The first time I ever saw Oliver!, it was the 1960s movie version. I saw it at one of those old-timey theaters where an “old” guy (this was the 1980s and I was a wee lad, so the organist very well could’ve been a pimply teen keyboard prodigy and I’d have still pegged him as a geezer) played the pipe organ and they showed “old” movies (I remember seeing Laurel and Hardy there, too) and it was supposed to make you feel like it was the good-old days. Well, I know I didn’t recall much of the plot, but that Oliver!’s characters and musical numbers sure made a big impression — a big enough impression that my reintroduction to them, all these years later, by the Marriott Theatre’s current production, made it feel like being reacquainted with shabby old Cockney chums on the Victorian London streets in which they make their questionable livings.
When my date for the night, my six-year-old daughter who’s already a Broadway kinda gal, asked me what Oliver! was about, I told her it was “Annie with boys.” That explanation appeased her beforehand, and it made even more sense as we watched the show, because in Oliver!, it’s the kids who do the heavy lifting. From the opening number, “Food, Glorious Food,” the urchins whose lives are spent in either the poorhouse or on the London streets are the focus whenever they’re onstage. And the boys (and yes, unlike Annie’s female orphans, these kids are all male), despite their coal-smudged cheeks and their ratty rags and hand-me-down threads, light up the stage whenever they take it, especially in big numbers like the afore-mentioned “Food, Glorious Food,” as well as “Consider Yourself” and “You’ve Got to Pick a Pocket or Two.”
The two young stars of the play do as much shining as any of their peers. In the performance I saw, Kayden Koshelev played the eponymous orphan (he’ll be alternating performances with Kai Edgar). Koshelev is a little guy, tiny in comparison even to the other kids. But that makes him stand out, actually, and makes the audience care for him even more. Patrick Scott McDermott’s Artful Dodger steals each scene he’s in, his Cockney accent on point, his top hat held high, his eyes twinkling through the gloom and doom of his homeless, criminal existence.
And the adults who force this existence on their youthful stage mates are every bit their younger peers’ equals. In the movie version, I remember being terrified of Fagin. But in this production, William Brown brings the heart he recently brought to Into the Woods — sure he’s a crook and takes advantage of the boys who are his wards, but he’s a vulnerable villain. The same cannot be said for Dan Waller’s Bill Sikes; I wish Waller had a bigger part, because while he wasn’t the imposing figure, size-wise, I remember the film Sikes being, Waller’s demeanor and attire sure made a dark impression. Matthew R. Jones’ Mr. Bumble was also a daunting adult for the poor kids to deal with, although he was allowed some humor thanks to Bethany Thomas’ Mrs. Corney (Thomas, too, displays her range, this time as a character actress after carrying the recent Into the Woods).
But it was yet another star from Into the Woods who shined brightest in Oliver! — Lucy Godinez’s Nancy. Godinez starred, of course, as Little Red Riding Hood, and helped make that production. But, if it’s possible, she’s even better here, showing just as much warmth as Brown’s Fagin for the ragamuffins, and providing the highlight of the show with her take on “As Long as He Needs Me” — her performance of that song alone will have me looking for any future productions she’s in.
So, just like the film version’s plot made little impression on a little me, while its cast and music did, I can say the same for the Marriott Theatre’s current production of Oliver! — come for the charming Cockney characters and the tunes, glorious tunes. You won’t leave with an empty belly.
At Marriott Theatre through December 29th. For more information visit https://www.marriotttheatre.com/.
After pausing its operations last year to reorganize and create a new business model, Chicago's Tony-Award winning Lookingglass Theatre Company is proud…
City Lit Theater has announced its cast and creative team for the Chicago Premiere of GLASSHEART, by Chicago-based playwright Reina…
I arrived at the Goodman Theatre for the opening of its 47th annual production of A Christmas Carol, directed by…
If you’re looking for a way to entertain the children (or grandchildren) this holiday season that doesn’t involve long lines,…
In 1997, Disney came out with the most magnificent adaptation of Rodgers and Hammerstein’s Cinderella that has ever been made.…
What the hell is pantomime anyway? Will I be reviewing a game of Charades? Google to the rescue! But I…
The Chicago International Puppet Theater Festival is pulling strings to raise funds this fall, offering three exclusive sneak peeks of…
Oil Lamp Theater is proud to announce the cast and creative team for its first production of the 2025 season, The Complete…
Chicago theatres will present a wide variety of festive plays, musicals, dance, and comedy offerings this holiday season. In support,…
Steep Theatre will kick off the new year with the Chicago Premiere of David Harrower's A Slow Air, directed by Steep…
The Driehaus Museum and the African American Museum of Performing Arts (AAMPA) announce the casting for A Nativity Tribute, an adaptation of Langston Hughes' gospel…
Overall Citadel Theatre’s ‘Dames at Sea’ has a smashingly great cast of singers and dancers, perfect for a musical comedy…
When Francesca Zambello, director of The Glimmerglass Festival, commissioned an opera about race in America, the country was reeling from…
Even 40 years later, the AIDS crisis continues to shape American life. Long before Hollywood brought AIDS stories to the…
I thoroughly enjoyed Drury Lane's enchanting stage production of Disney’s The Little Mermaid from start to finish. While few are…
Pegasus Theatre Chicago is proud to announce the authors and plays being presented at the 38th Annual Young Playwrights Festival, January 5 - 26,…
Get ready to dive into the holiday spirit like never before on December 7th and 8th with A Christmas Cabaret…
“Every Brilliant Thing,” places unusual demands on its lead character, Narrator. Jessie Fisher delivers a carefully calibrated performance from a…
Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, continues its 2024–2025 season with Louisa May Alcott's…
Music Theater Works is proud to announce the cast and creative team for the final production of its 2024 season, Legally Blonde:…
After pausing its operations last year to reorganize and create a new business model, Chicago's Tony-Award winning Lookingglass Theatre Company, in association…
BrightSide Theatre has announced that it will perform the long-running hit Broadway musical JEKYLL AND HYDE in a concert presentation…
Hell in a Handbag Productions is pleased to open its 2024/25 Season with the 25th anniversary edition of Artistic Director David Cerda's* holiday classic Rudolph…
Sometimes history has a way of repeating itself and it’s not always for the better. Try as we might to…
Throughout our busy lives we often seek out the new. It is easy to see the allure. Beginnings offer a…
I've always had a deep fondness for the two timeless films Holiday Inn and White Christmas. These movies feature outstanding…
Due to popular demand, Steppenwolf Theatre is pleased to announce Jane Lynch's A SWINGIN' LITTLE CHRISTMAS has added a sixth and final performance to its nearly sold-out…
The Joffrey Ballet's critically acclaimed reimagined classic, The Nutcracker by two-time Tony Award®-winning choreographer Christopher Wheeldon, returns to the Lyric Opera House, 20 North…
Lifeline Theatre brings their first MainStage production of the 2024-25 season to the stage with Jacob Marley's Christmas Carol. Tom Mula's holiday tale…
Individual tickets for SHUCKED, the Tony Award® winning musical comedy The Wall Street Journal calls "flat out hilarious," will go on sale on…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.