This Pride Month, the electrifying musical "SIX" playing at the James Nederlander Theatre isn’t just a celebration of female empowerment – it's a vibrant anthem for self-expression and defying societal expectations. Forget the dusty history books and the traditional view of Henry VIII's wives as mere pawns. "SIX" explodes onto the stage with a pop-infused rebellion, reclaiming the narrative and reminding us that queens can tell their story in their own way.
"SIX," created by Toby Marlow and Lucy Moss, reimagines the six wives of Henry VIII as pop divas, each telling her story through a series of show-stopping songs. The musical is a fusion of history, pop culture, high camp, and a feminist reawakening, presented with a diverse and inclusive cast that adds layers of contemporary relevance.
From the moment the lights go down and the opening chords reverberate through the theater, "SIX" grabs the audience’s attention and never lets go. The set, minimalist yet striking, thanks to lighting design by Tim Deiling, serves as a dynamic playground for the queens, with each number featuring dazzling choreography and impressive vocal performances. The cast, a powerhouse ensemble of six immensely talented women, delivers each song with such conviction and charisma that it's impossible not to be swept up in their stories. They are accompanied by The Ladies in Waiting - a four-piece band consisting of Jane Cardona on keyboard, Sterlyn Termine on bass, Rose Laguana on guitars and Kami Lujan on drums
The show kicks off with the exuberant "Ex-Wives," an introduction immediately establishing the premise: the six queens are here to reclaim their narratives, casting off the shadow of Henry VIII to shine in their own right. Each queen’s song is distinct, reflecting her unique personality and circumstances.
Catherine of Aragon’s (Kristina Leopold) "No Way" is an anthem of resilience and defiance, performed with fiery passion that sets the tone for the show’s celebration of female strength. Anne Boleyn’s (Cassie Silva) "Don’t Lose Ur Head" blends humor with tragedy, capturing her youthful rebellion and ultimate downfall. Jane Seymour’s (Kelly Denice Taylor) heart-wrenching ballad, "Heart of Stone," showcases vulnerability and loyalty, providing a poignant contrast to the more upbeat numbers.
“House of Holbein,” set in the portrait studio of Germany's Hans Holbein the Younger, is the most techno-infused song of the evening. From the costumes to the lighting to the song's lyrics ("Try these heels, so high it’s naughty, but we cannot guarantee that you’ll still walk at forty"), the musical number transported me back to the iconic club scene of NYC’s Limelight circa 1989.
Anna of Cleves (Danielle Mendoza) brings the house down with "Get Down," a confident assertion of independence that resonates with themes of self-acceptance and freedom, core values of Pride Month. Katherine Howard’s (Taylor Sage Evans) "All You Wanna Do" is a powerful critique of objectification and a moving testament to her desire for genuine love and respect. Finally, Catherine Parr’s (Adriana Scalice) "I Don’t Need Your Love" is a triumphant declaration of self-worth and autonomy, a fitting culmination that leaves the audience empowered and inspired.
What sets "SIX" apart is not just its infectious music and compelling performances but also its underlying message of reclaiming identity and rewriting history. In the context of Pride Month, this theme takes on added significance. The LGBTQ+ community has long fought to assert their identities, often in the face of marginalization and erasure. "SIX" echoes this struggle, as each queen refuses to be defined by her relationship to Henry VIII, instead asserting her individuality and worth.
The production’s commitment to diversity is also noteworthy. The casting is refreshingly inclusive, reflecting a range of ethnicities and body types, which enhances the show’s relatability and appeal. This inclusiveness extends beyond mere representation; it is woven into the fabric of the performance, celebrating differences and promoting a message of unity and acceptance.
The show’s structure as a pop concert allows for a level of interaction and engagement that traditional musicals might not achieve. The queens frequently break the fourth wall, directly addressing the audience and inviting them into their world. This interactive element creates a sense of community and shared experience, much like the atmosphere of Pride celebrations.
"SIX" is more than a musical; it is a powerful declaration of empowerment and identity. The vibrant celebration of the queens’ stories beautifully aligns with the values of Pride Month, making it an essential production to experience during this time of year. With dynamic performances, infectious energy, and profound messages, "SIX" leaves an indelible mark on its audience, emphasizing the importance of owning our narratives and celebrating our true selves. It's a reminder that finding your voice and claiming your story is the ultimate act of rebellion. "SIX" is a celebration of defying expectations and embracing who you are, unapologetically. So, get ready to "Get Down With Herstory" because this show reminds us that even queens can rock.
When: Through July 14
Where: James Nederlander Theatre 24 W. Randolph Chicago
Running time: 1 hour, 25 minutes
Tickets: $35.50-$95.50 at 800-775-2000
www.broadwayinchicago.com
James Ijames' Pulitzer Prize-winning play, Fat Ham, bursts onto the Goodman Theatre stage in a vibrant, deeply resonant co-production with…
Before Alison Bechdel became famously associated with her “Bechdel Test” for evaluating fiction by how women are portrayed, she published…
Brightside Theatre's latest production, Jekyll And Hyde In Concert is a truly mesmerizing experience. And if you are a Chicago…
JaJa’s African Hair Braiding, written by first-generation Ghanaian American playwright Jocelyn Bioh and directed by Obie Award-winning Whitney White, is…
Broadway In Chicago and Starvox Touring are excited to announce individual tickets for XAVIER MORTIMER: MASTER OF MAGIC are now on sale. XAVIER MORTIMER: MASTER…
Drury Lane Theatre opens its 2025/26 with the thrilling Chicago Regional Premiere of The Da Vinci Code, based on the novel by Dan Brown,…
This winter, The Joffrey Ballet presents Golden Hour, a radiant mixed repertoire program of warmth and splendor. Featuring world premieres by Yuri Possokhov and Dani Rowe,…
Chicagoland's longest running musical theatre, Marriott Theatre, officially kicks off its spectacular 50th Anniversary Season with one of the most enduring and beloved musicals…
We all have Christmas rituals; practices we incorporate into our personal experiences of the holidays. For me, it used to…
Collaborations can produce tremendous results and the one between Nathan Gunn, his wife Julie Jordan Gunn and Jam Orchestra counts…
Drury Lane Theatre is thrilled to announce casting for Beautiful: The Carole King Musical, a heartwarming journey through Carole King's inspirational life story, where…
Alvin Ailey American Dance Theater, one of the world's most popular dance companies, returns to The Auditorium, Chicago's landmark stage at…
Chicago Shakespeare Theater (CST) announces today an exciting addition to the 2024/25 season: the North American premiere of the new musical 42 Balloons.…
It’s the second act, and Beau (Jake Odmark) is in quite a state. The love of his life is about…
Court Theatre – under the continuing leadership of Executive Director Angel Ysaguirre, with interim artistic leadership from Senior Artistic Producer Gabrielle Randle-Bent and Senior Managing…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to present a searing revival of Sam Shepard's dark and beautiful…
Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Artistic Director Braden Abraham, continues its 2024/25 Season with Frida...A Self Portrait, starring acclaimed…
Invictus Theatre Company has announced programming for its 2025 season, its second in residence at the Windy City Playhouse. As…
Kokandy Productions is pleased to open submissions for the 2025 Chicago Musical Theatre Festival (CMTF), returning April 3 – 6, 2025 on The Chopin Theatre…
The Artistic Home will present the Chicago premiere of Mark O'Rowe's adaptation of Ibsen's HEDDA GABLER. This pioneering work of…
My companion was apprehensive about the press release’s statement that “… the two-person cast will play all characters and will…
Unlike many of the shows I review, which I’ve often seen in other productions elsewhere, I went into Music Theater…
Chicago Shakespeare Theater presents Olney Theatre Center's production of Avaaz, a "powerful, defiant, celebratory" (Washington Post) exploration of family and the immigrant…
Between a triumphant European tour and a highly anticipated return to North America, OVO by Cirque du Soleil has undergone a full ‘metamorphosis’ under…
Beetlejuice, Beetlejuice… Beetlejuice! You’ve summoned him once again, Chicago— BEETLEJUICE is back for another hauntingly hilarious run! Broadway In Chicago announced that tickets…
Broadway In Chicago is delighted to announce that individual tickets for CLUE, the hilarious murder mystery comedy inspired by the Hasbro board game…
Chicago Shakespeare Theater (CST) announces renowned Chicago director Ron OJ Parson will helm the North American premiere of Lolita Chakrabarti's Hymn, making his CST directorial debut.…
I fondly recall watching the 1964 children’s television special Rudolph the Red-Nosed Reindeer each year with great wonder! Its message…
Trap Door Theatre is thrilled to continue its 31st season with a production of the renowned play, The Mannequins' Ball. Written by Bruno…
Upon entering the beautifully decorated lobby of Teatro Zinzanni theater on the 14th floor of the Cambria Hotel, you are…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.