The Yellow Rose Theatre is one of Chicago’s newer venues, having launched in 2020 during Covid, with a company that demonstrates a passion for their work. Located at The Vault, an entertainment space at 607 W. Fulton, it is just a couple blocks east of the trendy Fulton Market District, in the restored Fulton Jefferson Building. An unusual split-level design that lends itself to conventional and immersive theater.
Yellow Rose numbers 10 ensemble members, and an equal number of guest actors and playwrights, including Francis Brady, whose “Justicia” is nearing the end of its run. Tickets include access to an open bar and finger food, and audience members may mingle and gnosh before each performance and during intermissions—giving the shows a unique flair and sense of communality with the productions.(We saw "TV Land" there in May.)
Directed by Kieran O’Connor, Brady’s “Justicia,” while a bit uneven, has the heart of a solid play. A courtroom drama, it centers on the travails of a small town litigator Pappa (Rick Yacobnis) whose daughter (Katherine Wetterman) has left her own successful practice in Chicago to join his struggling firm—struggling because he takes on underdog cases regardless of the client’s ability to pay. He has relied on a line of credit from the local bank where the loan officer has a heart and has kept him afloat.
The first act opens in a courtroom hearing presided over by a Judge (Jorge Salas) as the plaintiff Ron (Joseph Arvo Levander) argues that he was wrongfully discharged and demands as a remedy that he be reinstated. The employer’s defense counsel (Madeline Diego) offers a modest cash settlement, but her client doesn’t want Ron back, deeming him no longer able to handle the jackhammer used in his work.
That summary is not difficult to extract from the action, but the presentation of this story was hampered by a number of things, beginning with the lack of a set, which caused the judge to sit below and look up at the lawyers arguing the case.
Pappa laces his arguments with Shakespere quotes, which might be okay but seem largely unrelated to the matters at hand. And for a public immersed in courtroom procedurals on streaming channels, the informality and departure from expected court protocols works against the believability. Lots of exposition and character building takes place in subsequent scenes, with the appearance of the daughter’s budding love-interest (Sophia Vitello), and father-daughter talks. But the first act is rather a muddle.
The second act puts the play on a more solid footing, opening with a new, young Bank Officer (Joe Bushell) who is all business as Poppa arrives to plead for an extension on the line of credit. The Bank Officer parries handily Poppa’s arguments that the bank should continue to fund this “practice with a heart.”
Bushell’s performance is the most solid of the cast, he’s a real pro and redeems the script somehow, suggesting the writing is a reach for the other performers, or that Brady is good at writing bank officer characters.
Lavender plays Ron very well, but is given little to work with, fated to repeat “I want my job back” endlessly. Levander’s voice and action convey the anguish of a late middle aged worker made redundant. He finally says “I want to work,” and “I want a paycheck”— in other words, be a useful and productive citizen. Brady could give us, and the character, more to say about his anguish.
Pappa is going through that same generational challenge as his daughter works to straighten out the firm’s finances, and takes on Jim's case to rescue it after Pappa, in an ill-advised move, has Ron demonstrate his ability with the jackhammer before the judge. (Unfortunately he drops it.)
So if you’re game to see it, “Justicia” runs November 9 and 11 at Yellow Rose Theatre. I’m going back to the venue to see The Yellow Rose’s “Thank God It’s Monday” or “T.G.I.M.” running November 10 and 11, a series of comic shorts in an immersive show. Both shows include eats and drinks. Tickets are at yellowrosetheatre.com
Upon entering the beautifully decorated lobby of Teatro Zinzanni theater on the 14th floor of the Cambria Hotel, you are…
Just as there are many Santa’s around town, this time of year we have a wide selection of Christmas and…
Today, Hubbard Street Dance Chicago (HSDC) unveiled the full program for the second performance series of its 2024/2025 season, Season 47: Winter Series.…
David Sedaris, author of the previous bestsellers Calypso, Naked, Me Talk Pretty One Day, Dress Your Family in Corduroy and Denim, and regular…
Hell in Handbag is pleased to host a special weekend of benefit performances during its upcoming 25th anniversary edition of Rudolph the Red-Hosed…
The Hip Hop Nutcracker has returned to Chicago by popular demand and is now playing at Broadway In Chicago’s CIBC Theatre…
[Reviewer’s Note: I’ve been reading a book whose main character is inveigled by Word of the Day; hence, I’ve striven…
Like a lot of people, Louisa May Alcott’s Little Women has been mostly a cultural curiosity for much of my…
There is something magical about Chicago at Christmastime. Even if there is no snow on the ground, there is an…
Lights come down at the top of the show. We are clearly in a rehearsal hall as the ensemble lets…
Charm, romance and humor abound in the 2001 comedic masterpiece Lobby Hero by Kenneth Lonergan, the Academy Award-winning screenwriter of…
Immediately following the gastronomical excesses of Thanksgiving are the monetary investments and personal sacrifices we make for Christmas. At the…
“No man is a failure who has friends,” is to film what “God bless us everyone” is to literature. Frank…
The Conspirators are proud to present the world premiere of Ayn Rand's "It's a Wonderful Life" as Performed by the Conspirators…
Porchlight Music Theatre is proud to announce Fun Home: Behind the Show Backstory with Artistic Director Michael Weber, Tuesday, Dec. 10 at 7…
Broadway In Chicago is thrilled to announce MEAN GIRLS – the record-breaking new musical comedy adapted from the hit Paramount Pictures film…
After pausing its operations last year to reorganize and create a new business model, Chicago's Tony-Award winning Lookingglass Theatre Company is proud…
City Lit Theater has announced its cast and creative team for the Chicago Premiere of GLASSHEART, by Chicago-based playwright Reina…
Steppenwolf's cozy downstairs theater provided the ideal setting for an evening of outstanding and expressive dance by the highly acclaimed…
I arrived at the Goodman Theatre for the opening of its 47th annual production of A Christmas Carol, directed by…
If you’re looking for a way to entertain the children (or grandchildren) this holiday season that doesn’t involve long lines,…
In 1997, Disney came out with the most magnificent adaptation of Rodgers and Hammerstein’s Cinderella that has ever been made.…
What the hell is pantomime anyway? Will I be reviewing a game of Charades? Google to the rescue! But I…
The Chicago International Puppet Theater Festival is pulling strings to raise funds this fall, offering three exclusive sneak peeks of…
Oil Lamp Theater is proud to announce the cast and creative team for its first production of the 2025 season, The Complete…
Chicago theatres will present a wide variety of festive plays, musicals, dance, and comedy offerings this holiday season. In support,…
Steep Theatre will kick off the new year with the Chicago Premiere of David Harrower's A Slow Air, directed by Steep…
The Driehaus Museum and the African American Museum of Performing Arts (AAMPA) announce the casting for A Nativity Tribute, an adaptation of Langston Hughes' gospel…
Overall Citadel Theatre’s ‘Dames at Sea’ has a smashingly great cast of singers and dancers, perfect for a musical comedy…
When Francesca Zambello, director of The Glimmerglass Festival, commissioned an opera about race in America, the country was reeling from…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.