Keith (Debo Balogun) and Ryan (Nate Faust) sit in their rolling chairs in the middle of Keith’s office. The lighting is highly florescent, and the two are discussing Ryan’s current status and ability to convince a bank to give him a loan. Tension is high, and with Ryan’s desperation only increasing, Keith is doing everything in his power to help him out. We have been watching the duo become closer over the last many scenes, and at this point in time, you may feel yourself leaning in – nervous for Ryan’s fate and just hoping the two friends can figure out a path forward.
Then the lights shift. The stage becomes brighter, birds start to chirp, and the two bring their rolling chairs downstage so they are sitting directly next to each other. No longer are we in Keith’s office. The rolling chairs now represent a bench in a park, and the two single fathers are watching their kids play together. Through their commentary, it’s clear that the kids are becoming closer, and learning to share as they move through the various slides and playground equipment. Somewhere in mid-conversation, we hear Keith gasp as he grabs his phone. Their toddlers are holding hands, and the fathers simply have to capture the moment before it’s too late. As the two giggle on stage, I could hear the audience surrounding me share in the joy – laughing and appreciating the sweet humor.
Sam Hunter’s play is about a lot of things. The ups and downs of fatherhood. The challenges of bureaucracy. The difficulty of building a better life for yourself when everything seems to be stacked against you. But at the heart, this is a story about a friendship that forms between two strangers – two men who not only share the status of fatherhood, but also a certain sadness from their lived experience. As you witness Hunter’s cleverly-written story, you might just find that the journey is at times gut-wrenching, but also full of hope – a balance that keeps you intrigued and eagerly awaiting more.
Written by Sam Hunter, A Case for the Existence of God follows the story of Keith and Ryan. The two men come together on the day that Ryan arrives at Ken’s office door for help obtaining a loan. While the relationship begins with some tension, the barriers start to come down at the realization that both have a young daughter back home. From there, a friendship forms, and we witness the slow building of trust as they learn how to better support each other through both the financial and parental challenges that follow.
Directed by Robin Witt, the play is fast paced. The piece may only be 90 minutes, but once this train of a play starts, there is simply no stopping it until the lights come down at the end. Witt’s artistic team aids in that endeavor – particularly through the work of Scenic Designer Sotirios Livaditis. The stage is entirely consumed by Keith’s small office – a space that leaves little space for movement. The intimate feel of the Edge off Broadway thrusts the audience right into the action – forcing us all into this tiny office that represents multiple locations as the two characters start to uncover each other’s secrets. The ending result? For better or for worse, we are on this roller coaster with the characters – and personally, I feel that helps make the journey.
Hunter’s play is a two-hander, and considering the actors never leave the stage, the chemistry between the two actors feels essential. Balogun and Faust rise to the challenge. If you’re like this writer, then you have also perhaps caught these Steep ensemble members in many productions over the years. Always talented, but these roles in particular shine. In collaboration with Witt’s direction, the performances are gripping, and with every twist and turn, I personally found it impossible to look away.
With standout performances, a smart production, and a story that tugs at the heartstrings, this is one you do not want to miss. Steep does not disappoint and from the looks of the standing ovation surrounding me at the end of this particular performance, I was not alone in my opinion.
HIGHLY RECOMMENDED
A Case for the Existence of God runs through September 7 at the Edge of Broadway – 1133 W Catalpa Avenue.
Love is often jokingly referred to as a socially acceptable form of insanity, but in Sam Shepard’s ‘Fool for Love’…
Like the dream deferred in Langston Hughes' poem that inspired its title, Court Theatre's latest production of "A Raisin in…
It’s still fairly early in the evening. At this point, the turkey is in the oven, and Jane and Luna…
Open Space Arts presents a premiere performance of Michael McKeever’s MR PARKER. Like everything I’ve seen at Open Space Arts…
Some 60 years ago black intellectual and littérateur James Baldwin met with the leading conservative spokesman and author of his day,…
Buffalo Theatre Ensemble’s latest offering, Native Gardens by Karen Zacarias, is a riotous comedy that delves into the quirky world…
It’s Athol’s turn to speak. The lights have come up on his side of the stage and Morna fades into…
One of the things I have always enjoyed and admired most about Chicago Shakespeare Theatre is their willingness to bring…
Chicago’s Tony-Award winning Lookingglass Theatre Company is proud to share its current 2025 season including two mainstage productions, Circus Quixote, January 30 – March…
James Ijames' Pulitzer Prize-winning play, Fat Ham, bursts onto the Goodman Theatre stage in a vibrant, deeply resonant co-production with…
Before Alison Bechdel became famously associated with her “Bechdel Test” for evaluating fiction by how women are portrayed, she published…
Brightside Theatre's latest production, Jekyll And Hyde In Concert is a truly mesmerizing experience. And if you are a Chicago…
JaJa’s African Hair Braiding, written by first-generation Ghanaian American playwright Jocelyn Bioh and directed by Obie Award-winning Whitney White, is…
Broadway In Chicago and Starvox Touring are excited to announce individual tickets for XAVIER MORTIMER: MASTER OF MAGIC are now on sale. XAVIER MORTIMER: MASTER…
Drury Lane Theatre opens its 2025/26 with the thrilling Chicago Regional Premiere of The Da Vinci Code, based on the novel by Dan Brown,…
This winter, The Joffrey Ballet presents Golden Hour, a radiant mixed repertoire program of warmth and splendor. Featuring world premieres by Yuri Possokhov and Dani Rowe,…
Chicagoland's longest running musical theatre, Marriott Theatre, officially kicks off its spectacular 50th Anniversary Season with one of the most enduring and beloved musicals…
We all have Christmas rituals; practices we incorporate into our personal experiences of the holidays. For me, it used to…
Collaborations can produce tremendous results and the one between Nathan Gunn, his wife Julie Jordan Gunn and Jam Orchestra counts…
Drury Lane Theatre is thrilled to announce casting for Beautiful: The Carole King Musical, a heartwarming journey through Carole King's inspirational life story, where…
Alvin Ailey American Dance Theater, one of the world's most popular dance companies, returns to The Auditorium, Chicago's landmark stage at…
Chicago Shakespeare Theater (CST) announces today an exciting addition to the 2024/25 season: the North American premiere of the new musical 42 Balloons.…
It’s the second act, and Beau (Jake Odmark) is in quite a state. The love of his life is about…
Court Theatre – under the continuing leadership of Executive Director Angel Ysaguirre, with interim artistic leadership from Senior Artistic Producer Gabrielle Randle-Bent and Senior Managing…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to present a searing revival of Sam Shepard's dark and beautiful…
Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Artistic Director Braden Abraham, continues its 2024/25 Season with Frida...A Self Portrait, starring acclaimed…
Invictus Theatre Company has announced programming for its 2025 season, its second in residence at the Windy City Playhouse. As…
Kokandy Productions is pleased to open submissions for the 2025 Chicago Musical Theatre Festival (CMTF), returning April 3 – 6, 2025 on The Chopin Theatre…
The Artistic Home will present the Chicago premiere of Mark O'Rowe's adaptation of Ibsen's HEDDA GABLER. This pioneering work of…
My companion was apprehensive about the press release’s statement that “… the two-person cast will play all characters and will…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.