
Scott Bradley is an institution within the Chicago theater community. His quirky, campy musical versions of old horror movies have been sell-out hits around town for years. Which is what makes “Packing” all the more interesting. He instead turns the spotlight on himself. About Face borrows Victory Gardens artistic director Chay Yew to direct Scott Bradley’s one-man confessional.
In “Packing” Bradley moves away from the puppets and classic rock and opens his own life up to a 90-minute journey through the turbulent AIDS-era gay life. First and foremost, this is incredibly brave for someone as well-known as Scott, many colleagues are likely to see About Face’s premiere. Bradley is not afraid to expose every aspect of his life from physical abuse to addiction and failure. That might all sound like a bummer but Bradley’s inviting narrative style is humorous and relatable. And of course, it’s all tied to together with various pop culture influences.
“Packing” is Bradley’s life story, but it’s also the collective legacy of the midwestern gay experience. A reminder of how far the LGBT community has come in the past three decades. Bradley stands alone on a stark stage and begins his story at the age he began to understand he was different. His childhood is rather unhappy, but his delivery makes it seem as if he’s the only who doesn’t know how traumatic his home life was. As he grows up, the story becomes more familiar. The far reaches of the Midwest can be an unaccepting place and that sent many LGBT people to the cities to seek acceptance. Not only acceptance of the LGBT lifestyle, but acceptance of the creative lifestyle.
Bradley’s heartbreaking failures changed the course of his life in ways that few can predict when they’re in the pits of despair. His struggles with drug addiction and alcohol dependence and his explanation for why he turned to substances to quiet the critical voices in his head are all too real. Many people in the LGBT community struggle with substance abuse and non-traditional societal norms can sometimes perpetuate cycles of addiction. His stories aren’t just his stories, they’re all of our stories.
It’s hard to imagine anyone else portraying Scott Bradley but Scott Bradley. His performance style is at times frantic, but always warm and authentic. He takes an audience in his arms and let’s them know that it’s okay to fail. He doesn’t ask an audience for approval, but rather to say if you’re struggling, you’re not alone. Chay Yew helps draw out Bradley’s vulnerability through a variety of pseudo-characters; Bradley at various ages of his life. Yew also designed the set, though sparse, is effective. The pop cultural cannon that inspired Bradley is playfully cast on the floor of the stage rather than the backdrop. An interesting visual twist.
“Packing” is a journey of self-acceptance through an era that was less gay friendly. It’s Scott Bradley exposing his storied life in order to help anyone who finds themselves in the same boat. It’s a theater experience that gives voice to anyone who fled small town roots in order to find themselves.
Through December 7th at About Face theater - Theater Wit. 1229 W Belmont Ave. 773-975-8150
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