Displaying items by tag: america blues theater
Little Shop of Horrors Makes You Feel Good
Once in awhile a musical comes around so weird that you have to see it to understand it. Based on a 1960 b-movie of the same name, "Little Shop or Horrors" tells the story of a man-eating plant raised by a nerdy guy working in a flower shop. Legendary composers Alan Menken and Howard Ashman collaborated on a musical version of it as a tribute to 60s rock 'n roll and drive-in movies. It started as an Off-Off Broadway show in 1982 and then transitioned to the Off-Broadway Orpheum Theatre, where it ran for five years. The film version followed in 1986 and is considered one of the best movie musicals ever made.
It's no surprise American Blues Theater had to extend their production by popular demand. Jonathan Berry directs an excellent "Little Shop of Horrors" for American Blues Theater with musical direction by Austin Cook. From the get-go, audiences will find themselves caught in the tentacles of this plant tale. Real-life married couple Michael Mahler and Dara Cameron play Seymour and Audrey. Both have incredible voices and make these characters their own. The result is very charming. The stoop urchins: Chiffon, Ronette and Crystal (aptly named after the girl groups they sing in the style of) are so good they may even outshine the plant. Camille Robinson, Jasondra Johnson and Eunice Woods crush their roles as the doo-wop Greek chorus. It seems like these three fantastic voices are having a blast working together. That said, the voice of the man-eating plant, Audrey II, provided by Lorenzo Rush Jr is really powerful, with a contagious evil laugh.
Despite the strong talent on the stage and in the pit, this "Little Shop of Horrors" further succeeds in its well designed set by Grant Sabin. This show requires a good puppet master. Sarah E Ross' Audrey II puppets are awesome. The puppet creates some of the best laughs of the evening, especially in the finale.
Like "Rocky Horror", and "Grease" - the music of "Little Shop of Horrors" makes you feel good. The team behind this musical was also responsible for Disney's string of critically acclaimed animated musicals like "The Little Mermaid" and "Beauty and the Beast." "Little Shop of Horrors" at America Blues Theater is a show you'd have to be a mean, green, mother not to enjoy. (John Accrocco)
Through June 26th at The Greenhouse Theatre. 2257 N Lincoln Ave. 773-404-7336
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'The Snow Queen' presented by The Impostors Theatre Co. November 6th through November 21st
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Cast and Production Team Announced for Fleetwood-Jourdain Theatre's THE NICETIES, October 31 – November 15
Written by Buzz Center StageFleetwood -Jourdain Theatre, an award-winning theatre company that has been thrilling audiences with over four decades of unique, inspirational, and invigorating Black American and African Diaspora-centered storytelling, has announced the cast and production team for the final production of its 2026 season. THE… -
Goodman’s centennial is its all‑time most successful year, with 300,000 patrons at 4,000 performances & events
Written by Buzz Center StageThe Goodman wraps its 2025/2026 Centennial Season, an unprecedented line-up marking the 100th anniversary of Chicago's flagship not-for-profit theater, as the most successful in its history. Today, the theater released its "A Century of Impact" report, detailing milestone programming and attendance…
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Class is back in session with Victory Gardens’ World Premiere of The Humanities
Written by John AccroccoCoincidentally (or not), Victory Gardens’ new play about a controversial campus speaker opens just days after the one-year anniversary of Charlie Kirk’s assassination. Returning from a lengthy hiatus, Victory Gardens once again lights up the Biograph Theater with the world… -
Layered, Lovely, and Lasting; The Joffrey Ballet's Liliom Lights up The Lyric Opera
Written by Kendall RoyzenSometimes when reach into the past to resurrect or revive an old story, it doesn’t age well. The subject matter could be problematic, the material divisive, the cultural context lost through the fabric of time. Without proper context we tend…
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