‘Right to Be Forgotten ' is a play for our times, in contemporary language and a production at Raven Theatre that is laser-focused on an issue of our day—the inability of the average person to remove online content about themselves that is damaging or even life-threatening.
Directed by Sarah Gitenstein from a script by Sharyn Rothstein, this Chicago premiere features minimalist sets—a simple table and chairs evokes a coffee shop; a desk makes an office—and characters that are quickly recognizable types. The stage features a surround of screens on which social media posts and Google search results are displayed, apropos of the subject: the indelible stamp made by digital records of our lives.
Hapless 17-year-old nerd Derril Lark (Adam Shalzi), who for weeks dogged his first school crush, Jamila Tyler (Eve Salinsky), was called into the principal’s office and set straight. Mending his ways thereafter, his stalking behavior was documented on the ‘High School Girl’ blog, and he soon became a symbol of stalkers despite stopping his behavior.
A decade later Darril Lark is at work on his PhD in literature, and dreaming of settling into a serious relationship. Dating through match-up apps, he meets Sarita (Kelsey Elyse Rodriguez), and the two hit it off. But very soon he divulges to Sarita that his profile carries an assumed name, for his real name is infinitely attached to the hashtag #lurkinlark. The story of his brief high school misstep was subsumed into an onslaught of posts about other heinous aggressions suffered by girls and women everywhere, along with numerous related supportive posts, all of which appear when anyone googles his real name.
The story leads us through Darril's futile attempts to have his history cleared voluntarily by the search engine giant, using their appeals process. In desperation he pleads his case to a lawyer known in the field for battling internet behemoths, Marta Lee (Susaan Jamshidi), who takes his case. The plot now turns on the legal and eventually political jousting around his case, leading us through the twists and turns of a first-rate courtroom drama.
‘Right to Be Forgotten’ is an artful exploration of the dynamics of a fraught societal issue. Threaded neatly with exposition of the subject, we learn that Europeans have the right to be forgotten, and upon request can have their histories expunged from the web. Via the clashes among lawyers, politicos, and individuals online (who are both consumers and suppliers of content) the playwright leads the audience to understand the unresolved tension in the U.S. between freedom of expression, and the right to privacy, both enshrined in the Constitution.
In some respects this script is a series of vignettes, and characters and dialog are lean and purposeful, like a web search result. While not naturalistic—we get just what we need to know, both about the characters, and for scenes to advance the action—the whole of ‘Right to Be Forgotten’ works together to conjure our empathy for individual suffering. And it ends with a satisfying, even optimistic resolution. Running through March 26 at Raven Theatre in Chicago, ‘Right to Be Forgotten’ is unforgettable, and comes highly recommended.
*Extended through April 2nd!
Dance performances can often be moving events but rarely do they hold the density, breadth and depth of emotions Giordano…
Walking into the Harris Theater for the “Trial of Themistocles,” I was expecting something translated from ancient Greek, togas, masks,…
All hands on deck Titanic fans! Get ready for a lavishly produced musical that boldly reimagines the Titanic story, navigating…
Welcome back to the Moulin Rouge! Broadway In Chicago is thrilled to announce the Tony Award® winning production, MOULIN ROUGE! THE MUSICAL is now playing…
By popular demand, Disney’s The Lion King will return to Chicago for the first time since 2023, where the production played a sold-out…
THE LISTENERS has undergone several incarnations since the 2021 novel by Jordan Tannahill. It’s been a full-length movie, a TV…
IDENTITY PERFORMING ARTS Presents Spring Concert 2025 “Instinct” A captivating performance of four distinct works on April 26 & 27…
The Auditorium (Chicago’s Landmark Stage® at 50 E. Ida B. Wells Drive) proudly welcomes back the eclectic energy of hometown favorite South…
Open Space Arts (OSA), who recently won some of the top honors in the Joseph Jefferson Awards for 2024 productions,…
I’ve reviewed a number of shows at Open Space Arts (OSA) – I love the place – so I’m familiar…
Hell in a Handbag Productions is pleased to continue its 2024/25 Season with the world premiere of Scary Town, Artistic Director David Cerda's semi-autobiographical…
In Definition Theatre's production of "Splash Hatch on the E Going Down," Kia Corthron's 1997 work feels unnervingly relevant in…
Kokandy Productions is pleased to announce the official selections for the annual Chicago Musical Theatre Festival, a celebration and showcase of the…
I’m not holding back—Copley Theatre’s latest offering, The 25th Annual Putnam County Spelling Bee, is an absolute winner! I’ve seen…
Don’t be deceived by the title. The phrase “lifespan of a fact” sounds about as dry as the Mojave Desert…
A.B.L.E.—Artists Breaking Limits & Expectations—a Chicago-based nonprofit that creates theatre and film for, with, and by individuals with Down syndrome…
Walking into Windy City Playhouse, audiences are immediately transported to somewhere new. Scenic Designer Kevin Rofls fills the space with…
Artistic Director Braden Abraham and Executive Director Kathryn M. Lipuma announce Writers Theatre's 2025/26 season. The five-play season is marked by four productions never seen before…
About Face Theatre announces the return of Re/Generation Studio, a weekend of community building, education, and performance to help build the future…
Fresh off her critically acclaimed and Tony-nominated run in Broadway's Days of Wine and Roses, Steppenwolf Theatre Company and Mark Cortale are pleased to present…
Going into “La Bohème” with little knowledge of Puccini’s masterpiece, I was just a naive theater-goer seeing it fresh at…
Cameron Mackintosh is delighted to announce that a revitalized new production of Andrew Lloyd Webber’s legendary musical, THE PHANTOM OF THE OPERA, will play…
Chicagoland's longest running musical theatre, Marriott Theatre, continues its 50th Anniversary Season celebration with the epic production of Titanic The Musical, directed and choreographed by Connor…
Ser o no ser esa es la cuestión We are all familiar with Shakespeare’s iconic line: to be or not…
Theater Wit, in collaboration with the Crown Family Center for Jewish Studies at Northwestern and Northlight Theatre, hosts CityTalk: A Series of Conversations on Assimilation, Antisemitism…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to continue its 49th season with the Chicago premiere of The…
Lyric Opera of Chicago today announces the company's 2025/26 Season, its first complete season under the leadership of new General…
Beetlejuice, Beetlejuice… Beetlejuice! You’ve summoned him once again, Chicago— BEETLEJUICE is back for another hauntingly hilarious run! The edgy and irreverent Broadway…
The Auditorium (Chicago’s Landmark Stage® at 50 E. Ida B. Wells Drive) proudly presents a special evening with Parsons Dance, the New…
Obliteration, LLC & The Revival Theater announce a limited engagement of Obliteration, written by Andrew Hinderaker, directed by Jonathan Berry, featuring Michael Patrick Thornton and Cyd Blakewell. Obliteration runs April 10-May 4,…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.