‘Right to Be Forgotten ' is a play for our times, in contemporary language and a production at Raven Theatre that is laser-focused on an issue of our day—the inability of the average person to remove online content about themselves that is damaging or even life-threatening.
Directed by Sarah Gitenstein from a script by Sharyn Rothstein, this Chicago premiere features minimalist sets—a simple table and chairs evokes a coffee shop; a desk makes an office—and characters that are quickly recognizable types. The stage features a surround of screens on which social media posts and Google search results are displayed, apropos of the subject: the indelible stamp made by digital records of our lives.
Hapless 17-year-old nerd Derril Lark (Adam Shalzi), who for weeks dogged his first school crush, Jamila Tyler (Eve Salinsky), was called into the principal’s office and set straight. Mending his ways thereafter, his stalking behavior was documented on the ‘High School Girl’ blog, and he soon became a symbol of stalkers despite stopping his behavior.
A decade later Darril Lark is at work on his PhD in literature, and dreaming of settling into a serious relationship. Dating through match-up apps, he meets Sarita (Kelsey Elyse Rodriguez), and the two hit it off. But very soon he divulges to Sarita that his profile carries an assumed name, for his real name is infinitely attached to the hashtag #lurkinlark. The story of his brief high school misstep was subsumed into an onslaught of posts about other heinous aggressions suffered by girls and women everywhere, along with numerous related supportive posts, all of which appear when anyone googles his real name.
The story leads us through Darril's futile attempts to have his history cleared voluntarily by the search engine giant, using their appeals process. In desperation he pleads his case to a lawyer known in the field for battling internet behemoths, Marta Lee (Susaan Jamshidi), who takes his case. The plot now turns on the legal and eventually political jousting around his case, leading us through the twists and turns of a first-rate courtroom drama.
‘Right to Be Forgotten’ is an artful exploration of the dynamics of a fraught societal issue. Threaded neatly with exposition of the subject, we learn that Europeans have the right to be forgotten, and upon request can have their histories expunged from the web. Via the clashes among lawyers, politicos, and individuals online (who are both consumers and suppliers of content) the playwright leads the audience to understand the unresolved tension in the U.S. between freedom of expression, and the right to privacy, both enshrined in the Constitution.
In some respects this script is a series of vignettes, and characters and dialog are lean and purposeful, like a web search result. While not naturalistic—we get just what we need to know, both about the characters, and for scenes to advance the action—the whole of ‘Right to Be Forgotten’ works together to conjure our empathy for individual suffering. And it ends with a satisfying, even optimistic resolution. Running through March 26 at Raven Theatre in Chicago, ‘Right to Be Forgotten’ is unforgettable, and comes highly recommended.
*Extended through April 2nd!
Devastation permeates the set and plot of the Northlight Theatre’s Midwest premiere of By the Water – a powerful and moving production, written by Sharyn Rothstein and directed by Cody Estle, about a Staten Island, New York, family dealing with the aftermath of Hurricane Sandy.
Marty and Mary Murphy (Francis Guinan and Penny Slusher) fight to save in their storm-ravaged home and campaign to keep their neighborhood together even as their life-long neighbors and friends the Carters (Janet Ulrich Brooks and Patrick Clear) vow to leave and family secrets seep to the surface.
“In this play, natural disaster serves as a metaphor for the social and political change that forces generations to confront very real issues about their own lives – lives built on values that have become outmoded,” says Northlight Artistic Director BJ Jones. “Sharyn’s sharp sense of humor built on rich character development is sprinkled throughout, and the themes of justice and family values and loyalties emerge full-throated in her dialogue and her surprising plot.”
The Murphy’s are magnificently played by Guinan and Slusher, who give impressive performances imbuing the blue-collar couple with authenticity, humor and grit as they struggle to survive not only the brokenness of their community but the underlying betrayals within their family.
At the heart of this production is family and the idea that despite the mistakes and disloyalties as exemplified in the tattered relationship of brothers Sal Murphy (Jordan Brown) and Brian Murphy (Joel Reitsma), and the back-and-forth power struggle between Sal and his father Marty, that love and forgiveness can prevail and second chances are possible. Nowhere is this more evident than with Brian, who after a stint in jail, manages to find a second chance at love with Emily (played by Amanda Drinkall).
“[By the Water} is about confronting deep-seated personal problems in the face of a generational divide and finding a way to move forward,” Estle notes.
Rothstein developed the idea for the play after visiting Staten Island after Hurricane Sandy.
“Leaving behind a community, a lifetime of memories, seemed like an enormous leap of faith and an incredibly difficult decision, but the destruction was gut wrenching,” she says. “Yet, in front of one neat, clearly beloved house, a man who looked to be in his sixties was tending his lawn. With his whole neighborhood in ruins, with the majority of his neighbors already gone or figuring out how to leave, here was a man clearly standing firm. The image of him standing there amid so much loss was the genesis of my play.”
And that imagery is so indelibly visible in this production, which manages to peel back so many unexpected and complex layers while remaining thoroughly entertaining from its opening moments with the very effective sound effects to its poignant end. What makes this play so touching is not only the dynamic script and incredibly talented cast but the simple yet powerful stage design that evokes loss and pain as well a sense of home and place.
The creative team behind By the Water includes: Jeffrey D. Kmiec (scenic design), JR Lederie (lighting design), Rachel Laritz (costume design), Lindsay Jones (sound design) and Mara Filler (stage manager).
Highly recommended.
By the Water is playing at the Northlight Theatre in Skokie, Illinois, until April 23. Tickets are available at online at northlight.org.
Artemisia announces it’s 13th season will open with a immersive soundscape production of GOODS by Lauren Ferebee, directed by Erin…
Chicago Opera Theater premiered a one-act opera, “Before It All Goes Dark,” in two performances over Memorial Day weekend at…
I love stories about World War II, particularly about survivors of the Holocaust and the Camps. And I love stories…
Celebrating its 50th anniversary season, The Patrick G. and Shirley W. Ryan Opera Center, Lyric Opera of Chicago's premier artist-development program, is proud to…
Steppenwolf Theatre is pleased to present Rachel Bloom's sell-out off Broadway hit Death, Let Me Do My Show, playing a limited engagement August 14 -…
“Viva La Mort: A Play With Songs” mines the 1956 Swiss novel “The Visit” by Friedrich Durrenmatt that came to…
Marriott Theatre brings the heat this summer with a rockin' tribute to the music of the 1960s, with BEEHIVE: THE 60'S MUSICAL. Directed…
Language may be the backbone of human communication, but there’s a lot that happens between the lines. Sanaz Toosi’s 2023…
Lifeline Theatre’s production of "Native Son," directed by Ilesa Duncan and adapted by Nambi E. Kelley from Richard Wright’s seminal…
It's showtime! Broadway In Chicago is thrilled to announce that BEETLEJUICE, the edgy and irreverent Broadway smash hit musical comedy, is now playing…
An artist. A terrorist. A child. A brand new car. A porn star. These are all the things that Anne…
There are no words. Well, obviously that’s not true cos I’m about to say a whole bunch of words –…
Drury Lane Theatre continues its 2024/25 Season with The Audience. Masterfully blending the personal and the political, The Audience gives an extraordinary glimpse into…
International sensation The Choir of Man today announces a second season following the completion of its initial run on May 26, 2024.…
The Joffrey Ballet announces the programming for the Joffrey for All free performance, which will feature a mixed repertory program in Millennium Park…
“James was deeply aware of the anguish associated with denying others their authenticity; His famous Frankenstein wasn’t a murderous monster.…
It’s often quoted in reviews that we are unworthy of such beauty or splendor the arts and humanities afford us.…
TimeLine Theatre has entranced me for years with its historically- and politically-significant plays, riveting and educational – just my cup…
Midsommer Flight, a company that has brought free performances of Shakespeare's plays to Chicago Park District parks since 2012, will…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to conclude its 48th season with the world premiere of Little…
Chicago continues to produce some of the most exciting work in the country this Summer, offering a wide variety of plays…
Token Theatre, Chicago's Asian American theatre company, announces the company's first full production, ZAC EFRON, written by Artistic Director David Rhee, co-written by Managing…
I arrived at City Lit Theater’s MURDER IN THE CATHEDRAL expecting a heavy, serious, doubtless thought-provoking but rather intimidating major…
Porchlight Music Theatre is proud to announce the return of its free summer concert series Broadway in your Backyard, now in its…
Despite the fact that I have never read the Newberry Award-Winning children’s book called Last Stop on Market Street, I…
I’m amazed that it’s been 18 years or so since I first saw a Hell in a Handbag production. Though…
“Together we created this nothingness,” says Audrey Francis in Steppenwolf’s production of Larissa Fasthorse’s ‘The Thanksgiving Play’. Hot off its…
Bramble Theatre Company, is proud to announce the third annual Festival of Unfinished Work at the new Bramble Arts Loft located on the second…
Broadway In Chicago is excited to announce that individual tickets for the world premiere of the first ever touring production…
Chicago Shakespeare Theater presents The Enigmatist, an immersive and captivating experience of illusions, puzzles, and cryptology, written and performed by renowned magician…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.