Displaying items by tag: YPT

The adage goes that you can’t choose your family but you can choose your friends. Throughout our lives, we meet people we connect with who see the beauty and potential within us even when we can’t see it ourselves. People who simply get us. Friendship is one of the most magical experiences we can have in life. It’s no wonder this theme is so consistently visited in media, literature, and theatre and stands the test of time. There’s no better representation of the true meaning of friendship than that of Charlotte’s Web, now playing at Greenhouse Theatre Center.

Charlotte’s Web is a story about an unlikely friendship between Wilbur the pig and Charlotte the spider. On a small farm, a young girl is determined to save the life of a diminutive newborn pig. But the young animal’s fate remains uncertain until a courageous and determined spider spins remarkable webs to prove that “Wilbur isn’t just any ordinary pig!”

The Young People’s Theatre of Chicago brings this beloved children’s classic to the Greenhouse Theatre Center for a limited run this May. Based on E.B. White’s Newberry Honor Award-winning story, Charlotte’s Web explores bravery, selfless love, and the true meaning of friendship. Artistic director Randy White says it best, “E.B. White’s beloved story demonstrates above all that friendship is immeasurably valuable.” With Renzo Vicente as Wilbur and Mary Margaret McCormack as Charlotte leading the cast, the Young People’s Theatre ensemble embodies the story’s themes of compassion, kindness, and perseverance, bringing humor and heart to a simple and timeless story. 

Friendship is not only a theme of the play but also radiates throughout the cast and crew. Behind the scenes, the staff’s long-standing friendship and partnerships weave design magic that can be felt in every scene and one that Randy White acknowledges, “Staging a beloved family favorite with so many friends is a perfect way to bring to a close the YPT’s most successful and exhilarating season yet!” With a humble yet radiant set and spirited cast put on a simple, charming, and endearing production that young audiences can follow and mature audiences can appreciate. The Young People’s Theatre reminds us that sometimes all we need is a friend to believe in us, to fight for us, to remind us that we are remarkable just the way we are. Charlotte’s Web And sometimes, if we're very lucky, we get to sit right next to that person to take in a wonderful show.

Charlotte’s Web is now playing on a limited run from May 10- June 1 at Lincoln Park’s historic Greenhouse Theater Center (2257 N. Lincoln Avenue). Run time is 1 hr and is best enjoyed by everyone 5+. For tickets and additional information, visit yptchi.org or call the box office at 773-404-7336.

If you’re looking for a way to entertain the children (or grandchildren) this holiday season that doesn’t involve long lines, icy cold temps or going to the mall, look no further than the Greenhouse Theatre Center’s production of Mo Williams’ smash hit musical, “Don’t Let the Pigeon Drive the Bus.”

After two years of successful productions aimed largely at school groups, the Young People’s Theatre of Chicago is transitioning from an intermural Greenhouse Theatre Center project to a stand-alone, professional children’s theatre. And just in time for the Thanksgiving Day weekend, the YPT is kicking off its inaugural season with the return of William’s beloved and beleaguered Pigeon, in his own adaptation of his best-selling Caldecott Honor Award-winning book bearing the same name.

This high-energy hourlong offering of pure silliness and joy is the perfect way to introduce the younger crowd to the magic of live theatre. From the very beginning, as the woebegone Pigeon pops out from the windows of the cleverly engineered and colorful set to lament over his tedious days, kids are immediately engaged in the unfolding story.

Pigeon is skillfully brought to life by YPT veteran Brade Bradshaw as a hand-and-rod styled puppet in the technique first showcased in the Broadway hit Avenue Q. In fact, all the puppets were built and designed by Rick Lyon, the puppeteer designer for Avenue Q. The combination of performer and puppet are so seamless that at some point you forget that Pigeon is a puppet.

Bradshaw is joined onstage by another YPT veteran, Karla Seretto, who shines as the indomitable bus-driving Bus Driver. With her “officially official” cap and dedication to her job, you never doubt that her main passion in life is to drive her bus and never be late. Also returning to the YPT stage are the talented Tamsen Glaser as the Duckling and Bus Engine, and Marquis Bundy as Teenage. They are joined by experienced Chicago actors Jake Elkins as the Hot Dog Vendor and Businessman, and the hilarious Dakota Hughes as the Little Old Lady.  

As his young fans well know, Pigeon never gets to do anything he wants to do. And that’s where the fun begins. In the opening number, Pigeon laments that he never gets to do anything, not even eat a hot dog – which, he claims, is all he really wants to do. Even a visiting Duckling gets a hot dog, but not Pigeon. He’s just told by everyone to “fly away, bird.” What’s a hot-dog loving, adventure-seeking Pigeon to do?

Life changes dramatically for Pigeon when a new bus line opens near Pigeon’s hangout, and he encounters Bus Driver and her brand-new bus. Pigeon is immediately entranced and now the only thing he wants to do is drive the bus! Working up his courage, Pigeon approaches the Bus Driver and sings, “Can I drive the bus?” to which the Bus Driver and all her passengers chorus, “No! Don’t let the pigeon drive the bus.” But when the bus breaks down and the Bus Driver has to find a way to alert the people along the route the bus is running behind, she turns to Pigeon to help her out. Together, Bus Driver helps Pigeon discover his true purpose and dream.

The Greenhouse Theatre is the perfect venue for a younger audience to watch the performance. It’s compact, and with the front row right on the stage, it provides an intimate interaction with the actors. To the absolute delight of the audience, Pigeon goes “flying” through the theatre to alert them that the bus will be late, and they become part of the show as well.

The show got two-thumbs up by my grandchildren, ages 8 and 6, who loved the antics of the Pigeon as he tried his very best to fulfill his dream to drive the bus. But they especially loved the ending when, even after Pigeon discovers his true purpose in life, he spies a plane in the sky and suddenly all he wants to do is “fly the plane.” The entire audience joins in with the cast in the chorus and shout, “No! Don’t let the pigeon fly the airplane!”

There’s something for everyone in the show. I particularly loved Dakota Hughes as the Little Old Lady, who continually threw birdfeed at Pigeon in a well-meaning attempt to give him a treat. (“What is this stuff?” Pigeon indignantly wants to know.) And Tamsen Glaser made a hilarious bus engine with her sputtering and spattering noises as the bus breaks down.

Under Randy White’s astute direction, the action never stops, and the music, composed by Deborah Wicks a Puma, an acclaimed artist in Theatre for Young Audiences, keeps the story moving along, making for a manageable and totally enjoyable theatre experience for children of all ages.

You can catch “Don’t Let the Pigeon Drive the Bus” at Lincoln Park’s historic Greenhouse Theatre Center (2257 N. Lincoln Ave.) from Nov. 23-Dec. 22. For ticket information and performance times, visit ytpchi.org.