Displaying items by tag: Martin DiazValdes
Fresh Insights in a Merchant of Venice Set in Mussolini's Fascist Italy
Triggered by Shylock’s role, Invictus Theatre gives us a strong production of The Merchant of Venice. One of Shakespeare’s most accessible plays, The Merchant is seasoned with timeless lines: “Love is blind”, “Let me play the fool,” “The quality of mercy is not strained,” “the devil can cite Scripture for his purpose.”
And its well-crafted subplots include the famous trio of suitors seeking the key to marry the princess Portia (Julia Badger), by choosing blindly among three boxes - with only the barest of hints to guide them. The Merchant of Venice also features Shakespeare’s only explicitly Jewish character, Shylock (Joseph Beal) – a moneylender who, along with his Jewish companion, Tubal (Joshua Seeger), is reviled by the citizens of Venice. In this production, we are transported to Mussolini’s Italy in 1938 – a time when Hitler’s Nuremburg laws against Jews were promulgated.
Though updating the period of Shakespeare’s plays is almost commonplace, as though the scripts are in need of a facelift, Invictus heightens the impact of the singularly disturbing Jew-baiting structured into Shakespeare’s action and dialog. The opening scene features menacing uniformed Blackshirt fascista in jackboots and jodhpurs, and soon enough the merchant Antonio (Chuck Monro) spits in the face of Shylock (Joseph Beal). Mussolini’s face is plastered in posters all around, and his thundering speeches play before the curtain rises. The costumes by Sato Schechner are elegant and on trend.
What Shakespeare had in mind with Shylock is open to question; Jews had been driven from and banned by England for centuries. Invictus dramaturg Michael Shapiro notes the play was likely produced in response to a plot to kill Queen Elizabeth – for which her Jewish-Spanish physician was executed. The Bard may also have been drawn to the outsider nature of Shylock, who like Othello or Hamlet, suffers for his “otherness.”
Christians in Venice were prohibited by the Church from making loans, so Jews made them. Shylock laments his lack of stature among the merchant class, despite the essential service he offers.
In the play, the young merchant Bassanio (Martin Diaz-Valdes) needs funding for ships in a trading expedition. Shylock sets up a bullet-proof contract with default requiring payment in the famous “pound of flesh.” Bassanio also needs the wealth to buttress pursuit of Portia as his bride. As the plot turns, the ships founder in storms, and the loan is called. Shylock engenders our sympathy as he expounds eloquently on the abuse he suffers from the trading class.
When Bassanio’s associate Salarino (Mitchell Spencer) suggests the terms are too harsh to enforce, Shylock asserts his case compellingly in the marketplace:
He hath disgraced me, and….what's his reason? I am a Jew….
Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions? …If you prick us, do we not bleed? if you tickle us, do we not laugh? if you poison us, do we not die? and if you wrong us, shall we not revenge?
In this Merchant of Venice, the language of Shakespeare is handled effectively, with Chuck Monro as Antonio, Martin Diaz-Valdes as Bassanio and Madeline Pell as Nerissa delivering compelling performances. Monro also brings a depth of emotion to his part.
In the role of Shylock, Joseph Beal uses a kind of Ashkenaz accent (a Western European “Jewish” accent if I have it right) which atop the Elizabethan English is quite a feat. But it seemed to me the Ashkenaz was slathered on a bit heavily, which at times diminished the power of the underlying script. Still you cannot not miss the power of his Shylock performance, a testament to Beal’s strength. A nod to a very special performer is in order: Jack Morsovillo played Launcelot, the Jailer, and the suitor, the Prince of Arragon, effortlessly switching roles, between stints playing incidental guitar music. Well done!
Recommended, The Merchant of Venice runs through November 17 at the Pride Arts Center, 4147 N. Broadway in Chicago.
‘Anatomy of a Suicide’ Is Hard to Watch, But Not Because of the Subject
18 August 2026 in Theatre in ReviewPerhaps surprisingly, Anatomy of a Suicide is not an overwhelmingly emotionally gripping play, nor is it horrifying. Instead, it vividly…
Gwydion Theatre Company presents The Chicago Premiere of Por’ Knockers at the Greenhouse Theater’s Studio 44 September 10 - October 4
18 August 2026 in Upcoming TheatreThis narrative tracks five individuals within the "People’s Diasporatic Party"—outfitted in corporate attire—as they take refuge in a desolate East…
Oil Lamp's I Love You Because has heart, despite lukewarm romance
17 August 2026 in Theatre in ReviewFinding love has always been a challenge. In Jane Austen’s day, a time governed by strict rules of courtship, couples…
Joffrey Ballet opens its 2026-27 season with Chicago Premiere of John Neumeier's theatrical masterpiece, Liliom, featuring 16-piece live jazz band on stage SEPTEMBER 17-27
17 August 2026 in Upcoming DanceThe Joffrey Ballet opens its 2026-27 season with the Chicago Premiere of John Neumeier's landmark narrative ballet Liliom. Inspired by Ferenc Molnár's 1909 play and…
Detroit ’67 at Pulse Theatre Chicago – September 11-November 1
17 August 2026 in Upcoming TheatrePulse Theatre Chicago proudly announces a defining new chapter in the company's history with the expansion of its artistic leadership,…
Hail Mary/Maria at Theater Wit – A Welcome New Slant on Crossing Over into Adulthood
17 August 2026 in Theatre in ReviewComing of age stories resonate more profoundly when they mirror the lived reality of a real person. That’s why the…
Remy Bumppo Theatre Company Hosts "Exploring The In Between: A Conversation About Mid-Sized Theatres in Chicago," Monday, Oct. 26 at 7 p.m. at Theater
17 August 2026 in Theatre BuzzRemy Bumppo Theatre Company’s 30th Anniversary Season continues with "Exploring The In Between: A Conversation About Mid-Sized Theatres in Chicago," Monday,…
Shattered Globe Theatre Announces 36th Season
17 August 2026 in Upcoming TheatreShattered Globe Theatre (SGT), now under the artistic leadership of Ian Frank, is pleased to announce its 36th Season, featuring three plays that explore the…
M.A.D.D. Rhythms Announces the return of the Chicago Tap Summit this October and other 25th Anniversary Events
17 August 2026 in Upcoming DanceM.A.D.D. (Making A Difference Dancing) Rhythms, Chicago’s premier tap collective, is proud to celebrate its 25th Anniversary at the Chicago Tap…
BLUE MAN GROUP "A NEW HOLIDAY SURPRISE" Coming to Chicago for the Holidays NOVEMBER 24 – DECEMBER 13
17 August 2026 in Upcoming TheatreBroadway In Chicago is pleased to announce Blue Man Group will bring its first-ever holiday production, "A NEW HOLIDAY SURPRISE," on…
League of Chicago Theatres hosts 2026 Spotlight Gala: Unmask the Night, Embrace the Drama October 19
17 August 2026 in Theatre BuzzThe League of Chicago Theatres will host its annual benefit, the 2026 Spotlight Gala: Unmask the Night, Embrace the Drama at City Hall –…
Broadway In Chicago presents Waitress at JAMES M. NEDERLANDER THEATRE OCTOBER 13 – 18, 2026
17 August 2026 in Upcoming TheatreBroadway In Chicago is delighted to announce that single tickets for the upcoming engagement of the 10th Anniversary tour of the hilarious…
Otherworld Theatre Boldly Goes Again with Starship Edsel Season 4
17 August 2026 in Theatre in ReviewOtherworld Theatre blasts back into the cosmos with Season 4 of Starship Edsel: An Improvised Star Trek Parody, the latest…
Bernstein’s Score Burns Bright in Music Theater Works’ West Side Story
16 August 2026 in Upcoming TheatreSome musicals carry such cultural weight that every new production feels like a referendum on how well a company can…
Gus and Alice Brings Nostalgic, Cozy Comedy
15 August 2026 in Theatre in ReviewTheatre 31 Productions’ Gus and Alice has returned to the Greenhouse Theater Center this month. Written by Chicago playwright Mike Rago,…
From Subway Cars to Chicago Stages: Marcus Monroe at The Comedy Bar
14 August 2026 in Theatre in ReviewSometimes the best way to find a comedian who’s new to you is by stumbling onto a clip that stops…
Jersey Boys coming to CIBC Theatre November 10 - 22
14 August 2026 in Upcoming TheatreBroadway In Chicago is excited to announce tickets for t he original Tony® & Olivier Award-winning musical sensation, JERSEY BOYS, are now on sale.…
Music Theater Works Announces its 2027 Season
13 August 2026 in Upcoming TheatreProducing Artistic Director Kyle A. Dougan and Music Theater Works are proud to announce its 47th season. The 2027 season at the North Shore…
Redtwist Theatre presents Prayer Circle September 17 - November 8
13 August 2026 in Upcoming TheatreAward-winning Redtwist Theatre’s new 22nd season, “State of Violence,” begins with Prayer Circle, September 17 - November 8, by Erik Gernand and directed by Executive Artistic Director…
Citadel Theatre presents EUREKA DAY September 11 – Sunday, October 11
13 August 2026 in Upcoming TheatreLake Forest's Citadel Theatre has announced the full cast and crew for its season opener - the satirical comedy EUREKA…
Black Ensemble Theater continues its 50th Anniversary Season with the revival of musical revue You Can't Fake the Funk: A Journey Through Funk Music September 5-October 25, 2026
13 August 2026 in Upcoming TheatreBlack Ensemble Theater continues its 50th Anniversary Season with the world premiere of You Can't Fake the Funk: A Journey Through Funk…
Jackalope Theatre Company Announces The Cast And Creative Team For The World Premiere of Engines and Instruments of Flight: A Fantasia In Three Acts By Calamity West, November 11 - December 19
13 August 2026 in Upcoming TheatreJackalope Theatre Company, presenting the 17th Annual Newspaper Festival, August 20 - 24, is proud to announce the world premiere of Engines and…
The 37th annual Rhinoceros Theater Festival Returns September 20 – October 26 at Six Chicago venues
12 August 2026 in Upcoming TheatreCurious Theatre Branch, with co-producers Chicago Danztheater Ensemble, Chicago Dramatists and Labyrinth Club, are pleased to announce the 37th annual Rhinoceros Theater…
Collaboraction announces two major productions at its new House of Belonging in Humboldt Park in 2026-27
12 August 2026 in Upcoming TheatreCollaboraction Theatre Company announced today two major productions for its 2026-27 season: the world premiere of Chicago writer Willie Round’s…
A Red Orchid Theatre Opens 34th Season with Chicago Premiere of HEROES OF THE FOURTH TURNING October 29 – December 6, 2026
12 August 2026 in Upcoming TheatreA Red Orchid Theatre is pleased open its 34th Season, exploring the theme of "world on fire," with the Chicago premiere of Will…
Open Space Arts to present THE SWALLOW, by Spain's Guillem Clua, September 11 - 27
12 August 2026 in Upcoming TheatreOpen Space Arts has announced it will stage the Chicago Premiere of THE SWALLOW - the internationally acclaimed drama by…
CHICAGO HUMANITIES announces full Fall Festival 2026 programming
11 August 2026 in Upcoming TheatreChicago Humanities proudly announces the full lineup for its Fall Festival 2026, with conversations ranging from social justice, music, politics, literature, food,…
Tin Drum Theatre Company announces Chicago premiere of A Dark Wood by Eric Coble, Oct. 15–Nov. 1 at Greenhouse Theater Center
11 August 2026 in Upcoming TheatreTin Drum Theatre Company is proud to announce the cast and creative team for Chicago premiere for A Dark Wood, October 15 -…
A Red Orchid Theatre Presents Remount of Hit Production BIRDS OF NORTH AMERICA September 10 – October 4
11 August 2026 in Upcoming TheatreA Red Orchid Theatre is thrilled to announce a remount of its critically-acclaimed, father-daughter drama Birds of North America, returning for a limited…
Young dancers and performers invited to audition for Joffrey Ballet's The Nutcracker, September 10 and 13
11 August 2026 in Theatre BuzzThe Joffrey Ballet holds open auditions for the Children's Cast of Christopher Wheeldon's The Nutcracker at its downtown studios in Joffrey Tower, 10 East…
Latest Articles
-
Gwydion Theatre Company presents The Chicago Premiere of Por’ Knockers at the Greenhouse Theater’s Studio 44 September 10 - October 4
Written by Buzz Center StageThis narrative tracks five individuals within the "People’s Diasporatic Party"—outfitted in corporate attire—as they take refuge in a desolate East New York residence While the group anticipates the fallout from an orchestrated bombing, hysteria takes hold, exposing the rift between… -
‘Anatomy of a Suicide’ Is Hard to Watch, But Not Because of the Subject
Written by Bill EslerPerhaps surprisingly, Anatomy of a Suicide is not an overwhelmingly emotionally gripping play, nor is it horrifying. Instead, it vividly portrays the slow drip of suffering for Carol, a woman in the grip of depression, living always with suicidal tendencies.… -
Broadway In Chicago presents Waitress at JAMES M. NEDERLANDER THEATRE OCTOBER 13 – 18, 2026
Written by Buzz Center StageBroadway In Chicago is delighted to announce that single tickets for the upcoming engagement of the 10th Anniversary tour of the hilarious hit Broadway musical WAITRESS are on sale now. Featuring music and lyrics by Grammy® Award-winning singer-songwriter Sara Bareilles, WAITRESS will play Broadway In Chicago’s James…
-
League of Chicago Theatres hosts 2026 Spotlight Gala: Unmask the Night, Embrace the Drama October 19
Written by Buzz Center StageThe League of Chicago Theatres will host its annual benefit, the 2026 Spotlight Gala: Unmask the Night, Embrace the Drama at City Hall – Recess, 838 W. Kinzie St. on Monday, October 19, 2026. The evening will celebrate the rich legacy of Chicago theatre. More than…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.