous revelry abounds as the ladies of the town—the ebullient Mistress Page and Mistress Quickly—band together to have the last laugh over the lewd, but loveable, Falstaff.

Director Phillip Breen shared, "I am thrilled to be making my debut at Chicago Shakespeare Theater, one of the great Shakespeare Theaters of the world, under exciting new artistic directorship. Edward Hall is a director whose work I have greatly admired for a very long time, I am hugely looking forward to collaborating with him and the whole CST team. Merry Wives is by far Shakespeare's funniest play, mainly because it is his most subversive, as well as being his most (egregiously and erroneously) underrated. It smuggles heresy into its chocolate box English setting like a late Elizabethan copy of Samiszdat. You know... all the things you shouldn't talk about in public. Sex. Class. Money. Politics. Can there have been a better time to examine the repressed sadism of the monied bourgeoisie?"

Bringing the world to Chicago, CST presents Indian Ink Theatre's joyfully immersive Mrs. Krishnan's Party (April 7–26, 2026 | Carl and Marilynn Thoma Upstairs Studio) from New Zealand. Step into the back room of Mrs. Krishnan's corner shop where garlands decorate the ceiling, music flows, and Mrs. Krishnan is throwing a party like no other. Food simmers on the stove, laughter abounds, and strangers become friends in this celebration of life created by Jacob Rajan and Justin Lewis, who also directs. The actors juggle cooking, music, and guests in an unfolding drama where no two nights are the same. The New Zealand Herald raved, "the show's generous spirit offers a timely reminder that live theater is a gift which engenders connection, sharing, and celebration of community" and Waikato Times called it "so original, so creatively fresh, and so much fun no one wanted to go home." This production marks the Chicago debut of New Zealand's acclaimed Indian Ink Theatre Company, which for more than two decades has mined the collision of East and West to create spirited, artful storytelling under the creative partnership of Rajan and Lewis. 

The show's co-creators Jacob Rajan and Justin Lewis said, "We're thrilled to bring Mrs. Krishnan's Party to Chicago Shakespeare Theater. This show breaks the fourth wall, the fifth wall, and probably a few rules—all in the name of joy, connection, and an almighty good time. It's not every day theater serves food for the belly and the soul. I mean, where else can you experience heart-in-your-mouth storytelling and dancing on tables in the same night?"

CST closes the season with the North American premiere production of Brokeback Mountain (May 28-June 28, 2026 | The Jentes Family Courtyard Theater)Ashley Robinson's new adaptation of Annie Proulx's captivating novella that inspired the Academy Award-winning film. The story is set in Wyoming 1963, a wild landscape of extreme rural poverty and insular conservative communities. When Ennis and Jack take jobs on the isolated Brokeback Mountain, all their certainties of life change forever as they flounder in unexpected emotional waters of increasing depth. Directed by Jonathan Butterell, this intense tale of an irresistible and hidden love spans 20 years and is interwoven with soulful, original Country Western songs by Dan Gillespie Sells (Everybody's Talking About Jamie), performed live onstage. The play's 2023 debut on London's West End was a runaway hit, called "electrifying" by the Sunday Express, and "compelling" by The Guardian

Playwright Ashley Robinson said, "I'm thrilled that Chicago Shakespeare will host the US Premiere of Brokeback Mountain. Chicago is the perfect city in which to premiere this working-class story of star-crossed lovers. I'm looking forward to bringing the play home, at a time when this beloved story feels more resonant and needed than ever."

Author of the novella Annie Proulx shared, "Brokeback Mountain has been recreated in several different forms, each with its own distinctive moods and impact. Ashley's script is fresh and deeply moving, opening sight lines not visible in the original nor successive treatments. The story has always projected a sense of the difficult fated solitudes that echo in Wyoming's tawny landscapes. The joinery of script, actors, director, theatre, audiences becomes a complex watershed of dozens of mountain streams finally merging into a river of sensibility."

 

ABOUT CHICAGO SHAKESPEARE THEATER

Chicago Shakespeare Theater (CST) is a leading international theater company and the nation's largest year-round theater dedicated to the works of Shakespeare. Under the visionary leadership of Artistic Director Edward Hall and Executive Director Kimberly Motes, the Regional Tony Award recipient is committed to creating vivid, entertaining theatrical experiences that invigorate and engage people of all ages and identities by illuminating the complexity, ambiguity, and wonder of our world. Each year, nearly a quarter of a million people experience CST's artistry through more than 12 productions and 356 performances and events each year. 

CST exemplifies theatrical excellence. Shakespeare is at the heart of the artistic work, illuminating the 400-year-old playwright as a modern writer for our modern world. CST also produces compelling, contemporary stories from fresh artistic voices of today. CST brings the world to Chicago and sends Chicago out into the world as Chicago's foremost presenter of international theater, and consistent producer of North American and world premieres. Productions originating from Chicago Shakespeare have gone on to Broadway, national and international tours, garnering three Tony Awards, three Olivier Awards, and two Grammy nominations. 
 
The Theater fosters a lifelong relationship with the arts by providing transformational experiences for multigenerational audiences. Serving more students and teachers than any theater in the city, CST annually welcomes more than 20,000 high school and middle schoolers to attend 50+ daytime matinee performances and participate in after-school programs like Chicago Shakespeare SLAM. Professional development opportunities for teachers include the year-long Bard Core intensive for Chicago Public Schools educators. CST's initiatives support the development of young people's crucial skills, including social-emotional competencies, critical literacy, and meaningful collaboration. Learners of all ages deepen their engagement through PreAmble talks and post-show discussions. The $30 under 30 discounted ticket program for young adults and students reduces barriers to participation for thousands of first-time attendees. 
 
CST activates its campus with three best-in-class venues: The Yard, a robust 700-seat space with flexible configurations and expansive proscenium; the Jentes Family Courtyard Theater, an intimate 500-seat thrust theater where the audience surrounds the stage on three sides; and the Carl and Marilynn Thoma Upstairs Studio, a 200-seat black box theater. Situated along the picturesque shore of Lake Michigan, CST is the cultural anchor of the iconic Navy Pier, one of the top Midwest tourism destinations attracting 9 million visitors annually. 
 
Fueled by the vitality of the city of Chicago, CST contributes significantly to the vibrancy and economic impact of the arts and culture ecosystem. CST's reach extends beyond the theater's walls with free programs like Shakes in the City, which brings performances and workshops to parks, festivals, and shared community spaces across Chicago's 77 neighborhoods. 
 
For nearly four decades, CST has distinguished itself with a spirit of innovation, dynamism, and ambitious vision. Shared humanity and unforgettable stories—now THIS is Chicago Shakespeare. chicagoshakes.com

 

CHICAGO SHAKESPEARE THEATER'S 2025/26 SEASON

CIRCUS ABYSSINIA: ETHIOPIAN DREAMS

Co-Created & produced by Mehari "Bibi" Tesfamariam
Co-Created & directed by Binyam "Bichu" Shimellis
Written by Cal McCrystal
Choreography by Kate Smyth
The Jentes Family Courtyard Theater
July 10–August 3, 2025

 

World Premiere

BILLIE JEAN

By Lauren Gunderson
Directed by Marc Bruni
The Yard
July 18–August 10, 2025

 

SHAKES IN THE CITY: A MIDSUMMER NIGHT'S DREAM

By William Shakespeare
Adapted and originally staged by Edward Hall
Free performances across Chicago
July 19–August 17, 2025

 

AIN'T MISBEHAVIN'

The Fats Waller Musical Show

Created and originally directed by Richard Maltby, Jr.
Conceived by Richard Maltby, Jr. and Murray Horwitz
Directed by Richard Maltby, Jr. and André De Shields
The Yard
September 3–28, 2025

 

World Premiere

ROME SWEET ROME

Created and Directed by Q Brothers Collective (GQ, JQ, JAX & POS)
Based on Shakespeare's Julius Caesar
The Jentes Family Courtyard Theater
September 23–October 19, 2025

 

North American Premiere

PARANORMAL ACTIVITY

A NEW STORY LIVE ON STAGE

Written by Levi Holloway 
Directed by Felix Barrett

In co-production with Chicago Shakespeare Theater, Center Theatre Group, American Conservatory Theater, and Shakespeare Theatre Company
Based on the Paranormal Activity films, first written and directed by Oren Peli and brought to the screen by Blumhouse and Solana Films
Produced by arrangement with Paramount Pictures and Simon Friend Entertainment
TM & © 2025 Paramount Pictures. All Rights Reserved

The Yard
October 15–November 2, 2025

 

MUCH ADO ABOUT NOTHING

By William Shakespeare
Directed by Selina Cadell
The Jentes Family Courtyard Theater
November 16–December 21, 2025

 

SHORT SHAKESPEARE! HAMLET

By William Shakespeare
Directed by Edward Hall
The Jentes Family Courtyard Theater
January 27–February 28, 2026

 

The Royal Shakespeare Company and Neal Street Productions present
Maggie O'Farrell's

HAMNET

Adapted by Lolita Chakrabarti
Directed by Erica Whyman
The Yard
February 10–March 8, 2026

 

THE MERRY WIVES OF WINDSOR

By William Shakespeare
Directed by Phillip Breen
The Jentes Family Courtyard Theater
April 2–May 3, 2026

 

From New Zealand: Indian Ink Theatre's

MRS. KRISHNAN'S PARTY

By Jacob Rajan and Justin Lewis
Directed by Justin Lewis
Carl and Marilynn Thoma Upstairs Studio
April 7–April 26, 2026

 

North American Premiere

BROKEBACK MOUNTAIN

By Ashley Robinson
Songs by Dan Gillespie Sells
Based on Annie Proulx's short story
Directed by Jonathan Butterell

Originally produced @sohoplace by Nica Burns, Adam Blanshay Productions, Lambert Jackson Productions, and Katy Lipson for Aria Entertainment

The Jentes Family Courtyard Theater
May 28–June 28, 2026

The Opera Festival of Chicago announces the cast and creative team for The Love of Three Kings (L’Amore dei tre Re), with music by Italo Montemezzi, a libretto by Sam Benelli, directed by Sasha Gerritson, conducted by Uff. Emanuele Andrizzi with a cast of more than 40 performers and an orchestra of 39 musicians. Performances are Friday, May 9 at 7:30 p.m. and Sunday, May 11 at 2 p.m. at the Athenaeum Center, 2936 N. Southport Ave. Single tickets are $25 - $50 with subscriptions available at OperaFestivalChicago.org.

Forty years after conquering Altura, the blind king Archibaldo faces growing resentment from its people. He recalls the conquest as a thrilling victory, likening it to winning a beautiful woman. His son, Manfredo, is married to the Alturan princess Fiora, who secretly loves another Alturan prince, Avito. Though Archibaldo suspects Fiora’s infidelity, his blindness and uncooperative servants leave him without proof.

Amid love duets and tense confrontations, Archibaldo grows increasingly enraged and strangles Fiora at the end of the second act. In the final act, Fiora’s body lies in a crypt as the Alturans mourn. Archibaldo poisons her lips, intending to trap her lover. Avito kisses Fiora and dies, revealing their affair to Manfredo, who, in grief, also kisses her and succumbs. Archibaldo enters to confirm his scheme but is devastated to hear the voice of his dying son.

In addition to The Love of Three Kings (L’amore dei tre re), the Opera Festival continues with its Young Artists program performing a delicious program featuring songs inspired by food in opera, Delicatessen Recital, June 5, the Opera Festival of Chicago's leading artists then appear in concert for Love is a Triangle, June 14, with the season concluding with Ruggero Leoncavallo’s Pagliacci, June 27 and 29.

“The 2025 Festival, our fifth season, is going to be a season of celebration here at the Opera Festival of Chicago. This organization began forging its path in the opera world in 2021 with the mission of presenting Italian opera masterworks that rarely-if ever- grace the stage in the United States,” said General Director Sasha Gerritson. “These fully staged productions featured star-studded casts and have included several United States and Chicago premieres. We look forward to welcoming audiences from all over the Chicagoland area to this year’s season, which is based on a powerful theme, “Love is a Triangle,” and continues our mission in 2025 with concerts and two Italian masterworks.”

The cast of The Love of Three Kings features Andrea Silvestrelli (bass, King Archibaldo); Maria Kanyova (soprano, Fiora); Franco Pomponi (baritone, Manfredo); Andrew Morstein (tenor, Avito); Matthew DiBattista (tenor, Flaminio); Aldo Alan Navarette (Giovanetto/Fanciulo); Jade Dashá (soprano, Ancella/Giovanetta) and Viktoria Vizin (mezzo-soprano, Una Vecchia).

In addition, there will be a chorus including Floriana Bivona; Lizzie Broeker; Melanie Budreck, Winifer Castaneda; Jorie Clark; Brooke Craig; Ryan Daly (cover, Avito); Angela DeVenuto (cover, Fiora); Katrina Dubbs; Theresa Egan; David Green; Abigail Greer Arcamona; Lauren Ingebretsen; Marlina Karimi; Ally Lewkowski; Joe Lodato (cover, Manfredo); Jake Luellen; Samantha Mcgonigal (cover, Una Vecchia); Margaret Meierhenry; Grisella Milla; Chimerie Obianom; Jennifer Parr (cover, Ancella/Giovanetta); Brian Pember; Leah Rockweit, Pamela Spann; Meg Thomas-Cary; Leo Radosavljevic (cover, Archibaldo);

 Jose Vargas Ramirez; Carmen Vizin-Esquivel; Kevin Wheatle and Jonathan Wilson (cover, Manfredo).

The creative team for The Love of Three Kings includes Uff. Emanuele Andrizzi (conductor); Sasha Gerritson (director/supertitle design); Richard Robbins (chorus master); Catherine O’Shaunessy (assistant conductor); Darren Brown (production manager); Bill Morey  (costume designer); Erzebet Schneider (costumes supervisor); Shane Cinal (set designer); Andres Fiz (projections designer); Mike Goebel (lighting designer); Mary Mazurek (recording engineer); Melanie Saso (hair and wigs designer); Errin Austin (makeup designer); Hannah Zizza (supertitle operator); Gisella Milla (assistant to the director); Sebastian Medina (master electrician); Hannah Wein (assistant lighting designer); Rachel Rock (stage manager); James Juliano (SHOUT!) (publicity director); Lorenzo Formosa (house manager); Natalie Zoia (orchestra manager); Emily Zwijack (social media); Jacob Little (production assistant); Kaylea Meyers (production assistant); Irina Feoktistova (accompanist) and Leo Radosavljevich (chorus accompanist)

ABOUT SASHA GERRITSON, GENERAL DIRECTOR

Sasha Gerritson is a highly sought after opera and musical theater stage director who directs for many local and regional companies, specializing in traditional productions of believed repertoire. For the Opera Festival of Chicago, Gerritson received rave reviews for her production of Assassinio nella Cathedrale (2023). She also is regularly involved with Music Theater Works where she recently directed Guys and Dolls (March 6 - 30, 2025), Lerner & Loewe’s Brigadoon (2023) and Irving Berlin’s White Christmas (2022) both to great critical acclaim.

Gerritson served as the Opera and Music Theatre director of Northeastern Illinois University from 2010-2022, has directed for Musica Nelle Marche (Urbino, Italy), Opera Piccola, DePaul University, the Cherub Music Theatre program for Northwestern University, in addition to various other summer programs in the area.

In addition to her stage direction work, she is a choral conductor and singer, serving as the director of music ministries for the Park Ridge Community Church. She also proudly serves on a number of boards city-wide, including The Brookfield Zoo, the Navy Pier Foundation, the Goodman Theatre and DePaul University, for which she is vice chair.

Gerritson lives in Glenview with her husband, Eugene Jarvis, and their two sons.

ABOUT OPERA FESTIVAL OF CHICAGO

The Opera Festival of Chicago presents world-class standard productions of Italian opera masterpieces in Chicago that rarely grace the stage in the United States. In doing so the Opera Festival of Chicago aspires to: generate an inquisitive operatic appetite within Chicago audiences; make its work – and its cultural context – accessible to a wide audience; provide a stimulating and inspirational environment of Italian opera for artists and audiences alike; provide a vital opportunity for young artists entering the profession to uphold the high integrity and demands of Italian opera with artists and musicians who are established professionals and to highlight and celebrate the immense talent that has originated from the Chicagoland area.

Page 3 of 9

MJ THE MUSICAL is On Sale Wednesday May 28th!

27 May 2025 in Upcoming Theatre

Producers Lia Vollack, John Branca, and John McClain and Broadway In Chicago are thrilled to announce that individual tickets for the highly anticipated return engagement of…

Evanston Salt Costs Rising: Stormy souls on salted streets at First Floor Theater

26 May 2025 in Theatre in Review

Recent Chicago-area winters have been relatively easy ones. Lest we forget howling blizzards or subzero temperatures, Will Arbery’s Evanston Salt…

Corn Productions has a new original play premiering in June - Support Group For The End Of The World

26 May 2025 in Upcoming Theatre

Corn Productions announces the world premiere of “Support Group For The End Of The World” Thursdays, Fridays and Saturdays, June…

History. Passion. Power. A Love That Changed an Empire - Scandalous Boy at

25 May 2025 in Theatre in Review

I’m a geek, I admit it; I love seeing theatre that’s … well … real.  Like SCANDALOUS BOY – you’ve…

TimeLine Theatre Company announces milestone 2025-26 season, culminating with inaugural production at its new home in Uptown

22 May 2025 in Upcoming Theatre

TimeLine Theatre Company, celebrated for its powerful and provocative productions that connect past, present, and future, announces a landmark 29th…

RAVEN THEATRE ANNOUNCES 43rd SEASON - Dave Malloy's A Capella Musical OCTET and Terry Guest's OAK Get Chicago Premieres; TOP GIRLS Explores Feminism Through History

22 May 2025 in Upcoming Theatre

Chicago's Raven Theatre Company today announced its 43rd season, with productions appearing on its Edgewater stages at 6157 N. Clark St. in…

Marriott Theatre Continues 50th Anniversary Season with Vibrant New Jukebox Musical, Always Something There…

21 May 2025 in Upcoming Theatre

For a dose of summer fun, theatergoers are invited to grab their Walkman, cue up their favorite 80s mix tape,…

Lucid Theater to stage comedy BUDDHA'S BIRTHDAY by WELLS AND WELLES playwright Amy Crider, August 1-17 at the Edge Theatre

21 May 2025 in Upcoming Theatre

Lucid Theater announced today it will present the world premiere of BUDDHA'S BIRTHDAY by Chicago playwright Amy Crider, whose WELLS…

Review: HONEYPOT: BLACK SOUTHERN WOMEN WHO LOVE WOMEN at Fleetwood-Jourdain Theatre in Evanston

20 May 2025 in Theatre in Review

HONEYPOT originated as a creative nonfiction book by E. Patrick Johnson, Dean of the School of Communication at Northwestern University.…

The Title Says it All in Conspirators Remarkable ‘Chicago Cop Macbeth’

20 May 2025 in Theatre in Review

It was a dark and stormy night as I motored to The Conspirators “Chicago Cop Macbeth,” with a fog of…

HAMILTON returns to Chicago in 2026

19 May 2025 in Upcoming Theatre

Broadway In Chicago announced today that HAMILTON will return to Chicago for a multi-week engagement beginning March 4, 2026 through April 26,…

Hiplet Ballerinas: A Daring Dance Revolution at Auditorium Theatre

18 May 2025 in Dance in Review

An electrifying evening of artistic fusion unfolded at the Auditorium Theatre as Hiplet Ballerinas, the professional company of the Chicago…

Blank Theatre’s SWEET CHARITY Charms with Talented Cast and Standout Choreography

17 May 2025 in Theatre in Review

We are inside the Pompeii Club. From everything Charity has told us, the club is the place to be, and…

The Antiquities: A Thought-provoking Look at Today from the Future

13 May 2025 in Theatre in Review

With AI and other technological advancements continuing to change the landscape of how we work and interact with one another,…

Riots of Laughter Greet World Premiere of 'R.U.R. [Rossum’s Universal Robots]'

13 May 2025 in Theatre in Review

Riots of laughter greeted the City Lit Theater world premiere of “R.U.R. [Rossum’s Universal Robots]” Wait. Could this be the…

Paramount Theatre extends Million Dollar Quartet until January 4, 2026

12 May 2025 in Upcoming Theatre

Paramount Theatre’s smash hit Million Dollar Quartet, a “roof-rattling…rapturous celebration of early rock ‘n’ roll” (Daily Herald), won’t stop rockin’ anytime…

See Chicago Dance Announces 2025 Chicago Dance Month Performers and FREE Events

12 May 2025 in Upcoming Dance

See Chicago Dance, the dance industry's nonprofit service organization celebrating its 20th anniversary in 2025, is proud to announce organizations…

Tickets for Disney's The Lion King On Sale Now

12 May 2025 in Upcoming Theatre

Broadway In Chicago announced today that individual tickets for Disney’s The Lion King, are now on sale to the public. Tickets ranging…

Cats pounces onto the Paramount stage taking the legendary musical to soaring new heights

11 May 2025 in Theatre in Review

I’ll just say it - Cats is going to blow your mind. Now running at the Paramount Theatre, this spectacular…

Trap Door's 'Galileo,' Beautifully Produced, Is a Knowing Parable for Our Times

11 May 2025 in Theatre in Review

“Galileo” written in 1938 by German playwright Bertolt Brecht, tells the straightforward story of the 17th century physicist and astronomer’s…

Humble and Radiant: Charlotte's Web at Greenhouse Theatre

11 May 2025 in Theatre Reviews

The adage goes that you can’t choose your family but you can choose your friends. Throughout our lives, we meet…

Hell in a Handbag Productions Presents World Premiere of QUEEN FOR A DAY

09 May 2025 in Upcoming Theatre

Hell in a Handbag Productions is pleased to conclude its 2024/25 Season with the world premiere of QUEEN FOR A DAY written by…

A Chicago May Must See: Time Is A Color And The Color Is Blue at Bramble Arts Loft

06 May 2025 in Theatre Reviews

If our day-to-day lives were a collective color, it would probably be the color blue. Whether you are feeling blue,…

Steppenwolf Theatre Presents YOU WILL GET SICK - June 5 – July 13, 2025 - Chicago Premiere!

06 May 2025 in Upcoming Theatre

Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to present Noah Diaz's whimsical, wild, unpredictable and deeply moving Chicago…

Review: Remy Bumppo's 'Art' at Theatre Wit

06 May 2025 in Theatre in Review

A fool and their money are soon parted as the old expression goes, but what do you do when that…

BACK IN CHICAGO BY POPULAR DEMAND! TONY AND GRAMMY-WINNING BEST MUSICAL, HADESTOWN IS NOW PLAYING

06 May 2025 in Upcoming Theatre

Broadway In Chicago is thrilled to announce that HADESTOWN, the winner of eight 2019 Tony Awards® including Best New Musical and the…

Definition Theatre Presents World Premiere of Black Bone by Tina Fakhrid-Deen

05 May 2025 in Upcoming Theatre

Definition Theatre is proud to present the world premiere of Black Bone, a bold new satire by Chicago playwright Tina Fakhrid-Deen…

Hymn at Chicago Shakespeare Theater – A Soulful Exploration of Brotherhood

04 May 2025 in Theatre in Review

Stories that explore the emotional lives of men—especially Black men—are still far too rare on the American stage. Outside the…

Chicago Opera Theater presents world premiere of She Who Dared by Jasmine Arielle Barnes & Deborah D.E.E.P. Mouton

02 May 2025 in Upcoming Theatre

Chicago Opera Theater (COT), Chicago’s foremost producer of new and rarely staged  operas, proudly presents the world premiere of She Who Dared by…

Outrage Made Manifest in “Bust: An Afrocurrentist Play”

30 April 2025 in Theatre in Review

Something extraordinary happens on a street in Huntsville, Alabama. Mr. Woods (Keith Randolph Smith), a hard-working Black man in the…

 

 

         19 Years and counting!

Register

     

Latest Articles

Guests Online

We have 589 guests and no members online

Buzz Chicago on Facebook Buzz Chicago on Twitter 

Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it.

*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.